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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B5EA3 it is the complementary color #A4A15C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B5EA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B5EA3 shade: #605E9E, #7170B1, #8282C4, #9394D7 and #A4A6EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B5EA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B5EA3 shade: #5B5EA3, #4A4C90, #393A7D, #28286A and #171657

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B5EA3 shade: #5B5EA3, #6C5BA3, #7F5BA3, #925BA3 and #A35BA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B5EA3 shade: #5B5EA3 and #5B5BA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B5EA3 shade matches the following richer shades: #5B5EA3, #474BB7, #3238CC, #1D26E1 and #0913F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B5EA3 shade: #5B5EA3, #70718E, #858479, #999765 and #AEAA50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B5EA3 shade: #5B85A3, #5B72A3, #5B5FA3, #6B5BA3 and #7E5BA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B5EA3 shade: #3E406E, #4C4F88, #5B5EA3, #7678B2 and #9092C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B5EA3 shade: #5B5EA3, #A35B98 and #7BA35B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B5EA3 shade: #5B5EA3, #A35B5F and #5FA35B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B5EA3 shade: #5B5EA3, #A35B98, #A39F5B and #5BA366

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B5EA3 shade: #5B5EA3, #A35B83, #A39F5B and #5BA37B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 42 / 0 / 36

HEX #5B5EA3

RGB 91 94 163

HSL 237.5, 0.28%, 0.5%

LAB 42.57, 17.3, -37.75

 

Complementary color

CMYK 0 / 2 / 44 / 36

HEX #A4A15C

RGB 164 161 92

HSL 57.5, 0.28%, 0.5%

LAB 65.09, -9.12, 36.19

 

CMYK 39 / 41 / 0 / 38

HEX #605E9E

RGB 96 94 158

HSL 241.88, 0.25%, 0.49%

LAB 42.7, 17.16, -34.55

 

CMYK 36 / 37 / 0 / 31

HEX #7170B1

RGB 113 112 177

HSL 240.92, 0.29%, 0.57%

LAB 49.83, 16.32, -34.41

 

CMYK 34 / 34 / 0 / 23

HEX #8282C4

RGB 130 130 196

HSL 240, 0.36%, 0.64%

LAB 56.78, 15.6, -34.34

 

CMYK 32 / 31 / 0 / 16

HEX #9394D7

RGB 147 148 215

HSL 239.12, 0.46%, 0.71%

LAB 63.58, 14.98, -34.32

 

CMYK 30 / 29 / 0 / 8

HEX #A4A6EA

RGB 164 166 234

HSL 238.29, 0.63%, 0.78%

LAB 70.25, 14.43, -34.33

 

CMYK 44 / 42 / 0 / 36

HEX #5B5EA3

RGB 91 94 163

HSL 237.5, 0.28%, 0.5%

LAB 42.57, 17.3, -37.75

 

CMYK 49 / 47 / 0 / 44

HEX #4A4C90

RGB 74 76 144

HSL 238.29, 0.32%, 0.43%

LAB 35.28, 18.45, -38.01

 

CMYK 54 / 54 / 0 / 51

HEX #393A7D

RGB 57 58 125

HSL 239.12, 0.37%, 0.36%

LAB 27.78, 19.89, -38.35

 

CMYK 62 / 62 / 0 / 58

HEX #28286A

RGB 40 40 106

HSL 240, 0.45%, 0.29%

LAB 20.08, 21.74, -38.72

 

CMYK 74 / 75 / 0 / 66

HEX #171657

RGB 23 22 87

HSL 240.92, 0.6%, 0.21%

LAB 12.25, 24.12, -38.97

 

CMYK 44 / 42 / 0 / 36

HEX #5B5EA3

RGB 91 94 163

HSL 237.5, 0.28%, 0.5%

LAB 42.57, 17.3, -37.75

 

CMYK 34 / 44 / 0 / 36

HEX #6C5BA3

RGB 108 91 163

HSL 254.17, 0.28%, 0.5%

LAB 43.23, 23.81, -36.61

 

