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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B2F92 it is the complementary color #A4D06D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B2F92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B2F92 shade: #602F8D, #7141A0, #8253B3, #9365C6 and #A477D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B2F92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B2F92 shade: #5B2F92, #4A1D7F, #390B6C, #280059 and #170046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B2F92 shade: #5B2F92, #762F92, #902F92, #922F79 and #922F5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B2F92 shade: #5B2F92, #402F92 and #2F2F92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B2F92 shade matches the following richer shades: #5B2F92, #591FA1, #5710B1 and #5600C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B2F92 shade: #5B2F92, #5D3F82, #5E4E72, #605E63 and #626E53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B2F92 shade: #2F3992, #3F2F92, #5A2F92, #742F92 and #8F2F92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B2F92 shade: #341B54, #472573, #5B2F92, #6E39B1 and #834EC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B2F92 shade: #5B2F92, #922F53 and #2F9232

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B2F92 shade: #5B2F92, #925A2F and #2F925A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B2F92 shade: #5B2F92, #922F53, #67922F and #2F926E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B2F92 shade: #5B2F92, #922F36, #67922F and #2F928B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 68 / 0 / 43

HEX #5B2F92

RGB 91 47 146

HSL 266.67, 0.51%, 0.38%

LAB 30.24, 40.76, -47.26

 

Complementary color

CMYK 21 / 0 / 48 / 18

HEX #A4D06D

RGB 164 208 109

HSL 86.67, 0.51%, 0.62%

LAB 78.52, -30.8, 44.26

 

CMYK 32 / 67 / 0 / 45

HEX #602F8D

RGB 96 47 141

HSL 271.28, 0.5%, 0.37%

LAB 30.5, 40.59, -43.71

 

CMYK 29 / 59 / 0 / 37

HEX #7141A0

RGB 113 65 160

HSL 270.32, 0.42%, 0.44%

LAB 37.53, 39.72, -43.87

 

CMYK 27 / 54 / 0 / 30

HEX #8253B3

RGB 130 83 179

HSL 269.38, 0.39%, 0.51%

LAB 44.5, 38.76, -43.9

 

CMYK 26 / 49 / 0 / 22

HEX #9365C6

RGB 147 101 198

HSL 268.45, 0.46%, 0.59%

LAB 51.37, 37.82, -43.89

 

CMYK 24 / 45 / 0 / 15

HEX #A477D9

RGB 164 119 217

HSL 267.55, 0.56%, 0.66%

LAB 58.13, 36.91, -43.87

 

CMYK 38 / 68 / 0 / 43

HEX #5B2F92

RGB 91 47 146

HSL 266.67, 0.51%, 0.38%

LAB 30.24, 40.76, -47.26

 

CMYK 42 / 77 / 0 / 50

HEX #4A1D7F

RGB 74 29 127

HSL 267.55, 0.63%, 0.31%

LAB 23.23, 41.44, -46.91

 

CMYK 47 / 90 / 0 / 58

HEX #390B6C

RGB 57 11 108

HSL 268.45, 0.82%, 0.23%

LAB 16.46, 41.14, -45.86

 

CMYK 55 / 100 / 0 / 65

HEX #280059

RGB 40 0 89

HSL 266.97, 1%, 0.17%

LAB 10.35, 38.56, -43.38

 

CMYK 67 / 100 / 0 / 73

HEX #170046

RGB 23 0 70

HSL 259.71, 1%, 0.14%

LAB 5.64, 30.98, -38.11

 

CMYK 38 / 68 / 0 / 43

HEX #5B2F92

RGB 91 47 146

HSL 266.67, 0.51%, 0.38%

LAB 30.24, 40.76, -47.26

 

CMYK 19 / 68 / 0 / 43

HEX #762F92

RGB 118 47 146

HSL 283.03, 0.51%, 0.38%

LAB 33.9, 46.92, -41.16

 

