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Color name
HEX #5AD7AF

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AD7AF it is the complementary color #A52850. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AD7AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AD7AF shade: #5FD7AA, #70E9BD, #81FBD0, #92FFE3 and #A3FFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AD7AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AD7AF shade: #5AD7AF, #49C59C, #38B389, #27A176 and #168F63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AD7AF shade: #5AD7AF, #5AD78D, #5AD76C, #6AD75A and #8CD75A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AD7AF shade: #5AD7AF, #5AD7D0, #5ABBD7, #5A9AD7 and #5A78D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AD7AF shade matches the following richer shades: #5AD7AF, #4AE7B5 and #39F8BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AD7AF shade: #5AD7AF, #6BC6A9, #7BB6A3, #8CA59D and #9C9597

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AD7AF shade: #5AD76B, #5AD78C, #5AD7AD, #5AD7CE and #5ABED7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AD7AF shade: #2BB388, #39CF9F, #5AD7AF, #7BDFBF and #9DE7CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AD7AF shade: #5AD7AF, #5A6BD7 and #D77B5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AD7AF shade: #5AD7AF, #AD5AD7 and #D7AD5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AD7AF shade: #5AD7AF, #5A6BD7, #D75A84 and #D7C65A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AD7AF shade: #5AD7AF, #6F5AD7, #D75A84 and #C2D75A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 19 / 16

HEX #5AD7AF

RGB 90 215 175

HSL 160.8, 0.61%, 0.6%

LAB 78.39, -44.22, 9.42

 

Complementary color

CMYK 0 / 76 / 52 / 35

HEX #A52850

RGB 165 40 80

HSL 340.8, 0.61%, 0.4%

LAB 38.01, 52.84, 7.3

 

CMYK 56 / 0 / 21 / 16

HEX #5FD7AA

RGB 95 215 170

HSL 157.5, 0.6%, 0.61%

LAB 78.42, -44.32, 12.16

 

CMYK 52 / 0 / 19 / 9

HEX #70E9BD

RGB 112 233 189

HSL 158.18, 0.73%, 0.68%

LAB 84.69, -44.28, 11.11

 

CMYK 49 / 0 / 17 / 2

HEX #81FBD0

RGB 129 251 208

HSL 158.85, 0.94%, 0.75%

LAB 90.88, -44.19, 10.13

 

CMYK 43 / 0 / 11 / 0

HEX #92FFE3

RGB 146 255 227

HSL 164.59, 1%, 0.79%

LAB 93.09, -37.81, 3.58

 

CMYK 36 / 0 / 4 / 0

HEX #A3FFF6

RGB 163 255 246

HSL 174.13, 1%, 0.82%

LAB 94.3, -29.32, -4.39

 

CMYK 58 / 0 / 19 / 16

HEX #5AD7AF

RGB 90 215 175

HSL 160.8, 0.61%, 0.6%

LAB 78.39, -44.22, 9.42

 

CMYK 63 / 0 / 21 / 23

HEX #49C59C

RGB 73 197 156

HSL 160.16, 0.52%, 0.53%

LAB 72.06, -44.07, 10.55

 

CMYK 69 / 0 / 23 / 30

HEX #38B389

RGB 56 179 137

HSL 159.51, 0.52%, 0.46%

LAB 65.66, -43.76, 11.78

 

CMYK 76 / 0 / 27 / 37

HEX #27A176

RGB 39 161 118

HSL 158.85, 0.61%, 0.39%

LAB 59.19, -43.19, 13.15

 

CMYK 85 / 0 / 31 / 44

HEX #168F63

RGB 22 143 99

HSL 158.18, 0.73%, 0.32%

LAB 52.64, -42.23, 14.71

 

CMYK 58 / 0 / 19 / 16

HEX #5AD7AF

RGB 90 215 175

HSL 160.8, 0.61%, 0.6%

LAB 78.39, -44.22, 9.42

 

CMYK 58 / 0 / 34 / 16

HEX #5AD78D

RGB 90 215 141

HSL 144.48, 0.61%, 0.6%

LAB 77.7, -51.29, 26.37

 

