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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B2993 it is the complementary color #A4D66C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B2993. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B2993 shade: #60298E, #713BA1, #824DB4, #935FC7 and #A471DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B2993. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B2993 shade: #5B2993, #4A1780, #39056D, #28005A and #170047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B2993 shade: #5B2993, #772993, #932992, #932975 and #932959

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B2993 shade: #5B2993, #3E2993 and #292993

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B2993 shade matches the following richer shades: #5B2993, #5A1AA2 and #590AB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B2993 shade: #5B2993, #5C3883, #5D4874, #5D5765 and #5E6656

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B2993 shade: #293093, #3E2993, #5A2993, #772993 and #932993

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B2993 shade: #331752, #472073, #5B2993, #6F32B3 and #8344CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B2993 shade: #5B2993, #93294C and #299330

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B2993 shade: #5B2993, #935A29 and #29935A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B2993 shade: #5B2993, #93294C, #619329 and #29936F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B2993 shade: #5B2993, #93292D, #619329 and #29938F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 72 / 0 / 42

HEX #5B2993

RGB 91 41 147

HSL 268.3, 0.56%, 0.37%

LAB 29.2, 44.12, -49.55

 

Complementary color

CMYK 23 / 0 / 50 / 16

HEX #A4D66C

RGB 164 214 108

HSL 88.3, 0.56%, 0.63%

LAB 80.22, -33.7, 46.81

 

CMYK 32 / 71 / 0 / 44

HEX #60298E

RGB 96 41 142

HSL 272.67, 0.55%, 0.36%

LAB 29.48, 43.89, -45.99

 

CMYK 30 / 63 / 0 / 37

HEX #713BA1

RGB 113 59 161

HSL 271.76, 0.46%, 0.43%

LAB 36.39, 43.22, -46.31

 

CMYK 28 / 57 / 0 / 29

HEX #824DB4

RGB 130 77 180

HSL 270.87, 0.41%, 0.5%

LAB 43.28, 42.34, -46.43

 

CMYK 26 / 52 / 0 / 22

HEX #935FC7

RGB 147 95 199

HSL 270, 0.48%, 0.58%

LAB 50.11, 41.41, -46.46

 

CMYK 25 / 48 / 0 / 15

HEX #A471DA

RGB 164 113 218

HSL 269.14, 0.59%, 0.65%

LAB 56.85, 40.49, -46.46

 

CMYK 38 / 72 / 0 / 42

HEX #5B2993

RGB 91 41 147

HSL 268.3, 0.56%, 0.37%

LAB 29.2, 44.12, -49.55

 

CMYK 42 / 82 / 0 / 50

HEX #4A1780

RGB 74 23 128

HSL 269.14, 0.7%, 0.3%

LAB 22.4, 44.34, -48.89

 

CMYK 48 / 95 / 0 / 57

HEX #39056D

RGB 57 5 109

HSL 270, 0.91%, 0.22%

LAB 15.91, 43.35, -47.42

 

CMYK 56 / 100 / 0 / 65

HEX #28005A

RGB 40 0 90

HSL 266.67, 1%, 0.18%

LAB 10.48, 38.82, -43.85

 

CMYK 68 / 100 / 0 / 72

HEX #170047

RGB 23 0 71

HSL 259.44, 1%, 0.14%

LAB 5.75, 31.39, -38.62

 

CMYK 38 / 72 / 0 / 42

HEX #5B2993

RGB 91 41 147

HSL 268.3, 0.56%, 0.37%

LAB 29.2, 44.12, -49.55

 

CMYK 19 / 72 / 0 / 42

HEX #772993

RGB 119 41 147

HSL 284.15, 0.56%, 0.37%

LAB 33.17, 50.02, -42.95

 

CMYK 0 / 72 / 1 / 42

HEX #932992

RGB 147 41 146

HSL 300.57, 0.56%, 0.37%

LAB 37.6, 56.18, -35

 

CMYK 0 / 72 / 20 / 42

HEX #932975

RGB 147 41 117

HSL 316.98, 0.56%, 0.37%

LAB 36.12, 51.61, -19.36

 

CMYK 0 / 72 / 39 / 42

HEX #932959

RGB 147 41 89

HSL 332.83, 0.56%, 0.37%

LAB 35.02, 48.02, -3.22

 

CMYK 38 / 72 / 0 / 42

HEX #5B2993

RGB 91 41 147

HSL 268.3, 0.56%, 0.37%

LAB 29.2, 44.12, -49.55

 

CMYK 58 / 72 / 0 / 42

HEX #3E2993

RGB 62 41 147

HSL 251.89, 0.56%, 0.37%

LAB 25.91, 38.89, -55.06

 

CMYK 72 / 72 / 0 / 42

HEX #292993

RGB 41 41 147

HSL 240, 0.56%, 0.37%

LAB 24.21, 36.02, -57.92

 

CMYK 38 / 72 / 0 / 42

HEX #5B2993

RGB 91 41 147

HSL 268.3, 0.56%, 0.37%

LAB 29.2, 44.12, -49.55

 

CMYK 44 / 84 / 0 / 36

HEX #5A1AA2

RGB 90 26 162

HSL 268.24, 0.72%, 0.37%

LAB 28.17, 54.06, -60.41

 

CMYK 50 / 94 / 0 / 31

HEX #590AB1

RGB 89 10 177

HSL 268.38, 0.89%, 0.37%

LAB 28.15, 61.65, -69.48

 

CMYK 38 / 72 / 0 / 42

HEX #5B2993

RGB 91 41 147

HSL 268.3, 0.56%, 0.37%

LAB 29.2, 44.12, -49.55

 

