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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ABE26 it is the complementary color #A541D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ABE26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ABE26 shade: #5FBE21, #70D034, #81E247, #92F45A and #A3FF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ABE26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ABE26 shade: #5ABE26, #49AC13, #389A00, #278800 and #167600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ABE26 shade: #5ABF25, #83BF25, #ADBF25, #BFA825 and #BF7E25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ABE26 shade: #5ABF25, #31BF25, #25BF44, #25BF6D and #25BF97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ABE26 shade matches the following richer shades: #5ABF25, #54D213 and #4EE400

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ABE26 shade: #5ABF25, #60AD38, #669A4B, #6C875D and #717570

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ABE26 shade: #ADBF25, #84BF25, #5BBF25, #32BF25 and #25BF42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ABE26 shade: #397A18, #4A9D1F, #5ABF25, #6ED737 and #87DE59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ABE26 shade: #5ABE26, #25BFA8 and #BF2599

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ABE26 shade: #5ABE26, #255BBF and #BF255B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ABE26 shade: #5ABE26, #25BFA8, #8925BF and #BF253C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ABE26 shade: #5ABE26, #25A8BF, #8925BF and #BF3C25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 80 / 25

HEX #5ABE26

RGB 90 190 38

HSL 99.47, 0.67%, 0.45%

LAB 68.85, -54.26, 61.92

 

Complementary color

CMYK 24 / 70 / 0 / 15

HEX #A541D9

RGB 165 65 217

HSL 279.47, 0.67%, 0.55%

LAB 47.99, 64.34, -60.04

 

CMYK 50 / 0 / 83 / 25

HEX #5FBE21

RGB 95 190 33

HSL 96.31, 0.7%, 0.44%

LAB 69.02, -53.05, 63.5

 

CMYK 46 / 0 / 75 / 18

HEX #70D034

RGB 112 208 52

HSL 96.92, 0.62%, 0.51%

LAB 75.33, -53.77, 64.05

 

CMYK 43 / 0 / 69 / 11

HEX #81E247

RGB 129 226 71

HSL 97.55, 0.73%, 0.58%

LAB 81.57, -54.23, 63.85

 

CMYK 40 / 0 / 63 / 4

HEX #92F45A

RGB 146 244 90

HSL 98.18, 0.88%, 0.65%

LAB 87.75, -54.5, 63.23

 

CMYK 36 / 0 / 57 / 0

HEX #A3FF6D

RGB 163 255 109

HSL 97.81, 1%, 0.71%

LAB 91.87, -51.8, 60.08

 

CMYK 53 / 0 / 80 / 25

HEX #5ABE26

RGB 90 190 38

HSL 99.47, 0.67%, 0.45%

LAB 68.85, -54.26, 61.92

 

CMYK 58 / 0 / 89 / 33

HEX #49AC13

RGB 73 172 19

HSL 98.82, 0.8%, 0.37%

LAB 62.48, -53.2, 60.65

 

CMYK 64 / 0 / 100 / 40

HEX #389A00

RGB 56 154 0

HSL 98.18, 1%, 0.3%

LAB 56.04, -51.67, 58.12

 

CMYK 71 / 0 / 100 / 47

HEX #278800

RGB 39 136 0

HSL 102.79, 1%, 0.27%

LAB 49.54, -49.34, 52.78

 

CMYK 81 / 0 / 100 / 54

HEX #167600

RGB 22 118 0

HSL 108.81, 1%, 0.23%

LAB 42.95, -46.45, 47.38

 

CMYK 53 / 0 / 81 / 25

HEX #5ABF25

RGB 90 191 37

HSL 99.35, 0.68%, 0.45%

LAB 69.16, -54.68, 62.49

 

CMYK 31 / 0 / 81 / 25

HEX #83BF25

RGB 131 191 37

HSL 83.38, 0.68%, 0.45%

LAB 71.02, -41.12, 64.88

 

