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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B5A55 it is the complementary color #A4A5AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B5A55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B5A55 shade: #605A50, #716C63, #827E76, #939089 and #A4A29C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B5A55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B5A55 shade: #5B5A55, #4A4842, #39362F, #28241C and #171209

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B5A55 shade: #5B5B56, #5B5956, #5B5856, #5B5656 and #5B5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B5A55 shade: #5B5B56, #5B5B56, #595B56, #585B56 and #575B56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B5A55 shade matches the following richer shades: #5B5B56, #6A6448, #786E39, #87772B and #95811C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B5A55 shade: #5B5B56, #4D5165, #3F4773, #303E81 and #223490

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B5A55 shade: #5B5856, #5B5956, #5B5B56, #5B5B56 and #595B56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B5A55 shade: #31302E, #464542, #5B5B56, #71706A and #86847E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B5A55 shade: #5B5A55, #565B56 and #58565B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B5A55 shade: #5B5A55, #565B5B and #5B565B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B5A55 shade: #5B5A55, #565B56, #56575B and #5B565B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B5A55 shade: #5B5A55, #565B58, #56575B and #5B565A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 7 / 64

HEX #5B5A55

RGB 91 90 85

HSL 50, 0.03%, 0.35%

LAB 38.19, -0.62, 3.02

 

Complementary color

CMYK 4 / 3 / 0 / 33

HEX #A4A5AA

RGB 164 165 170

HSL 230, 0.03%, 0.65%

LAB 67.8, 0.61, -2.71

 

CMYK 0 / 6 / 17 / 62

HEX #605A50

RGB 96 90 80

HSL 37.5, 0.09%, 0.35%

LAB 38.51, 0.5, 6.64

 

CMYK 0 / 4 / 12 / 56

HEX #716C63

RGB 113 108 99

HSL 38.57, 0.07%, 0.42%

LAB 45.82, 0.23, 5.72

 

CMYK 0 / 3 / 9 / 49

HEX #827E76

RGB 130 126 118

HSL 40, 0.05%, 0.49%

LAB 52.92, 0, 4.88

 

CMYK 0 / 2 / 7 / 42

HEX #939089

RGB 147 144 137

HSL 42, 0.04%, 0.56%

LAB 59.85, -0.2, 4.1

 

CMYK 0 / 1 / 5 / 36

HEX #A4A29C

RGB 164 162 156

HSL 45, 0.04%, 0.63%

LAB 66.62, -0.39, 3.36

 

CMYK 0 / 1 / 7 / 64

HEX #5B5A55

RGB 91 90 85

HSL 50, 0.03%, 0.35%

LAB 38.19, -0.62, 3.02

 

CMYK 0 / 3 / 11 / 71

HEX #4A4842

RGB 74 72 66

HSL 45, 0.06%, 0.27%

LAB 30.6, -0.41, 3.89

 

CMYK 0 / 5 / 18 / 78

HEX #39362F

RGB 57 54 47

HSL 42, 0.1%, 0.2%

LAB 22.7, -0.16, 4.87

 

CMYK 0 / 10 / 30 / 84

HEX #28241C

RGB 40 36 28

HSL 40, 0.18%, 0.13%

LAB 14.38, 0.2, 6.04

 

CMYK 0 / 22 / 61 / 91

HEX #171209

RGB 23 18 9

HSL 38.57, 0.44%, 0.06%

LAB 5.73, 0.65, 4.9

 

CMYK 0 / 0 / 5 / 64

HEX #5B5B56

RGB 91 91 86

HSL 60, 0.03%, 0.35%

LAB 38.51, -1.03, 2.88

 

CMYK 0 / 2 / 5 / 64

HEX #5B5956

RGB 91 89 86

HSL 36, 0.03%, 0.35%

LAB 37.92, 0.19, 2.01

 

CMYK 0 / 3 / 5 / 64

HEX #5B5856

RGB 91 88 86

HSL 24, 0.03%, 0.35%

LAB 37.62, 0.8, 1.58

 

