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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B465B it is the complementary color #A4B9A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B465B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B465B shade: #604656, #715869, #826A7C, #937C8F and #A48EA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B465B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B465B shade: #5B465B, #4A3448, #392235, #281022 and #17000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B465B shade: #5C465C, #5C4656, #5C4650, #5C464B and #5C4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B465B shade: #5C465C, #56465C, #50465C, #4B465C and #46465C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B465B shade matches the following richer shades: #5C465C, #693969, #762C76, #831F83 and #911291

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B465B shade: #5C465C, #4F544F, #416141, #346E34 and #277B27

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B465B shade: #50465C, #56465C, #5C465C, #5C4656 and #5C4650

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B465B shade: #2D232D, #443544, #5C465C, #735873 and #8A6A8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B465B shade: #5B465B, #5C4B46 and #465C53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B465B shade: #5B465B, #5C5C46 and #465C5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B465B shade: #5B465B, #5C4B46, #465C46 and #46575C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B465B shade: #5B465B, #5C5146, #465C46 and #46515C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 0 / 64

HEX #5B465B

RGB 91 70 91

HSL 300, 0.13%, 0.32%

LAB 32.61, 13.12, -8.98

 

Complementary color

CMYK 11 / 0 / 11 / 27

HEX #A4B9A4

RGB 164 185 164

HSL 120, 0.13%, 0.68%

LAB 73.07, -11.24, 8.23

 

CMYK 0 / 27 / 10 / 62

HEX #604656

RGB 96 70 86

HSL 323.08, 0.16%, 0.33%

LAB 33, 14.06, -5.14

 

CMYK 0 / 22 / 7 / 56

HEX #715869

RGB 113 88 105

HSL 319.2, 0.12%, 0.39%

LAB 40.43, 13.4, -5.8

 

CMYK 0 / 18 / 5 / 49

HEX #826A7C

RGB 130 106 124

HSL 315, 0.1%, 0.46%

LAB 47.64, 12.83, -6.4

 

CMYK 0 / 16 / 3 / 42

HEX #937C8F

RGB 147 124 143

HSL 310.43, 0.1%, 0.53%

LAB 54.66, 12.33, -6.96

 

CMYK 0 / 13 / 1 / 36

HEX #A48EA2

RGB 164 142 162

HSL 305.45, 0.11%, 0.6%

LAB 61.52, 11.88, -7.5

 

CMYK 0 / 23 / 0 / 64

HEX #5B465B

RGB 91 70 91

HSL 300, 0.13%, 0.32%

LAB 32.61, 13.12, -8.98

 

CMYK 0 / 30 / 3 / 71

HEX #4A3448

RGB 74 52 72

HSL 305.45, 0.17%, 0.25%

LAB 24.89, 13.83, -8.46

 

CMYK 0 / 40 / 7 / 78

HEX #392235

RGB 57 34 53

HSL 310.43, 0.25%, 0.18%

LAB 16.85, 14.68, -7.87

 

CMYK 0 / 60 / 15 / 84

HEX #281022

RGB 40 16 34

HSL 315, 0.43%, 0.11%

LAB 8.46, 15.64, -7.06

 

CMYK 0 / 100 / 35 / 91

HEX #17000F

RGB 23 0 15

HSL 320.87, 1%, 0.05%

LAB 1.96, 9.57, -3.36

 

CMYK 0 / 24 / 0 / 64

HEX #5C465C

RGB 92 70 92

HSL 300, 0.14%, 0.32%

LAB 32.76, 13.72, -9.38

 

CMYK 0 / 24 / 7 / 64

HEX #5C4656

RGB 92 70 86

HSL 316.36, 0.14%, 0.32%

LAB 32.54, 12.45, -5.88

 

CMYK 0 / 24 / 13 / 64

HEX #5C4650

RGB 92 70 80

HSL 332.73, 0.14%, 0.32%

LAB 32.34, 11.25, -2.35

 