CMYK 9 / 0 / 81 / 25

HEX #ADBF25

RGB 173 191 37

HSL 67.01, 0.68%, 0.45%

LAB 73.73, -24.33, 68.31

 

CMYK 0 / 12 / 81 / 25

HEX #BFA825

RGB 191 168 37

HSL 51.04, 0.68%, 0.45%

LAB 68.91, -4.81, 64.66

 

CMYK 0 / 34 / 81 / 25

HEX #BF7E25

RGB 191 126 37

HSL 34.68, 0.68%, 0.45%

LAB 58.16, 18.03, 55.07

 

CMYK 53 / 0 / 81 / 25

HEX #5ABF25

RGB 90 191 37

HSL 99.35, 0.68%, 0.45%

LAB 69.16, -54.68, 62.49

 

CMYK 74 / 0 / 81 / 25

HEX #31BF25

RGB 49 191 37

HSL 115.32, 0.68%, 0.45%

LAB 68.06, -63.77, 61.06

 

CMYK 81 / 0 / 64 / 25

HEX #25BF44

RGB 37 191 68

HSL 132.08, 0.68%, 0.45%

LAB 68.07, -62.84, 49.76

 

CMYK 81 / 0 / 43 / 25

HEX #25BF6D

RGB 37 191 109

HSL 148.05, 0.68%, 0.45%

LAB 68.58, -56.84, 30.67

 

CMYK 81 / 0 / 21 / 25

HEX #25BF97

RGB 37 191 151

HSL 164.42, 0.68%, 0.45%

LAB 69.39, -47.79, 9.36

 

CMYK 53 / 0 / 81 / 25

HEX #5ABF25

RGB 90 191 37

HSL 99.35, 0.68%, 0.45%

LAB 69.16, -54.68, 62.49

 

CMYK 60 / 0 / 91 / 18

HEX #54D213

RGB 84 210 19

HSL 99.58, 0.83%, 0.45%

LAB 74.84, -63.6, 71.24

 

CMYK 66 / 0 / 100 / 11

HEX #4EE400

RGB 78 228 0

HSL 99.47, 1%, 0.45%

LAB 80.24, -71.08, 77.55

 

CMYK 53 / 0 / 81 / 25

HEX #5ABF25

RGB 90 191 37

HSL 99.35, 0.68%, 0.45%

LAB 69.16, -54.68, 62.49

 

CMYK 45 / 0 / 68 / 32

HEX #60AD38

RGB 96 173 56

HSL 99.49, 0.51%, 0.45%

LAB 63.88, -44.57, 50.72

 

CMYK 34 / 0 / 51 / 40

HEX #669A4B

RGB 102 154 75

HSL 99.49, 0.34%, 0.45%

LAB 58.46, -32.19, 35.8

 

CMYK 20 / 0 / 31 / 47

HEX #6C875D

RGB 108 135 93

HSL 98.57, 0.18%, 0.45%

LAB 53.28, -17.9, 19.52

 

CMYK 3 / 0 / 4 / 54

HEX #717570

RGB 113 117 112

HSL 108, 0.02%, 0.45%

LAB 48.76, -2.53, 2.22

 

CMYK 9 / 0 / 81 / 25

HEX #ADBF25

RGB 173 191 37

HSL 67.01, 0.68%, 0.45%

LAB 73.73, -24.33, 68.31

 

CMYK 31 / 0 / 81 / 25

HEX #84BF25

RGB 132 191 37

HSL 82.99, 0.68%, 0.45%

LAB 71.08, -40.75, 64.95

 

CMYK 52 / 0 / 81 / 25

HEX #5BBF25

RGB 91 191 37

HSL 98.96, 0.68%, 0.45%

LAB 69.2, -54.4, 62.53

 

CMYK 74 / 0 / 81 / 25

HEX #32BF25

RGB 50 191 37

HSL 114.94, 0.68%, 0.45%

LAB 68.07, -63.61, 61.08

 

CMYK 81 / 0 / 65 / 25

HEX #25BF42

RGB 37 191 66

HSL 131.3, 0.68%, 0.45%

LAB 68.06, -63.06, 50.59

 

