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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ABD41 it is the complementary color #A542BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ABD41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ABD41 shade: #5FBD3C, #70CF4F, #81E162, #92F375 and #A3FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ABD41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ABD41 shade: #5ABD41, #49AB2E, #38991B, #278708 and #167500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ABD41 shade: #5ABD41, #7BBD41, #9DBD41, #BDBC41 and #BD9A41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ABD41 shade: #5ABD41, #41BD49, #41BD6B, #41BD8C and #41BDAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ABD41 shade matches the following richer shades: #5ABD41, #4DD22C, #41E717 and #35FB03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ABD41 shade: #5ABD41, #66A955, #72946A, #7F807E and #8B6B93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ABD41 shade: #9EBD41, #7DBD41, #5CBD41, #41BD47 and #41BD68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ABD41 shade: #3D802B, #4B9F36, #5ABD41, #74C85F and #8FD37E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ABD41 shade: #5ABD41, #41BDBB and #BD418E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ABD41 shade: #5ABD41, #415CBD and #BD415C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ABD41 shade: #5ABD41, #41BDBB, #A241BD and #BD4143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ABD41 shade: #5ABD41, #419ABD, #A241BD and #BD6441

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 66 / 26

HEX #5ABD41

RGB 90 189 65

HSL 107.9, 0.49%, 0.5%

LAB 68.72, -51.92, 52.11

 

Complementary color

CMYK 13 / 65 / 0 / 25

HEX #A542BE

RGB 165 66 190

HSL 287.9, 0.49%, 0.5%

LAB 46.46, 58.47, -46.93

 

CMYK 50 / 0 / 68 / 26

HEX #5FBD3C

RGB 95 189 60

HSL 103.72, 0.52%, 0.49%

LAB 68.86, -50.94, 54.36

 

CMYK 46 / 0 / 62 / 19

HEX #70CF4F

RGB 112 207 79

HSL 104.53, 0.57%, 0.56%

LAB 75.22, -51.24, 53.57

 

CMYK 43 / 0 / 56 / 12

HEX #81E162

RGB 129 225 98

HSL 105.35, 0.68%, 0.63%

LAB 81.51, -51.37, 52.55

 

CMYK 40 / 0 / 52 / 5

HEX #92F375

RGB 146 243 117

HSL 106.19, 0.84%, 0.71%

LAB 87.73, -51.38, 51.43

 

CMYK 36 / 0 / 47 / 0

HEX #A3FF88

RGB 163 255 136

HSL 106.39, 1%, 0.77%

LAB 92.17, -48.81, 48.17

 

CMYK 52 / 0 / 66 / 26

HEX #5ABD41

RGB 90 189 65

HSL 107.9, 0.49%, 0.5%

LAB 68.72, -51.92, 52.11

 

CMYK 57 / 0 / 73 / 33

HEX #49AB2E

RGB 73 171 46

HSL 107.04, 0.58%, 0.43%

LAB 62.29, -51.36, 52.7

 

CMYK 63 / 0 / 82 / 40

HEX #38991B

RGB 56 153 27

HSL 106.19, 0.7%, 0.35%

LAB 55.79, -50.37, 52.56

 

CMYK 71 / 0 / 94 / 47

HEX #278708

RGB 39 135 8

HSL 105.35, 0.89%, 0.28%

LAB 49.22, -48.74, 51.01

 

CMYK 81 / 0 / 100 / 54

HEX #167500

RGB 22 117 0

HSL 108.72, 1%, 0.23%

LAB 42.6, -46.13, 47.1

 

CMYK 52 / 0 / 66 / 26

HEX #5ABD41

RGB 90 189 65

HSL 107.9, 0.49%, 0.5%

LAB 68.72, -51.92, 52.11

 

CMYK 35 / 0 / 66 / 26

HEX #7BBD41

RGB 123 189 65

HSL 91.94, 0.49%, 0.5%

LAB 70.17, -41.43, 54.1

 

CMYK 17 / 0 / 66 / 26

HEX #9DBD41

RGB 157 189 65

HSL 75.48, 0.49%, 0.5%

LAB 72.19, -28.51, 56.86

 

