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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B0172 it is the complementary color #A4FE8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B0172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B0172 shade: #60016D, #711380, #822593, #9337A6 and #A449B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B0172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B0172 shade: #5B0172, #4A005F, #39004C, #280039 and #170026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B0172 shade: #5C0174, #74016C, #74014D, #74012E and #74010F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B0172 shade: #5C0174, #3D0174, #1E0174 and #010174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B0172 shade matches the following richer shades: #5C0174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B0172 shade: #5C0174, #570A6A, #511461, #4B1D57 and #46274E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B0172 shade: #1D0174, #3C0174, #5B0174, #74016E and #74014F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B0172 shade: #1B0022, #3C004B, #5C0174, #7D019C and #9D01C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B0172 shade: #5B0172, #740103 and #01742D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B0172 shade: #5B0172, #745B01 and #01745B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B0172 shade: #5B0172, #740103, #1A7401 and #017472

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B0172 shade: #5B0172, #742101, #1A7401 and #015374

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 99 / 0 / 55

HEX #5B0172

RGB 91 1 114

HSL 287.79, 0.98%, 0.23%

LAB 21.8, 50.2, -40.8

 

Complementary color

CMYK 35 / 0 / 44 / 0

HEX #A4FE8D

RGB 164 254 141

HSL 107.79, 0.98%, 0.77%

LAB 92, -47.44, 45.58

 

CMYK 12 / 99 / 0 / 57

HEX #60016D

RGB 96 1 109

HSL 292.78, 0.98%, 0.22%

LAB 22.35, 50.07, -36.64

 

CMYK 12 / 85 / 0 / 50

HEX #711380

RGB 113 19 128

HSL 291.74, 0.74%, 0.29%

LAB 28.21, 52.66, -39.18

 

CMYK 12 / 75 / 0 / 42

HEX #822593

RGB 130 37 147

HSL 290.73, 0.6%, 0.36%

LAB 34.35, 54, -40.96

 

CMYK 11 / 67 / 0 / 35

HEX #9337A6

RGB 147 55 166

HSL 289.73, 0.5%, 0.43%

LAB 40.72, 54.32, -42.11

 

CMYK 11 / 61 / 0 / 27

HEX #A449B9

RGB 164 73 185

HSL 288.75, 0.44%, 0.51%

LAB 47.18, 54.09, -42.88

 

CMYK 20 / 99 / 0 / 55

HEX #5B0172

RGB 91 1 114

HSL 287.79, 0.98%, 0.23%

LAB 21.8, 50.2, -40.8

 

CMYK 22 / 100 / 0 / 63

HEX #4A005F

RGB 74 0 95

HSL 286.74, 1%, 0.19%

LAB 16.9, 44.14, -36.45

 

CMYK 25 / 100 / 0 / 70

HEX #39004C

RGB 57 0 76

HSL 285, 1%, 0.15%

LAB 11.9, 37.6, -31.82

 

CMYK 30 / 100 / 0 / 78

HEX #280039

RGB 40 0 57

HSL 282.11, 1%, 0.11%

LAB 6.74, 30.47, -26.88

 

CMYK 39 / 100 / 0 / 85

HEX #170026

RGB 23 0 38

HSL 276.32, 1%, 0.07%

LAB 2.91, 16.26, -18.9

 

CMYK 21 / 99 / 0 / 55

HEX #5C0174

RGB 92 1 116

HSL 287.48, 0.98%, 0.23%

LAB 22.15, 50.74, -41.51

 

CMYK 0 / 99 / 7 / 55

HEX #74016C

RGB 116 1 108

HSL 304.17, 0.98%, 0.23%

LAB 26.21, 53.48, -29.58

 

CMYK 0 / 99 / 34 / 55

HEX #74014D

RGB 116 1 77

HSL 320.35, 0.98%, 0.23%

LAB 24.55, 49.29, -11.69

 

CMYK 0 / 99 / 60 / 55

HEX #74012E

RGB 116 1 46

HSL 336.52, 0.98%, 0.23%

LAB 23.45, 46.39, 8.02

 

CMYK 0 / 99 / 87 / 55

HEX #74010F

RGB 116 1 15

HSL 352.7, 0.98%, 0.23%

LAB 22.89, 44.89, 28.1

 

CMYK 21 / 99 / 0 / 55

HEX #5C0174

RGB 92 1 116

HSL 287.48, 0.98%, 0.23%

LAB 22.15, 50.74, -41.51

 

CMYK 47 / 99 / 0 / 55

HEX #3D0174

RGB 61 1 116

HSL 271.3, 0.98%, 0.23%

LAB 16.87, 46.76, -50.38

 

CMYK 74 / 99 / 0 / 55

HEX #1E0174

RGB 30 1 116

HSL 255.13, 0.98%, 0.23%

LAB 12.98, 44.54, -56.95

 

CMYK 99 / 99 / 0 / 55

HEX #010174

RGB 1 1 116

HSL 240, 0.98%, 0.23%

LAB 11.2, 43.8, -59.96

 

CMYK 21 / 99 / 0 / 55

HEX #5C0174

RGB 92 1 116

HSL 287.48, 0.98%, 0.23%

LAB 22.15, 50.74, -41.51

 

CMYK 21 / 99 / 0 / 55

HEX #5C0174

RGB 92 1 116

HSL 287.48, 0.98%, 0.23%

LAB 22.15, 50.74, -41.51

 

