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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AE126 it is the complementary color #A51ED9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AE126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AE126 shade: #5FE121, #70F334, #81FF47, #92FF5A and #A3FF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AE126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AE126 shade: #5AE126, #49CF13, #38BD00, #27AB00 and #169900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AE126 shade: #5BE127, #8DE127, #BFE127, #E1D127 and #E19F27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AE126 shade: #5BE127, #29E127, #27E158, #27E18A and #27E1BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AE126 shade matches the following richer shades: #5BE127 and #52F513

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AE126 shade: #5BE127, #64CD3B, #6CBA4F, #75A662 and #7E9276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AE126 shade: #BFE127, #8DE127, #5CE127, #2AE127 and #27E156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AE126 shade: #3CA015, #4AC51A, #5BE127, #76E64B and #92EB70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AE126 shade: #5AE126, #27E1D2 and #E127A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AE126 shade: #5AE126, #275CE1 and #E1275C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AE126 shade: #5AE126, #27E1D2, #AC27E1 and #E12737

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AE126 shade: #5AE126, #27B9E1, #AC27E1 and #E14F27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 83 / 12

HEX #5AE126

RGB 90 225 38

HSL 103.32, 0.76%, 0.52%

LAB 79.71, -66.55, 71.82

 

Complementary color

CMYK 24 / 86 / 0 / 15

HEX #A51ED9

RGB 165 30 217

HSL 283.32, 0.76%, 0.48%

LAB 44.14, 75.45, -66.28

 

CMYK 58 / 0 / 85 / 12

HEX #5FE121

RGB 95 225 33

HSL 100.63, 0.76%, 0.51%

LAB 79.84, -65.55, 73.11

 

CMYK 54 / 0 / 79 / 5

HEX #70F334

RGB 112 243 52

HSL 101.15, 0.89%, 0.58%

LAB 85.9, -66.58, 74.13

 

CMYK 49 / 0 / 72 / 0

HEX #81FF47

RGB 129 255 71

HSL 101.09, 1%, 0.64%

LAB 90.16, -65.15, 72.59

 

CMYK 43 / 0 / 65 / 0

HEX #92FF5A

RGB 146 255 90

HSL 99.64, 1%, 0.68%

LAB 90.95, -58.82, 66.69

 

CMYK 36 / 0 / 57 / 0

HEX #A3FF6D

RGB 163 255 109

HSL 97.81, 1%, 0.71%

LAB 91.87, -51.8, 60.08

 

CMYK 60 / 0 / 83 / 12

HEX #5AE126

RGB 90 225 38

HSL 103.32, 0.76%, 0.52%

LAB 79.71, -66.55, 71.82

 

CMYK 65 / 0 / 91 / 19

HEX #49CF13

RGB 73 207 19

HSL 102.77, 0.83%, 0.44%

LAB 73.6, -65.1, 70.08

 

CMYK 70 / 0 / 100 / 26

HEX #38BD00

RGB 56 189 0

HSL 102.22, 1%, 0.37%

LAB 67.45, -63.17, 67.18

 

CMYK 77 / 0 / 100 / 33

HEX #27AB00

RGB 39 171 0

HSL 106.32, 1%, 0.34%

LAB 61.27, -60.48, 62.12

 

CMYK 86 / 0 / 100 / 40

HEX #169900

RGB 22 153 0

HSL 111.37, 1%, 0.3%

LAB 55.02, -57.26, 57.02

 

CMYK 60 / 0 / 83 / 12

HEX #5BE127

RGB 91 225 39

HSL 103.23, 0.76%, 0.52%

LAB 79.74, -66.27, 71.62

 

CMYK 37 / 0 / 83 / 12

HEX #8DE127

RGB 141 225 39

HSL 87.1, 0.76%, 0.52%

LAB 81.65, -51.69, 74.05

 

