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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B5E65 it is the complementary color #A4A19A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B5E65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B5E65 shade: #605E60, #717073, #828286, #939499 and #A4A6AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B5E65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B5E65 shade: #5B5E65, #4A4C52, #393A3F, #28282C and #171619

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B5E65 shade: #5C5E65, #5C5C65, #5E5C65, #605C65 and #635C65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B5E65 shade: #5C5E65, #5C5C65 and #5C5C65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B5E65 shade matches the following richer shades: #5C5E65, #4C5875, #3C5285, #2D4C94 and #1D45A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B5E65 shade: #5C5E65, #6B6556, #7B6B46, #8B7136 and #9A7827

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B5E65 shade: #5C6465, #5C6165, #5C5E65, #5C5C65 and #5E5C65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B5E65 shade: #34363A, #484A50, #5C5E65, #6F737B and #848790

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B5E65 shade: #5B5E65, #645C65 and #62655C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B5E65 shade: #5B5E65, #655C5E and #5E655C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B5E65 shade: #5B5E65, #645C65, #65625C and #5D655C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B5E65 shade: #5B5E65, #655C63, #65625C and #5C655D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 7 / 0 / 60

HEX #5B5E65

RGB 91 94 101

HSL 222, 0.05%, 0.38%

LAB 39.86, 0.38, -4.4

 

Complementary color

CMYK 0 / 2 / 6 / 36

HEX #A4A19A

RGB 164 161 154

HSL 42, 0.05%, 0.62%

LAB 66.3, -0.21, 4.01

 

CMYK 0 / 2 / 0 / 62

HEX #605E60

RGB 96 94 96

HSL 300, 0.01%, 0.37%

LAB 40.14, 1.21, -0.87

 

CMYK 2 / 3 / 0 / 55

HEX #717073

RGB 113 112 115

HSL 260, 0.01%, 0.45%

LAB 47.41, 1, -1.53

 

CMYK 3 / 3 / 0 / 47

HEX #828286

RGB 130 130 134

HSL 240, 0.02%, 0.52%

LAB 54.48, 0.81, -2.16

 

CMYK 4 / 3 / 0 / 40

HEX #939499

RGB 147 148 153

HSL 230, 0.03%, 0.59%

LAB 61.38, 0.63, -2.77

 

CMYK 5 / 3 / 0 / 33

HEX #A4A6AC

RGB 164 166 172

HSL 225, 0.05%, 0.66%

LAB 68.13, 0.46, -3.35

 

CMYK 10 / 7 / 0 / 60

HEX #5B5E65

RGB 91 94 101

HSL 222, 0.05%, 0.38%

LAB 39.86, 0.38, -4.4

 

CMYK 10 / 7 / 0 / 68

HEX #4A4C52

RGB 74 76 82

HSL 225, 0.05%, 0.31%

LAB 32.33, 0.56, -3.83

 

CMYK 10 / 8 / 0 / 75

HEX #393A3F

RGB 57 58 63

HSL 230, 0.05%, 0.24%

LAB 24.5, 0.77, -3.24

 

CMYK 9 / 9 / 0 / 83

HEX #28282C

RGB 40 40 44

HSL 240, 0.05%, 0.16%

LAB 16.26, 1, -2.62

 

CMYK 8 / 12 / 0 / 90

HEX #171619

RGB 23 22 25

HSL 260, 0.06%, 0.09%

LAB 7.46, 1.25, -1.93

 

CMYK 9 / 7 / 0 / 60

HEX #5C5E65

RGB 92 94 101

HSL 226.67, 0.05%, 0.38%

LAB 39.95, 0.76, -4.27

 

CMYK 9 / 9 / 0 / 60

HEX #5C5C65

RGB 92 92 101

HSL 240, 0.05%, 0.38%

LAB 39.36, 1.98, -5.14

 

