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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AB007 it is the complementary color #A54FF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AB007. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AB007 shade: #5FB002, #70C215, #81D428, #92E63B and #A3F84E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AB007. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AB007 shade: #5AB007, #499E00, #388C00, #277A00 and #166800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AB007 shade: #5AB007, #87B007, #B0AB07, #B07D07 and #B05007

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AB007 shade: #5AB007, #2CB007, #07B00F, #07B03D and #07B06A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AB007 shade matches the following richer shades: #5AB007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AB007 shade: #5AB007, #5AA116, #5A9225, #5B8333 and #5B7442

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AB007 shade: #B0AA07, #88B007, #5BB007, #2EB007 and #07B00C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AB007 shade: #316104, #468805, #5AB007, #6ED708 and #83F514

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AB007 shade: #5AB007, #07B07D and #B0079F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AB007 shade: #5AB007, #075BB0 and #B0075B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AB007 shade: #5AB007, #07B07D, #5B07B0 and #B0073A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AB007 shade: #5AB007, #07B0B0, #5B07B0 and #B00707

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 96 / 31

HEX #5AB007

RGB 90 176 7

HSL 90.53, 0.92%, 0.36%

LAB 64.35, -50.05, 64.28

 

Complementary color

CMYK 33 / 68 / 0 / 3

HEX #A54FF8

RGB 165 79 248

HSL 270.53, 0.92%, 0.64%

LAB 52.25, 65.07, -70.63

 

CMYK 46 / 0 / 99 / 31

HEX #5FB002

RGB 95 176 2

HSL 87.93, 0.98%, 0.35%

LAB 64.55, -48.56, 65.16

 

CMYK 42 / 0 / 89 / 24

HEX #70C215

RGB 112 194 21

HSL 88.44, 0.8%, 0.42%

LAB 70.93, -49.66, 68.05

 

CMYK 39 / 0 / 81 / 17

HEX #81D428

RGB 129 212 40

HSL 88.95, 0.68%, 0.49%

LAB 77.23, -50.48, 69.64

 

CMYK 37 / 0 / 74 / 10

HEX #92E63B

RGB 146 230 59

HSL 89.47, 0.77%, 0.57%

LAB 83.45, -51.07, 70.18

 

CMYK 34 / 0 / 69 / 3

HEX #A3F84E

RGB 163 248 78

HSL 90, 0.92%, 0.64%

LAB 89.61, -51.48, 70.06

 

CMYK 49 / 0 / 96 / 31

HEX #5AB007

RGB 90 176 7

HSL 90.53, 0.92%, 0.36%

LAB 64.35, -50.05, 64.28

 

CMYK 54 / 0 / 100 / 38

HEX #499E00

RGB 73 158 0

HSL 92.28, 1%, 0.31%

LAB 57.91, -48.54, 59.84

 

CMYK 60 / 0 / 100 / 45

HEX #388C00

RGB 56 140 0

HSL 96, 1%, 0.27%

LAB 51.38, -46.7, 54.43

 

CMYK 68 / 0 / 100 / 52

HEX #277A00

RGB 39 122 0

HSL 100.82, 1%, 0.24%

LAB 44.73, -44.53, 48.95

 

CMYK 79 / 0 / 100 / 59

HEX #166800

RGB 22 104 0

HSL 107.31, 1%, 0.2%

LAB 37.97, -41.83, 43.4

 

CMYK 49 / 0 / 96 / 31

HEX #5AB007

RGB 90 176 7

HSL 90.53, 0.92%, 0.36%

LAB 64.35, -50.05, 64.28

 

CMYK 23 / 0 / 96 / 31

HEX #87B007

RGB 135 176 7

HSL 74.56, 0.92%, 0.36%

LAB 66.69, -33.69, 67.12

 

CMYK 0 / 3 / 96 / 31

HEX #B0AB07

RGB 176 171 7

HSL 58.22, 0.92%, 0.36%

LAB 68.29, -13.68, 69.68

 

CMYK 0 / 29 / 96 / 31

HEX #B07D07

RGB 176 125 7

HSL 41.89, 0.92%, 0.36%

LAB 56, 11.19, 60.64

 

CMYK 0 / 55 / 96 / 31

HEX #B05007

RGB 176 80 7

HSL 25.92, 0.92%, 0.36%

LAB 45.61, 35.8, 53.49

 

CMYK 49 / 0 / 96 / 31

HEX #5AB007

RGB 90 176 7

HSL 90.53, 0.92%, 0.36%

LAB 64.35, -50.05, 64.28

 

CMYK 75 / 0 / 96 / 31

HEX #2CB007

RGB 44 176 7

HSL 106.86, 0.92%, 0.36%

LAB 63.01, -61.07, 62.63

 

CMYK 96 / 0 / 91 / 31

HEX #07B00F

RGB 7 176 15

HSL 122.84, 0.92%, 0.36%

LAB 62.62, -64.53, 61.02

 

CMYK 96 / 0 / 65 / 31

HEX #07B03D

RGB 7 176 61

HSL 139.17, 0.92%, 0.36%

LAB 62.87, -61.29, 46.92

 

CMYK 96 / 0 / 40 / 31

HEX #07B06A

RGB 7 176 106

HSL 155.15, 0.92%, 0.36%

LAB 63.46, -54.21, 25.47

 

CMYK 49 / 0 / 96 / 31

HEX #5AB007

RGB 90 176 7

HSL 90.53, 0.92%, 0.36%

LAB 64.35, -50.05, 64.28

 

CMYK 49 / 0 / 96 / 31

HEX #5AB007

RGB 90 176 7

HSL 90.53, 0.92%, 0.36%

LAB 64.35, -50.05, 64.28

 

