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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B1D5D it is the complementary color #A4E2A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B1D5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B1D5D shade: #601D58, #712F6B, #82417E, #935391 and #A465A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B1D5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B1D5D shade: #5B1D5D, #4A0B4A, #390037, #280024 and #170011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B1D5D shade: #5B1D5D, #5D1D4D, #5D1D3C, #5D1D2B and #5D1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B1D5D shade: #5B1D5D, #491D5D, #381D5D, #271D5D and #1D1D5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B1D5D shade matches the following richer shades: #5B1D5D, #641366 and #6D0970

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B1D5D shade: #5B1D5D, #512753, #483149, #3F3B3F and #354435

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B1D5D shade: #381D5D, #491D5D, #5A1D5D, #5D1D4E and #5D1D3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B1D5D shade: #1D091E, #3C133D, #5B1D5D, #79277C and #98319B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B1D5D shade: #5B1D5D, #5D271D and #1D5D41

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B1D5D shade: #5B1D5D, #5D5A1D and #1D5D5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B1D5D shade: #5B1D5D, #5D271D, #1F5D1D and #1D525D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B1D5D shade: #5B1D5D, #5D3B1D, #1F5D1D and #1D3F5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 69 / 0 / 64

HEX #5B1D5D

RGB 91 29 93

HSL 298.13, 0.52%, 0.24%

LAB 23.32, 37.39, -24.66

 

Complementary color

CMYK 27 / 0 / 28 / 11

HEX #A4E2A2

RGB 164 226 162

HSL 118.13, 0.52%, 0.76%

LAB 84.43, -31.89, 25.15

 

CMYK 0 / 70 / 8 / 62

HEX #601D58

RGB 96 29 88

HSL 307.16, 0.54%, 0.25%

LAB 23.9, 37.84, -20.37

 

CMYK 0 / 58 / 5 / 56

HEX #712F6B

RGB 113 47 107

HSL 305.45, 0.41%, 0.31%

LAB 30.89, 37.65, -21.6

 

CMYK 0 / 50 / 3 / 49

HEX #82417E

RGB 130 65 126

HSL 303.69, 0.33%, 0.38%

LAB 37.9, 37.04, -22.42

 

CMYK 0 / 44 / 1 / 42

HEX #935391

RGB 147 83 145

HSL 301.88, 0.28%, 0.45%

LAB 44.85, 36.28, -23.04

 

CMYK 0 / 38 / 0 / 36

HEX #A465A4

RGB 164 101 164

HSL 300, 0.26%, 0.52%

LAB 51.7, 35.5, -23.53

 

CMYK 2 / 69 / 0 / 64

HEX #5B1D5D

RGB 91 29 93

HSL 298.13, 0.52%, 0.24%

LAB 23.32, 37.39, -24.66

 

CMYK 0 / 85 / 0 / 71

HEX #4A0B4A

RGB 74 11 74

HSL 300, 0.74%, 0.17%

LAB 16.45, 36.6, -22.93

 

CMYK 0 / 100 / 4 / 78

HEX #390037

RGB 57 0 55

HSL 302.11, 1%, 0.11%

LAB 10.15, 33.5, -19.75

 

CMYK 0 / 100 / 10 / 84

HEX #280024

RGB 40 0 36

HSL 306, 1%, 0.08%

LAB 5.23, 24.73, -13.57

 

CMYK 0 / 100 / 26 / 91

HEX #170011

RGB 23 0 17

HSL 315.65, 1%, 0.05%

LAB 2.01, 9.95, -4.39

 

CMYK 2 / 69 / 0 / 64

HEX #5B1D5D

RGB 91 29 93

HSL 298.13, 0.52%, 0.24%

LAB 23.32, 37.39, -24.66

 

CMYK 0 / 69 / 17 / 64

HEX #5D1D4D

RGB 93 29 77

HSL 315, 0.52%, 0.24%

LAB 22.8, 35.04, -14.77

 