CMYK 22 / 44 / 0 / 36

HEX #7F5BA3

RGB 127 91 163

HSL 270, 0.28%, 0.5%

LAB 45.14, 29.37, -33.49

 

CMYK 10 / 44 / 0 / 36

HEX #925BA3

RGB 146 91 163

HSL 285.83, 0.28%, 0.5%

LAB 47.28, 35.17, -29.97

 

CMYK 0 / 44 / 2 / 36

HEX #A35BA0

RGB 163 91 160

HSL 302.5, 0.28%, 0.5%

LAB 49.26, 39.87, -24.96

 

CMYK 44 / 42 / 0 / 36

HEX #5B5EA3

RGB 91 94 163

HSL 237.5, 0.28%, 0.5%

LAB 42.57, 17.3, -37.75

 

CMYK 44 / 44 / 0 / 36

HEX #5B5BA3

RGB 91 91 163

HSL 240, 0.28%, 0.5%

LAB 41.77, 19.18, -39.03

 

CMYK 44 / 42 / 0 / 36

HEX #5B5EA3

RGB 91 94 163

HSL 237.5, 0.28%, 0.5%

LAB 42.57, 17.3, -37.75

 

CMYK 61 / 59 / 0 / 28

HEX #474BB7

RGB 71 75 183

HSL 237.86, 0.44%, 0.5%

LAB 37.46, 31.47, -57.86

 

CMYK 75 / 73 / 0 / 20

HEX #3238CC

RGB 50 56 204

HSL 237.66, 0.61%, 0.5%

LAB 33.7, 47.47, -76.36

 

CMYK 87 / 83 / 0 / 12

HEX #1D26E1

RGB 29 38 225

HSL 237.24, 0.77%, 0.5%

LAB 32, 62.05, -91.35

 

CMYK 96 / 92 / 0 / 4

HEX #0913F5

RGB 9 19 245

HSL 237.46, 0.93%, 0.5%

LAB 32.07, 73.55, -102.62

 

CMYK 44 / 42 / 0 / 36

HEX #5B5EA3

RGB 91 94 163

HSL 237.5, 0.28%, 0.5%

LAB 42.57, 17.3, -37.75

 

CMYK 21 / 20 / 0 / 44

HEX #70718E

RGB 112 113 142

HSL 238, 0.12%, 0.5%

LAB 48.52, 6.18, -15.93

 

CMYK 0 / 1 / 9 / 48

HEX #858479

RGB 133 132 121

HSL 55, 0.05%, 0.5%

LAB 54.94, -1.7, 6.07

 

CMYK 0 / 1 / 34 / 40

HEX #999765

RGB 153 151 101

HSL 57.69, 0.2%, 0.5%

LAB 61.52, -7.28, 26.66

 

CMYK 0 / 2 / 54 / 32

HEX #AEAA50

RGB 174 170 80

HSL 57.45, 0.37%, 0.5%

LAB 68.26, -10.79, 46.21

 

CMYK 44 / 18 / 0 / 36

HEX #5B85A3

RGB 91 133 163

HSL 205, 0.28%, 0.5%

LAB 53.65, -6.25, -20.5

 

CMYK 44 / 30 / 0 / 36

HEX #5B72A3

RGB 91 114 163

HSL 220.83, 0.28%, 0.5%

LAB 48.14, 4.94, -29.01

 

CMYK 44 / 42 / 0 / 36

HEX #5B5FA3

RGB 91 95 163

HSL 236.67, 0.28%, 0.5%

LAB 42.84, 16.67, -37.33

 

CMYK 34 / 44 / 0 / 36

HEX #6B5BA3

RGB 107 91 163

HSL 253.33, 0.28%, 0.5%

LAB 43.14, 23.53, -36.77

 

CMYK 23 / 44 / 0 / 36

HEX #7E5BA3

RGB 126 91 163

HSL 269.17, 0.28%, 0.5%

LAB 45.03, 29.07, -33.66

 

