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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AE4A0 it is the complementary color #A51B5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AE4A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AE4A0 shade: #5FE49B, #70F6AE, #81FFC1, #92FFD4 and #A3FFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AE4A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AE4A0 shade: #5AE4A0, #49D28D, #38C07A, #27AE67 and #169C54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AE4A0 shade: #58E39F, #58E379, #5CE358, #82E358 and #A8E358

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AE4A0 shade: #58E39F, #58E3C4, #58DDE3, #58B7E3 and #5892E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AE4A0 shade matches the following richer shades: #58E39F and #48F39F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AE4A0 shade: #58E39F, #68D49E, #77C49E, #87B49E and #97A59E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AE4A0 shade: #5CE358, #58E378, #58E39E, #58E3C3 and #58DFE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AE4A0 shade: #20C876, #34DE8A, #58E39F, #7BE9B3 and #9FEFC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AE4A0 shade: #5AE4A0, #5882E3 and #E36658

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AE4A0 shade: #5AE4A0, #9E58E3 and #E39E58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AE4A0 shade: #5AE4A0, #5882E3, #E3589E and #E3BA58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AE4A0 shade: #5AE4A0, #5858E3, #E3589E and #E3E358

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 30 / 11

HEX #5AE4A0

RGB 90 228 160

HSL 150.43, 0.72%, 0.62%

LAB 81.95, -52.86, 22.3

 

Complementary color

CMYK 0 / 84 / 42 / 35

HEX #A51B5F

RGB 165 27 95

HSL 330.43, 0.72%, 0.38%

LAB 37.13, 57.98, -3.57

 

CMYK 58 / 0 / 32 / 11

HEX #5FE49B

RGB 95 228 155

HSL 147.07, 0.71%, 0.63%

LAB 81.99, -52.82, 24.97

 

CMYK 54 / 0 / 29 / 4

HEX #70F6AE

RGB 112 246 174

HSL 147.76, 0.88%, 0.7%

LAB 88.17, -52.83, 23.74

 

CMYK 49 / 0 / 24 / 0

HEX #81FFC1

RGB 129 255 193

HSL 150.48, 1%, 0.75%

LAB 91.7, -49, 19.01

 

CMYK 43 / 0 / 17 / 0

HEX #92FFD4

RGB 146 255 212

HSL 156.33, 1%, 0.79%

LAB 92.74, -41.01, 10.82

 

CMYK 36 / 0 / 9 / 0

HEX #A3FFE7

RGB 163 255 231

HSL 164.35, 1%, 0.82%

LAB 93.92, -32.61, 2.8

 

CMYK 61 / 0 / 30 / 11

HEX #5AE4A0

RGB 90 228 160

HSL 150.43, 0.72%, 0.62%

LAB 81.95, -52.86, 22.3

 

CMYK 65 / 0 / 33 / 18

HEX #49D28D

RGB 73 210 141

HSL 149.78, 0.6%, 0.55%

LAB 75.72, -52.65, 23.62

 

CMYK 71 / 0 / 36 / 25

HEX #38C07A

RGB 56 192 122

HSL 149.12, 0.55%, 0.49%

LAB 69.43, -52.23, 25.06

 

CMYK 78 / 0 / 41 / 32

HEX #27AE67

RGB 39 174 103

HSL 148.44, 0.63%, 0.42%

LAB 63.08, -51.51, 26.63

 

CMYK 86 / 0 / 46 / 39

HEX #169C54

RGB 22 156 84

HSL 147.76, 0.75%, 0.35%

LAB 56.67, -50.32, 28.34

 

CMYK 61 / 0 / 30 / 11

HEX #58E39F

RGB 88 227 159

HSL 150.65, 0.71%, 0.62%

LAB 81.57, -53.04, 22.3

 

CMYK 61 / 0 / 47 / 11

HEX #58E379

RGB 88 227 121

HSL 134.24, 0.71%, 0.62%

LAB 80.96, -59.72, 40.72

 