CMYK 0 / 5 / 5 / 64

HEX #5B5656

RGB 91 86 86

HSL 0, 0.03%, 0.35%

LAB 37.03, 2.02, 0.72

 

CMYK 0 / 5 / 5 / 64

HEX #5B5656

RGB 91 86 86

HSL 0, 0.03%, 0.35%

LAB 37.03, 2.02, 0.72

 

CMYK 0 / 0 / 5 / 64

HEX #5B5B56

RGB 91 91 86

HSL 60, 0.03%, 0.35%

LAB 38.51, -1.03, 2.88

 

CMYK 0 / 0 / 5 / 64

HEX #5B5B56

RGB 91 91 86

HSL 60, 0.03%, 0.35%

LAB 38.51, -1.03, 2.88

 

CMYK 2 / 0 / 5 / 64

HEX #595B56

RGB 89 91 86

HSL 84, 0.03%, 0.35%

LAB 38.34, -1.84, 2.6

 

CMYK 3 / 0 / 5 / 64

HEX #585B56

RGB 88 91 86

HSL 96, 0.03%, 0.35%

LAB 38.25, -2.24, 2.46

 

CMYK 4 / 0 / 5 / 64

HEX #575B56

RGB 87 91 86

HSL 108, 0.03%, 0.35%

LAB 38.16, -2.64, 2.33

 

CMYK 0 / 0 / 5 / 64

HEX #5B5B56

RGB 91 91 86

HSL 60, 0.03%, 0.35%

LAB 38.51, -1.03, 2.88

 

CMYK 0 / 6 / 32 / 58

HEX #6A6448

RGB 106 100 72

HSL 49.41, 0.19%, 0.35%

LAB 42.23, -2.45, 16.77

 

CMYK 0 / 8 / 53 / 53

HEX #786E39

RGB 120 110 57

HSL 50.48, 0.36%, 0.35%

LAB 46.23, -3.8, 30.73

 

CMYK 0 / 12 / 68 / 47

HEX #87772B

RGB 135 119 43

HSL 49.57, 0.52%, 0.35%

LAB 50.12, -3.15, 42.56

 

CMYK 0 / 13 / 81 / 42

HEX #95811C

RGB 149 129 28

HSL 50.08, 0.68%, 0.35%

LAB 54.21, -3, 52.94

 

CMYK 0 / 0 / 5 / 64

HEX #5B5B56

RGB 91 91 86

HSL 60, 0.03%, 0.35%

LAB 38.51, -1.03, 2.88

 

CMYK 24 / 20 / 0 / 60

HEX #4D5165

RGB 77 81 101

HSL 230, 0.13%, 0.35%

LAB 34.81, 3.29, -12.11

 

CMYK 45 / 38 / 0 / 55

HEX #3F4773

RGB 63 71 115

HSL 230.77, 0.29%, 0.35%

LAB 31.35, 9.39, -26.36

 

CMYK 63 / 52 / 0 / 49

HEX #303E81

RGB 48 62 129

HSL 229.63, 0.46%, 0.35%

LAB 28.53, 16.66, -39.68

 

CMYK 76 / 64 / 0 / 44

HEX #223490

RGB 34 52 144

HSL 230.18, 0.62%, 0.35%

LAB 26.19, 26.96, -52.84

 

CMYK 0 / 3 / 5 / 64

HEX #5B5856

RGB 91 88 86

HSL 24, 0.03%, 0.35%

LAB 37.62, 0.8, 1.58

 

CMYK 0 / 2 / 5 / 64

HEX #5B5956

RGB 91 89 86

HSL 36, 0.03%, 0.35%

LAB 37.92, 0.19, 2.01

 

CMYK 0 / 0 / 5 / 64

HEX #5B5B56

RGB 91 91 86

HSL 60, 0.03%, 0.35%

LAB 38.51, -1.03, 2.88

 

CMYK 0 / 0 / 5 / 64

HEX #5B5B56

RGB 91 91 86

HSL 60, 0.03%, 0.35%

LAB 38.51, -1.03, 2.88

 