CMYK 7 / 9 / 0 / 60

HEX #5E5C65

RGB 94 92 101

HSL 253.33, 0.05%, 0.38%

LAB 39.54, 2.74, -4.86

 

CMYK 5 / 9 / 0 / 60

HEX #605C65

RGB 96 92 101

HSL 266.67, 0.05%, 0.38%

LAB 39.72, 3.51, -4.57

 

CMYK 2 / 9 / 0 / 60

HEX #635C65

RGB 99 92 101

HSL 286.67, 0.05%, 0.38%

LAB 39.99, 4.67, -4.13

 

CMYK 9 / 7 / 0 / 60

HEX #5C5E65

RGB 92 94 101

HSL 226.67, 0.05%, 0.38%

LAB 39.95, 0.76, -4.27

 

CMYK 9 / 9 / 0 / 60

HEX #5C5C65

RGB 92 92 101

HSL 240, 0.05%, 0.38%

LAB 39.36, 1.98, -5.14

 

CMYK 9 / 9 / 0 / 60

HEX #5C5C65

RGB 92 92 101

HSL 240, 0.05%, 0.38%

LAB 39.36, 1.98, -5.14

 

CMYK 9 / 7 / 0 / 60

HEX #5C5E65

RGB 92 94 101

HSL 226.67, 0.05%, 0.38%

LAB 39.95, 0.76, -4.27

 

CMYK 35 / 25 / 0 / 54

HEX #4C5875

RGB 76 88 117

HSL 222.44, 0.21%, 0.38%

LAB 37.48, 2.98, -17.98

 

CMYK 55 / 38 / 0 / 48

HEX #3C5285

RGB 60 82 133

HSL 221.92, 0.38%, 0.38%

LAB 35.38, 7.4, -31.19

 

CMYK 70 / 49 / 0 / 42

HEX #2D4C94

RGB 45 76 148

HSL 221.94, 0.53%, 0.38%

LAB 33.7, 13.77, -43.08

 

CMYK 82 / 58 / 0 / 36

HEX #1D45A4

RGB 29 69 164

HSL 222.22, 0.7%, 0.38%

LAB 32.25, 22.71, -55.13

 

CMYK 9 / 7 / 0 / 60

HEX #5C5E65

RGB 92 94 101

HSL 226.67, 0.05%, 0.38%

LAB 39.95, 0.76, -4.27

 

CMYK 0 / 6 / 20 / 58

HEX #6B6556

RGB 107 101 86

HSL 42.86, 0.11%, 0.38%

LAB 42.92, -0.4, 9.35

 

CMYK 0 / 13 / 43 / 52

HEX #7B6B46

RGB 123 107 70

HSL 41.89, 0.27%, 0.38%

LAB 45.86, 0.7, 23.05

 

CMYK 0 / 19 / 61 / 45

HEX #8B7136

RGB 139 113 54

HSL 41.65, 0.44%, 0.38%

LAB 48.96, 2.89, 36.02

 

CMYK 0 / 22 / 75 / 40

HEX #9A7827

RGB 154 120 39

HSL 42.26, 0.6%, 0.38%

LAB 52.34, 4.83, 47.22

 

CMYK 9 / 1 / 0 / 60

HEX #5C6465

RGB 92 100 101

HSL 186.67, 0.05%, 0.38%

LAB 41.73, -2.86, -1.63

 

CMYK 9 / 4 / 0 / 60

HEX #5C6165

RGB 92 97 101

HSL 206.67, 0.05%, 0.38%

LAB 40.84, -1.06, -2.95

 

CMYK 9 / 7 / 0 / 60

HEX #5C5E65

RGB 92 94 101

HSL 226.67, 0.05%, 0.38%

LAB 39.95, 0.76, -4.27

 

CMYK 9 / 9 / 0 / 60

HEX #5C5C65

RGB 92 92 101

HSL 240, 0.05%, 0.38%

LAB 39.36, 1.98, -5.14

 

