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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B0952 it is the complementary color #A4F6AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B0952. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B0952 shade: #60094D, #711B60, #822D73, #933F86 and #A45199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B0952. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B0952 shade: #5B0952, #4A003F, #39002C, #280019 and #170006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B0952 shade: #5C0953, #5C093D, #5C0926, #5C090F and #5C0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B0952 shade: #5C0953, #4F095C, #38095C, #22095C and #0B095C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B0952 shade matches the following richer shades: #5C0953 and #65005A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B0952 shade: #5C0953, #54114D, #4C1946, #442140 and #3B2A39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B0952 shade: #38095C, #4E095C, #5C0954, #5C093E and #5C0927

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B0952 shade: #11010F, #370531, #5C0953, #820C75 and #A71097

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B0952 shade: #5B0952, #5C2209 and #095C43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B0952 shade: #5B0952, #545C09 and #09545C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B0952 shade: #5B0952, #5C2209, #095C11 and #09435C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B0952 shade: #5B0952, #5C3B09, #095C11 and #092A5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 10 / 64

HEX #5B0952

RGB 91 9 82

HSL 306.59, 0.82%, 0.2%

LAB 20.16, 42.51, -22.3

 

Complementary color

CMYK 33 / 0 / 30 / 4

HEX #A4F6AD

RGB 164 246 173

HSL 126.59, 0.82%, 0.8%

LAB 90.24, -39.24, 27.42

 

CMYK 0 / 91 / 20 / 62

HEX #60094D

RGB 96 9 77

HSL 313.1, 0.83%, 0.21%

LAB 20.9, 42.9, -17.68

 

CMYK 0 / 76 / 15 / 56

HEX #711B60

RGB 113 27 96

HSL 311.86, 0.61%, 0.27%

LAB 27.13, 44.62, -20.37

 

CMYK 0 / 65 / 12 / 49

HEX #822D73

RGB 130 45 115

HSL 310.59, 0.49%, 0.34%

LAB 33.69, 45, -22.1

 

CMYK 0 / 57 / 9 / 42

HEX #933F86

RGB 147 63 134

HSL 309.29, 0.4%, 0.41%

LAB 40.38, 44.73, -23.3

 

CMYK 0 / 51 / 7 / 36

HEX #A45199

RGB 164 81 153

HSL 307.95, 0.34%, 0.48%

LAB 47.08, 44.16, -24.19

 

CMYK 0 / 90 / 10 / 64

HEX #5B0952

RGB 91 9 82

HSL 306.59, 0.82%, 0.2%

LAB 20.16, 42.51, -22.3

 

CMYK 0 / 100 / 15 / 71

HEX #4A003F

RGB 74 0 63

HSL 308.92, 1%, 0.15%

LAB 14.48, 38.39, -18.37

 

CMYK 0 / 100 / 23 / 78

HEX #39002C

RGB 57 0 44

HSL 313.68, 1%, 0.11%

LAB 9.41, 31.68, -12.82

 

CMYK 0 / 100 / 38 / 84

HEX #280019

RGB 40 0 25

HSL 322.5, 1%, 0.08%

LAB 4.71, 22.11, -5.68

 

CMYK 0 / 100 / 74 / 91

HEX #170006

RGB 23 0 6

HSL 344.35, 1%, 0.05%

LAB 1.76, 8.22, 0.33

 

CMYK 0 / 90 / 10 / 64

HEX #5C0953

RGB 92 9 83

HSL 306.51, 0.82%, 0.2%

LAB 20.42, 42.9, -22.55

 

CMYK 0 / 90 / 34 / 64

HEX #5C093D

RGB 92 9 61

HSL 322.41, 0.82%, 0.2%

LAB 19.26, 39.7, -9.24

 

CMYK 0 / 90 / 59 / 64

HEX #5C0926

RGB 92 9 38

HSL 339.04, 0.82%, 0.2%

LAB 18.41, 37.27, 5.85

 

CMYK 0 / 90 / 84 / 64

HEX #5C090F

RGB 92 9 15

HSL 355.66, 0.82%, 0.2%

LAB 17.94, 35.88, 21.02

 

CMYK 0 / 90 / 90 / 64

HEX #5C0909

RGB 92 9 9

HSL 0, 0.82%, 0.2%

LAB 17.88, 35.68, 23.69

 

CMYK 0 / 90 / 10 / 64

HEX #5C0953

RGB 92 9 83

HSL 306.51, 0.82%, 0.2%

LAB 20.42, 42.9, -22.55

 

CMYK 14 / 90 / 0 / 64

HEX #4F095C

RGB 79 9 92

HSL 290.6, 0.82%, 0.2%

LAB 18.5, 41.77, -31.81

 

CMYK 39 / 90 / 0 / 64

HEX #38095C

RGB 56 9 92

HSL 273.98, 0.82%, 0.2%

LAB 14.45, 37.6, -38.57

 

CMYK 63 / 90 / 0 / 64

HEX #22095C

RGB 34 9 92

HSL 258.07, 0.82%, 0.2%

LAB 11.33, 34.54, -43.81

 

CMYK 88 / 90 / 0 / 64

HEX #0B095C

RGB 11 9 92

HSL 241.45, 0.82%, 0.2%

LAB 9.31, 32.68, -47.22

 

CMYK 0 / 90 / 10 / 64

HEX #5C0953

RGB 92 9 83

HSL 306.51, 0.82%, 0.2%

LAB 20.42, 42.9, -22.55

 

CMYK 0 / 100 / 11 / 60

HEX #65005A

RGB 101 0 90

HSL 306.53, 1%, 0.2%

LAB 21.96, 48.05, -24.69

 