CMYK 15 / 0 / 83 / 12

HEX #BFE127

RGB 191 225 39

HSL 70.97, 0.76%, 0.52%

LAB 84.52, -32.97, 77.67

 

CMYK 0 / 7 / 83 / 12

HEX #E1D127

RGB 225 209 39

HSL 54.84, 0.76%, 0.52%

LAB 82.78, -11.12, 77.22

 

CMYK 0 / 29 / 83 / 12

HEX #E19F27

RGB 225 159 39

HSL 38.71, 0.76%, 0.52%

LAB 70.14, 14.95, 66.48

 

CMYK 60 / 0 / 83 / 12

HEX #5BE127

RGB 91 225 39

HSL 103.23, 0.76%, 0.52%

LAB 79.74, -66.27, 71.62

 

CMYK 82 / 0 / 83 / 12

HEX #29E127

RGB 41 225 39

HSL 119.35, 0.76%, 0.52%

LAB 78.73, -74.83, 70.34

 

CMYK 83 / 0 / 61 / 12

HEX #27E158

RGB 39 225 88

HSL 135.81, 0.76%, 0.52%

LAB 79.03, -71.01, 53.5

 

CMYK 83 / 0 / 39 / 12

HEX #27E18A

RGB 39 225 138

HSL 151.94, 0.76%, 0.52%

LAB 79.68, -63.32, 30.39

 

CMYK 83 / 0 / 16 / 12

HEX #27E1BC

RGB 39 225 188

HSL 168.06, 0.76%, 0.52%

LAB 80.69, -52.22, 5.69

 

CMYK 60 / 0 / 83 / 12

HEX #5BE127

RGB 91 225 39

HSL 103.23, 0.76%, 0.52%

LAB 79.74, -66.27, 71.62

 

CMYK 67 / 0 / 92 / 4

HEX #52F513

RGB 82 245 19

HSL 103.27, 0.92%, 0.52%

LAB 85.58, -75.24, 80.14

 

CMYK 60 / 0 / 83 / 12

HEX #5BE127

RGB 91 225 39

HSL 103.23, 0.76%, 0.52%

LAB 79.74, -66.27, 71.62

 

CMYK 51 / 0 / 71 / 20

HEX #64CD3B

RGB 100 205 59

HSL 103.15, 0.59%, 0.52%

LAB 73.99, -55.68, 60.12

 

CMYK 42 / 0 / 58 / 27

HEX #6CBA4F

RGB 108 186 79

HSL 103.74, 0.44%, 0.52%

LAB 68.66, -43.88, 46.05

 

CMYK 30 / 0 / 41 / 35

HEX #75A662

RGB 117 166 98

HSL 103.24, 0.28%, 0.52%

LAB 63.29, -29.39, 30.08

 

CMYK 14 / 0 / 19 / 43

HEX #7E9276

RGB 126 146 118

HSL 102.86, 0.11%, 0.52%

LAB 58.32, -12.65, 12.5

 

CMYK 15 / 0 / 83 / 12

HEX #BFE127

RGB 191 225 39

HSL 70.97, 0.76%, 0.52%

LAB 84.52, -32.97, 77.67

 

CMYK 37 / 0 / 83 / 12

HEX #8DE127

RGB 141 225 39

HSL 87.1, 0.76%, 0.52%

LAB 81.65, -51.69, 74.05

 

CMYK 59 / 0 / 83 / 12

HEX #5CE127

RGB 92 225 39

HSL 102.9, 0.76%, 0.52%

LAB 79.77, -66.03, 71.66

 

CMYK 81 / 0 / 83 / 12

HEX #2AE127

RGB 42 225 39

HSL 119.03, 0.76%, 0.52%

LAB 78.75, -74.72, 70.35

 

CMYK 83 / 0 / 62 / 12

HEX #27E156

RGB 39 225 86

HSL 135.16, 0.76%, 0.52%

LAB 79.01, -71.24, 54.34

 

