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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AD886 it is the complementary color #A52779. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AD886. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AD886 shade: #5FD881, #70EA94, #81FCA7, #92FFBA and #A3FFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AD886. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AD886 shade: #5AD886, #49C673, #38B460, #27A24D and #16903A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AD886 shade: #59D885, #59D863, #71D859, #93D859 and #B6D859

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AD886 shade: #59D885, #59D8A8, #59D8CA, #59C4D8 and #59A2D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AD886 shade matches the following richer shades: #59D885, #49E880 and #38F97B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AD886 shade: #59D885, #6AC78A, #7AB78F, #8BA694 and #9B9699

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AD886 shade: #73D859, #59D862, #59D883, #59D8A5 and #59D8C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AD886 shade: #2AB55A, #38D06D, #59D885, #7BE09E and #9CE7B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AD886 shade: #5AD886, #5994D8 and #D85962

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AD886 shade: #5AD886, #8359D8 and #D88359

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AD886 shade: #5AD886, #5994D8, #D859AE and #D89D59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AD886 shade: #5AD886, #596ED8, #D859AE and #D8C359

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 38 / 15

HEX #5AD886

RGB 90 216 134

HSL 140.95, 0.62%, 0.6%

LAB 77.88, -52.96, 30.23

 

Complementary color

CMYK 0 / 76 / 27 / 35

HEX #A52779

RGB 165 39 121

HSL 320.95, 0.62%, 0.4%

LAB 39.29, 57.53, -16.7

 

CMYK 56 / 0 / 40 / 15

HEX #5FD881

RGB 95 216 129

HSL 136.86, 0.61%, 0.61%

LAB 77.95, -52.7, 32.9

 

CMYK 52 / 0 / 37 / 8

HEX #70EA94

RGB 112 234 148

HSL 137.7, 0.74%, 0.68%

LAB 84.19, -52.68, 31.6

 

CMYK 49 / 0 / 34 / 1

HEX #81FCA7

RGB 129 252 167

HSL 138.54, 0.95%, 0.75%

LAB 90.36, -52.57, 30.36

 

CMYK 43 / 0 / 27 / 0

HEX #92FFBA

RGB 146 255 186

HSL 142.02, 1%, 0.79%

LAB 92.21, -46.07, 23.38

 

CMYK 36 / 0 / 20 / 0

HEX #A3FFCD

RGB 163 255 205

HSL 147.39, 1%, 0.82%

LAB 93.33, -37.87, 15.34

 

CMYK 58 / 0 / 38 / 15

HEX #5AD886

RGB 90 216 134

HSL 140.95, 0.62%, 0.6%

LAB 77.88, -52.96, 30.23

 

CMYK 63 / 0 / 42 / 22

HEX #49C673

RGB 73 198 115

HSL 140.16, 0.52%, 0.53%

LAB 71.58, -52.79, 31.63

 

CMYK 69 / 0 / 47 / 29

HEX #38B460

RGB 56 180 96

HSL 139.35, 0.53%, 0.46%

LAB 65.22, -52.39, 33.12

 

CMYK 76 / 0 / 52 / 36

HEX #27A24D

RGB 39 162 77

HSL 138.54, 0.61%, 0.39%

LAB 58.8, -51.62, 34.7

 

CMYK 85 / 0 / 60 / 44

HEX #16903A

RGB 22 144 58

HSL 137.7, 0.73%, 0.33%

LAB 52.31, -50.28, 36.3

 

CMYK 59 / 0 / 38 / 15

HEX #59D885

RGB 89 216 133

HSL 140.79, 0.62%, 0.6%

LAB 77.83, -53.35, 30.67

 

CMYK 59 / 0 / 54 / 15

HEX #59D863

RGB 89 216 99

HSL 124.72, 0.62%, 0.6%

LAB 77.36, -58.52, 46.83

 

CMYK 48 / 0 / 59 / 15

HEX #71D859

RGB 113 216 89

HSL 108.66, 0.62%, 0.6%

LAB 78.08, -53.49, 52.44

 

