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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B496D it is the complementary color #A4B692. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B496D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B496D shade: #604968, #715B7B, #826D8E, #937FA1 and #A491B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B496D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B496D shade: #5B496D, #4A375A, #392547, #281334 and #170121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B496D shade: #5B496E, #65496E, #6E496C, #6E4962 and #6E4958

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B496D shade: #5B496E, #51496E and #49496E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B496D shade matches the following richer shades: #5B496E, #5B3A7D, #5B2B8B, #5B1C9A and #5B0EA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B496D shade: #5B496E, #5B585F, #5B6750, #5B7541 and #5B8432

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B496D shade: #494A6E, #52496E, #5B496E, #65496E and #6E496C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B496D shade: #32283C, #473855, #5B496E, #705986 and #856C9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B496D shade: #5B496D, #6E4954 and #496E4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B496D shade: #5B496D, #6E5B49 and #496E5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B496D shade: #5B496D, #6E4954, #5B6E49 and #496E63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B496D shade: #5B496D, #6E4949, #5B6E49 and #496E6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 33 / 0 / 57

HEX #5B496D

RGB 91 73 109

HSL 270, 0.2%, 0.36%

LAB 34.18, 15.41, -17.99

 

Complementary color

CMYK 10 / 0 / 20 / 29

HEX #A4B692

RGB 164 182 146

HSL 90, 0.2%, 0.64%

LAB 71.84, -12.8, 16.28

 

CMYK 8 / 30 / 0 / 59

HEX #604968

RGB 96 73 104

HSL 284.52, 0.18%, 0.35%

LAB 34.5, 16.02, -14.3

 

CMYK 8 / 26 / 0 / 52

HEX #715B7B

RGB 113 91 123

HSL 281.25, 0.15%, 0.42%

LAB 41.88, 15.36, -14.63

 

CMYK 8 / 23 / 0 / 44

HEX #826D8E

RGB 130 109 142

HSL 278.18, 0.13%, 0.49%

LAB 49.05, 14.79, -14.97

 

CMYK 9 / 21 / 0 / 37

HEX #937FA1

RGB 147 127 161

HSL 275.29, 0.15%, 0.56%

LAB 56.04, 14.27, -15.31

 

CMYK 9 / 19 / 0 / 29

HEX #A491B4

RGB 164 145 180

HSL 272.57, 0.19%, 0.64%

LAB 62.88, 13.81, -15.66

 

CMYK 17 / 33 / 0 / 57

HEX #5B496D

RGB 91 73 109

HSL 270, 0.2%, 0.36%

LAB 34.18, 15.41, -17.99

 

CMYK 18 / 39 / 0 / 65

HEX #4A375A

RGB 74 55 90

HSL 272.57, 0.24%, 0.28%

LAB 26.52, 16.19, -17.83

 

CMYK 20 / 48 / 0 / 72

HEX #392547

RGB 57 37 71

HSL 275.29, 0.31%, 0.21%

LAB 18.57, 17.1, -17.7

 

CMYK 23 / 63 / 0 / 80

HEX #281334

RGB 40 19 52

HSL 278.18, 0.46%, 0.14%

LAB 10.3, 18.13, -17.54

 

CMYK 30 / 97 / 0 / 87

HEX #170121

RGB 23 1 33

HSL 281.25, 0.94%, 0.07%

LAB 2.83, 13.95, -15.11

 

CMYK 17 / 34 / 0 / 57

HEX #5B496E

RGB 91 73 110

HSL 269.19, 0.2%, 0.36%

LAB 34.22, 15.66, -18.55

 

CMYK 8 / 34 / 0 / 57

HEX #65496E

RGB 101 73 110

HSL 285.41, 0.2%, 0.36%

LAB 35.32, 19.21, -16.77

 

CMYK 0 / 34 / 2 / 57

HEX #6E496C

RGB 110 73 108

HSL 303.24, 0.2%, 0.36%

LAB 36.3, 22.03, -13.92

 