CMYK 1 / 68 / 0 / 43

HEX #902F92

RGB 144 47 146

HSL 298.79, 0.51%, 0.38%

LAB 37.91, 53.19, -34.53

 

CMYK 0 / 68 / 17 / 43

HEX #922F79

RGB 146 47 121

HSL 315.15, 0.51%, 0.38%

LAB 36.98, 49.57, -20.56

 

CMYK 0 / 68 / 36 / 43

HEX #922F5E

RGB 146 47 94

HSL 331.52, 0.51%, 0.38%

LAB 35.89, 45.87, -5.16

 

CMYK 38 / 68 / 0 / 43

HEX #5B2F92

RGB 91 47 146

HSL 266.67, 0.51%, 0.38%

LAB 30.24, 40.76, -47.26

 

CMYK 56 / 68 / 0 / 43

HEX #402F92

RGB 64 47 146

HSL 250.3, 0.51%, 0.38%

LAB 27.29, 35.39, -52.17

 

CMYK 68 / 68 / 0 / 43

HEX #2F2F92

RGB 47 47 146

HSL 240, 0.51%, 0.38%

LAB 25.9, 32.68, -54.51

 

CMYK 38 / 68 / 0 / 43

HEX #5B2F92

RGB 91 47 146

HSL 266.67, 0.51%, 0.38%

LAB 30.24, 40.76, -47.26

 

CMYK 45 / 81 / 0 / 37

HEX #591FA1

RGB 89 31 161

HSL 266.77, 0.68%, 0.38%

LAB 28.58, 51.81, -59.13

 

CMYK 51 / 91 / 0 / 31

HEX #5710B1

RGB 87 16 177

HSL 266.46, 0.83%, 0.38%

LAB 28.3, 60.23, -69.24

 

CMYK 55 / 100 / 0 / 24

HEX #5600C1

RGB 86 0 193

HSL 266.74, 1%, 0.38%

LAB 28.98, 66.78, -77.64

 

CMYK 38 / 68 / 0 / 43

HEX #5B2F92

RGB 91 47 146

HSL 266.67, 0.51%, 0.38%

LAB 30.24, 40.76, -47.26

 

CMYK 28 / 52 / 0 / 49

HEX #5D3F82

RGB 93 63 130

HSL 266.87, 0.35%, 0.38%

LAB 32.91, 27.74, -33.08

 

CMYK 18 / 32 / 0 / 55

HEX #5E4E72

RGB 94 78 114

HSL 266.67, 0.19%, 0.38%

LAB 36.07, 14.55, -18.17

 

CMYK 3 / 5 / 0 / 61

HEX #605E63

RGB 96 94 99

HSL 264, 0.03%, 0.38%

LAB 40.23, 1.85, -2.57

HEX #605E63

CMYK 11 / 0 / 25 / 57

HEX #626E53

RGB 98 110 83

HSL 86.67, 0.14%, 0.38%

LAB 44.76, -9.87, 13.59

HEX #626E53

CMYK 68 / 61 / 0 / 43

HEX #2F3992

RGB 47 57 146

HSL 233.94, 0.51%, 0.38%

LAB 28.4, 26.14, -50.43

 

CMYK 57 / 68 / 0 / 43

HEX #3F2F92

RGB 63 47 146

HSL 249.7, 0.51%, 0.38%

LAB 27.2, 35.22, -52.33

 

CMYK 38 / 68 / 0 / 43

HEX #5A2F92

RGB 90 47 146

HSL 266.06, 0.51%, 0.38%

LAB 30.11, 40.55, -47.46

 

CMYK 21 / 68 / 0 / 43

HEX #742F92

RGB 116 47 146

HSL 281.82, 0.51%, 0.38%

LAB 33.61, 46.45, -41.65

 

CMYK 2 / 68 / 0 / 43

HEX #8F2F92

RGB 143 47 146

HSL 298.18, 0.51%, 0.38%

LAB 37.75, 52.95, -34.8

 

