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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B3870 it is the complementary color #A4C78F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B3870. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B3870 shade: #60386B, #714A7E, #825C91, #936EA4 and #A480B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B3870. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B3870 shade: #5B3870, #4A265D, #39144A, #280237 and #170024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B3870 shade: #5B386F, #6A386F, #6F3866, #6F3857 and #6F3848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B3870 shade: #5B386F, #4C386F, #3D386F and #38386F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B3870 shade matches the following richer shades: #5B386F, #5E2A7D, #611D8B, #650F98 and #6801A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B3870 shade: #5B386F, #574562, #545354, #506147 and #4D6E39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B3870 shade: #3D386F, #4B386F, #5A386F, #69386F and #6F3867

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B3870 shade: #2E1C39, #442A54, #5B386F, #71468B and #8754A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B3870 shade: #5B3870, #6F3842 and #386F44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B3870 shade: #5B3870, #6F5A38 and #386F5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B3870 shade: #5B3870, #6F3842, #4D6F38 and #386F65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B3870 shade: #5B3870, #6F3E38, #4D6F38 and #38696F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 50 / 0 / 56

HEX #5B3870

RGB 91 56 112

HSL 277.5, 0.33%, 0.33%

LAB 29.97, 26.8, -26.45

 

Complementary color

CMYK 18 / 0 / 28 / 22

HEX #A4C78F

RGB 164 199 143

HSL 97.5, 0.33%, 0.67%

LAB 76.51, -21.91, 24.31

 

CMYK 10 / 48 / 0 / 58

HEX #60386B

RGB 96 56 107

HSL 287.06, 0.31%, 0.32%

LAB 30.34, 27.22, -22.63

 

CMYK 10 / 41 / 0 / 51

HEX #714A7E

RGB 113 74 126

HSL 285, 0.26%, 0.39%

LAB 37.69, 26.36, -22.92

 

CMYK 10 / 37 / 0 / 43

HEX #825C91

RGB 130 92 145

HSL 283.02, 0.22%, 0.46%

LAB 44.86, 25.55, -23.18

 

CMYK 10 / 33 / 0 / 36

HEX #936EA4

RGB 147 110 164

HSL 281.11, 0.23%, 0.54%

LAB 51.88, 24.81, -23.42

 

CMYK 10 / 30 / 0 / 28

HEX #A480B7

RGB 164 128 183

HSL 279.27, 0.28%, 0.61%

LAB 58.74, 24.13, -23.66

 

CMYK 19 / 50 / 0 / 56

HEX #5B3870

RGB 91 56 112

HSL 277.5, 0.33%, 0.33%

LAB 29.97, 26.8, -26.45

 

CMYK 20 / 59 / 0 / 64

HEX #4A265D

RGB 74 38 93

HSL 279.27, 0.42%, 0.26%

LAB 22.42, 27.72, -26.25

 

CMYK 23 / 73 / 0 / 71

HEX #39144A

RGB 57 20 74

HSL 281.11, 0.57%, 0.18%

LAB 14.76, 28.42, -25.81

 

CMYK 27 / 96 / 0 / 78

HEX #280237

RGB 40 2 55

HSL 283.02, 0.93%, 0.11%

LAB 6.96, 28.82, -25.08

 

CMYK 36 / 100 / 0 / 86

HEX #170024

RGB 23 0 36

HSL 278.33, 1%, 0.07%

LAB 2.8, 15.47, -17.52

 

CMYK 18 / 50 / 0 / 56

HEX #5B386F

RGB 91 56 111

HSL 278.18, 0.33%, 0.33%

LAB 29.91, 26.55, -25.9

 

CMYK 5 / 50 / 0 / 56

HEX #6A386F

RGB 106 56 111

HSL 294.55, 0.33%, 0.33%

LAB 31.9, 31.36, -22.65

 

CMYK 0 / 50 / 8 / 56

HEX #6F3866

RGB 111 56 102

HSL 309.82, 0.33%, 0.33%

LAB 32.18, 31.21, -16.42

 