CMYK 0 / 24 / 18 / 64

HEX #5C464B

RGB 92 70 75

HSL 346.36, 0.14%, 0.32%

LAB 32.18, 10.31, 0.63

 

CMYK 0 / 24 / 24 / 64

HEX #5C4646

RGB 92 70 70

HSL 0, 0.14%, 0.32%

LAB 32.03, 9.42, 3.62

 

CMYK 0 / 24 / 0 / 64

HEX #5C465C

RGB 92 70 92

HSL 300, 0.14%, 0.32%

LAB 32.76, 13.72, -9.38

 

CMYK 7 / 24 / 0 / 64

HEX #56465C

RGB 86 70 92

HSL 283.64, 0.14%, 0.32%

LAB 32.1, 11.41, -10.44

 

CMYK 13 / 24 / 0 / 64

HEX #50465C

RGB 80 70 92

HSL 267.27, 0.14%, 0.32%

LAB 31.48, 9.13, -11.44

 

CMYK 18 / 24 / 0 / 64

HEX #4B465C

RGB 75 70 92

HSL 253.64, 0.14%, 0.32%

LAB 30.99, 7.26, -12.23

 

CMYK 24 / 24 / 0 / 64

HEX #46465C

RGB 70 70 92

HSL 240, 0.14%, 0.32%

LAB 30.53, 5.43, -12.98

 

CMYK 0 / 24 / 0 / 64

HEX #5C465C

RGB 92 70 92

HSL 300, 0.14%, 0.32%

LAB 32.76, 13.72, -9.38

 

CMYK 0 / 46 / 0 / 59

HEX #693969

RGB 105 57 105

HSL 300, 0.3%, 0.32%

LAB 31.69, 29.2, -19.17

 

CMYK 0 / 63 / 0 / 54

HEX #762C76

RGB 118 44 118

HSL 300, 0.46%, 0.32%

LAB 31.72, 42.63, -27.23

 

CMYK 0 / 76 / 0 / 49

HEX #831F83

RGB 131 31 131

HSL 300, 0.62%, 0.32%

LAB 32.8, 53.39, -33.54

 

CMYK 0 / 88 / 0 / 43

HEX #911291

RGB 145 18 145

HSL 300, 0.78%, 0.32%

LAB 35, 61.92, -38.55

 

CMYK 0 / 24 / 0 / 64

HEX #5C465C

RGB 92 70 92

HSL 300, 0.14%, 0.32%

LAB 32.76, 13.72, -9.38

 

CMYK 6 / 0 / 6 / 67

HEX #4F544F

RGB 79 84 79

HSL 120, 0.03%, 0.32%

LAB 35.14, -3.08, 2.23

 

CMYK 33 / 0 / 33 / 62

HEX #416141

RGB 65 97 65

HSL 120, 0.2%, 0.32%

LAB 37.94, -18.92, 14.63

 

CMYK 53 / 0 / 53 / 57

HEX #346E34

RGB 52 110 52

HSL 120, 0.36%, 0.32%

LAB 41.42, -31.99, 26.49

 

CMYK 68 / 0 / 68 / 52

HEX #277B27

RGB 39 123 39

HSL 120, 0.52%, 0.32%

LAB 45.28, -42.44, 37.4

 

CMYK 13 / 24 / 0 / 64

HEX #50465C

RGB 80 70 92

HSL 267.27, 0.14%, 0.32%

LAB 31.48, 9.13, -11.44

 

CMYK 7 / 24 / 0 / 64

HEX #56465C

RGB 86 70 92

HSL 283.64, 0.14%, 0.32%

LAB 32.1, 11.41, -10.44

 

CMYK 0 / 24 / 0 / 64

HEX #5C465C

RGB 92 70 92

HSL 300, 0.14%, 0.32%

LAB 32.76, 13.72, -9.38

 

CMYK 0 / 24 / 7 / 64

HEX #5C4656

RGB 92 70 86

HSL 316.36, 0.14%, 0.32%

LAB 32.54, 12.45, -5.88

 