CMYK 32 / 0 / 59 / 15

HEX #93D859

RGB 147 216 89

HSL 92.6, 0.62%, 0.6%

LAB 79.63, -42.61, 54.63

 

CMYK 16 / 0 / 59 / 15

HEX #B6D859

RGB 182 216 89

HSL 76.06, 0.62%, 0.6%

LAB 81.72, -29.63, 57.54

 

CMYK 59 / 0 / 38 / 15

HEX #59D885

RGB 89 216 133

HSL 140.79, 0.62%, 0.6%

LAB 77.83, -53.35, 30.67

 

CMYK 59 / 0 / 22 / 15

HEX #59D8A8

RGB 89 216 168

HSL 157.32, 0.62%, 0.6%

LAB 78.5, -46.42, 13.3

 

CMYK 59 / 0 / 6 / 15

HEX #59D8CA

RGB 89 216 202

HSL 173.39, 0.62%, 0.6%

LAB 79.33, -38.29, -3.62

 

CMYK 59 / 9 / 0 / 15

HEX #59C4D8

RGB 89 196 216

HSL 189.45, 0.62%, 0.6%

LAB 73.91, -24.92, -19.26

 

CMYK 59 / 25 / 0 / 15

HEX #59A2D8

RGB 89 162 216

HSL 205.51, 0.62%, 0.6%

LAB 64.1, -6.97, -34.32

 

CMYK 59 / 0 / 38 / 15

HEX #59D885

RGB 89 216 133

HSL 140.79, 0.62%, 0.6%

LAB 77.83, -53.35, 30.67

 

CMYK 69 / 0 / 45 / 9

HEX #49E880

RGB 73 232 128

HSL 140.75, 0.78%, 0.6%

LAB 82.21, -63.24, 38.81

 

CMYK 78 / 0 / 51 / 2

HEX #38F97B

RGB 56 249 123

HSL 140.83, 0.94%, 0.6%

LAB 87.01, -72.19, 47.18

 

CMYK 59 / 0 / 38 / 15

HEX #59D885

RGB 89 216 133

HSL 140.79, 0.62%, 0.6%

LAB 77.83, -53.35, 30.67

 

CMYK 47 / 0 / 31 / 22

HEX #6AC78A

RGB 106 199 138

HSL 140.65, 0.45%, 0.6%

LAB 73.38, -41.25, 22.19

 

CMYK 33 / 0 / 22 / 28

HEX #7AB78F

RGB 122 183 143

HSL 140.66, 0.3%, 0.6%

LAB 69.46, -28.25, 14.2

 

CMYK 16 / 0 / 11 / 35

HEX #8BA694

RGB 139 166 148

HSL 140, 0.13%, 0.6%

LAB 65.67, -13, 6.21

 

CMYK 0 / 3 / 1 / 39

HEX #9B9699

RGB 155 150 153

HSL 324, 0.02%, 0.6%

LAB 62.58, 2.4, -0.93

 

CMYK 47 / 0 / 59 / 15

HEX #73D859

RGB 115 216 89

HSL 107.72, 0.62%, 0.6%

LAB 78.16, -52.91, 52.55

 

CMYK 59 / 0 / 55 / 15

HEX #59D862

RGB 89 216 98

HSL 124.25, 0.62%, 0.6%

LAB 77.35, -58.64, 47.28

 

CMYK 59 / 0 / 39 / 15

HEX #59D883

RGB 89 216 131

HSL 139.84, 0.62%, 0.6%

LAB 77.8, -53.7, 31.65

 

CMYK 59 / 0 / 24 / 15

HEX #59D8A5

RGB 89 216 165

HSL 155.91, 0.62%, 0.6%

LAB 78.43, -47.07, 14.79

 

CMYK 59 / 0 / 8 / 15

HEX #59D8C7

RGB 89 216 199

HSL 171.97, 0.62%, 0.6%

LAB 79.25, -39.05, -2.14

 

