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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AF8E0 it is the complementary color #A5071F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AF8E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AF8E0 shade: #5FF8DB, #70FFEE, #81FFFF, #92FFFF and #A3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AF8E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AF8E0 shade: #5AF8E0, #49E6CD, #38D4BA, #27C2A7 and #16B094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AF8E0 shade: #58F8DF, #58F8B4, #58F889, #58F85E and #7DF858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AF8E0 shade: #58F8DF, #58E5F8, #58BAF8, #588FF8 and #5864F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AF8E0 shade matches the following richer shades: #58F8DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AF8E0 shade: #58F8DF, #66EAD6, #74DCCC, #82CDC2 and #90BFB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AF8E0 shade: #58F888, #58F8B2, #58F8DD, #58E8F8 and #58BDF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AF8E0 shade: #0AF3D0, #30F6D8, #58F8DF, #80F9E7 and #A7FBEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AF8E0 shade: #5AF8E0, #5D58F8 and #F89D58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AF8E0 shade: #5AF8E0, #DD58F8 and #F8DD58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AF8E0 shade: #5AF8E0, #5D58F8, #F85873 and #F2F858

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AF8E0 shade: #5AF8E0, #8D58F8, #F85873 and #C2F858

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 10 / 3

HEX #5AF8E0

RGB 90 248 224

HSL 170.89, 0.92%, 0.66%

LAB 89.25, -46.72, -0.68

 

Complementary color

CMYK 0 / 96 / 81 / 35

HEX #A5071F

RGB 165 7 31

HSL 350.89, 0.92%, 0.34%

LAB 34.5, 57.49, 33.83

 

CMYK 62 / 0 / 12 / 3

HEX #5FF8DB

RGB 95 248 219

HSL 168.63, 0.92%, 0.67%

LAB 89.24, -47.14, 1.94

 

CMYK 56 / 0 / 7 / 0

HEX #70FFEE

RGB 112 255 238

HSL 172.87, 1%, 0.72%

LAB 92.19, -42.56, -3.56

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 64 / 0 / 10 / 3

HEX #5AF8E0

RGB 90 248 224

HSL 170.89, 0.92%, 0.66%

LAB 89.25, -46.72, -0.68

 

CMYK 68 / 0 / 11 / 10

HEX #49E6CD

RGB 73 230 205

HSL 170.45, 0.76%, 0.59%

LAB 83.14, -46.28, 0.31

 

CMYK 74 / 0 / 12 / 17

HEX #38D4BA

RGB 56 212 186

HSL 170, 0.64%, 0.53%

LAB 76.96, -45.64, 1.39

 

CMYK 80 / 0 / 14 / 24

HEX #27C2A7

RGB 39 194 167

HSL 169.55, 0.67%, 0.46%

LAB 70.74, -44.76, 2.58

 

CMYK 88 / 0 / 16 / 31

HEX #16B094

RGB 22 176 148

HSL 169.09, 0.78%, 0.39%

LAB 64.45, -43.54, 3.91

 

CMYK 65 / 0 / 10 / 3

HEX #58F8DF

RGB 88 248 223

HSL 170.63, 0.92%, 0.66%

LAB 89.18, -47.28, -0.27

 

CMYK 65 / 0 / 27 / 3

HEX #58F8B4

RGB 88 248 180

HSL 154.5, 0.92%, 0.66%

LAB 88.21, -57.11, 20.63

 

CMYK 65 / 0 / 45 / 3

HEX #58F889

RGB 88 248 137

HSL 138.38, 0.92%, 0.66%

LAB 87.49, -64.93, 41.23

 

CMYK 65 / 0 / 62 / 3

HEX #58F85E

RGB 88 248 94

HSL 122.25, 0.92%, 0.66%

LAB 87.01, -70.51, 60.21

 

CMYK 50 / 0 / 65 / 3

HEX #7DF858

RGB 125 248 88

HSL 106.13, 0.92%, 0.66%

LAB 88.06, -62.39, 64.12

 

CMYK 65 / 0 / 10 / 3

HEX #58F8DF

RGB 88 248 223

HSL 170.63, 0.92%, 0.66%

LAB 89.18, -47.28, -0.27

 

CMYK 65 / 8 / 0 / 3

HEX #58E5F8

RGB 88 229 248

HSL 187.13, 0.92%, 0.66%

LAB 84.43, -31.99, -20.44

 

CMYK 65 / 25 / 0 / 3

HEX #58BAF8

RGB 88 186 248

HSL 203.25, 0.92%, 0.66%

LAB 72.21, -10.17, -39.2

 

CMYK 65 / 42 / 0 / 3

HEX #588FF8

RGB 88 143 248

HSL 219.38, 0.92%, 0.66%

LAB 60.34, 14.37, -57.93

 

CMYK 65 / 60 / 0 / 3

HEX #5864F8

RGB 88 100 248

HSL 235.5, 0.92%, 0.66%

LAB 49.46, 40.45, -75.49

 

CMYK 65 / 0 / 10 / 3

HEX #58F8DF

RGB 88 248 223

HSL 170.63, 0.92%, 0.66%

LAB 89.18, -47.28, -0.27

 

CMYK 65 / 0 / 10 / 3

HEX #58F8DF

RGB 88 248 223

HSL 170.63, 0.92%, 0.66%

LAB 89.18, -47.28, -0.27

 

CMYK 56 / 0 / 9 / 8

HEX #66EAD6

RGB 102 234 214

HSL 170.91, 0.76%, 0.66%

LAB 85.26, -40.98, -1.23

 

