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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B1065 it is the complementary color #A4EF9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B1065. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B1065 shade: #601060, #712273, #823486, #934699 and #A458AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B1065. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B1065 shade: #5B1065, #4A0052, #39003F, #28002C and #170019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B1065 shade: #5B0F65, #650F58, #650F41, #650F2A and #650F13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B1065 shade: #5B0F65, #440F65, #2D0F65, #160F65 and #0F0F65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B1065 shade matches the following richer shades: #5B0F65 and #62066E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B1065 shade: #5B0F65, #54195B, #4C2252, #452C48 and #3E353F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B1065 shade: #2C0F65, #430F65, #5A0F65, #650F5A and #650F43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B1065 shade: #1B041E, #3B0A41, #5B0F65, #7B1589 and #9B1AAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B1065 shade: #5B1065, #65150F and #0F6537

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B1065 shade: #5B1065, #655A0F and #0F655A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B1065 shade: #5B1065, #65150F, #1B650F and #0F5F65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B1065 shade: #5B1065, #652F0F, #1B650F and #0F4665

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 84 / 0 / 60

HEX #5B1065

RGB 91 16 101

HSL 292.94, 0.73%, 0.23%

LAB 22.07, 43.98, -31.91

 

Complementary color

CMYK 31 / 0 / 36 / 6

HEX #A4EF9A

RGB 164 239 154

HSL 112.94, 0.73%, 0.77%

LAB 87.95, -39.09, 33.96

 

CMYK 0 / 83 / 0 / 62

HEX #601060

RGB 96 16 96

HSL 300, 0.71%, 0.22%

LAB 22.66, 44.14, -27.62

 

CMYK 2 / 70 / 0 / 55

HEX #712273

RGB 113 34 115

HSL 298.52, 0.54%, 0.29%

LAB 29.14, 45.17, -29.45

 

CMYK 3 / 61 / 0 / 47

HEX #823486

RGB 130 52 134

HSL 297.07, 0.44%, 0.36%

LAB 35.84, 45.18, -30.6

 

CMYK 4 / 54 / 0 / 40

HEX #934699

RGB 147 70 153

HSL 295.66, 0.37%, 0.44%

LAB 42.59, 44.73, -31.36

 

CMYK 5 / 49 / 0 / 33

HEX #A458AC

RGB 164 88 172

HSL 294.29, 0.34%, 0.51%

LAB 49.31, 44.07, -31.92

 

CMYK 10 / 84 / 0 / 60

HEX #5B1065

RGB 91 16 101

HSL 292.94, 0.73%, 0.23%

LAB 22.07, 43.98, -31.91

 

CMYK 10 / 100 / 0 / 68

HEX #4A0052

RGB 74 0 82

HSL 294.15, 1%, 0.16%

LAB 15.82, 41.63, -29.42

 

CMYK 10 / 100 / 0 / 75

HEX #39003F

RGB 57 0 63

HSL 294.29, 1%, 0.12%

LAB 10.77, 34.98, -24.52

 

CMYK 9 / 100 / 0 / 83

HEX #28002C

RGB 40 0 44

HSL 294.55, 1%, 0.09%

LAB 5.72, 26.87, -18.9

 

CMYK 8 / 100 / 0 / 90

HEX #170019

RGB 23 0 25

HSL 295.2, 1%, 0.05%

LAB 2.28, 11.84, -9.52

 

CMYK 10 / 85 / 0 / 60

HEX #5B0F65

RGB 91 15 101

HSL 293.02, 0.74%, 0.23%

LAB 21.96, 44.28, -32.08

 

CMYK 0 / 85 / 13 / 60

HEX #650F58

RGB 101 15 88

HSL 309.07, 0.74%, 0.23%

LAB 23.04, 44.24, -21.65

 

CMYK 0 / 85 / 36 / 60

HEX #650F41

RGB 101 15 65

HSL 325.12, 0.74%, 0.23%

LAB 21.91, 40.99, -7.81

 

CMYK 0 / 85 / 58 / 60

HEX #650F2A

RGB 101 15 42

HSL 341.16, 0.74%, 0.23%

LAB 21.12, 38.61, 7.08

 

CMYK 0 / 85 / 81 / 60

HEX #650F13

RGB 101 15 19

HSL 357.21, 0.74%, 0.23%

LAB 20.66, 37.2, 22.35

 

CMYK 10 / 85 / 0 / 60

HEX #5B0F65

RGB 91 15 101

HSL 293.02, 0.74%, 0.23%

LAB 21.96, 44.28, -32.08

 

CMYK 33 / 85 / 0 / 60

HEX #440F65

RGB 68 15 101

HSL 276.98, 0.74%, 0.23%

LAB 17.96, 39.74, -38.74

 

CMYK 55 / 85 / 0 / 60

HEX #2D0F65

RGB 45 15 101

HSL 260.93, 0.74%, 0.23%

LAB 14.62, 35.97, -44.35

 

CMYK 78 / 85 / 0 / 60

HEX #160F65

RGB 22 15 101

HSL 244.88, 0.74%, 0.23%

LAB 12.3, 33.37, -48.26

 

CMYK 85 / 85 / 0 / 60

HEX #0F0F65

RGB 15 15 101

HSL 240, 0.74%, 0.23%

LAB 11.84, 32.87, -49.03

 

CMYK 10 / 85 / 0 / 60

HEX #5B0F65

RGB 91 15 101

HSL 293.02, 0.74%, 0.23%

LAB 21.96, 44.28, -32.08

 

CMYK 11 / 95 / 0 / 57

HEX #62066E

RGB 98 6 110

HSL 293.08, 0.9%, 0.23%

LAB 23.18, 49.49, -35.92

 

