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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B1E52 it is the complementary color #A4E1AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B1E52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B1E52 shade: #601E4D, #713060, #824273, #935486 and #A46699

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B1E52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B1E52 shade: #5B1E52, #4A0C3F, #39002C, #280019 and #170006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B1E52 shade: #5B1E52, #5B1E42, #5B1E31, #5B1E21 and #5B1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B1E52 shade: #5B1E52, #541E5B, #431E5B, #331E5B and #221E5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B1E52 shade matches the following richer shades: #5B1E52, #651459, #6F0A60 and #790067

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B1E52 shade: #5B1E52, #51284B, #473244, #3E3C3D and #344636

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B1E52 shade: #431E5B, #531E5B, #5B1E53, #5B1E43 and #5B1E32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B1E52 shade: #1D091A, #3C1436, #5B1E52, #7A286E and #99338A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B1E52 shade: #5B1E52, #5B321E and #1E5B4B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B1E52 shade: #5B1E52, #535B1E and #1E535B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B1E52 shade: #5B1E52, #5B321E, #1E5B26 and #1E475B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B1E52 shade: #5B1E52, #5B451E, #1E5B26 and #1E355B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 10 / 64

HEX #5B1E52

RGB 91 30 82

HSL 308.85, 0.5%, 0.24%

LAB 22.87, 34.83, -18.05

 

Complementary color

CMYK 27 / 0 / 23 / 12

HEX #A4E1AD

RGB 164 225 173

HSL 128.85, 0.5%, 0.76%

LAB 84.36, -29.56, 19.34

 

CMYK 0 / 69 / 20 / 62

HEX #601E4D

RGB 96 30 77

HSL 317.27, 0.52%, 0.25%

LAB 23.51, 35.5, -13.63

 

CMYK 0 / 58 / 15 / 56

HEX #713060

RGB 113 48 96

HSL 315.69, 0.4%, 0.32%

LAB 30.57, 35.15, -15.04

 

CMYK 0 / 49 / 12 / 49

HEX #824273

RGB 130 66 115

HSL 314.06, 0.33%, 0.38%

LAB 37.63, 34.46, -16.02

 

CMYK 0 / 43 / 9 / 42

HEX #935486

RGB 147 84 134

HSL 312.38, 0.27%, 0.45%

LAB 44.61, 33.67, -16.78

 

CMYK 0 / 38 / 7 / 36

HEX #A46699

RGB 164 102 153

HSL 310.65, 0.25%, 0.52%

LAB 51.49, 32.88, -17.4

 

CMYK 0 / 67 / 10 / 64

HEX #5B1E52

RGB 91 30 82

HSL 308.85, 0.5%, 0.24%

LAB 22.87, 34.83, -18.05

 

CMYK 0 / 84 / 15 / 71

HEX #4A0C3F

RGB 74 12 63

HSL 310.65, 0.72%, 0.17%

LAB 15.89, 34.3, -16.16

 

CMYK 0 / 100 / 23 / 78

HEX #39002C

RGB 57 0 44

HSL 313.68, 1%, 0.11%

LAB 9.41, 31.68, -12.82

 

CMYK 0 / 100 / 38 / 84

HEX #280019

RGB 40 0 25

HSL 322.5, 1%, 0.08%

LAB 4.71, 22.11, -5.68

 

CMYK 0 / 100 / 74 / 91

HEX #170006

RGB 23 0 6

HSL 344.35, 1%, 0.05%

LAB 1.76, 8.22, 0.33

 

CMYK 0 / 67 / 10 / 64

HEX #5B1E52

RGB 91 30 82

HSL 308.85, 0.5%, 0.24%

LAB 22.87, 34.83, -18.05

 

CMYK 0 / 67 / 27 / 64

HEX #5B1E42

RGB 91 30 66

HSL 324.59, 0.5%, 0.24%

LAB 22.11, 32.15, -8.38

 

CMYK 0 / 67 / 46 / 64

HEX #5B1E31

RGB 91 30 49

HSL 341.31, 0.5%, 0.24%

LAB 21.49, 29.84, 2.42

 