CMYK 44 / 42 / 0 / 57

HEX #3E406E

RGB 62 64 110

HSL 237.5, 0.28%, 0.34%

LAB 28.95, 12.14, -26.99

 

CMYK 44 / 42 / 0 / 47

HEX #4C4F88

RGB 76 79 136

HSL 237, 0.28%, 0.42%

LAB 35.8, 14.48, -32.29

 

CMYK 44 / 42 / 0 / 36

HEX #5B5EA3

RGB 91 94 163

HSL 237.5, 0.28%, 0.5%

LAB 42.57, 17.3, -37.75

 

CMYK 34 / 33 / 0 / 30

HEX #7678B2

RGB 118 120 178

HSL 238, 0.28%, 0.58%

LAB 52.4, 13.22, -30.95

 

CMYK 25 / 24 / 0 / 25

HEX #9092C0

RGB 144 146 192

HSL 237.5, 0.28%, 0.66%

LAB 61.91, 9.46, -24.05

 

CMYK 44 / 42 / 0 / 36

HEX #5B5EA3

RGB 91 94 163

HSL 237.5, 0.28%, 0.5%

LAB 42.57, 17.3, -37.75

 

CMYK 0 / 44 / 7 / 36

HEX #A35B98

RGB 163 91 152

HSL 309.17, 0.28%, 0.5%

LAB 48.93, 38.4, -20.75

 

CMYK 25 / 0 / 44 / 36

HEX #7BA35B

RGB 123 163 91

HSL 93.33, 0.28%, 0.5%

LAB 62.64, -26.71, 33.01

 

CMYK 44 / 42 / 0 / 36

HEX #5B5EA3

RGB 91 94 163

HSL 237.5, 0.28%, 0.5%

LAB 42.57, 17.3, -37.75

 

CMYK 0 / 44 / 42 / 36

HEX #A35B5F

RGB 163 91 95

HSL 356.67, 0.28%, 0.5%

LAB 47.1, 29.87, 10.74

 

CMYK 42 / 0 / 44 / 36

HEX #5FA35B

RGB 95 163 91

HSL 116.67, 0.28%, 0.5%

LAB 61.12, -36.48, 30.76

 

CMYK 44 / 42 / 0 / 36

HEX #5B5EA3

RGB 91 94 163

HSL 237.5, 0.28%, 0.5%

LAB 42.57, 17.3, -37.75

 

CMYK 0 / 44 / 7 / 36

HEX #A35B98

RGB 163 91 152

HSL 309.17, 0.28%, 0.5%

LAB 48.93, 38.4, -20.75

 

CMYK 0 / 2 / 44 / 36

HEX #A39F5B

RGB 163 159 91

HSL 56.67, 0.28%, 0.5%

LAB 64.43, -8.59, 35.88

 

CMYK 44 / 0 / 37 / 36

HEX #5BA366

RGB 91 163 102

HSL 129.17, 0.28%, 0.5%

LAB 61.11, -35.94, 24.85

 

CMYK 44 / 42 / 0 / 36

HEX #5B5EA3

RGB 91 94 163

HSL 237.5, 0.28%, 0.5%

LAB 42.57, 17.3, -37.75

 

CMYK 0 / 44 / 20 / 36

HEX #A35B83

RGB 163 91 131

HSL 326.67, 0.28%, 0.5%

LAB 48.14, 34.84, -9.42

 

CMYK 0 / 2 / 44 / 36

HEX #A39F5B

RGB 163 159 91

HSL 56.67, 0.28%, 0.5%

LAB 64.43, -8.59, 35.88

 

CMYK 44 / 0 / 25 / 36

HEX #5BA37B

RGB 91 163 123

HSL 146.67, 0.28%, 0.5%

LAB 61.52, -31.94, 13.87

 

Description

Color code: HEX #5B5EA3 | qconv.com Color code: HEX #5B5EA3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 94 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 94 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 42 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 42% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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