CMYK 77 / 0 / 50 / 29

HEX #2AB55A

RGB 42 181 90

HSL 140.72, 0.62%, 0.44%

LAB 65.18, -55.92, 36.06

 

CMYK 73 / 0 / 48 / 18

HEX #38D06D

RGB 56 208 109

HSL 140.92, 0.62%, 0.52%

LAB 74.23, -60.44, 37.97

 

CMYK 59 / 0 / 38 / 15

HEX #59D885

RGB 89 216 133

HSL 140.79, 0.62%, 0.6%

LAB 77.83, -53.35, 30.67

 

CMYK 45 / 0 / 29 / 12

HEX #7BE09E

RGB 123 224 158

HSL 140.79, 0.62%, 0.68%

LAB 81.83, -43.92, 23.36

 

CMYK 32 / 0 / 21 / 9

HEX #9CE7B6

RGB 156 231 182

HSL 140.8, 0.61%, 0.76%

LAB 85.8, -33.23, 16.6

 

CMYK 58 / 0 / 38 / 15

HEX #5AD886

RGB 90 216 134

HSL 140.95, 0.62%, 0.6%

LAB 77.88, -52.96, 30.23

 

CMYK 59 / 31 / 0 / 15

HEX #5994D8

RGB 89 148 216

HSL 212.13, 0.62%, 0.6%

LAB 60.12, 0.99, -40.53

 

CMYK 0 / 59 / 55 / 15

HEX #D85962

RGB 216 89 98

HSL 355.75, 0.62%, 0.6%

LAB 54.68, 50.59, 20.62

 

CMYK 58 / 0 / 38 / 15

HEX #5AD886

RGB 90 216 134

HSL 140.95, 0.62%, 0.6%

LAB 77.88, -52.96, 30.23

 

CMYK 39 / 59 / 0 / 15

HEX #8359D8

RGB 131 89 216

HSL 259.84, 0.62%, 0.6%

LAB 48.17, 45.16, -59.39

 

CMYK 0 / 39 / 59 / 15

HEX #D88359

RGB 216 131 89

HSL 19.84, 0.62%, 0.6%

LAB 62.97, 28.72, 36.36

 

CMYK 58 / 0 / 38 / 15

HEX #5AD886

RGB 90 216 134

HSL 140.95, 0.62%, 0.6%

LAB 77.88, -52.96, 30.23

 

CMYK 59 / 31 / 0 / 15

HEX #5994D8

RGB 89 148 216

HSL 212.13, 0.62%, 0.6%

LAB 60.12, 0.99, -40.53

 

CMYK 0 / 59 / 19 / 15

HEX #D859AE

RGB 216 89 174

HSL 319.84, 0.62%, 0.6%

LAB 56.88, 59.09, -20.79

 

CMYK 0 / 27 / 59 / 15

HEX #D89D59

RGB 216 157 89

HSL 32.13, 0.62%, 0.6%

LAB 69.06, 14.72, 43.74

 

CMYK 58 / 0 / 38 / 15

HEX #5AD886

RGB 90 216 134

HSL 140.95, 0.62%, 0.6%

LAB 77.88, -52.96, 30.23

 

CMYK 59 / 49 / 0 / 15

HEX #596ED8

RGB 89 110 216

HSL 230.08, 0.62%, 0.6%

LAB 49.78, 23.89, -56.97

 

CMYK 0 / 59 / 19 / 15

HEX #D859AE

RGB 216 89 174

HSL 319.84, 0.62%, 0.6%

LAB 56.88, 59.09, -20.79

 

CMYK 0 / 10 / 59 / 15

HEX #D8C359

RGB 216 195 89

HSL 50.08, 0.62%, 0.6%

LAB 78.67, -5.39, 54.84

 

Description

Color code: HEX #5AD886 | qconv.com Color code: HEX #5AD886 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 216 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 216 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 38 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 38% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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