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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AC0D7 it is the complementary color #A53F28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AC0D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AC0D7 shade: #5FC0D2, #70D2E5, #81E4F8, #92F6FF and #A3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AC0D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AC0D7 shade: #5AC0D7, #49AEC4, #389CB1, #278A9E and #16788B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AC0D7 shade: #5AC0D7, #5A9ED7, #5A7DD7, #5A5BD7 and #7B5AD7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AC0D7 shade: #5AC0D7, #5A9ED7, #5A7DD7, #5A5BD7 and #5A5AD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AC0D7 shade matches the following richer shades: #5AC0D7, #4ACAE7 and #39D5F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AC0D7 shade: #5AC0D7, #6BB5C6, #7BABB6, #8CA1A5 and #9C9695

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AC0D7 shade: #5AD7AB, #5AD7CC, #5AC0D7, #5A9FD7 and #5A7ED7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AC0D7 shade: #2B9AB3, #39B3CF, #5AC0D7, #7BCCDF and #9DD9E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AC0D7 shade: #5AC0D7, #8A5AD7 and #D7BC5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AC0D7 shade: #5AC0D7, #D75AC0 and #C0D75A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AC0D7 shade: #5AC0D7, #8A5AD7, #D7715A and #A7D75A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AC0D7 shade: #5AC0D7, #AF5AD7, #D7715A and #82D75A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 11 / 0 / 16

HEX #5AC0D7

RGB 90 192 215

HSL 191.04, 0.61%, 0.6%

LAB 72.75, -23.02, -20.48

 

Complementary color

CMYK 0 / 62 / 76 / 35

HEX #A53F28

RGB 165 63 40

HSL 11.04, 0.61%, 0.4%

LAB 40.75, 40.81, 35.26

 

CMYK 55 / 9 / 0 / 18

HEX #5FC0D2

RGB 95 192 210

HSL 189.39, 0.56%, 0.6%

LAB 72.75, -23.47, -17.74

 

CMYK 51 / 8 / 0 / 10

HEX #70D2E5

RGB 112 210 229

HSL 189.74, 0.69%, 0.67%

LAB 79.15, -23.73, -18.25

 

CMYK 48 / 8 / 0 / 3

HEX #81E4F8

RGB 129 228 248

HSL 190.08, 0.89%, 0.74%

LAB 85.47, -23.92, -18.74

 

CMYK 43 / 4 / 0 / 0

HEX #92F6FF

RGB 146 246 255

HSL 184.95, 1%, 0.79%

LAB 91.34, -27.06, -13.51

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 58 / 11 / 0 / 16

HEX #5AC0D7

RGB 90 192 215

HSL 191.04, 0.61%, 0.6%

LAB 72.75, -23.02, -20.48

 

CMYK 63 / 11 / 0 / 23

HEX #49AEC4

RGB 73 174 196

HSL 190.73, 0.51%, 0.53%

LAB 66.27, -22.53, -19.95

 

CMYK 68 / 12 / 0 / 31

HEX #389CB1

RGB 56 156 177

HSL 190.41, 0.52%, 0.46%

LAB 59.7, -21.86, -19.37

 

CMYK 75 / 13 / 0 / 38

HEX #278A9E

RGB 39 138 158

HSL 190.08, 0.6%, 0.39%

LAB 53.03, -20.93, -18.72

 

CMYK 84 / 14 / 0 / 45

HEX #16788B

RGB 22 120 139

HSL 189.74, 0.73%, 0.32%

LAB 46.27, -19.62, -17.97

 

CMYK 58 / 11 / 0 / 16

HEX #5AC0D7

RGB 90 192 215

HSL 191.04, 0.61%, 0.6%

LAB 72.75, -23.02, -20.48

 

CMYK 58 / 27 / 0 / 16

HEX #5A9ED7

RGB 90 158 215

HSL 207.36, 0.61%, 0.6%

LAB 62.96, -4.85, -35.54

 

CMYK 58 / 42 / 0 / 16

HEX #5A7DD7

RGB 90 125 215

HSL 223.2, 0.61%, 0.6%

LAB 53.76, 14.54, -50.04

 