CMYK 0 / 67 / 64 / 64

HEX #5B1E21

RGB 91 30 33

HSL 357.05, 0.5%, 0.24%

LAB 21.07, 28.24, 12.94

 

CMYK 0 / 67 / 67 / 64

HEX #5B1E1E

RGB 91 30 30

HSL 0, 0.5%, 0.24%

LAB 21, 28.01, 14.91

 

CMYK 0 / 67 / 10 / 64

HEX #5B1E52

RGB 91 30 82

HSL 308.85, 0.5%, 0.24%

LAB 22.87, 34.83, -18.05

 

CMYK 8 / 67 / 0 / 64

HEX #541E5B

RGB 84 30 91

HSL 293.11, 0.5%, 0.24%

LAB 22.19, 34.57, -25.19

 

CMYK 26 / 67 / 0 / 64

HEX #431E5B

RGB 67 30 91

HSL 276.39, 0.5%, 0.24%

LAB 19.55, 29.88, -29.57

 

CMYK 44 / 67 / 0 / 64

HEX #331E5B

RGB 51 30 91

HSL 260.66, 0.5%, 0.24%

LAB 17.4, 25.75, -33.13

 

CMYK 63 / 67 / 0 / 64

HEX #221E5B

RGB 34 30 91

HSL 243.93, 0.5%, 0.24%

LAB 15.61, 21.97, -36.12

 

CMYK 0 / 67 / 10 / 64

HEX #5B1E52

RGB 91 30 82

HSL 308.85, 0.5%, 0.24%

LAB 22.87, 34.83, -18.05

 

CMYK 0 / 80 / 12 / 60

HEX #651459

RGB 101 20 89

HSL 308.89, 0.67%, 0.24%

LAB 23.63, 42.86, -21.39

 

CMYK 0 / 91 / 14 / 56

HEX #6F0A60

RGB 111 10 96

HSL 308.91, 0.83%, 0.24%

LAB 25.08, 48.92, -23.61

 

CMYK 0 / 100 / 15 / 53

HEX #790067

RGB 121 0 103

HSL 308.93, 1%, 0.24%

LAB 26.86, 53.89, -25.24

 

CMYK 0 / 67 / 10 / 64

HEX #5B1E52

RGB 91 30 82

HSL 308.85, 0.5%, 0.24%

LAB 22.87, 34.83, -18.05

 

CMYK 0 / 51 / 7 / 68

HEX #51284B

RGB 81 40 75

HSL 308.78, 0.34%, 0.24%

LAB 22.91, 24.75, -13.41

 

CMYK 0 / 30 / 4 / 72

HEX #473244

RGB 71 50 68

HSL 308.57, 0.17%, 0.24%

LAB 23.8, 13.05, -7.48

 

CMYK 0 / 3 / 2 / 76

HEX #3E3C3D

RGB 62 60 61

HSL 330, 0.02%, 0.24%

LAB 25.54, 1.08, -0.32

 

CMYK 26 / 0 / 23 / 73

HEX #344636

RGB 52 70 54

HSL 126.67, 0.15%, 0.24%

LAB 27.78, -10.94, 7.36

 

CMYK 26 / 67 / 0 / 64

HEX #431E5B

RGB 67 30 91

HSL 276.39, 0.5%, 0.24%

LAB 19.55, 29.88, -29.57

 

CMYK 9 / 67 / 0 / 64

HEX #531E5B

RGB 83 30 91

HSL 292.13, 0.5%, 0.24%

LAB 22.03, 34.29, -25.46

 

CMYK 0 / 67 / 9 / 64

HEX #5B1E53

RGB 91 30 83

HSL 307.87, 0.5%, 0.24%

LAB 22.92, 35.02, -18.63

 

CMYK 0 / 67 / 26 / 64

HEX #5B1E43

RGB 91 30 67

HSL 323.61, 0.5%, 0.24%

LAB 22.15, 32.31, -9

 