CMYK 10 / 85 / 0 / 60

HEX #5B0F65

RGB 91 15 101

HSL 293.02, 0.74%, 0.23%

LAB 21.96, 44.28, -32.08

 

CMYK 8 / 73 / 0 / 64

HEX #54195B

RGB 84 25 91

HSL 293.64, 0.57%, 0.23%

LAB 21.34, 36.94, -26.54

 

CMYK 7 / 59 / 0 / 68

HEX #4C2252

RGB 76 34 82

HSL 292.5, 0.41%, 0.23%

LAB 21.17, 28.08, -20.89

 

CMYK 4 / 39 / 0 / 72

HEX #452C48

RGB 69 44 72

HSL 293.57, 0.24%, 0.23%

LAB 22.07, 17.12, -12.83

 

CMYK 2 / 16 / 0 / 75

HEX #3E353F

RGB 62 53 63

HSL 294, 0.09%, 0.23%

LAB 23.44, 6.18, -4.76

 

CMYK 56 / 85 / 0 / 60

HEX #2C0F65

RGB 44 15 101

HSL 260.23, 0.74%, 0.23%

LAB 14.49, 35.83, -44.56

 

CMYK 34 / 85 / 0 / 60

HEX #430F65

RGB 67 15 101

HSL 276.28, 0.74%, 0.23%

LAB 17.8, 39.55, -39.01

 

CMYK 11 / 85 / 0 / 60

HEX #5A0F65

RGB 90 15 101

HSL 292.33, 0.74%, 0.23%

LAB 21.78, 44.07, -32.38

 

CMYK 0 / 85 / 11 / 60

HEX #650F5A

RGB 101 15 90

HSL 307.67, 0.74%, 0.23%

LAB 23.16, 44.56, -22.8

 

CMYK 0 / 85 / 34 / 60

HEX #650F43

RGB 101 15 67

HSL 323.72, 0.74%, 0.23%

LAB 21.99, 41.24, -9.06

 

CMYK 10 / 87 / 0 / 88

HEX #1B041E

RGB 27 4 30

HSL 293.08, 0.76%, 0.07%

LAB 3.74, 13.79, -11.33

 

CMYK 9 / 85 / 0 / 75

HEX #3B0A41

RGB 59 10 65

HSL 293.45, 0.73%, 0.15%

LAB 12.79, 31.54, -22.67

 

CMYK 10 / 85 / 0 / 60

HEX #5B0F65

RGB 91 15 101

HSL 293.02, 0.74%, 0.23%

LAB 21.96, 44.28, -32.08

 

CMYK 10 / 85 / 0 / 46

HEX #7B1589

RGB 123 21 137

HSL 292.76, 0.73%, 0.31%

LAB 30.77, 55.71, -40.6

 

CMYK 10 / 85 / 0 / 33

HEX #9B1AAC

RGB 155 26 172

HSL 293.01, 0.74%, 0.39%

LAB 39.05, 66.59, -48.29

 

CMYK 10 / 84 / 0 / 60

HEX #5B1065

RGB 91 16 101

HSL 292.94, 0.73%, 0.23%

LAB 22.07, 43.98, -31.91

 

CMYK 0 / 79 / 85 / 60

HEX #65150F

RGB 101 21 15

HSL 4.19, 0.74%, 0.23%

LAB 21.35, 34.97, 25.44

 

CMYK 85 / 0 / 46 / 60

HEX #0F6537

RGB 15 101 55

HSL 147.91, 0.74%, 0.23%

LAB 37.27, -35.75, 19.32

 

CMYK 10 / 84 / 0 / 60

HEX #5B1065

RGB 91 16 101

HSL 292.94, 0.73%, 0.23%

LAB 22.07, 43.98, -31.91

 

CMYK 0 / 11 / 85 / 60

HEX #655A0F

RGB 101 90 15

HSL 52.33, 0.74%, 0.23%

LAB 38.05, -4.14, 41.09

 

CMYK 85 / 0 / 11 / 60

HEX #0F655A

RGB 15 101 90

HSL 172.33, 0.74%, 0.23%

LAB 38.11, -26.71, -0.64

 

CMYK 10 / 84 / 0 / 60

HEX #5B1065

RGB 91 16 101

HSL 292.94, 0.73%, 0.23%

LAB 22.07, 43.98, -31.91

 

CMYK 0 / 79 / 85 / 60

HEX #65150F

RGB 101 21 15

HSL 4.19, 0.74%, 0.23%

LAB 21.35, 34.97, 25.44

 

CMYK 73 / 0 / 85 / 60

HEX #1B650F

RGB 27 101 15

HSL 111.63, 0.74%, 0.23%

LAB 37.07, -39.03, 38.5

 

CMYK 85 / 6 / 0 / 60

HEX #0F5F65

RGB 15 95 101

HSL 184.19, 0.74%, 0.23%

LAB 36.41, -20.02, -9.95

 

CMYK 10 / 84 / 0 / 60

HEX #5B1065

RGB 91 16 101

HSL 292.94, 0.73%, 0.23%

LAB 22.07, 43.98, -31.91

 

CMYK 0 / 53 / 85 / 60

HEX #652F0F

RGB 101 47 15

HSL 22.33, 0.74%, 0.23%

LAB 26.26, 22.01, 30.37

 

CMYK 73 / 0 / 85 / 60

HEX #1B650F

RGB 27 101 15

HSL 111.63, 0.74%, 0.23%

LAB 37.07, -39.03, 38.5

 

CMYK 85 / 31 / 0 / 60

HEX #0F4665

RGB 15 70 101

HSL 201.63, 0.74%, 0.23%

LAB 27.9, -5.25, -23.06

 

Description

Color code: HEX #5B1065 | qconv.com Color code: HEX #5B1065 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 16 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 16 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 84 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 84% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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