CMYK 18 / 91 / 0 / 58

HEX #570A6A

RGB 87 10 106

HSL 288.13, 0.83%, 0.23%

LAB 21.15, 45.82, -36.71

 

CMYK 16 / 79 / 0 / 62

HEX #511461

RGB 81 20 97

HSL 287.53, 0.66%, 0.23%

LAB 20.49, 39.58, -31.91

 

CMYK 14 / 67 / 0 / 66

HEX #4B1D57

RGB 75 29 87

HSL 287.59, 0.5%, 0.23%

LAB 20.29, 31.67, -25.63

 

CMYK 10 / 50 / 0 / 69

HEX #46274E

RGB 70 39 78

HSL 287.69, 0.33%, 0.23%

LAB 21.22, 22.13, -18.18

 

CMYK 75 / 99 / 0 / 55

HEX #1D0174

RGB 29 1 116

HSL 254.61, 0.98%, 0.23%

LAB 12.88, 44.49, -57.1

 

CMYK 48 / 99 / 0 / 55

HEX #3C0174

RGB 60 1 116

HSL 270.78, 0.98%, 0.23%

LAB 16.72, 46.66, -50.63

 

CMYK 22 / 99 / 0 / 55

HEX #5B0174

RGB 91 1 116

HSL 286.96, 0.98%, 0.23%

LAB 21.97, 50.59, -41.82

 

CMYK 0 / 99 / 5 / 55

HEX #74016E

RGB 116 1 110

HSL 303.13, 0.98%, 0.23%

LAB 26.33, 53.79, -30.67

 

CMYK 0 / 99 / 32 / 55

HEX #74014F

RGB 116 1 79

HSL 319.3, 0.98%, 0.23%

LAB 24.64, 49.52, -12.9

 

CMYK 21 / 100 / 0 / 87

HEX #1B0022

RGB 27 0 34

HSL 287.65, 1%, 0.07%

LAB 3.15, 16.77, -15.37

 

CMYK 20 / 100 / 0 / 71

HEX #3C004B

RGB 60 0 75

HSL 288, 1%, 0.15%

LAB 12.41, 37.88, -30.27

 

CMYK 21 / 99 / 0 / 55

HEX #5C0174

RGB 92 1 116

HSL 287.48, 0.98%, 0.23%

LAB 22.15, 50.74, -41.51

 

CMYK 20 / 99 / 0 / 39

HEX #7D019C

RGB 125 1 156

HSL 288, 0.99%, 0.31%

LAB 31.31, 63.07, -51.41

 

CMYK 20 / 99 / 0 / 23

HEX #9D01C5

RGB 157 1 197

HSL 287.76, 0.99%, 0.39%

LAB 39.95, 74.84, -61.57

 

CMYK 20 / 99 / 0 / 55

HEX #5B0172

RGB 91 1 114

HSL 287.79, 0.98%, 0.23%

LAB 21.8, 50.2, -40.8

 

CMYK 0 / 99 / 97 / 55

HEX #740103

RGB 116 1 3

HSL 358.96, 0.98%, 0.23%

LAB 22.8, 44.62, 33.19

 

CMYK 99 / 0 / 61 / 55

HEX #01742D

RGB 1 116 45

HSL 142.96, 0.98%, 0.23%

LAB 42.29, -44.37, 30.96

 

CMYK 20 / 99 / 0 / 55

HEX #5B0172

RGB 91 1 114

HSL 287.79, 0.98%, 0.23%

LAB 21.8, 50.2, -40.8

 

CMYK 0 / 22 / 99 / 55

HEX #745B01

RGB 116 91 1

HSL 46.96, 0.98%, 0.23%

LAB 39.91, 2.29, 47.28

 

CMYK 99 / 0 / 22 / 55

HEX #01745B

RGB 1 116 91

HSL 166.96, 0.98%, 0.23%

LAB 43.14, -34.47, 6.01

 

CMYK 20 / 99 / 0 / 55

HEX #5B0172

RGB 91 1 114

HSL 287.79, 0.98%, 0.23%

LAB 21.8, 50.2, -40.8

 

CMYK 0 / 99 / 97 / 55

HEX #740103

RGB 116 1 3

HSL 358.96, 0.98%, 0.23%

LAB 22.8, 44.62, 33.19

 

CMYK 78 / 0 / 99 / 55

HEX #1A7401

RGB 26 116 1

HSL 106.96, 0.98%, 0.23%

LAB 42.33, -45.1, 46.67

 

CMYK 99 / 0 / 2 / 55

HEX #017472

RGB 1 116 114

HSL 178.96, 0.98%, 0.23%

LAB 43.82, -27.47, -6.79

 

CMYK 20 / 99 / 0 / 55

HEX #5B0172

RGB 91 1 114

HSL 287.79, 0.98%, 0.23%

LAB 21.8, 50.2, -40.8

 

CMYK 0 / 72 / 99 / 55

HEX #742101

RGB 116 33 1

HSL 16.7, 0.98%, 0.23%

LAB 26.17, 35.08, 37.29

 

CMYK 78 / 0 / 99 / 55

HEX #1A7401

RGB 26 116 1

HSL 106.96, 0.98%, 0.23%

LAB 42.33, -45.1, 46.67

 

CMYK 99 / 28 / 0 / 55

HEX #015374

RGB 1 83 116

HSL 197.22, 0.98%, 0.23%

LAB 32.82, -8.52, -24.84

 

Description

Color code: HEX #5B0172 | qconv.com Color code: HEX #5B0172 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 1 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 1 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 99 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 99% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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