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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B221E it is the complementary color #A4DDE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B221E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B221E shade: #602219, #71342C, #82463F, #935852 and #A46A65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B221E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B221E shade: #5B221E, #4A100B, #390000, #280000 and #170000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B221E shade: #5B221E and #5B1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B221E shade: #5B221E, #5B331E, #5B431E, #5B541E and #525B1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B221E shade matches the following richer shades: #5B221E, #651A14, #6F110A and #790800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B221E shade: #5B221E, #512B28, #473332, #3E3C3C and #344546

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B221E shade: #5B1E3C, #5B1E2B, #5B211E, #5B311E and #5B421E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B221E shade: #1D0B09, #3C1614, #5B221E, #7A2E28 and #993933

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B221E shade: #5B221E, #4C5B1E and #1E345B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B221E shade: #5B221E, #1E5B21 and #211E5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B221E shade: #5B221E, #4C5B1E, #1E585B and #2D1E5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B221E shade: #5B221E, #3A5B1E, #1E585B and #401E5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 67 / 64

HEX #5B221E

RGB 91 34 30

HSL 3.93, 0.5%, 0.24%

LAB 21.81, 25.89, 15.93

 

Complementary color

CMYK 27 / 2 / 0 / 12

HEX #A4DDE1

RGB 164 221 225

HSL 183.93, 0.5%, 0.76%

LAB 84.51, -17.17, -7.86

 

CMYK 0 / 65 / 74 / 62

HEX #602219

RGB 96 34 25

HSL 7.61, 0.59%, 0.24%

LAB 22.66, 27.6, 20.47

 

CMYK 0 / 54 / 61 / 56

HEX #71342C

RGB 113 52 44

HSL 6.96, 0.44%, 0.31%

LAB 29.78, 26.19, 17.72

 

CMYK 0 / 46 / 52 / 49

HEX #82463F

RGB 130 70 63

HSL 6.27, 0.35%, 0.38%

LAB 36.9, 24.83, 15.59

 

CMYK 0 / 40 / 44 / 42

HEX #935852

RGB 147 88 82

HSL 5.54, 0.28%, 0.45%

LAB 43.93, 23.63, 13.87

 

CMYK 0 / 35 / 38 / 36

HEX #A46A65

RGB 164 106 101

HSL 4.76, 0.26%, 0.52%

LAB 50.85, 22.58, 12.42

 

CMYK 0 / 63 / 67 / 64

HEX #5B221E

RGB 91 34 30

HSL 3.93, 0.5%, 0.24%

LAB 21.81, 25.89, 15.93

 

CMYK 0 / 78 / 85 / 71

HEX #4A100B

RGB 74 16 11

HSL 4.76, 0.74%, 0.17%

LAB 14.68, 26.98, 17.99

 

CMYK 0 / 100 / 100 / 78

HEX #390000

RGB 57 0 0

HSL 0, 1%, 0.11%

LAB 7.86, 27.6, 12.42

 

CMYK 0 / 100 / 100 / 84

HEX #280000

RGB 40 0 0

HSL 0, 1%, 0.08%

LAB 4.07, 18.26, 6.44

 

CMYK 0 / 100 / 100 / 91

HEX #170000

RGB 23 0 0

HSL 0, 1%, 0.05%

LAB 1.65, 7.38, 2.6

 

CMYK 0 / 63 / 67 / 64

HEX #5B221E

RGB 91 34 30

HSL 3.93, 0.5%, 0.24%

LAB 21.81, 25.89, 15.93

 

CMYK 0 / 67 / 67 / 64

HEX #5B1E1E

RGB 91 30 30

HSL 0, 0.5%, 0.24%

LAB 21, 28.01, 14.91

 

CMYK 0 / 63 / 67 / 64

HEX #5B221E

RGB 91 34 30

HSL 3.93, 0.5%, 0.24%

LAB 21.81, 25.89, 15.93

 

CMYK 0 / 44 / 67 / 64

HEX #5B331E

RGB 91 51 30

HSL 20.66, 0.5%, 0.24%

LAB 25.82, 15.83, 20.87

 

CMYK 0 / 26 / 67 / 64

HEX #5B431E

RGB 91 67 30

HSL 36.39, 0.5%, 0.24%

LAB 30.24, 5.76, 26.04

 

CMYK 0 / 8 / 67 / 64

HEX #5B541E

RGB 91 84 30

HSL 53.11, 0.5%, 0.24%

LAB 35.32, -4.67, 31.69

 

CMYK 10 / 0 / 67 / 64

HEX #525B1E

RGB 82 91 30

HSL 68.85, 0.5%, 0.24%

LAB 36.69, -13.07, 32.92

 

CMYK 0 / 63 / 67 / 64

HEX #5B221E

RGB 91 34 30

HSL 3.93, 0.5%, 0.24%

LAB 21.81, 25.89, 15.93

 

CMYK 0 / 74 / 80 / 60

HEX #651A14

RGB 101 26 20

HSL 4.44, 0.67%, 0.24%

LAB 22.15, 33.13, 23.34

 

CMYK 0 / 85 / 91 / 56

HEX #6F110A

RGB 111 17 10

HSL 4.16, 0.83%, 0.24%

LAB 23.01, 39.54, 30.2

 

CMYK 0 / 93 / 100 / 53

HEX #790800

RGB 121 8 0

HSL 3.97, 1%, 0.24%

LAB 24.45, 44.53, 36.45

 

CMYK 0 / 63 / 67 / 64

HEX #5B221E

RGB 91 34 30

HSL 3.93, 0.5%, 0.24%

LAB 21.81, 25.89, 15.93

 