CMYK 58 / 58 / 0 / 16

HEX #5A5BD7

RGB 90 91 215

HSL 239.52, 0.61%, 0.6%

LAB 45.03, 35.44, -64.07

 

CMYK 43 / 58 / 0 / 16

HEX #7B5AD7

RGB 123 90 215

HSL 255.84, 0.61%, 0.6%

LAB 47.53, 42.58, -59.89

 

CMYK 58 / 11 / 0 / 16

HEX #5AC0D7

RGB 90 192 215

HSL 191.04, 0.61%, 0.6%

LAB 72.75, -23.02, -20.48

 

CMYK 58 / 27 / 0 / 16

HEX #5A9ED7

RGB 90 158 215

HSL 207.36, 0.61%, 0.6%

LAB 62.96, -4.85, -35.54

 

CMYK 58 / 42 / 0 / 16

HEX #5A7DD7

RGB 90 125 215

HSL 223.2, 0.61%, 0.6%

LAB 53.76, 14.54, -50.04

 

CMYK 58 / 58 / 0 / 16

HEX #5A5BD7

RGB 90 91 215

HSL 239.52, 0.61%, 0.6%

LAB 45.03, 35.44, -64.07

 

CMYK 58 / 58 / 0 / 16

HEX #5A5AD7

RGB 90 90 215

HSL 240, 0.61%, 0.6%

LAB 44.79, 36.05, -64.46

 

CMYK 58 / 11 / 0 / 16

HEX #5AC0D7

RGB 90 192 215

HSL 191.04, 0.61%, 0.6%

LAB 72.75, -23.02, -20.48

 

CMYK 68 / 13 / 0 / 9

HEX #4ACAE7

RGB 74 202 231

HSL 191.08, 0.77%, 0.6%

LAB 75.74, -25.9, -24.62

 

CMYK 77 / 14 / 0 / 3

HEX #39D5F8

RGB 57 213 248

HSL 190.99, 0.93%, 0.6%

LAB 79.18, -28.13, -28.5

 

CMYK 58 / 11 / 0 / 16

HEX #5AC0D7

RGB 90 192 215

HSL 191.04, 0.61%, 0.6%

LAB 72.75, -23.02, -20.48

 

CMYK 46 / 9 / 0 / 22

HEX #6BB5C6

RGB 107 181 198

HSL 191.21, 0.44%, 0.6%

LAB 69.65, -18.53, -15.81

 

CMYK 32 / 6 / 0 / 29

HEX #7BABB6

RGB 123 171 182

HSL 191.19, 0.29%, 0.6%

LAB 67.06, -13.21, -10.78

 

CMYK 15 / 2 / 0 / 35

HEX #8CA1A5

RGB 140 161 165

HSL 189.6, 0.12%, 0.6%

LAB 64.79, -6.47, -4.56

 

CMYK 0 / 4 / 4 / 39

HEX #9C9695

RGB 156 150 149

HSL 8.57, 0.03%, 0.6%

LAB 62.55, 2.01, 1.3

 

CMYK 58 / 0 / 20 / 16

HEX #5AD7AB

RGB 90 215 171

HSL 158.88, 0.61%, 0.6%

LAB 78.3, -45.13, 11.42

 

CMYK 58 / 0 / 5 / 16

HEX #5AD7CC

RGB 90 215 204

HSL 174.72, 0.61%, 0.6%

LAB 79.12, -37.13, -5

 

CMYK 58 / 11 / 0 / 16

HEX #5AC0D7

RGB 90 192 215

HSL 191.04, 0.61%, 0.6%

LAB 72.75, -23.02, -20.48

 

CMYK 58 / 26 / 0 / 16

HEX #5A9FD7

RGB 90 159 215

HSL 206.88, 0.61%, 0.6%

LAB 63.24, -5.41, -35.1

 

CMYK 58 / 41 / 0 / 16

HEX #5A7ED7

RGB 90 126 215

HSL 222.72, 0.61%, 0.6%

LAB 54.03, 13.93, -49.6

 