CMYK 44 / 0 / 86 / 37

HEX #5AA116

RGB 90 161 22

HSL 90.65, 0.76%, 0.36%

LAB 59.64, -43.72, 57.81

 

CMYK 38 / 0 / 75 / 43

HEX #5A9225

RGB 90 146 37

HSL 90.83, 0.6%, 0.36%

LAB 54.93, -36.57, 48.9

 

CMYK 31 / 0 / 61 / 49

HEX #5B8333

RGB 91 131 51

HSL 90, 0.44%, 0.36%

LAB 50.33, -28.1, 38.03

 

CMYK 22 / 0 / 43 / 55

HEX #5B7442

RGB 91 116 66

HSL 90, 0.27%, 0.36%

LAB 45.78, -18.69, 24.68

 

CMYK 0 / 3 / 96 / 31

HEX #B0AA07

RGB 176 170 7

HSL 57.87, 0.92%, 0.36%

LAB 68.02, -13.16, 69.47

 

CMYK 23 / 0 / 96 / 31

HEX #88B007

RGB 136 176 7

HSL 74.2, 0.92%, 0.36%

LAB 66.75, -33.28, 67.19

 

CMYK 48 / 0 / 96 / 31

HEX #5BB007

RGB 91 176 7

HSL 90.18, 0.92%, 0.36%

LAB 64.4, -49.74, 64.33

 

CMYK 74 / 0 / 96 / 31

HEX #2EB007

RGB 46 176 7

HSL 106.15, 0.92%, 0.36%

LAB 63.05, -60.74, 62.68

 

CMYK 96 / 0 / 93 / 31

HEX #07B00C

RGB 7 176 12

HSL 121.78, 0.92%, 0.36%

LAB 62.61, -64.62, 61.48

 

CMYK 49 / 0 / 96 / 62

HEX #316104

RGB 49 97 4

HSL 90.97, 0.92%, 0.2%

LAB 36.39, -31.68, 41.34

 

CMYK 49 / 0 / 96 / 47

HEX #468805

RGB 70 136 5

HSL 90.23, 0.93%, 0.28%

LAB 50.6, -40.78, 53.12

 

CMYK 49 / 0 / 96 / 31

HEX #5AB007

RGB 90 176 7

HSL 90.53, 0.92%, 0.36%

LAB 64.35, -50.05, 64.28

 

CMYK 49 / 0 / 96 / 16

HEX #6ED708

RGB 110 215 8

HSL 90.43, 0.93%, 0.44%

LAB 77.24, -58.56, 74.84

 

CMYK 47 / 0 / 92 / 4

HEX #83F514

RGB 131 245 20

HSL 90.4, 0.92%, 0.52%

LAB 87.09, -63.08, 81.88

 

CMYK 49 / 0 / 96 / 31

HEX #5AB007

RGB 90 176 7

HSL 90.53, 0.92%, 0.36%

LAB 64.35, -50.05, 64.28

 

CMYK 96 / 0 / 29 / 31

HEX #07B07D

RGB 7 176 125

HSL 161.89, 0.92%, 0.36%

LAB 63.82, -50.08, 15.68

 

CMYK 0 / 96 / 10 / 31

HEX #B0079F

RGB 176 7 159

HSL 306.04, 0.92%, 0.36%

LAB 41.03, 71.24, -37.11

 

CMYK 49 / 0 / 96 / 31

HEX #5AB007

RGB 90 176 7

HSL 90.53, 0.92%, 0.36%

LAB 64.35, -50.05, 64.28

 

CMYK 96 / 48 / 0 / 31

HEX #075BB0

RGB 7 91 176

HSL 210.18, 0.92%, 0.36%

LAB 39.01, 11.39, -51.35

 

CMYK 0 / 96 / 48 / 31

HEX #B0075B

RGB 176 7 91

HSL 330.18, 0.92%, 0.36%

LAB 38.09, 63.61, 0.65

 

CMYK 49 / 0 / 96 / 31

HEX #5AB007

RGB 90 176 7

HSL 90.53, 0.92%, 0.36%

LAB 64.35, -50.05, 64.28

 

CMYK 96 / 0 / 29 / 31

HEX #07B07D

RGB 7 176 125

HSL 161.89, 0.92%, 0.36%

LAB 63.82, -50.08, 15.68

 

CMYK 48 / 96 / 0 / 31

HEX #5B07B0

RGB 91 7 176

HSL 269.82, 0.92%, 0.36%

LAB 28.14, 62.13, -68.89

 

CMYK 0 / 96 / 67 / 31

HEX #B0073A

RGB 176 7 58

HSL 341.89, 0.92%, 0.36%

LAB 37.28, 61.4, 20.79

 

CMYK 49 / 0 / 96 / 31

HEX #5AB007

RGB 90 176 7

HSL 90.53, 0.92%, 0.36%

LAB 64.35, -50.05, 64.28

 

CMYK 96 / 0 / 0 / 31

HEX #07B0B0

RGB 7 176 176

HSL 180, 0.92%, 0.36%

LAB 65.15, -36.17, -10.65

 

CMYK 48 / 96 / 0 / 31

HEX #5B07B0

RGB 91 7 176

HSL 269.82, 0.92%, 0.36%

LAB 28.14, 62.13, -68.89

 

CMYK 0 / 96 / 96 / 31

HEX #B00707

RGB 176 7 7

HSL 0, 0.92%, 0.36%

LAB 36.74, 59.91, 48.15

 

Description

Color code: HEX #5AB007 | qconv.com Color code: HEX #5AB007 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 176 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 176 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 96 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 96% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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