CMYK 58 / 0 / 50 / 16

HEX #5AD76C

RGB 90 215 108

HSL 128.64, 0.61%, 0.6%

LAB 77.2, -56.7, 42.35

 

CMYK 51 / 0 / 58 / 16

HEX #6AD75A

RGB 106 215 90

HSL 112.32, 0.61%, 0.6%

LAB 77.52, -54.95, 51.28

 

CMYK 35 / 0 / 58 / 16

HEX #8CD75A

RGB 140 215 90

HSL 96, 0.61%, 0.6%

LAB 78.99, -44.49, 53.36

 

CMYK 58 / 0 / 19 / 16

HEX #5AD7AF

RGB 90 215 175

HSL 160.8, 0.61%, 0.6%

LAB 78.39, -44.22, 9.42

 

CMYK 58 / 0 / 3 / 16

HEX #5AD7D0

RGB 90 215 208

HSL 176.64, 0.61%, 0.6%

LAB 79.23, -36.09, -6.97

 

CMYK 58 / 13 / 0 / 16

HEX #5ABBD7

RGB 90 187 215

HSL 193.44, 0.61%, 0.6%

LAB 71.3, -20.47, -22.69

 

CMYK 58 / 28 / 0 / 16

HEX #5A9AD7

RGB 90 154 215

HSL 209.28, 0.61%, 0.6%

LAB 61.82, -2.58, -37.32

 

CMYK 58 / 44 / 0 / 16

HEX #5A78D7

RGB 90 120 215

HSL 225.6, 0.61%, 0.6%

LAB 52.41, 17.59, -52.18

 

CMYK 58 / 0 / 19 / 16

HEX #5AD7AF

RGB 90 215 175

HSL 160.8, 0.61%, 0.6%

LAB 78.39, -44.22, 9.42

 

CMYK 68 / 0 / 22 / 9

HEX #4AE7B5

RGB 74 231 181

HSL 160.89, 0.77%, 0.6%

LAB 82.88, -52.34, 12.59

 

CMYK 77 / 0 / 25 / 3

HEX #39F8BB

RGB 57 248 187

HSL 160.84, 0.93%, 0.6%

LAB 87.77, -59.85, 16.33

 

CMYK 58 / 0 / 19 / 16

HEX #5AD7AF

RGB 90 215 175

HSL 160.8, 0.61%, 0.6%

LAB 78.39, -44.22, 9.42

 

CMYK 46 / 0 / 15 / 22

HEX #6BC6A9

RGB 107 198 169

HSL 160.88, 0.44%, 0.6%

LAB 73.79, -34.13, 6.14

 

CMYK 32 / 0 / 10 / 29

HEX #7BB6A3

RGB 123 182 163

HSL 160.68, 0.29%, 0.6%

LAB 69.69, -23.32, 3.59

 

CMYK 15 / 0 / 5 / 35

HEX #8CA59D

RGB 140 165 157

HSL 160.8, 0.12%, 0.6%

LAB 65.69, -10.32, 1.22

 

CMYK 0 / 4 / 3 / 39

HEX #9C9597

RGB 156 149 151

HSL 342.86, 0.03%, 0.6%

LAB 62.34, 2.94, -0.14

 

CMYK 58 / 0 / 50 / 16

HEX #5AD76B

RGB 90 215 107

HSL 128.16, 0.61%, 0.6%

LAB 77.18, -56.85, 42.82

 

CMYK 58 / 0 / 35 / 16

HEX #5AD78C

RGB 90 215 140

HSL 144, 0.61%, 0.6%

LAB 77.68, -51.48, 26.87

 

CMYK 58 / 0 / 20 / 16

HEX #5AD7AD

RGB 90 215 173

HSL 159.84, 0.61%, 0.6%

LAB 78.34, -44.67, 10.42

 

CMYK 58 / 0 / 4 / 16

HEX #5AD7CE

RGB 90 215 206

HSL 175.68, 0.61%, 0.6%

LAB 79.17, -36.61, -5.99

 

