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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B304D it is the complementary color #A4CFB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B304D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B304D shade: #603048, #71425B, #82546E, #936681 and #A47894

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B304D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B304D shade: #5B304D, #4A1E3A, #390C27, #280014 and #170001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B304D shade: #5A2F4C, #5A2F40, #5A2F35 and #5A2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B304D shade: #5A2F4C, #5A2F57, #512F5A, #452F5A and #3A2F5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B304D shade matches the following richer shades: #5A2F4C, #652450, #701954, #7B0E57 and #86025B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B304D shade: #5A2F4C, #4F3A48, #434544, #385040 and #2D5C3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B304D shade: #502F5A, #5A2F58, #5A2F4C, #5A2F41 and #5A2F35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B304D shade: #24131E, #3F2135, #5A2F4C, #753D63 and #904B7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B304D shade: #5B304D, #5A452F and #2F5A56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B304D shade: #5B304D, #4C5A2F and #2F4C5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B304D shade: #5B304D, #5A452F, #2F5A3D and #2F445A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B304D shade: #5B304D, #5A522F, #2F5A3D and #2F375A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 15 / 64

HEX #5B304D

RGB 91 48 77

HSL 319.53, 0.31%, 0.27%

LAB 26.37, 24.02, -9.32

 

Complementary color

CMYK 21 / 0 / 14 / 19

HEX #A4CFB2

RGB 164 207 178

HSL 139.53, 0.31%, 0.73%

LAB 79.46, -19.88, 9.81

 

CMYK 0 / 50 / 25 / 62

HEX #603048

RGB 96 48 72

HSL 330, 0.33%, 0.28%

LAB 26.93, 25.05, -5.09

 

CMYK 0 / 42 / 19 / 56

HEX #71425B

RGB 113 66 91

HSL 328.09, 0.26%, 0.35%

LAB 34.32, 24.13, -6.14

 

CMYK 0 / 35 / 15 / 49

HEX #82546E

RGB 130 84 110

HSL 326.09, 0.21%, 0.42%

LAB 41.55, 23.27, -6.99

 

CMYK 0 / 31 / 12 / 42

HEX #936681

RGB 147 102 129

HSL 324, 0.18%, 0.49%

LAB 48.62, 22.5, -7.71

 

CMYK 0 / 27 / 10 / 36

HEX #A47894

RGB 164 120 148

HSL 321.82, 0.19%, 0.56%

LAB 55.55, 21.79, -8.36

 

CMYK 0 / 47 / 15 / 64

HEX #5B304D

RGB 91 48 77

HSL 319.53, 0.31%, 0.27%

LAB 26.37, 24.02, -9.32

 

CMYK 0 / 59 / 22 / 71

HEX #4A1E3A

RGB 74 30 58

HSL 321.82, 0.42%, 0.2%

LAB 18.76, 24.86, -8.23

 

CMYK 0 / 79 / 32 / 78

HEX #390C27

RGB 57 12 39

HSL 324, 0.65%, 0.14%

LAB 11.13, 25.23, -6.44

 

CMYK 0 / 100 / 50 / 84

HEX #280014

RGB 40 0 20

HSL 330, 1%, 0.08%

LAB 4.53, 21.11, -2.28

 

CMYK 0 / 100 / 96 / 91

HEX #170001

RGB 23 0 1

HSL 357.39, 1%, 0.05%

LAB 1.67, 7.52, 2.22

 

CMYK 0 / 48 / 16 / 65

HEX #5A2F4C

RGB 90 47 76

HSL 319.53, 0.31%, 0.27%

LAB 25.95, 24.06, -9.32

 

CMYK 0 / 48 / 29 / 65

HEX #5A2F40

RGB 90 47 64

HSL 336.28, 0.31%, 0.27%

LAB 25.49, 21.97, -1.98

 

CMYK 0 / 48 / 41 / 65

HEX #5A2F35

RGB 90 47 53

HSL 351.63, 0.31%, 0.27%

LAB 25.15, 20.33, 4.91

 