CMYK 0 / 50 / 22 / 56

HEX #6F3857

RGB 111 56 87

HSL 326.18, 0.33%, 0.33%

LAB 31.57, 28.54, -7.73

 

CMYK 0 / 50 / 35 / 56

HEX #6F3848

RGB 111 56 72

HSL 342.55, 0.33%, 0.33%

LAB 31.06, 26.24, 1.25

 

CMYK 18 / 50 / 0 / 56

HEX #5B386F

RGB 91 56 111

HSL 278.18, 0.33%, 0.33%

LAB 29.91, 26.55, -25.9

 

CMYK 32 / 50 / 0 / 56

HEX #4C386F

RGB 76 56 111

HSL 261.82, 0.33%, 0.33%

LAB 28.15, 21.89, -28.8

 

CMYK 45 / 50 / 0 / 56

HEX #3D386F

RGB 61 56 111

HSL 245.45, 0.33%, 0.33%

LAB 26.64, 17.55, -31.29

 

CMYK 50 / 50 / 0 / 56

HEX #38386F

RGB 56 56 111

HSL 240, 0.33%, 0.33%

LAB 26.21, 16.21, -32.01

 

CMYK 18 / 50 / 0 / 56

HEX #5B386F

RGB 91 56 111

HSL 278.18, 0.33%, 0.33%

LAB 29.91, 26.55, -25.9

 

CMYK 25 / 66 / 0 / 51

HEX #5E2A7D

RGB 94 42 125

HSL 277.59, 0.5%, 0.33%

LAB 28.16, 38.79, -37.53

 

CMYK 30 / 79 / 0 / 45

HEX #611D8B

RGB 97 29 139

HSL 277.09, 0.65%, 0.33%

LAB 27.53, 48.65, -47.28

 

CMYK 34 / 90 / 0 / 40

HEX #650F98

RGB 101 15 152

HSL 277.66, 0.82%, 0.33%

LAB 27.78, 56.47, -54.88

 

CMYK 37 / 99 / 0 / 35

HEX #6801A6

RGB 104 1 166

HSL 277.45, 0.99%, 0.33%

LAB 28.69, 62.34, -61.9

 

CMYK 18 / 50 / 0 / 56

HEX #5B386F

RGB 91 56 111

HSL 278.18, 0.33%, 0.33%

LAB 29.91, 26.55, -25.9

 

CMYK 11 / 30 / 0 / 62

HEX #574562

RGB 87 69 98

HSL 277.24, 0.17%, 0.33%

LAB 32.18, 13.84, -14.14

 

CMYK 0 / 1 / 0 / 67

HEX #545354

RGB 84 83 84

HSL 300, 0.01%, 0.33%

LAB 35.42, 0.62, -0.45

 

CMYK 18 / 0 / 27 / 62

HEX #506147

RGB 80 97 71

HSL 99.23, 0.15%, 0.33%

LAB 39.09, -11.93, 12.74

 

CMYK 30 / 0 / 48 / 57

HEX #4D6E39

RGB 77 110 57

HSL 97.36, 0.32%, 0.33%

LAB 42.8, -22.43, 25.74

 

CMYK 45 / 50 / 0 / 56

HEX #3D386F

RGB 61 56 111

HSL 245.45, 0.33%, 0.33%

LAB 26.64, 17.55, -31.29

 

CMYK 32 / 50 / 0 / 56

HEX #4B386F

RGB 75 56 111

HSL 260.73, 0.33%, 0.33%

LAB 28.04, 21.59, -28.98

 

CMYK 19 / 50 / 0 / 56

HEX #5A386F

RGB 90 56 111

HSL 277.09, 0.33%, 0.33%

LAB 29.79, 26.24, -26.11

 

CMYK 5 / 50 / 0 / 56

HEX #69386F

RGB 105 56 111

HSL 293.45, 0.33%, 0.33%

LAB 31.76, 31.04, -22.87

 