CMYK 63 / 0 / 87 / 37

HEX #3CA015

RGB 60 160 21

HSL 103.17, 0.77%, 0.35%

LAB 58.19, -52.17, 56.33

 

CMYK 62 / 0 / 87 / 23

HEX #4AC51A

RGB 74 197 26

HSL 103.16, 0.77%, 0.44%

LAB 70.5, -61.37, 66.18

 

CMYK 60 / 0 / 83 / 12

HEX #5BE127

RGB 91 225 39

HSL 103.23, 0.76%, 0.52%

LAB 79.74, -66.27, 71.62

 

CMYK 49 / 0 / 67 / 10

HEX #76E64B

RGB 118 230 75

HSL 103.35, 0.76%, 0.6%

LAB 82.35, -58.73, 63.01

 

CMYK 38 / 0 / 52 / 8

HEX #92EB70

RGB 146 235 112

HSL 103.41, 0.75%, 0.68%

LAB 85.35, -48.65, 50.89

 

CMYK 60 / 0 / 83 / 12

HEX #5AE126

RGB 90 225 38

HSL 103.32, 0.76%, 0.52%

LAB 79.71, -66.55, 71.82

 

CMYK 83 / 0 / 7 / 12

HEX #27E1D2

RGB 39 225 210

HSL 175.16, 0.76%, 0.52%

LAB 81.26, -46.41, -5.15

 

CMYK 0 / 83 / 26 / 12

HEX #E127A6

RGB 225 39 166

HSL 319.03, 0.76%, 0.52%

LAB 52.08, 77.03, -23.37

 

CMYK 60 / 0 / 83 / 12

HEX #5AE126

RGB 90 225 38

HSL 103.32, 0.76%, 0.52%

LAB 79.71, -66.55, 71.82

 

CMYK 83 / 59 / 0 / 12

HEX #275CE1

RGB 39 92 225

HSL 222.9, 0.76%, 0.52%

LAB 43.54, 31.84, -72.3

 

CMYK 0 / 83 / 59 / 12

HEX #E1275C

RGB 225 39 92

HSL 342.9, 0.76%, 0.52%

LAB 49.78, 70.4, 17.87

 

CMYK 60 / 0 / 83 / 12

HEX #5AE126

RGB 90 225 38

HSL 103.32, 0.76%, 0.52%

LAB 79.71, -66.55, 71.82

 

CMYK 83 / 0 / 7 / 12

HEX #27E1D2

RGB 39 225 210

HSL 175.16, 0.76%, 0.52%

LAB 81.26, -46.41, -5.15

 

CMYK 24 / 83 / 0 / 12

HEX #AC27E1

RGB 172 39 225

HSL 282.9, 0.76%, 0.52%

LAB 46.52, 75.9, -66.93

 

CMYK 0 / 83 / 76 / 12

HEX #E12737

RGB 225 39 55

HSL 354.84, 0.76%, 0.52%

LAB 49.17, 68.6, 39.22

 

CMYK 60 / 0 / 83 / 12

HEX #5AE126

RGB 90 225 38

HSL 103.32, 0.76%, 0.52%

LAB 79.71, -66.55, 71.82

 

CMYK 83 / 18 / 0 / 12

HEX #27B9E1

RGB 39 185 225

HSL 192.9, 0.76%, 0.52%

LAB 69.87, -23.11, -30.43

 

CMYK 24 / 83 / 0 / 12

HEX #AC27E1

RGB 172 39 225

HSL 282.9, 0.76%, 0.52%

LAB 46.52, 75.9, -66.93

 

CMYK 0 / 65 / 83 / 12

HEX #E14F27

RGB 225 79 39

HSL 12.9, 0.76%, 0.52%

LAB 53.76, 55, 52.09

 

Description

Color code: HEX #5AE126 | qconv.com Color code: HEX #5AE126 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 225 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 225 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 83 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 83% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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