CMYK 0 / 47 / 51 / 68

HEX #512B28

RGB 81 43 40

HSL 4.39, 0.34%, 0.24%

LAB 22.41, 17.18, 9.66

 

CMYK 0 / 28 / 30 / 72

HEX #473332

RGB 71 51 50

HSL 2.86, 0.17%, 0.24%

LAB 23.46, 8.86, 4.16

 

CMYK 0 / 3 / 3 / 76

HEX #3E3C3C

RGB 62 60 60

HSL 0, 0.02%, 0.24%

LAB 25.51, 0.86, 0.3

 

CMYK 26 / 1 / 0 / 73

HEX #344546

RGB 52 69 70

HSL 183.33, 0.15%, 0.24%

LAB 27.92, -6.45, -2.82

 

CMYK 0 / 67 / 34 / 64

HEX #5B1E3C

RGB 91 30 60

HSL 330.49, 0.5%, 0.24%

LAB 21.87, 31.27, -4.63

 

CMYK 0 / 67 / 53 / 64

HEX #5B1E2B

RGB 91 30 43

HSL 347.21, 0.5%, 0.24%

LAB 21.31, 29.18, 6.35

 

CMYK 0 / 64 / 67 / 64

HEX #5B211E

RGB 91 33 30

HSL 2.95, 0.5%, 0.24%

LAB 21.6, 26.43, 15.67

 

CMYK 0 / 46 / 67 / 64

HEX #5B311E

RGB 91 49 30

HSL 18.69, 0.5%, 0.24%

LAB 25.3, 17.07, 20.25

 

CMYK 0 / 27 / 67 / 64

HEX #5B421E

RGB 91 66 30

HSL 35.41, 0.5%, 0.24%

LAB 29.95, 6.39, 25.71

 

CMYK 0 / 62 / 69 / 89

HEX #1D0B09

RGB 29 11 9

HSL 6, 0.53%, 0.07%

LAB 4.7, 7.42, 3.48

 

CMYK 0 / 63 / 67 / 76

HEX #3C1614

RGB 60 22 20

HSL 3, 0.5%, 0.16%

LAB 13.14, 18.53, 10.53

 

CMYK 0 / 63 / 67 / 64

HEX #5B221E

RGB 91 34 30

HSL 3.93, 0.5%, 0.24%

LAB 21.81, 25.89, 15.93

 

CMYK 0 / 62 / 67 / 52

HEX #7A2E28

RGB 122 46 40

HSL 4.39, 0.51%, 0.32%

LAB 30.02, 32.74, 20.9

 

CMYK 0 / 63 / 67 / 40

HEX #993933

RGB 153 57 51

HSL 3.53, 0.5%, 0.4%

LAB 37.73, 39.79, 24.8

 

CMYK 0 / 63 / 67 / 64

HEX #5B221E

RGB 91 34 30

HSL 3.93, 0.5%, 0.24%

LAB 21.81, 25.89, 15.93

 

CMYK 16 / 0 / 67 / 64

HEX #4C5B1E

RGB 76 91 30

HSL 74.75, 0.5%, 0.24%

LAB 36.2, -15.86, 32.26

 

CMYK 67 / 43 / 0 / 64

HEX #1E345B

RGB 30 52 91

HSL 218.36, 0.5%, 0.24%

LAB 21.9, 5.36, -26.02

 

CMYK 0 / 63 / 67 / 64

HEX #5B221E

RGB 91 34 30

HSL 3.93, 0.5%, 0.24%

LAB 21.81, 25.89, 15.93

 

CMYK 67 / 0 / 64 / 64

HEX #1E5B21

RGB 30 91 33

HSL 122.95, 0.5%, 0.24%

LAB 33.71, -32.69, 27.25

 

CMYK 64 / 67 / 0 / 64

HEX #211E5B

RGB 33 30 91

HSL 242.95, 0.5%, 0.24%

LAB 15.53, 21.78, -36.26

 

CMYK 0 / 63 / 67 / 64

HEX #5B221E

RGB 91 34 30

HSL 3.93, 0.5%, 0.24%

LAB 21.81, 25.89, 15.93

 

CMYK 16 / 0 / 67 / 64

HEX #4C5B1E

RGB 76 91 30

HSL 74.75, 0.5%, 0.24%

LAB 36.2, -15.86, 32.26

 

CMYK 67 / 3 / 0 / 64

HEX #1E585B

RGB 30 88 91

HSL 182.95, 0.5%, 0.24%

LAB 34.01, -17.42, -7.3

 

CMYK 51 / 67 / 0 / 64

HEX #2D1E5B

RGB 45 30 91

HSL 254.75, 0.5%, 0.24%

LAB 16.71, 24.32, -34.29

 

CMYK 0 / 63 / 67 / 64

HEX #5B221E

RGB 91 34 30

HSL 3.93, 0.5%, 0.24%

LAB 21.81, 25.89, 15.93

 

CMYK 36 / 0 / 67 / 64

HEX #3A5B1E

RGB 58 91 30

HSL 92.46, 0.5%, 0.24%

LAB 34.95, -23.69, 30.54

 

CMYK 67 / 3 / 0 / 64

HEX #1E585B

RGB 30 88 91

HSL 182.95, 0.5%, 0.24%

LAB 34.01, -17.42, -7.3

 

CMYK 30 / 67 / 0 / 64

HEX #401E5B

RGB 64 30 91

HSL 273.44, 0.5%, 0.24%

LAB 19.11, 29.08, -30.28

 

Description

Color code: HEX #5B221E | qconv.com Color code: HEX #5B221E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 34 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 34 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 67 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 67% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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