CMYK 0 / 34 / 11 / 57

HEX #6E4962

RGB 110 73 98

HSL 319.46, 0.2%, 0.36%

LAB 35.91, 20.04, -8.23

 

CMYK 0 / 34 / 20 / 57

HEX #6E4958

RGB 110 73 88

HSL 335.68, 0.2%, 0.36%

LAB 35.57, 18.21, -2.43

 

CMYK 17 / 34 / 0 / 57

HEX #5B496E

RGB 91 73 110

HSL 269.19, 0.2%, 0.36%

LAB 34.22, 15.66, -18.55

 

CMYK 26 / 34 / 0 / 57

HEX #51496E

RGB 81 73 110

HSL 252.97, 0.2%, 0.36%

LAB 33.22, 12.22, -20.17

 

CMYK 34 / 34 / 0 / 57

HEX #49496E

RGB 73 73 110

HSL 240, 0.2%, 0.36%

LAB 32.5, 9.58, -21.36

 

CMYK 17 / 34 / 0 / 57

HEX #5B496E

RGB 91 73 110

HSL 269.19, 0.2%, 0.36%

LAB 34.22, 15.66, -18.55

 

CMYK 27 / 54 / 0 / 51

HEX #5B3A7D

RGB 91 58 125

HSL 269.55, 0.37%, 0.36%

LAB 31.19, 28.89, -32.71

 

CMYK 35 / 69 / 0 / 45

HEX #5B2B8B

RGB 91 43 139

HSL 270, 0.53%, 0.36%

LAB 28.94, 41.04, -45.03

 

CMYK 41 / 82 / 0 / 40

HEX #5B1C9A

RGB 91 28 154

HSL 270, 0.69%, 0.36%

LAB 27.81, 51.54, -56.11

 

CMYK 46 / 92 / 0 / 34

HEX #5B0EA9

RGB 91 14 169

HSL 269.81, 0.85%, 0.36%

LAB 27.85, 59.23, -65.16

 

CMYK 17 / 34 / 0 / 57

HEX #5B496E

RGB 91 73 110

HSL 269.19, 0.2%, 0.36%

LAB 34.22, 15.66, -18.55

 

CMYK 4 / 7 / 0 / 63

HEX #5B585F

RGB 91 88 95

HSL 265.71, 0.04%, 0.36%

LAB 37.9, 2.7, -3.61

 

CMYK 12 / 0 / 22 / 60

HEX #5B6750

RGB 91 103 80

HSL 91.3, 0.13%, 0.36%

LAB 42.01, -9.26, 11.48

 

CMYK 22 / 0 / 44 / 54

HEX #5B7541

RGB 91 117 65

HSL 90, 0.29%, 0.36%

LAB 46.08, -19.36, 25.61

 

CMYK 31 / 0 / 62 / 48

HEX #5B8432

RGB 91 132 50

HSL 90, 0.45%, 0.36%

LAB 50.64, -28.68, 38.85

 

CMYK 34 / 33 / 0 / 57

HEX #494A6E

RGB 73 74 110

HSL 238.38, 0.2%, 0.36%

LAB 32.79, 8.93, -20.91

 

CMYK 25 / 34 / 0 / 57

HEX #52496E

RGB 82 73 110

HSL 254.59, 0.2%, 0.36%

LAB 33.32, 12.56, -20.02

 

CMYK 17 / 34 / 0 / 57

HEX #5B496E

RGB 91 73 110

HSL 269.19, 0.2%, 0.36%

LAB 34.22, 15.66, -18.55

 

CMYK 8 / 34 / 0 / 57

HEX #65496E

RGB 101 73 110

HSL 285.41, 0.2%, 0.36%

LAB 35.32, 19.21, -16.77

 

CMYK 0 / 34 / 2 / 57

HEX #6E496C

RGB 110 73 108

HSL 303.24, 0.2%, 0.36%

LAB 36.3, 22.03, -13.92

 