CMYK 30 / 57 / 0 / 49

HEX #5C3883

RGB 92 56 131

HSL 268.8, 0.4%, 0.37%

LAB 31.21, 31.94, -36.4

 

CMYK 20 / 38 / 0 / 55

HEX #5D4874

RGB 93 72 116

HSL 268.64, 0.23%, 0.37%

LAB 34.44, 18.49, -21.94

 

CMYK 8 / 14 / 0 / 60

HEX #5D5765

RGB 93 87 101

HSL 265.71, 0.07%, 0.37%

LAB 37.99, 5.44, -7.17

 

CMYK 8 / 0 / 16 / 60

HEX #5E6656

RGB 94 102 86

HSL 90, 0.09%, 0.37%

LAB 42.08, -6.35, 8.01

 

CMYK 72 / 67 / 0 / 42

HEX #293093

RGB 41 48 147

HSL 236.04, 0.56%, 0.37%

LAB 25.84, 31.59, -55.24

 

CMYK 58 / 72 / 0 / 42

HEX #3E2993

RGB 62 41 147

HSL 251.89, 0.56%, 0.37%

LAB 25.91, 38.89, -55.06

 

CMYK 39 / 72 / 0 / 42

HEX #5A2993

RGB 90 41 147

HSL 267.74, 0.56%, 0.37%

LAB 29.07, 43.92, -49.77

 

CMYK 19 / 72 / 0 / 42

HEX #772993

RGB 119 41 147

HSL 284.15, 0.56%, 0.37%

LAB 33.17, 50.02, -42.95

 

CMYK 0 / 72 / 0 / 42

HEX #932993

RGB 147 41 147

HSL 300, 0.56%, 0.37%

LAB 37.65, 56.35, -35.52

 

CMYK 38 / 72 / 0 / 68

HEX #331752

RGB 51 23 82

HSL 268.47, 0.56%, 0.21%

LAB 15.09, 27.34, -30.8

 

CMYK 38 / 72 / 0 / 55

HEX #472073

RGB 71 32 115

HSL 268.19, 0.56%, 0.29%

LAB 22.34, 36.12, -40.72

 

CMYK 38 / 72 / 0 / 42

HEX #5B2993

RGB 91 41 147

HSL 268.3, 0.56%, 0.37%

LAB 29.2, 44.12, -49.55

 

CMYK 38 / 72 / 0 / 30

HEX #6F32B3

RGB 111 50 179

HSL 268.37, 0.56%, 0.45%

LAB 35.82, 51.75, -57.99

 

CMYK 35 / 66 / 0 / 21

HEX #8344CA

RGB 131 68 202

HSL 268.21, 0.56%, 0.53%

LAB 43.1, 52.67, -59.54

 

CMYK 38 / 72 / 0 / 42

HEX #5B2993

RGB 91 41 147

HSL 268.3, 0.56%, 0.37%

LAB 29.2, 44.12, -49.55

 

CMYK 0 / 72 / 48 / 42

HEX #93294C

RGB 147 41 76

HSL 340.19, 0.56%, 0.37%

LAB 34.62, 46.68, 4.58

 

CMYK 72 / 0 / 67 / 42

HEX #299330

RGB 41 147 48

HSL 123.96, 0.56%, 0.37%

LAB 53.55, -49.77, 42.43

 

CMYK 38 / 72 / 0 / 42

HEX #5B2993

RGB 91 41 147

HSL 268.3, 0.56%, 0.37%

LAB 29.2, 44.12, -49.55

 

CMYK 0 / 39 / 72 / 42

HEX #935A29

RGB 147 90 41

HSL 27.74, 0.56%, 0.37%

LAB 43.76, 18.99, 37.17

 

CMYK 72 / 0 / 39 / 42

HEX #29935A

RGB 41 147 90

HSL 147.74, 0.56%, 0.37%

LAB 54.11, -43.3, 21.8

 

CMYK 38 / 72 / 0 / 42

HEX #5B2993

RGB 91 41 147

HSL 268.3, 0.56%, 0.37%

LAB 29.2, 44.12, -49.55

 

CMYK 0 / 72 / 48 / 42

HEX #93294C

RGB 147 41 76

HSL 340.19, 0.56%, 0.37%

LAB 34.62, 46.68, 4.58

 

CMYK 34 / 0 / 72 / 42

HEX #619329

RGB 97 147 41

HSL 88.3, 0.56%, 0.37%

LAB 55.65, -34.14, 48.22

 

CMYK 72 / 0 / 24 / 42

HEX #29936F

RGB 41 147 111

HSL 159.62, 0.56%, 0.37%

LAB 54.54, -38.63, 10.59

 

CMYK 38 / 72 / 0 / 42

HEX #5B2993

RGB 91 41 147

HSL 268.3, 0.56%, 0.37%

LAB 29.2, 44.12, -49.55

 

CMYK 0 / 72 / 69 / 42

HEX #93292D

RGB 147 41 45

HSL 357.74, 0.56%, 0.37%

LAB 33.94, 44.33, 23.61

 

CMYK 34 / 0 / 72 / 42

HEX #619329

RGB 97 147 41

HSL 88.3, 0.56%, 0.37%

LAB 55.65, -34.14, 48.22

 

CMYK 72 / 0 / 3 / 42

HEX #29938F

RGB 41 147 143

HSL 177.74, 0.56%, 0.37%

LAB 55.4, -29.94, -6.5

 

Description

Color code: HEX #5B2993 | qconv.com Color code: HEX #5B2993 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 41 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 41 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 72 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 72% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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