CMYK 0 / 1 / 66 / 26

HEX #BDBC41

RGB 189 188 65

HSL 59.52, 0.49%, 0.5%

LAB 74.3, -14.75, 59.79

 

CMYK 0 / 19 / 66 / 26

HEX #BD9A41

RGB 189 154 65

HSL 43.06, 0.49%, 0.5%

LAB 65.21, 3.13, 50.21

 

CMYK 52 / 0 / 66 / 26

HEX #5ABD41

RGB 90 189 65

HSL 107.9, 0.49%, 0.5%

LAB 68.72, -51.92, 52.11

 

CMYK 66 / 0 / 61 / 26

HEX #41BD49

RGB 65 189 73

HSL 123.87, 0.49%, 0.5%

LAB 68.02, -57.13, 47.66

 

CMYK 66 / 0 / 43 / 26

HEX #41BD6B

RGB 65 189 107

HSL 140.32, 0.49%, 0.5%

LAB 68.45, -52.27, 31.64

 

CMYK 66 / 0 / 26 / 26

HEX #41BD8C

RGB 65 189 140

HSL 156.29, 0.49%, 0.5%

LAB 69.05, -45.76, 14.93

 

CMYK 66 / 0 / 8 / 26

HEX #41BDAE

RGB 65 189 174

HSL 172.74, 0.49%, 0.5%

LAB 69.88, -37.4, -2.44

 

CMYK 52 / 0 / 66 / 26

HEX #5ABD41

RGB 90 189 65

HSL 107.9, 0.49%, 0.5%

LAB 68.72, -51.92, 52.11

 

CMYK 63 / 0 / 79 / 18

HEX #4DD22C

RGB 77 210 44

HSL 108.07, 0.65%, 0.5%

LAB 74.73, -64.19, 65.54

 

CMYK 72 / 0 / 90 / 9

HEX #41E717

RGB 65 231 23

HSL 107.88, 0.82%, 0.5%

LAB 80.93, -73.94, 75.57

 

CMYK 79 / 0 / 99 / 2

HEX #35FB03

RGB 53 251 3

HSL 107.9, 0.98%, 0.5%

LAB 86.88, -81.74, 82.42

 

CMYK 52 / 0 / 66 / 26

HEX #5ABD41

RGB 90 189 65

HSL 107.9, 0.49%, 0.5%

LAB 68.72, -51.92, 52.11

 

CMYK 40 / 0 / 50 / 34

HEX #66A955

RGB 102 169 85

HSL 107.86, 0.33%, 0.5%

LAB 63.22, -37.75, 36.57

 

CMYK 23 / 0 / 28 / 42

HEX #72946A

RGB 114 148 106

HSL 108.57, 0.17%, 0.5%

LAB 57.84, -20.25, 18.47

 

CMYK 1 / 0 / 2 / 50

HEX #7F807E

RGB 127 128 126

HSL 90, 0.01%, 0.5%

LAB 53.45, -0.77, 0.95

 

CMYK 5 / 27 / 0 / 42

HEX #8B6B93

RGB 139 107 147

HSL 288, 0.16%, 0.5%

LAB 49.63, 20.2, -16.96

 

CMYK 16 / 0 / 66 / 26

HEX #9EBD41

RGB 158 189 65

HSL 75, 0.49%, 0.5%

LAB 72.26, -28.11, 56.95

 

CMYK 34 / 0 / 66 / 26

HEX #7DBD41

RGB 125 189 65

HSL 90.97, 0.49%, 0.5%

LAB 70.27, -40.72, 54.24

 

CMYK 51 / 0 / 66 / 26

HEX #5CBD41

RGB 92 189 65

HSL 106.94, 0.49%, 0.5%

LAB 68.79, -51.36, 52.21

 

CMYK 66 / 0 / 62 / 26

HEX #41BD47

RGB 65 189 71

HSL 122.9, 0.49%, 0.5%

LAB 68, -57.35, 48.52

 