CMYK 17 / 33 / 0 / 76

HEX #32283C

RGB 50 40 60

HSL 270, 0.2%, 0.2%

LAB 18.02, 9.43, -11.05

 

CMYK 16 / 34 / 0 / 67

HEX #473855

RGB 71 56 85

HSL 271.03, 0.21%, 0.28%

LAB 26.23, 13.15, -15.04

 

CMYK 17 / 34 / 0 / 57

HEX #5B496E

RGB 91 73 110

HSL 269.19, 0.2%, 0.36%

LAB 34.22, 15.66, -18.55

 

CMYK 16 / 34 / 0 / 47

HEX #705986

RGB 112 89 134

HSL 270.67, 0.2%, 0.44%

LAB 41.71, 18.79, -21.59

 

CMYK 15 / 31 / 0 / 38

HEX #856C9D

RGB 133 108 157

HSL 270.61, 0.2%, 0.52%

LAB 49.67, 19.78, -22.84

 

CMYK 17 / 33 / 0 / 57

HEX #5B496D

RGB 91 73 109

HSL 270, 0.2%, 0.36%

LAB 34.18, 15.41, -17.99

 

CMYK 0 / 34 / 24 / 57

HEX #6E4954

RGB 110 73 84

HSL 342.16, 0.2%, 0.36%

LAB 35.44, 17.53, -0.08

 

CMYK 34 / 0 / 30 / 57

HEX #496E4D

RGB 73 110 77

HSL 126.49, 0.2%, 0.36%

LAB 42.92, -20.6, 14.33

 

CMYK 17 / 33 / 0 / 57

HEX #5B496D

RGB 91 73 109

HSL 270, 0.2%, 0.36%

LAB 34.18, 15.41, -17.99

 

CMYK 0 / 17 / 34 / 57

HEX #6E5B49

RGB 110 91 73

HSL 29.19, 0.2%, 0.36%

LAB 40.05, 4.82, 13.28

 

CMYK 34 / 0 / 17 / 57

HEX #496E5B

RGB 73 110 91

HSL 149.19, 0.2%, 0.36%

LAB 43.25, -17.68, 6.44

 

CMYK 17 / 33 / 0 / 57

HEX #5B496D

RGB 91 73 109

HSL 270, 0.2%, 0.36%

LAB 34.18, 15.41, -17.99

 

CMYK 0 / 34 / 24 / 57

HEX #6E4954

RGB 110 73 84

HSL 342.16, 0.2%, 0.36%

LAB 35.44, 17.53, -0.08

 

CMYK 17 / 0 / 34 / 57

HEX #5B6E49

RGB 91 110 73

HSL 90.81, 0.2%, 0.36%

LAB 44.03, -14.39, 18.38

 

CMYK 34 / 0 / 10 / 57

HEX #496E63

RGB 73 110 99

HSL 162.16, 0.2%, 0.36%

LAB 43.46, -15.81, 1.94

 

CMYK 17 / 33 / 0 / 57

HEX #5B496D

RGB 91 73 109

HSL 270, 0.2%, 0.36%

LAB 34.18, 15.41, -17.99

 

CMYK 0 / 34 / 34 / 57

HEX #6E4949

RGB 110 73 73

HSL 0, 0.2%, 0.36%

LAB 35.13, 15.8, 6.43

 

CMYK 17 / 0 / 34 / 57

HEX #5B6E49

RGB 91 110 73

HSL 90.81, 0.2%, 0.36%

LAB 44.03, -14.39, 18.38

 

CMYK 34 / 0 / 0 / 57

HEX #496E6E

RGB 73 110 110

HSL 180, 0.2%, 0.36%

LAB 43.79, -13.04, -4.2

 

Description

Color code: HEX #5B496D | qconv.com Color code: HEX #5B496D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 73 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 73 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 33 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 33% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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