CMYK 38 / 68 / 0 / 67

HEX #341B54

RGB 52 27 84

HSL 266.32, 0.51%, 0.22%

LAB 16.28, 25.76, -30.24

 

CMYK 38 / 68 / 0 / 55

HEX #472573

RGB 71 37 115

HSL 266.15, 0.51%, 0.3%

LAB 23.34, 33.37, -39.1

 

CMYK 38 / 68 / 0 / 43

HEX #5B2F92

RGB 91 47 146

HSL 266.67, 0.51%, 0.38%

LAB 30.24, 40.76, -47.26

 

CMYK 38 / 68 / 0 / 31

HEX #6E39B1

RGB 110 57 177

HSL 266.5, 0.51%, 0.46%

LAB 36.77, 47.62, -55.27

 

CMYK 34 / 60 / 0 / 23

HEX #834EC5

RGB 131 78 197

HSL 266.72, 0.51%, 0.54%

LAB 44.67, 46.25, -54.12

 

CMYK 38 / 68 / 0 / 43

HEX #5B2F92

RGB 91 47 146

HSL 266.67, 0.51%, 0.38%

LAB 30.24, 40.76, -47.26

 

CMYK 0 / 68 / 43 / 43

HEX #922F53

RGB 146 47 83

HSL 338.18, 0.51%, 0.38%

LAB 35.53, 44.61, 1.36

 

CMYK 68 / 0 / 66 / 43

HEX #2F9232

RGB 47 146 50

HSL 121.82, 0.51%, 0.38%

LAB 53.38, -48.02, 41.4

 

CMYK 38 / 68 / 0 / 43

HEX #5B2F92

RGB 91 47 146

HSL 266.67, 0.51%, 0.38%

LAB 30.24, 40.76, -47.26

 

CMYK 0 / 38 / 68 / 43

HEX #925A2F

RGB 146 90 47

HSL 26.06, 0.51%, 0.38%

LAB 43.7, 18.9, 33.9

 

CMYK 68 / 0 / 38 / 43

HEX #2F925A

RGB 47 146 90

HSL 146.06, 0.51%, 0.38%

LAB 53.92, -41.82, 21.57

 

CMYK 38 / 68 / 0 / 43

HEX #5B2F92

RGB 91 47 146

HSL 266.67, 0.51%, 0.38%

LAB 30.24, 40.76, -47.26

 

CMYK 0 / 68 / 43 / 43

HEX #922F53

RGB 146 47 83

HSL 338.18, 0.51%, 0.38%

LAB 35.53, 44.61, 1.36

 

CMYK 29 / 0 / 68 / 43

HEX #67922F

RGB 103 146 47

HSL 86.06, 0.51%, 0.38%

LAB 55.73, -30.91, 45.95

 

CMYK 68 / 0 / 25 / 43

HEX #2F926E

RGB 47 146 110

HSL 158.18, 0.51%, 0.38%

LAB 54.33, -37.43, 10.88

 

CMYK 38 / 68 / 0 / 43

HEX #5B2F92

RGB 91 47 146

HSL 266.67, 0.51%, 0.38%

LAB 30.24, 40.76, -47.26

 

CMYK 0 / 68 / 63 / 43

HEX #922F36

RGB 146 47 54

HSL 355.76, 0.51%, 0.38%

LAB 34.82, 42.05, 18.99

 

CMYK 29 / 0 / 68 / 43

HEX #67922F

RGB 103 146 47

HSL 86.06, 0.51%, 0.38%

LAB 55.73, -30.91, 45.95

 

CMYK 68 / 0 / 5 / 43

HEX #2F928B

RGB 47 146 139

HSL 175.76, 0.51%, 0.38%

LAB 55.1, -29.75, -4.63

 

Description

Color code: HEX #5B2F92 | qconv.com Color code: HEX #5B2F92 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 47 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 47 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 68 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 68% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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