CMYK 0 / 69 / 35 / 64

HEX #5D1D3C

RGB 93 29 60

HSL 330.94, 0.52%, 0.24%

LAB 22.06, 32.45, -4.3

 

CMYK 0 / 69 / 54 / 64

HEX #5D1D2B

RGB 93 29 43

HSL 346.88, 0.52%, 0.24%

LAB 21.51, 30.42, 6.68

 

CMYK 0 / 69 / 69 / 64

HEX #5D1D1D

RGB 93 29 29

HSL 0, 0.52%, 0.24%

LAB 21.19, 29.22, 15.9

 

CMYK 2 / 69 / 0 / 64

HEX #5B1D5D

RGB 91 29 93

HSL 298.13, 0.52%, 0.24%

LAB 23.32, 37.39, -24.66

 

CMYK 22 / 69 / 0 / 64

HEX #491D5D

RGB 73 29 93

HSL 281.25, 0.52%, 0.24%

LAB 20.38, 32.53, -29.5

 

CMYK 40 / 69 / 0 / 64

HEX #381D5D

RGB 56 29 93

HSL 265.31, 0.52%, 0.24%

LAB 17.96, 28.19, -33.53

 

CMYK 58 / 69 / 0 / 64

HEX #271D5D

RGB 39 29 93

HSL 249.38, 0.52%, 0.24%

LAB 16.01, 24.36, -36.79

 

CMYK 69 / 69 / 0 / 64

HEX #1D1D5D

RGB 29 29 93

HSL 240, 0.52%, 0.24%

LAB 15.12, 22.51, -38.28

 

CMYK 2 / 69 / 0 / 64

HEX #5B1D5D

RGB 91 29 93

HSL 298.13, 0.52%, 0.24%

LAB 23.32, 37.39, -24.66

 

CMYK 2 / 81 / 0 / 60

HEX #641366

RGB 100 19 102

HSL 298.55, 0.69%, 0.24%

LAB 24.11, 45.19, -29.21

 

CMYK 3 / 92 / 0 / 56

HEX #6D0970

RGB 109 9 112

HSL 298.25, 0.85%, 0.24%

LAB 25.61, 51.27, -33.19

 

CMYK 2 / 69 / 0 / 64

HEX #5B1D5D

RGB 91 29 93

HSL 298.13, 0.52%, 0.24%

LAB 23.32, 37.39, -24.66

 

CMYK 2 / 53 / 0 / 67

HEX #512753

RGB 81 39 83

HSL 297.27, 0.36%, 0.24%

LAB 23.08, 27.02, -18.5

 

CMYK 1 / 33 / 0 / 71

HEX #483149

RGB 72 49 73

HSL 297.5, 0.2%, 0.24%

LAB 23.85, 15.23, -10.73

 

CMYK 0 / 6 / 0 / 75

HEX #3F3B3F

RGB 63 59 63

HSL 300, 0.03%, 0.24%

LAB 25.39, 2.61, -1.85

 

CMYK 22 / 0 / 22 / 73

HEX #354435

RGB 53 68 53

HSL 120, 0.12%, 0.24%

LAB 27.15, -9.54, 7.14

 

CMYK 40 / 69 / 0 / 64

HEX #381D5D

RGB 56 29 93

HSL 265.31, 0.52%, 0.24%

LAB 17.96, 28.19, -33.53

 

CMYK 22 / 69 / 0 / 64

HEX #491D5D

RGB 73 29 93

HSL 281.25, 0.52%, 0.24%

LAB 20.38, 32.53, -29.5

 

CMYK 3 / 69 / 0 / 64

HEX #5A1D5D

RGB 90 29 93

HSL 297.19, 0.52%, 0.24%

LAB 23.14, 37.11, -24.94

 

CMYK 0 / 69 / 16 / 64

HEX #5D1D4E

RGB 93 29 78

HSL 314.06, 0.52%, 0.24%

LAB 22.85, 35.21, -15.37

 

CMYK 0 / 69 / 34 / 64

HEX #5D1D3D

RGB 93 29 61

HSL 330, 0.52%, 0.24%

LAB 22.1, 32.58, -4.93

 