CMYK 76 / 14 / 0 / 30

HEX #2B9AB3

RGB 43 154 179

HSL 191.03, 0.61%, 0.44%

LAB 58.86, -21.91, -21.8

 

CMYK 72 / 14 / 0 / 19

HEX #39B3CF

RGB 57 179 207

HSL 191.2, 0.61%, 0.52%

LAB 67.74, -24.05, -23.82

 

CMYK 58 / 11 / 0 / 16

HEX #5AC0D7

RGB 90 192 215

HSL 191.04, 0.61%, 0.6%

LAB 72.75, -23.02, -20.48

 

CMYK 45 / 9 / 0 / 13

HEX #7BCCDF

RGB 123 204 223

HSL 191.4, 0.61%, 0.68%

LAB 77.71, -19.85, -17.17

 

CMYK 32 / 6 / 0 / 9

HEX #9DD9E7

RGB 157 217 231

HSL 191.35, 0.61%, 0.76%

LAB 83.21, -15.73, -13.01

 

CMYK 58 / 11 / 0 / 16

HEX #5AC0D7

RGB 90 192 215

HSL 191.04, 0.61%, 0.6%

LAB 72.75, -23.02, -20.48

 

CMYK 36 / 58 / 0 / 16

HEX #8A5AD7

RGB 138 90 215

HSL 263.04, 0.61%, 0.6%

LAB 49.03, 45.92, -57.39

 

CMYK 0 / 13 / 58 / 16

HEX #D7BC5A

RGB 215 188 90

HSL 47.04, 0.61%, 0.6%

LAB 76.77, -2.11, 52.2

 

CMYK 58 / 11 / 0 / 16

HEX #5AC0D7

RGB 90 192 215

HSL 191.04, 0.61%, 0.6%

LAB 72.75, -23.02, -20.48

 

CMYK 0 / 58 / 11 / 16

HEX #D75AC0

RGB 215 90 192

HSL 311.04, 0.61%, 0.6%

LAB 57.62, 61.05, -30.03

 

CMYK 11 / 0 / 58 / 16

HEX #C0D75A

RGB 192 215 90

HSL 71.04, 0.61%, 0.6%

LAB 82.13, -25.14, 57.76

 

CMYK 58 / 11 / 0 / 16

HEX #5AC0D7

RGB 90 192 215

HSL 191.04, 0.61%, 0.6%

LAB 72.75, -23.02, -20.48

 

CMYK 36 / 58 / 0 / 16

HEX #8A5AD7

RGB 138 90 215

HSL 263.04, 0.61%, 0.6%

LAB 49.03, 45.92, -57.39

 

CMYK 0 / 47 / 58 / 16

HEX #D7715A

RGB 215 113 90

HSL 11.04, 0.61%, 0.6%

LAB 58.97, 37.86, 30.78

 

CMYK 22 / 0 / 58 / 16

HEX #A7D75A

RGB 167 215 90

HSL 83.04, 0.61%, 0.6%

LAB 80.49, -34.82, 55.46

 

CMYK 58 / 11 / 0 / 16

HEX #5AC0D7

RGB 90 192 215

HSL 191.04, 0.61%, 0.6%

LAB 72.75, -23.02, -20.48

 

CMYK 19 / 58 / 0 / 16

HEX #AF5AD7

RGB 175 90 215

HSL 280.8, 0.61%, 0.6%

LAB 53.31, 54.79, -50.3

 

CMYK 0 / 47 / 58 / 16

HEX #D7715A

RGB 215 113 90

HSL 11.04, 0.61%, 0.6%

LAB 58.97, 37.86, 30.78

 

CMYK 40 / 0 / 58 / 16

HEX #82D75A

RGB 130 215 90

HSL 100.8, 0.61%, 0.6%

LAB 78.51, -47.8, 52.68

 

Description

Color code: HEX #5AC0D7 | qconv.com Color code: HEX #5AC0D7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 192 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 192 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 11 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 11% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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