CMYK 0 / 48 / 48 / 65

HEX #5A2F2F

RGB 90 47 47

HSL 0, 0.31%, 0.27%

LAB 24.99, 19.56, 8.71

 

CMYK 0 / 48 / 16 / 65

HEX #5A2F4C

RGB 90 47 76

HSL 319.53, 0.31%, 0.27%

LAB 25.95, 24.06, -9.32

 

CMYK 0 / 48 / 3 / 65

HEX #5A2F57

RGB 90 47 87

HSL 304.19, 0.31%, 0.27%

LAB 26.43, 26.22, -15.84

 

CMYK 10 / 48 / 0 / 65

HEX #512F5A

RGB 81 47 90

HSL 287.44, 0.31%, 0.27%

LAB 25.32, 23.76, -19.63

 

CMYK 23 / 48 / 0 / 65

HEX #452F5A

RGB 69 47 90

HSL 270.7, 0.31%, 0.27%

LAB 23.79, 19.7, -22.14

 

CMYK 36 / 48 / 0 / 65

HEX #3A2F5A

RGB 58 47 90

HSL 255.35, 0.31%, 0.27%

LAB 22.55, 16.13, -24.18

 

CMYK 0 / 48 / 16 / 65

HEX #5A2F4C

RGB 90 47 76

HSL 319.53, 0.31%, 0.27%

LAB 25.95, 24.06, -9.32

 

CMYK 0 / 64 / 21 / 60

HEX #652450

RGB 101 36 80

HSL 319.38, 0.47%, 0.27%

LAB 25.59, 34.69, -12.37

 

CMYK 0 / 78 / 25 / 56

HEX #701954

RGB 112 25 84

HSL 319.31, 0.64%, 0.27%

LAB 26.1, 43.27, -14.07

 

CMYK 0 / 89 / 29 / 52

HEX #7B0E57

RGB 123 14 87

HSL 319.82, 0.8%, 0.27%

LAB 27.33, 49.62, -13.97

 

CMYK 0 / 99 / 32 / 47

HEX #86025B

RGB 134 2 91

HSL 319.55, 0.97%, 0.27%

LAB 29.07, 54.73, -13.74

 

CMYK 0 / 48 / 16 / 65

HEX #5A2F4C

RGB 90 47 76

HSL 319.53, 0.31%, 0.27%

LAB 25.95, 24.06, -9.32

 

CMYK 0 / 27 / 9 / 69

HEX #4F3A48

RGB 79 58 72

HSL 320, 0.15%, 0.27%

LAB 27.18, 11.95, -4.97

 

CMYK 3 / 0 / 1 / 73

HEX #434544

RGB 67 69 68

HSL 150, 0.01%, 0.27%

LAB 29.07, -1.05, 0.31

 

CMYK 30 / 0 / 20 / 69

HEX #385040

RGB 56 80 64

HSL 140, 0.18%, 0.27%

LAB 31.69, -13.04, 6.52

 

CMYK 51 / 0 / 35 / 64

HEX #2D5C3C

RGB 45 92 60

HSL 139.15, 0.34%, 0.27%

LAB 35.08, -24.18, 13.6

 

CMYK 11 / 48 / 0 / 65

HEX #502F5A

RGB 80 47 90

HSL 286.05, 0.31%, 0.27%

LAB 25.19, 23.41, -19.85

 

CMYK 0 / 48 / 2 / 65

HEX #5A2F58

RGB 90 47 88

HSL 302.79, 0.31%, 0.27%

LAB 26.48, 26.42, -16.42

 

CMYK 0 / 48 / 16 / 65

HEX #5A2F4C

RGB 90 47 76

HSL 319.53, 0.31%, 0.27%

LAB 25.95, 24.06, -9.32

 

CMYK 0 / 48 / 28 / 65

HEX #5A2F41

RGB 90 47 65

HSL 334.88, 0.31%, 0.27%

LAB 25.53, 22.13, -2.6

 