CMYK 3 / 70 / 0 / 88

HEX #1D091E

RGB 29 9 30

HSL 297.14, 0.54%, 0.08%

LAB 4.97, 12.93, -9.44

 

CMYK 2 / 69 / 0 / 76

HEX #3C133D

RGB 60 19 61

HSL 298.57, 0.53%, 0.16%

LAB 14.19, 26.79, -17.6

 

CMYK 2 / 69 / 0 / 64

HEX #5B1D5D

RGB 91 29 93

HSL 298.13, 0.52%, 0.24%

LAB 23.32, 37.39, -24.66

 

CMYK 2 / 69 / 0 / 51

HEX #79277C

RGB 121 39 124

HSL 297.88, 0.52%, 0.32%

LAB 31.74, 46.77, -30.94

 

CMYK 2 / 68 / 0 / 39

HEX #98319B

RGB 152 49 155

HSL 298.3, 0.52%, 0.4%

LAB 39.98, 55.92, -36.63

 

CMYK 2 / 69 / 0 / 64

HEX #5B1D5D

RGB 91 29 93

HSL 298.13, 0.52%, 0.24%

LAB 23.32, 37.39, -24.66

 

CMYK 0 / 58 / 69 / 64

HEX #5D271D

RGB 93 39 29

HSL 9.38, 0.52%, 0.24%

LAB 23.23, 23.86, 18.43

 

CMYK 69 / 0 / 30 / 64

HEX #1D5D41

RGB 29 93 65

HSL 153.75, 0.52%, 0.24%

LAB 34.95, -27.68, 10.27

 

CMYK 2 / 69 / 0 / 64

HEX #5B1D5D

RGB 91 29 93

HSL 298.13, 0.52%, 0.24%

LAB 23.32, 37.39, -24.66

 

CMYK 0 / 3 / 69 / 64

HEX #5D5A1D

RGB 93 90 29

HSL 57.19, 0.52%, 0.24%

LAB 37.35, -7.31, 34.41

 

CMYK 69 / 0 / 3 / 64

HEX #1D5D5A

RGB 29 93 90

HSL 177.19, 0.52%, 0.24%

LAB 35.65, -20.64, -4.23

 

CMYK 2 / 69 / 0 / 64

HEX #5B1D5D

RGB 91 29 93

HSL 298.13, 0.52%, 0.24%

LAB 23.32, 37.39, -24.66

 

CMYK 0 / 58 / 69 / 64

HEX #5D271D

RGB 93 39 29

HSL 9.38, 0.52%, 0.24%

LAB 23.23, 23.86, 18.43

 

CMYK 67 / 0 / 69 / 64

HEX #1F5D1D

RGB 31 93 29

HSL 118.13, 0.52%, 0.24%

LAB 34.41, -33.76, 30.08

 

CMYK 69 / 12 / 0 / 64

HEX #1D525D

RGB 29 82 93

HSL 190.31, 0.52%, 0.24%

LAB 32, -13.51, -11.59

 

CMYK 2 / 69 / 0 / 64

HEX #5B1D5D

RGB 91 29 93

HSL 298.13, 0.52%, 0.24%

LAB 23.32, 37.39, -24.66

 

CMYK 0 / 37 / 69 / 64

HEX #5D3B1D

RGB 93 59 29

HSL 28.13, 0.52%, 0.24%

LAB 28.23, 11.7, 24.38

 

CMYK 67 / 0 / 69 / 64

HEX #1F5D1D

RGB 31 93 29

HSL 118.13, 0.52%, 0.24%

LAB 34.41, -33.76, 30.08

 

CMYK 69 / 32 / 0 / 64

HEX #1D3F5D

RGB 29 63 93

HSL 208.13, 0.52%, 0.24%

LAB 25.58, -1.63, -21.51

 

Description

Color code: HEX #5B1D5D | qconv.com Color code: HEX #5B1D5D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 29 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 29 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 69 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 69% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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