CMYK 0 / 67 / 45 / 64

HEX #5B1E32

RGB 91 30 50

HSL 340.33, 0.5%, 0.24%

LAB 21.52, 29.96, 1.78

 

CMYK 0 / 69 / 10 / 89

HEX #1D091A

RGB 29 9 26

HSL 309, 0.53%, 0.07%

LAB 4.8, 11.71, -6.55

 

CMYK 0 / 67 / 10 / 76

HEX #3C1436

RGB 60 20 54

HSL 309, 0.5%, 0.16%

LAB 13.99, 24.8, -12.95

 

CMYK 0 / 67 / 10 / 64

HEX #5B1E52

RGB 91 30 82

HSL 308.85, 0.5%, 0.24%

LAB 22.87, 34.83, -18.05

 

CMYK 0 / 67 / 10 / 52

HEX #7A286E

RGB 122 40 110

HSL 308.78, 0.51%, 0.32%

LAB 31.3, 44.12, -22.76

 

CMYK 0 / 67 / 10 / 40

HEX #99338A

RGB 153 51 138

HSL 308.82, 0.5%, 0.4%

LAB 39.54, 52.49, -26.98

 

CMYK 0 / 67 / 10 / 64

HEX #5B1E52

RGB 91 30 82

HSL 308.85, 0.5%, 0.24%

LAB 22.87, 34.83, -18.05

 

CMYK 0 / 45 / 67 / 64

HEX #5B321E

RGB 91 50 30

HSL 19.67, 0.5%, 0.24%

LAB 25.56, 16.45, 20.56

 

CMYK 67 / 0 / 18 / 64

HEX #1E5B4B

RGB 30 91 75

HSL 164.26, 0.5%, 0.24%

LAB 34.53, -23.87, 3.5

 

CMYK 0 / 67 / 10 / 64

HEX #5B1E52

RGB 91 30 82

HSL 308.85, 0.5%, 0.24%

LAB 22.87, 34.83, -18.05

 

CMYK 9 / 0 / 67 / 64

HEX #535B1E

RGB 83 91 30

HSL 67.87, 0.5%, 0.24%

LAB 36.77, -12.6, 33.04

 

CMYK 67 / 9 / 0 / 64

HEX #1E535B

RGB 30 83 91

HSL 187.87, 0.5%, 0.24%

LAB 32.3, -14.59, -9.88

 

CMYK 0 / 67 / 10 / 64

HEX #5B1E52

RGB 91 30 82

HSL 308.85, 0.5%, 0.24%

LAB 22.87, 34.83, -18.05

 

CMYK 0 / 45 / 67 / 64

HEX #5B321E

RGB 91 50 30

HSL 19.67, 0.5%, 0.24%

LAB 25.56, 16.45, 20.56

 

CMYK 67 / 0 / 58 / 64

HEX #1E5B26

RGB 30 91 38

HSL 127.87, 0.5%, 0.24%

LAB 33.77, -31.97, 24.65

 

CMYK 67 / 22 / 0 / 64

HEX #1E475B

RGB 30 71 91

HSL 199.67, 0.5%, 0.24%

LAB 28.22, -7.36, -16.12

 

CMYK 0 / 67 / 10 / 64

HEX #5B1E52

RGB 91 30 82

HSL 308.85, 0.5%, 0.24%

LAB 22.87, 34.83, -18.05

 

CMYK 0 / 24 / 67 / 64

HEX #5B451E

RGB 91 69 30

HSL 38.36, 0.5%, 0.24%

LAB 30.82, 4.51, 26.7

 

CMYK 67 / 0 / 58 / 64

HEX #1E5B26

RGB 30 91 38

HSL 127.87, 0.5%, 0.24%

LAB 33.77, -31.97, 24.65

 

CMYK 67 / 42 / 0 / 64

HEX #1E355B

RGB 30 53 91

HSL 217.38, 0.5%, 0.24%

LAB 22.22, 4.66, -25.5

 

Description

Color code: HEX #5B1E52 | qconv.com Color code: HEX #5B1E52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 30 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 30 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 10 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 10% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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