CMYK 59 / 0 / 61 / 11

HEX #5CE358

RGB 92 227 88

HSL 118.27, 0.71%, 0.62%

LAB 80.69, -63.09, 55.66

 

CMYK 43 / 0 / 61 / 11

HEX #82E358

RGB 130 227 88

HSL 101.87, 0.71%, 0.62%

LAB 82.05, -52.88, 57.56

 

CMYK 26 / 0 / 61 / 11

HEX #A8E358

RGB 168 227 88

HSL 85.47, 0.71%, 0.62%

LAB 83.95, -40.03, 60.2

 

CMYK 61 / 0 / 30 / 11

HEX #58E39F

RGB 88 227 159

HSL 150.65, 0.71%, 0.62%

LAB 81.57, -53.04, 22.3

 

CMYK 61 / 0 / 14 / 11

HEX #58E3C4

RGB 88 227 196

HSL 166.62, 0.71%, 0.62%

LAB 82.38, -44.85, 4.01

 

CMYK 61 / 3 / 0 / 11

HEX #58DDE3

RGB 88 221 227

HSL 182.59, 0.71%, 0.62%

LAB 81.47, -34.11, -13.77

 

CMYK 61 / 19 / 0 / 11

HEX #58B7E3

RGB 88 183 227

HSL 198.99, 0.71%, 0.62%

LAB 70.52, -15.14, -30.43

 

CMYK 61 / 36 / 0 / 11

HEX #5892E3

RGB 88 146 227

HSL 214.96, 0.71%, 0.62%

LAB 60.05, 5.56, -46.78

 

CMYK 61 / 0 / 30 / 11

HEX #58E39F

RGB 88 227 159

HSL 150.65, 0.71%, 0.62%

LAB 81.57, -53.04, 22.3

 

CMYK 70 / 0 / 35 / 5

HEX #48F39F

RGB 72 243 159

HSL 150.53, 0.88%, 0.62%

LAB 86, -61.91, 28.26

 

CMYK 61 / 0 / 30 / 11

HEX #58E39F

RGB 88 227 159

HSL 150.65, 0.71%, 0.62%

LAB 81.57, -53.04, 22.3

 

CMYK 51 / 0 / 25 / 17

HEX #68D49E

RGB 104 212 158

HSL 150, 0.56%, 0.62%

LAB 77.58, -43.53, 17.37

 

CMYK 39 / 0 / 19 / 23

HEX #77C49E

RGB 119 196 158

HSL 150.39, 0.39%, 0.62%

LAB 73.46, -32.35, 11.68

 

CMYK 25 / 0 / 12 / 29

HEX #87B49E

RGB 135 180 158

HSL 150.67, 0.23%, 0.62%

LAB 69.66, -19.62, 6.37

 

CMYK 8 / 0 / 4 / 35

HEX #97A59E

RGB 151 165 158

HSL 150, 0.07%, 0.62%

LAB 66.49, -6.31, 1.93

 

CMYK 59 / 0 / 61 / 11

HEX #5CE358

RGB 92 227 88

HSL 118.27, 0.71%, 0.62%

LAB 80.69, -63.09, 55.66

 

CMYK 61 / 0 / 47 / 11

HEX #58E378

RGB 88 227 120

HSL 133.81, 0.71%, 0.62%

LAB 80.94, -59.87, 41.19

 

CMYK 61 / 0 / 30 / 11

HEX #58E39E

RGB 88 227 158

HSL 150.22, 0.71%, 0.62%

LAB 81.56, -53.24, 22.79

 

CMYK 61 / 0 / 14 / 11

HEX #58E3C3

RGB 88 227 195

HSL 166.19, 0.71%, 0.62%

LAB 82.35, -45.09, 4.51

 

CMYK 61 / 2 / 0 / 11

HEX #58DFE3

RGB 88 223 227

HSL 181.73, 0.71%, 0.62%

LAB 82.05, -35.04, -12.9

 