CMYK 0 / 24 / 13 / 64

HEX #5C4650

RGB 92 70 80

HSL 332.73, 0.14%, 0.32%

LAB 32.34, 11.25, -2.35

 

CMYK 0 / 22 / 0 / 82

HEX #2D232D

RGB 45 35 45

HSL 300, 0.13%, 0.16%

LAB 15.22, 6.99, -4.82

 

CMYK 0 / 22 / 0 / 73

HEX #443544

RGB 68 53 68

HSL 300, 0.12%, 0.24%

LAB 24.3, 9.83, -6.76

 

CMYK 0 / 24 / 0 / 64

HEX #5C465C

RGB 92 70 92

HSL 300, 0.14%, 0.32%

LAB 32.76, 13.72, -9.38

 

CMYK 0 / 23 / 0 / 55

HEX #735873

RGB 115 88 115

HSL 300, 0.13%, 0.4%

LAB 41, 16.2, -11.07

 

CMYK 0 / 23 / 0 / 46

HEX #8A6A8A

RGB 138 106 138

HSL 300, 0.13%, 0.48%

LAB 48.94, 18.58, -12.69

 

CMYK 0 / 23 / 0 / 64

HEX #5B465B

RGB 91 70 91

HSL 300, 0.13%, 0.32%

LAB 32.61, 13.12, -8.98

 

CMYK 0 / 18 / 24 / 64

HEX #5C4B46

RGB 92 75 70

HSL 13.64, 0.14%, 0.32%

LAB 33.46, 6.27, 5.66

 

CMYK 24 / 0 / 10 / 64

HEX #465C53

RGB 70 92 83

HSL 155.45, 0.14%, 0.32%

LAB 37.08, -10.45, 2.45

 

CMYK 0 / 23 / 0 / 64

HEX #5B465B

RGB 91 70 91

HSL 300, 0.13%, 0.32%

LAB 32.61, 13.12, -8.98

 

CMYK 0 / 0 / 24 / 64

HEX #5C5C46

RGB 92 92 70

HSL 60, 0.14%, 0.32%

LAB 38.5, -4.14, 12.71

 

CMYK 24 / 0 / 0 / 64

HEX #465C5C

RGB 70 92 92

HSL 180, 0.14%, 0.32%

LAB 37.35, -8.27, -2.73

 

CMYK 0 / 23 / 0 / 64

HEX #5B465B

RGB 91 70 91

HSL 300, 0.13%, 0.32%

LAB 32.61, 13.12, -8.98

 

CMYK 0 / 18 / 24 / 64

HEX #5C4B46

RGB 92 75 70

HSL 13.64, 0.14%, 0.32%

LAB 33.46, 6.27, 5.66

 

CMYK 24 / 0 / 24 / 64

HEX #465C46

RGB 70 92 70

HSL 120, 0.14%, 0.32%

LAB 36.74, -13.27, 10

 

CMYK 24 / 5 / 0 / 64

HEX #46575C

RGB 70 87 92

HSL 193.64, 0.14%, 0.32%

LAB 35.77, -5.27, -5.07

 

CMYK 0 / 23 / 0 / 64

HEX #5B465B

RGB 91 70 91

HSL 300, 0.13%, 0.32%

LAB 32.61, 13.12, -8.98

 

CMYK 0 / 12 / 24 / 64

HEX #5C5146

RGB 92 81 70

HSL 30, 0.14%, 0.32%

LAB 35.21, 2.54, 8.13

 

CMYK 24 / 0 / 24 / 64

HEX #465C46

RGB 70 92 70

HSL 120, 0.14%, 0.32%

LAB 36.74, -13.27, 10

 

CMYK 24 / 12 / 0 / 64

HEX #46515C

RGB 70 81 92

HSL 210, 0.14%, 0.32%

LAB 33.9, -1.58, -7.88

 

Description

Color code: HEX #5B465B | qconv.com Color code: HEX #5B465B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 70 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 70 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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