CMYK 66 / 0 / 45 / 26

HEX #41BD68

RGB 65 189 104

HSL 138.87, 0.49%, 0.5%

LAB 68.4, -52.78, 33.12

 

CMYK 52 / 0 / 66 / 50

HEX #3D802B

RGB 61 128 43

HSL 107.29, 0.5%, 0.34%

LAB 47.76, -38.15, 38.5

 

CMYK 53 / 0 / 66 / 38

HEX #4B9F36

RGB 75 159 54

HSL 108, 0.49%, 0.42%

LAB 58.56, -45.51, 45.58

 

CMYK 52 / 0 / 66 / 26

HEX #5ABD41

RGB 90 189 65

HSL 107.9, 0.49%, 0.5%

LAB 68.72, -51.92, 52.11

 

CMYK 42 / 0 / 53 / 22

HEX #74C85F

RGB 116 200 95

HSL 108, 0.49%, 0.58%

LAB 73.45, -45.41, 44.25

 

CMYK 32 / 0 / 40 / 17

HEX #8FD37E

RGB 143 211 126

HSL 108, 0.49%, 0.66%

LAB 78.42, -37.41, 35.43

 

CMYK 52 / 0 / 66 / 26

HEX #5ABD41

RGB 90 189 65

HSL 107.9, 0.49%, 0.5%

LAB 68.72, -51.92, 52.11

 

CMYK 66 / 0 / 1 / 26

HEX #41BDBB

RGB 65 189 187

HSL 179.03, 0.49%, 0.5%

LAB 70.25, -33.83, -9.01

 

CMYK 0 / 66 / 25 / 26

HEX #BD418E

RGB 189 65 142

HSL 322.74, 0.49%, 0.5%

LAB 47.69, 57.21, -16.34

 

CMYK 52 / 0 / 66 / 26

HEX #5ABD41

RGB 90 189 65

HSL 107.9, 0.49%, 0.5%

LAB 68.72, -51.92, 52.11

 

CMYK 66 / 51 / 0 / 26

HEX #415CBD

RGB 65 92 189

HSL 226.94, 0.49%, 0.5%

LAB 41.93, 21.67, -54.17

 

CMYK 0 / 66 / 51 / 26

HEX #BD415C

RGB 189 65 92

HSL 346.94, 0.49%, 0.5%

LAB 46.14, 51.69, 11.82

 

CMYK 52 / 0 / 66 / 26

HEX #5ABD41

RGB 90 189 65

HSL 107.9, 0.49%, 0.5%

LAB 68.72, -51.92, 52.11

 

CMYK 66 / 0 / 1 / 26

HEX #41BDBB

RGB 65 189 187

HSL 179.03, 0.49%, 0.5%

LAB 70.25, -33.83, -9.01

 

CMYK 14 / 66 / 0 / 26

HEX #A241BD

RGB 162 65 189

HSL 286.94, 0.49%, 0.5%

LAB 45.82, 58.01, -47.4

 

CMYK 0 / 66 / 65 / 26

HEX #BD4143

RGB 189 65 67

HSL 359.03, 0.49%, 0.5%

LAB 45.64, 49.85, 26.36

 

CMYK 52 / 0 / 66 / 26

HEX #5ABD41

RGB 90 189 65

HSL 107.9, 0.49%, 0.5%

LAB 68.72, -51.92, 52.11

 

CMYK 66 / 19 / 0 / 26

HEX #419ABD

RGB 65 154 189

HSL 196.94, 0.49%, 0.5%

LAB 59.81, -15.53, -25.95

 

CMYK 14 / 66 / 0 / 26

HEX #A241BD

RGB 162 65 189

HSL 286.94, 0.49%, 0.5%

LAB 45.82, 58.01, -47.4

 

CMYK 0 / 47 / 66 / 26

HEX #BD6441

RGB 189 100 65

HSL 16.94, 0.49%, 0.5%

LAB 52.19, 32.7, 35.49

 

Description

Color code: HEX #5ABD41 | qconv.com Color code: HEX #5ABD41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 189 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 189 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 66 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 66% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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