CMYK 0 / 48 / 41 / 65

HEX #5A2F35

RGB 90 47 53

HSL 351.63, 0.31%, 0.27%

LAB 25.15, 20.33, 4.91

 

CMYK 0 / 47 / 17 / 86

HEX #24131E

RGB 36 19 30

HSL 321.18, 0.31%, 0.11%

LAB 8.43, 10.94, -4.11

 

CMYK 0 / 48 / 16 / 75

HEX #3F2135

RGB 63 33 53

HSL 320, 0.31%, 0.19%

LAB 17.47, 17.8, -6.85

 

CMYK 0 / 48 / 16 / 65

HEX #5A2F4C

RGB 90 47 76

HSL 319.53, 0.31%, 0.27%

LAB 25.95, 24.06, -9.32

 

CMYK 0 / 48 / 15 / 54

HEX #753D63

RGB 117 61 99

HSL 319.29, 0.31%, 0.35%

LAB 34.03, 29.92, -11.62

 

CMYK 0 / 48 / 15 / 44

HEX #904B7A

RGB 144 75 122

HSL 319.13, 0.32%, 0.43%

LAB 41.79, 35.51, -13.81

 

CMYK 0 / 47 / 15 / 64

HEX #5B304D

RGB 91 48 77

HSL 319.53, 0.31%, 0.27%

LAB 26.37, 24.02, -9.32

 

CMYK 0 / 23 / 48 / 65

HEX #5A452F

RGB 90 69 47

HSL 30.7, 0.31%, 0.27%

LAB 30.96, 5.73, 16.73

 

CMYK 48 / 0 / 4 / 65

HEX #2F5A56

RGB 47 90 86

HSL 174.42, 0.31%, 0.27%

LAB 35.18, -16.05, -2.35

 

CMYK 0 / 47 / 15 / 64

HEX #5B304D

RGB 91 48 77

HSL 319.53, 0.31%, 0.27%

LAB 26.37, 24.02, -9.32

 

CMYK 16 / 0 / 48 / 65

HEX #4C5A2F

RGB 76 90 47

HSL 79.53, 0.31%, 0.27%

LAB 36.09, -13.45, 22.99

 

CMYK 48 / 16 / 0 / 65

HEX #2F4C5A

RGB 47 76 90

HSL 199.53, 0.31%, 0.27%

LAB 30.67, -6.57, -11.64

 

CMYK 0 / 47 / 15 / 64

HEX #5B304D

RGB 91 48 77

HSL 319.53, 0.31%, 0.27%

LAB 26.37, 24.02, -9.32

 

CMYK 0 / 23 / 48 / 65

HEX #5A452F

RGB 90 69 47

HSL 30.7, 0.31%, 0.27%

LAB 30.96, 5.73, 16.73

 

CMYK 48 / 0 / 32 / 65

HEX #2F5A3D

RGB 47 90 61

HSL 139.53, 0.31%, 0.27%

LAB 34.51, -22.32, 12.22

 

CMYK 48 / 24 / 0 / 65

HEX #2F445A

RGB 47 68 90

HSL 210.7, 0.31%, 0.27%

LAB 28.05, -1.48, -15.65

 

CMYK 0 / 47 / 15 / 64

HEX #5B304D

RGB 91 48 77

HSL 319.53, 0.31%, 0.27%

LAB 26.37, 24.02, -9.32

 

CMYK 0 / 9 / 48 / 65

HEX #5A522F

RGB 90 82 47

HSL 48.84, 0.31%, 0.27%

LAB 34.83, -2.31, 21.68

 

CMYK 48 / 0 / 32 / 65

HEX #2F5A3D

RGB 47 90 61

HSL 139.53, 0.31%, 0.27%

LAB 34.51, -22.32, 12.22

 

CMYK 48 / 39 / 0 / 65

HEX #2F375A

RGB 47 55 90

HSL 228.84, 0.31%, 0.27%

LAB 23.92, 7.25, -22.09

 

Description

Color code: HEX #5B304D | qconv.com Color code: HEX #5B304D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 48 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 48 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 15 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 15% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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