CMYK 53 / 0 / 80 / 52

HEX #397A18

RGB 57 122 24

HSL 99.8, 0.67%, 0.29%

LAB 45.43, -38.51, 43.77

 

CMYK 53 / 0 / 80 / 38

HEX #4A9D1F

RGB 74 157 31

HSL 99.52, 0.67%, 0.37%

LAB 57.72, -46.79, 53.38

 

CMYK 53 / 0 / 81 / 25

HEX #5ABF25

RGB 90 191 37

HSL 99.35, 0.68%, 0.45%

LAB 69.16, -54.68, 62.49

 

CMYK 49 / 0 / 74 / 16

HEX #6ED737

RGB 110 215 55

HSL 99.38, 0.67%, 0.53%

LAB 77.4, -56.84, 65.05

 

CMYK 39 / 0 / 60 / 13

HEX #87DE59

RGB 135 222 89

HSL 99.25, 0.67%, 0.61%

LAB 80.8, -49.18, 55.79

 

CMYK 53 / 0 / 80 / 25

HEX #5ABE26

RGB 90 190 38

HSL 99.47, 0.67%, 0.45%

LAB 68.85, -54.26, 61.92

 

CMYK 81 / 0 / 12 / 25

HEX #25BFA8

RGB 37 191 168

HSL 171.04, 0.68%, 0.45%

LAB 69.81, -43.39, 0.69

 

CMYK 0 / 81 / 20 / 25

HEX #BF2599

RGB 191 37 153

HSL 314.81, 0.68%, 0.45%

LAB 45.22, 68.41, -26.73

 

CMYK 53 / 0 / 80 / 25

HEX #5ABE26

RGB 90 190 38

HSL 99.47, 0.67%, 0.45%

LAB 68.85, -54.26, 61.92

 

CMYK 81 / 52 / 0 / 25

HEX #255BBF

RGB 37 91 191

HSL 218.96, 0.68%, 0.45%

LAB 40.63, 19.37, -57.48

 

CMYK 0 / 81 / 52 / 25

HEX #BF255B

RGB 191 37 91

HSL 338.96, 0.68%, 0.45%

LAB 43, 61.89, 8.09

 

CMYK 53 / 0 / 80 / 25

HEX #5ABE26

RGB 90 190 38

HSL 99.47, 0.67%, 0.45%

LAB 68.85, -54.26, 61.92

 

CMYK 81 / 0 / 12 / 25

HEX #25BFA8

RGB 37 191 168

HSL 171.04, 0.68%, 0.45%

LAB 69.81, -43.39, 0.69

 

CMYK 28 / 81 / 0 / 25

HEX #8925BF

RGB 137 37 191

HSL 278.96, 0.68%, 0.45%

LAB 38.56, 64.12, -60.47

 

CMYK 0 / 81 / 69 / 25

HEX #BF253C

RGB 191 37 60

HSL 351.04, 0.68%, 0.45%

LAB 42.35, 59.91, 26.57

 

CMYK 53 / 0 / 80 / 25

HEX #5ABE26

RGB 90 190 38

HSL 99.47, 0.67%, 0.45%

LAB 68.85, -54.26, 61.92

 

CMYK 81 / 12 / 0 / 25

HEX #25A8BF

RGB 37 168 191

HSL 188.96, 0.68%, 0.45%

LAB 63.48, -25.79, -21.5

 

CMYK 28 / 81 / 0 / 25

HEX #8925BF

RGB 137 37 191

HSL 278.96, 0.68%, 0.45%

LAB 38.56, 64.12, -60.47

 

CMYK 0 / 69 / 81 / 25

HEX #BF3C25

RGB 191 60 37

HSL 8.96, 0.68%, 0.45%

LAB 44.86, 51.21, 42.56

 

Description

Color code: HEX #5ABE26 | qconv.com Color code: HEX #5ABE26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 190 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 190 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 80 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 80% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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