CMYK 2 / 0 / 5 / 64

HEX #595B56

RGB 89 91 86

HSL 84, 0.03%, 0.35%

LAB 38.34, -1.84, 2.6

 

CMYK 0 / 2 / 6 / 81

HEX #31302E

RGB 49 48 46

HSL 40, 0.03%, 0.19%

LAB 19.9, -0.01, 1.43

 

CMYK 0 / 1 / 6 / 73

HEX #464542

RGB 70 69 66

HSL 45, 0.03%, 0.27%

LAB 29.29, -0.23, 1.95

 

CMYK 0 / 0 / 5 / 64

HEX #5B5B56

RGB 91 91 86

HSL 60, 0.03%, 0.35%

LAB 38.51, -1.03, 2.88

 

CMYK 0 / 1 / 6 / 56

HEX #71706A

RGB 113 112 106

HSL 51.43, 0.03%, 0.43%

LAB 47.16, -0.8, 3.46

 

CMYK 0 / 1 / 6 / 47

HEX #86847E

RGB 134 132 126

HSL 45, 0.03%, 0.51%

LAB 55.15, -0.4, 3.49

 

CMYK 0 / 1 / 7 / 64

HEX #5B5A55

RGB 91 90 85

HSL 50, 0.03%, 0.35%

LAB 38.19, -0.62, 3.02

 

CMYK 5 / 0 / 5 / 64

HEX #565B56

RGB 86 91 86

HSL 120, 0.03%, 0.35%

LAB 38.08, -3.04, 2.19

 

CMYK 3 / 5 / 0 / 64

HEX #58565B

RGB 88 86 91

HSL 264, 0.03%, 0.35%

LAB 36.9, 1.88, -2.61

 

CMYK 0 / 1 / 7 / 64

HEX #5B5A55

RGB 91 90 85

HSL 50, 0.03%, 0.35%

LAB 38.19, -0.62, 3.02

 

CMYK 5 / 0 / 0 / 64

HEX #565B5B

RGB 86 91 91

HSL 180, 0.03%, 0.35%

LAB 38.23, -1.96, -0.69

 

CMYK 0 / 5 / 0 / 64

HEX #5B565B

RGB 91 86 91

HSL 300, 0.03%, 0.35%

LAB 37.18, 3.07, -2.17

 

CMYK 0 / 1 / 7 / 64

HEX #5B5A55

RGB 91 90 85

HSL 50, 0.03%, 0.35%

LAB 38.19, -0.62, 3.02

 

CMYK 5 / 0 / 5 / 64

HEX #565B56

RGB 86 91 86

HSL 120, 0.03%, 0.35%

LAB 38.08, -3.04, 2.19

 

CMYK 5 / 4 / 0 / 64

HEX #56575B

RGB 86 87 91

HSL 228, 0.03%, 0.35%

LAB 37.02, 0.48, -2.46

 

CMYK 0 / 5 / 0 / 64

HEX #5B565B

RGB 91 86 91

HSL 300, 0.03%, 0.35%

LAB 37.18, 3.07, -2.17

 

CMYK 0 / 1 / 7 / 64

HEX #5B5A55

RGB 91 90 85

HSL 50, 0.03%, 0.35%

LAB 38.19, -0.62, 3.02

 

CMYK 5 / 0 / 3 / 64

HEX #565B58

RGB 86 91 88

HSL 144, 0.03%, 0.35%

LAB 38.14, -2.62, 1.04

 

CMYK 5 / 4 / 0 / 64

HEX #56575B

RGB 86 87 91

HSL 228, 0.03%, 0.35%

LAB 37.02, 0.48, -2.46

 

CMYK 0 / 5 / 1 / 64

HEX #5B565A

RGB 91 86 90

HSL 312, 0.03%, 0.35%

LAB 37.15, 2.86, -1.6

 

Description

Color code: HEX #5B5A55 | qconv.com Color code: HEX #5B5A55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 90 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 90 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 7 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 7% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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