CMYK 0 / 90 / 10 / 64

HEX #5C0953

RGB 92 9 83

HSL 306.51, 0.82%, 0.2%

LAB 20.42, 42.9, -22.55

 

CMYK 0 / 80 / 8 / 67

HEX #54114D

RGB 84 17 77

HSL 306.27, 0.66%, 0.2%

LAB 19.31, 37.55, -20.33

 

CMYK 0 / 67 / 8 / 70

HEX #4C1946

RGB 76 25 70

HSL 307.06, 0.5%, 0.2%

LAB 18.69, 30.47, -16.62

 

CMYK 0 / 51 / 6 / 73

HEX #442140

RGB 68 33 64

HSL 306.86, 0.35%, 0.2%

LAB 18.74, 22.01, -12.5

 

CMYK 0 / 29 / 3 / 77

HEX #3B2A39

RGB 59 42 57

HSL 307.06, 0.17%, 0.2%

LAB 19.56, 10.98, -6.53

 

CMYK 39 / 90 / 0 / 64

HEX #38095C

RGB 56 9 92

HSL 273.98, 0.82%, 0.2%

LAB 14.45, 37.6, -38.57

 

CMYK 15 / 90 / 0 / 64

HEX #4E095C

RGB 78 9 92

HSL 289.88, 0.82%, 0.2%

LAB 18.31, 41.57, -32.13

 

CMYK 0 / 90 / 9 / 64

HEX #5C0954

RGB 92 9 84

HSL 305.78, 0.82%, 0.2%

LAB 20.48, 43.06, -23.13

 

CMYK 0 / 90 / 33 / 64

HEX #5C093E

RGB 92 9 62

HSL 321.69, 0.82%, 0.2%

LAB 19.3, 39.82, -9.87

 

CMYK 0 / 90 / 58 / 64

HEX #5C0927

RGB 92 9 39

HSL 338.31, 0.82%, 0.2%

LAB 18.44, 37.35, 5.18

 

CMYK 0 / 94 / 12 / 93

HEX #11010F

RGB 17 1 15

HSL 307.5, 0.89%, 0.04%

LAB 1.58, 6.62, -3.97

 

CMYK 0 / 91 / 11 / 78

HEX #370531

RGB 55 5 49

HSL 307.2, 0.83%, 0.12%

LAB 10.13, 29.54, -15.44

 

CMYK 0 / 90 / 10 / 64

HEX #5C0953

RGB 92 9 83

HSL 306.51, 0.82%, 0.2%

LAB 20.42, 42.9, -22.55

 

CMYK 0 / 91 / 10 / 49

HEX #820C75

RGB 130 12 117

HSL 306.61, 0.83%, 0.28%

LAB 30.14, 55.72, -28.94

 

CMYK 0 / 90 / 10 / 35

HEX #A71097

RGB 167 16 151

HSL 306.36, 0.83%, 0.36%

LAB 39.28, 67.37, -35.16

 

CMYK 0 / 90 / 10 / 64

HEX #5B0952

RGB 91 9 82

HSL 306.59, 0.82%, 0.2%

LAB 20.16, 42.51, -22.3

 

CMYK 0 / 63 / 90 / 64

HEX #5C2209

RGB 92 34 9

HSL 18.07, 0.82%, 0.2%

LAB 21.72, 25.18, 28.06

 

CMYK 90 / 0 / 27 / 64

HEX #095C43

RGB 9 92 67

HSL 161.93, 0.82%, 0.2%

LAB 34.23, -29.74, 7.97

 

CMYK 0 / 90 / 10 / 64

HEX #5B0952

RGB 91 9 82

HSL 306.59, 0.82%, 0.2%

LAB 20.16, 42.51, -22.3

 

CMYK 9 / 0 / 90 / 64

HEX #545C09

RGB 84 92 9

HSL 65.78, 0.82%, 0.2%

LAB 37.04, -13.85, 41.4

 

CMYK 90 / 9 / 0 / 64

HEX #09545C

RGB 9 84 92

HSL 185.78, 0.82%, 0.2%

LAB 32.19, -17.74, -10.71

 

CMYK 0 / 90 / 10 / 64

HEX #5B0952

RGB 91 9 82

HSL 306.59, 0.82%, 0.2%

LAB 20.16, 42.51, -22.3

 

CMYK 0 / 63 / 90 / 64

HEX #5C2209

RGB 92 34 9

HSL 18.07, 0.82%, 0.2%

LAB 21.72, 25.18, 28.06

 

CMYK 90 / 0 / 82 / 64

HEX #095C11

RGB 9 92 17

HSL 125.78, 0.82%, 0.2%

LAB 33.46, -38.69, 34.2

 

CMYK 90 / 27 / 0 / 64

HEX #09435C

RGB 9 67 92

HSL 198.07, 0.82%, 0.2%

LAB 26.29, -7.62, -19.8

 

CMYK 0 / 90 / 10 / 64

HEX #5B0952

RGB 91 9 82

HSL 306.59, 0.82%, 0.2%

LAB 20.16, 42.51, -22.3

 

CMYK 0 / 36 / 90 / 64

HEX #5C3B09

RGB 92 59 9

HSL 36.14, 0.82%, 0.2%

LAB 27.91, 10.13, 33.99

 

CMYK 90 / 0 / 82 / 64

HEX #095C11

RGB 9 92 17

HSL 125.78, 0.82%, 0.2%

LAB 33.46, -38.69, 34.2

 

CMYK 90 / 54 / 0 / 64

HEX #092A5C

RGB 9 42 92

HSL 216.14, 0.82%, 0.2%

LAB 17.86, 9.8, -33.2

 

Description

Color code: HEX #5B0952 | qconv.com Color code: HEX #5B0952 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 9 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 9 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 10 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 10% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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