CMYK 84 / 0 / 41 / 22

HEX #20C876

RGB 32 200 118

HSL 150.71, 0.72%, 0.45%

LAB 71.5, -58.87, 29.83

 

CMYK 77 / 0 / 38 / 13

HEX #34DE8A

RGB 52 222 138

HSL 150.35, 0.72%, 0.54%

LAB 78.93, -60.89, 29.42

 

CMYK 61 / 0 / 30 / 11

HEX #58E39F

RGB 88 227 159

HSL 150.65, 0.71%, 0.62%

LAB 81.57, -53.04, 22.3

 

CMYK 47 / 0 / 23 / 9

HEX #7BE9B3

RGB 123 233 179

HSL 150.55, 0.71%, 0.7%

LAB 84.87, -43.79, 16.64

 

CMYK 33 / 0 / 17 / 6

HEX #9FEFC7

RGB 159 239 199

HSL 150, 0.71%, 0.78%

LAB 88.56, -32.82, 11.66

 

CMYK 61 / 0 / 30 / 11

HEX #5AE4A0

RGB 90 228 160

HSL 150.43, 0.72%, 0.62%

LAB 81.95, -52.86, 22.3

 

CMYK 61 / 43 / 0 / 11

HEX #5882E3

RGB 88 130 227

HSL 221.87, 0.71%, 0.62%

LAB 55.67, 15.12, -53.73

 

CMYK 0 / 55 / 61 / 11

HEX #E36658

RGB 227 102 88

HSL 6.04, 0.71%, 0.62%

LAB 58.54, 47.65, 31.73

 

CMYK 61 / 0 / 30 / 11

HEX #5AE4A0

RGB 90 228 160

HSL 150.43, 0.72%, 0.62%

LAB 81.95, -52.86, 22.3

 

CMYK 30 / 61 / 0 / 11

HEX #9E58E3

RGB 158 88 227

HSL 270.22, 0.71%, 0.62%

LAB 51.6, 54.45, -59.94

 

CMYK 0 / 30 / 61 / 11

HEX #E39E58

RGB 227 158 88

HSL 30.22, 0.71%, 0.62%

LAB 70.52, 18.69, 46.26

 

CMYK 61 / 0 / 30 / 11

HEX #5AE4A0

RGB 90 228 160

HSL 150.43, 0.72%, 0.62%

LAB 81.95, -52.86, 22.3

 

CMYK 61 / 43 / 0 / 11

HEX #5882E3

RGB 88 130 227

HSL 221.87, 0.71%, 0.62%

LAB 55.67, 15.12, -53.73

 

CMYK 0 / 61 / 30 / 11

HEX #E3589E

RGB 227 88 158

HSL 329.78, 0.71%, 0.62%

LAB 57.83, 60.61, -9.91

 

CMYK 0 / 18 / 61 / 11

HEX #E3BA58

RGB 227 186 88

HSL 42.3, 0.71%, 0.62%

LAB 77.37, 3.83, 54.12

 

CMYK 61 / 0 / 30 / 11

HEX #5AE4A0

RGB 90 228 160

HSL 150.43, 0.72%, 0.62%

LAB 81.95, -52.86, 22.3

 

CMYK 61 / 61 / 0 / 11

HEX #5858E3

RGB 88 88 227

HSL 240, 0.71%, 0.62%

LAB 45.08, 40.8, -70.82

 

CMYK 0 / 61 / 30 / 11

HEX #E3589E

RGB 227 88 158

HSL 329.78, 0.71%, 0.62%

LAB 57.83, 60.61, -9.91

 

CMYK 0 / 0 / 61 / 11

HEX #E3E358

RGB 227 227 88

HSL 60, 0.71%, 0.62%

LAB 87.96, -17.01, 65.71

 

Description

Color code: HEX #5AE4A0 | qconv.com Color code: HEX #5AE4A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 228 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 228 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 30 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 30% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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