CMYK 7 / 9 / 0 / 60

HEX #5E5C65

RGB 94 92 101

HSL 253.33, 0.05%, 0.38%

LAB 39.54, 2.74, -4.86

 

CMYK 10 / 7 / 0 / 77

HEX #34363A

RGB 52 54 58

HSL 220, 0.05%, 0.22%

LAB 22.56, 0.11, -2.8

 

CMYK 10 / 7 / 0 / 69

HEX #484A50

RGB 72 74 80

HSL 225, 0.05%, 0.3%

LAB 31.47, 0.57, -3.85

 

CMYK 9 / 7 / 0 / 60

HEX #5C5E65

RGB 92 94 101

HSL 226.67, 0.05%, 0.38%

LAB 39.95, 0.76, -4.27

 

CMYK 10 / 7 / 0 / 52

HEX #6F737B

RGB 111 115 123

HSL 220, 0.05%, 0.46%

LAB 48.35, 0.2, -4.93

 

CMYK 8 / 6 / 0 / 44

HEX #848790

RGB 132 135 144

HSL 225, 0.05%, 0.54%

LAB 56.33, 0.75, -5.2

 

CMYK 10 / 7 / 0 / 60

HEX #5B5E65

RGB 91 94 101

HSL 222, 0.05%, 0.38%

LAB 39.86, 0.38, -4.4

 

CMYK 1 / 9 / 0 / 60

HEX #645C65

RGB 100 92 101

HSL 293.33, 0.05%, 0.38%

LAB 40.09, 5.06, -3.98

 

CMYK 3 / 0 / 9 / 60

HEX #62655C

RGB 98 101 92

HSL 80, 0.05%, 0.38%

LAB 42.27, -3, 4.69

 

CMYK 10 / 7 / 0 / 60

HEX #5B5E65

RGB 91 94 101

HSL 222, 0.05%, 0.38%

LAB 39.86, 0.38, -4.4

 

CMYK 0 / 9 / 7 / 60

HEX #655C5E

RGB 101 92 94

HSL 346.67, 0.05%, 0.38%

LAB 39.96, 4.01, 0.16

 

CMYK 7 / 0 / 9 / 60

HEX #5E655C

RGB 94 101 92

HSL 106.67, 0.05%, 0.38%

LAB 41.94, -4.59, 4.16

 

CMYK 10 / 7 / 0 / 60

HEX #5B5E65

RGB 91 94 101

HSL 222, 0.05%, 0.38%

LAB 39.86, 0.38, -4.4

 

CMYK 1 / 9 / 0 / 60

HEX #645C65

RGB 100 92 101

HSL 293.33, 0.05%, 0.38%

LAB 40.09, 5.06, -3.98

 

CMYK 0 / 3 / 9 / 60

HEX #65625C

RGB 101 98 92

HSL 40, 0.05%, 0.38%

LAB 41.65, -0, 3.83

 

CMYK 8 / 0 / 9 / 60

HEX #5D655C

RGB 93 101 92

HSL 113.33, 0.05%, 0.38%

LAB 41.86, -4.98, 4.04

 

CMYK 10 / 7 / 0 / 60

HEX #5B5E65

RGB 91 94 101

HSL 222, 0.05%, 0.38%

LAB 39.86, 0.38, -4.4

 

CMYK 0 / 9 / 2 / 60

HEX #655C63

RGB 101 92 99

HSL 313.33, 0.05%, 0.38%

LAB 40.12, 5.03, -2.69

 

CMYK 0 / 3 / 9 / 60

HEX #65625C

RGB 101 98 92

HSL 40, 0.05%, 0.38%

LAB 41.65, -0, 3.83

 

CMYK 9 / 0 / 8 / 60

HEX #5C655D

RGB 92 101 93

HSL 126.67, 0.05%, 0.38%

LAB 41.8, -5.17, 3.34

 

Description

Color code: HEX #5B5E65 | qconv.com Color code: HEX #5B5E65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 94 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 94 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 7 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 7% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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