CMYK 0 / 50 / 7 / 56

HEX #6F3867

RGB 111 56 103

HSL 308.73, 0.33%, 0.33%

LAB 32.23, 31.4, -16.99

 

CMYK 19 / 51 / 0 / 78

HEX #2E1C39

RGB 46 28 57

HSL 277.24, 0.34%, 0.17%

LAB 13.87, 15.48, -15.43

 

CMYK 19 / 50 / 0 / 67

HEX #442A54

RGB 68 42 84

HSL 277.14, 0.33%, 0.25%

LAB 22.03, 21.03, -20.94

 

CMYK 18 / 50 / 0 / 56

HEX #5B386F

RGB 91 56 111

HSL 278.18, 0.33%, 0.33%

LAB 29.91, 26.55, -25.9

 

CMYK 19 / 50 / 0 / 45

HEX #71468B

RGB 113 70 139

HSL 277.39, 0.33%, 0.41%

LAB 37.4, 31.74, -31.35

 

CMYK 19 / 49 / 0 / 35

HEX #8754A6

RGB 135 84 166

HSL 277.32, 0.33%, 0.49%

LAB 44.58, 36.49, -36.07

 

CMYK 19 / 50 / 0 / 56

HEX #5B3870

RGB 91 56 112

HSL 277.5, 0.33%, 0.33%

LAB 29.97, 26.8, -26.45

 

CMYK 0 / 50 / 41 / 56

HEX #6F3842

RGB 111 56 66

HSL 349.09, 0.33%, 0.33%

LAB 30.88, 25.43, 4.91

 

CMYK 50 / 0 / 39 / 56

HEX #386F44

RGB 56 111 68

HSL 133.09, 0.33%, 0.33%

LAB 42.2, -28.49, 18.48

 

CMYK 19 / 50 / 0 / 56

HEX #5B3870

RGB 91 56 112

HSL 277.5, 0.33%, 0.33%

LAB 29.97, 26.8, -26.45

 

CMYK 0 / 19 / 50 / 56

HEX #6F5A38

RGB 111 90 56

HSL 37.09, 0.33%, 0.33%

LAB 39.54, 3.7, 22.81

 

CMYK 50 / 0 / 19 / 56

HEX #386F5A

RGB 56 111 90

HSL 157.09, 0.33%, 0.33%

LAB 42.68, -23.7, 6.13

 

CMYK 19 / 50 / 0 / 56

HEX #5B3870

RGB 91 56 112

HSL 277.5, 0.33%, 0.33%

LAB 29.97, 26.8, -26.45

 

CMYK 0 / 50 / 41 / 56

HEX #6F3842

RGB 111 56 66

HSL 349.09, 0.33%, 0.33%

LAB 30.88, 25.43, 4.91

 

CMYK 31 / 0 / 50 / 56

HEX #4D6F38

RGB 77 111 56

HSL 97.09, 0.33%, 0.33%

LAB 43.11, -23.08, 26.68

 

CMYK 50 / 0 / 9 / 56

HEX #386F65

RGB 56 111 101

HSL 169.09, 0.33%, 0.33%

LAB 42.99, -20.88, -0.06

 

CMYK 19 / 50 / 0 / 56

HEX #5B3870

RGB 91 56 112

HSL 277.5, 0.33%, 0.33%

LAB 29.97, 26.8, -26.45

 

CMYK 0 / 44 / 50 / 56

HEX #6F3E38

RGB 111 62 56

HSL 6.55, 0.33%, 0.33%

LAB 32.06, 20.69, 13

 

CMYK 31 / 0 / 50 / 56

HEX #4D6F38

RGB 77 111 56

HSL 97.09, 0.33%, 0.33%

LAB 43.11, -23.08, 26.68

 

CMYK 50 / 5 / 0 / 56

HEX #38696F

RGB 56 105 111

HSL 186.55, 0.33%, 0.33%

LAB 41.36, -14.79, -8.52

 

Description

Color code: HEX #5B3870 | qconv.com Color code: HEX #5B3870 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 56 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 56 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 50 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 50% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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