CMYK 47 / 0 / 7 / 14

HEX #74DCCC

RGB 116 220 204

HSL 170.77, 0.6%, 0.66%

LAB 81.43, -34.08, -1.5

 

CMYK 37 / 0 / 5 / 20

HEX #82CDC2

RGB 130 205 194

HSL 171.2, 0.43%, 0.66%

LAB 77.46, -25.75, -1.9

 

CMYK 25 / 0 / 4 / 25

HEX #90BFB8

RGB 144 191 184

HSL 171.06, 0.27%, 0.66%

LAB 73.97, -16.93, -1.52

 

CMYK 65 / 0 / 45 / 3

HEX #58F888

RGB 88 248 136

HSL 138, 0.92%, 0.66%

LAB 87.48, -65.08, 41.7

 

CMYK 65 / 0 / 28 / 3

HEX #58F8B2

RGB 88 248 178

HSL 153.75, 0.92%, 0.66%

LAB 88.17, -57.52, 21.6

 

CMYK 65 / 0 / 11 / 3

HEX #58F8DD

RGB 88 248 221

HSL 169.88, 0.92%, 0.66%

LAB 89.13, -47.78, 0.7

 

CMYK 65 / 6 / 0 / 3

HEX #58E8F8

RGB 88 232 248

HSL 186, 0.92%, 0.66%

LAB 85.28, -33.41, -19.15

 

CMYK 65 / 24 / 0 / 3

HEX #58BDF8

RGB 88 189 248

HSL 202.13, 0.92%, 0.66%

LAB 73.05, -11.79, -37.89

 

CMYK 96 / 0 / 14 / 5

HEX #0AF3D0

RGB 10 243 208

HSL 170.99, 0.92%, 0.5%

LAB 86.37, -55.73, 3.35

 

CMYK 80 / 0 / 12 / 4

HEX #30F6D8

RGB 48 246 216

HSL 170.91, 0.92%, 0.58%

LAB 87.73, -52.92, 1.18

 

CMYK 65 / 0 / 10 / 3

HEX #58F8DF

RGB 88 248 223

HSL 170.63, 0.92%, 0.66%

LAB 89.18, -47.28, -0.27

 

CMYK 49 / 0 / 7 / 2

HEX #80F9E7

RGB 128 249 231

HSL 171.07, 0.91%, 0.74%

LAB 90.83, -38.33, -1.87

 

CMYK 33 / 0 / 5 / 2

HEX #A7FBEE

RGB 167 251 238

HSL 170.71, 0.91%, 0.82%

LAB 93.18, -28.15, -1.86

 

CMYK 64 / 0 / 10 / 3

HEX #5AF8E0

RGB 90 248 224

HSL 170.89, 0.92%, 0.66%

LAB 89.25, -46.72, -0.68

 

CMYK 63 / 65 / 0 / 3

HEX #5D58F8

RGB 93 88 248

HSL 241.88, 0.92%, 0.66%

LAB 47.08, 48.22, -79.34

 

CMYK 0 / 37 / 65 / 3

HEX #F89D58

RGB 248 157 88

HSL 25.88, 0.92%, 0.66%

LAB 72.74, 27.81, 49.47

 

CMYK 64 / 0 / 10 / 3

HEX #5AF8E0

RGB 90 248 224

HSL 170.89, 0.92%, 0.66%

LAB 89.25, -46.72, -0.68

 

CMYK 11 / 65 / 0 / 3

HEX #DD58F8

RGB 221 88 248

HSL 289.88, 0.92%, 0.66%

LAB 60.9, 72.86, -56.35

 

CMYK 0 / 11 / 65 / 3

HEX #F8DD58

RGB 248 221 88

HSL 49.88, 0.92%, 0.66%

LAB 88.15, -5.42, 66.44

 

CMYK 64 / 0 / 10 / 3

HEX #5AF8E0

RGB 90 248 224

HSL 170.89, 0.92%, 0.66%

LAB 89.25, -46.72, -0.68

 

CMYK 63 / 65 / 0 / 3

HEX #5D58F8

RGB 93 88 248

HSL 241.88, 0.92%, 0.66%

LAB 47.08, 48.22, -79.34

 

CMYK 0 / 65 / 54 / 3

HEX #F85873

RGB 248 88 115

HSL 349.88, 0.92%, 0.66%

LAB 60.05, 62.77, 18.82

 

CMYK 2 / 0 / 65 / 3

HEX #F2F858

RGB 242 248 88

HSL 62.25, 0.92%, 0.66%

LAB 94.62, -21.12, 73.04

 

CMYK 64 / 0 / 10 / 3

HEX #5AF8E0

RGB 90 248 224

HSL 170.89, 0.92%, 0.66%

LAB 89.25, -46.72, -0.68

 

CMYK 43 / 65 / 0 / 3

HEX #8D58F8

RGB 141 88 248

HSL 259.88, 0.92%, 0.66%

LAB 51.17, 56.17, -72.5

 

CMYK 0 / 65 / 54 / 3

HEX #F85873

RGB 248 88 115

HSL 349.88, 0.92%, 0.66%

LAB 60.05, 62.77, 18.82

 

CMYK 22 / 0 / 65 / 3

HEX #C2F858

RGB 194 248 88

HSL 80.25, 0.92%, 0.66%

LAB 91.37, -39.75, 68.65

 

Description

Color code: HEX #5AF8E0 | qconv.com Color code: HEX #5AF8E0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 248 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 248 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 10 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 10% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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