CMYK 58 / 12 / 0 / 16

HEX #5ABED7

RGB 90 190 215

HSL 192, 0.61%, 0.6%

LAB 72.17, -22, -21.36

 

CMYK 76 / 0 / 24 / 30

HEX #2BB388

RGB 43 179 136

HSL 161.03, 0.61%, 0.44%

LAB 65.38, -45.85, 11.9

 

CMYK 72 / 0 / 23 / 19

HEX #39CF9F

RGB 57 207 159

HSL 160.8, 0.61%, 0.52%

LAB 74.82, -50.08, 12.79

 

CMYK 58 / 0 / 19 / 16

HEX #5AD7AF

RGB 90 215 175

HSL 160.8, 0.61%, 0.6%

LAB 78.39, -44.22, 9.42

 

CMYK 45 / 0 / 14 / 13

HEX #7BDFBF

RGB 123 223 191

HSL 160.8, 0.61%, 0.68%

LAB 82.24, -36.79, 6.61

 

CMYK 32 / 0 / 10 / 9

HEX #9DE7CF

RGB 157 231 207

HSL 160.54, 0.61%, 0.76%

LAB 86.42, -28, 4.39

 

CMYK 58 / 0 / 19 / 16

HEX #5AD7AF

RGB 90 215 175

HSL 160.8, 0.61%, 0.6%

LAB 78.39, -44.22, 9.42

 

CMYK 58 / 50 / 0 / 16

HEX #5A6BD7

RGB 90 107 215

HSL 231.84, 0.61%, 0.6%

LAB 49, 25.6, -57.65

 

CMYK 0 / 43 / 58 / 16

HEX #D77B5A

RGB 215 123 90

HSL 15.84, 0.61%, 0.6%

LAB 61.09, 32.64, 33.46

 

CMYK 58 / 0 / 19 / 16

HEX #5AD7AF

RGB 90 215 175

HSL 160.8, 0.61%, 0.6%

LAB 78.39, -44.22, 9.42

 

CMYK 20 / 58 / 0 / 16

HEX #AD5AD7

RGB 173 90 215

HSL 279.84, 0.61%, 0.6%

LAB 53.06, 54.29, -50.71

 

CMYK 0 / 20 / 58 / 16

HEX #D7AD5A

RGB 215 173 90

HSL 39.84, 0.61%, 0.6%

LAB 72.94, 5.8, 47.78

 

CMYK 58 / 0 / 19 / 16

HEX #5AD7AF

RGB 90 215 175

HSL 160.8, 0.61%, 0.6%

LAB 78.39, -44.22, 9.42

 

CMYK 58 / 50 / 0 / 16

HEX #5A6BD7

RGB 90 107 215

HSL 231.84, 0.61%, 0.6%

LAB 49, 25.6, -57.65

 

CMYK 0 / 58 / 39 / 16

HEX #D75A84

RGB 215 90 132

HSL 339.84, 0.61%, 0.6%

LAB 55.51, 53.02, 1.71

 

CMYK 0 / 8 / 58 / 16

HEX #D7C65A

RGB 215 198 90

HSL 51.84, 0.61%, 0.6%

LAB 79.37, -7.28, 55.15

 

CMYK 58 / 0 / 19 / 16

HEX #5AD7AF

RGB 90 215 175

HSL 160.8, 0.61%, 0.6%

LAB 78.39, -44.22, 9.42

 

CMYK 48 / 58 / 0 / 16

HEX #6F5AD7

RGB 111 90 215

HSL 250.08, 0.61%, 0.6%

LAB 46.44, 40.05, -61.7

 

CMYK 0 / 58 / 39 / 16

HEX #D75A84

RGB 215 90 132

HSL 339.84, 0.61%, 0.6%

LAB 55.51, 53.02, 1.71

 

CMYK 10 / 0 / 58 / 16

HEX #C2D75A

RGB 194 215 90

HSL 70.08, 0.61%, 0.6%

LAB 82.28, -24.34, 57.95

 

Description

Color code: HEX #5AD7AF | qconv.com Color code: HEX #5AD7AF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 215 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 215 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 19 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 19% 16% C M Y K

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Provide designers and agencies with accurate color values.

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