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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B67A9 it is the complementary color #A49856. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B67A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B67A9 shade: #6067A4, #7179B7, #828BCA, #939DDD and #A4AFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B67A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B67A9 shade: #5B67A9, #4A5596, #394383, #283170 and #171F5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B67A9 shade: #5B67A8, #645BA8, #795BA8, #8E5BA8 and #A25BA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B67A9 shade: #5B67A8 and #5B5BA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B67A9 shade matches the following richer shades: #5B67A8, #4759BD, #324BD1, #1E3DE5 and #0A2FF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B67A9 shade: #5B67A8, #6F7594, #838380, #97916C and #AC9F57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B67A9 shade: #5B91A8, #5B7CA8, #5B68A8, #635BA8 and #775BA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B67A9 shade: #3D4574, #4B558F, #5B67A8, #7680B7 and #9199C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B67A9 shade: #5B67A9, #A85BA6 and #87A85B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B67A9 shade: #5B67A9, #A85B68 and #68A85B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B67A9 shade: #5B67A9, #A85BA6, #A89B5B and #5BA85D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B67A9 shade: #5B67A9, #A85B8E, #A89B5B and #5BA875

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 39 / 0 / 34

HEX #5B67A9

RGB 91 103 169

HSL 230.77, 0.31%, 0.51%

LAB 45.34, 13.53, -36.91

 

Complementary color

CMYK 0 / 7 / 48 / 36

HEX #A49856

RGB 164 152 86

HSL 50.77, 0.31%, 0.49%

LAB 62.53, -4.92, 36.14

 

CMYK 41 / 37 / 0 / 36

HEX #6067A4

RGB 96 103 164

HSL 233.82, 0.27%, 0.51%

LAB 45.45, 13.34, -33.77

 

CMYK 38 / 34 / 0 / 28

HEX #7179B7

RGB 113 121 183

HSL 233.14, 0.33%, 0.58%

LAB 52.51, 12.58, -33.67

 

CMYK 36 / 31 / 0 / 21

HEX #828BCA

RGB 130 139 202

HSL 232.5, 0.4%, 0.65%

LAB 59.41, 11.94, -33.63

 

CMYK 33 / 29 / 0 / 13

HEX #939DDD

RGB 147 157 221

HSL 231.89, 0.52%, 0.72%

LAB 66.16, 11.39, -33.63

 

CMYK 32 / 27 / 0 / 6

HEX #A4AFF0

RGB 164 175 240

HSL 231.32, 0.72%, 0.79%

LAB 72.79, 10.9, -33.67

 

CMYK 46 / 39 / 0 / 34

HEX #5B67A9

RGB 91 103 169

HSL 230.77, 0.31%, 0.51%

LAB 45.34, 13.53, -36.91

 

CMYK 51 / 43 / 0 / 41

HEX #4A5596

RGB 74 85 150

HSL 231.32, 0.34%, 0.44%

LAB 38.12, 14.58, -37.13

 

CMYK 56 / 49 / 0 / 49

HEX #394383

RGB 57 67 131

HSL 231.89, 0.39%, 0.37%

LAB 30.7, 15.93, -37.42

 

CMYK 64 / 56 / 0 / 56

HEX #283170

RGB 40 49 112

HSL 232.5, 0.47%, 0.3%

LAB 23.06, 17.71, -37.77

 

CMYK 75 / 67 / 0 / 64

HEX #171F5D

RGB 23 31 93

HSL 233.14, 0.6%, 0.23%

LAB 15.24, 20.14, -38.1

 

CMYK 46 / 39 / 0 / 34

HEX #5B67A8

RGB 91 103 168

HSL 230.65, 0.31%, 0.51%

LAB 45.29, 13.22, -36.41

 

CMYK 40 / 46 / 0 / 34

HEX #645BA8

RGB 100 91 168

HSL 247.01, 0.31%, 0.51%

LAB 42.79, 23.04, -40.32

 

CMYK 28 / 46 / 0 / 34

HEX #795BA8

RGB 121 91 168

HSL 263.38, 0.31%, 0.51%

LAB 44.76, 28.86, -37.07

 

CMYK 15 / 46 / 0 / 34

HEX #8E5BA8

RGB 142 91 168

HSL 279.74, 0.31%, 0.51%

LAB 47.05, 35.05, -33.31

 

CMYK 4 / 46 / 0 / 34

HEX #A25BA8

RGB 162 91 168

HSL 295.32, 0.31%, 0.51%

LAB 49.48, 41.1, -29.33

 

CMYK 46 / 39 / 0 / 34

HEX #5B67A8

RGB 91 103 168

HSL 230.65, 0.31%, 0.51%

LAB 45.29, 13.22, -36.41

 

CMYK 46 / 46 / 0 / 34

HEX #5B5BA8

RGB 91 91 168

HSL 240, 0.31%, 0.51%

LAB 42.05, 20.72, -41.54

 

CMYK 46 / 39 / 0 / 34

HEX #5B67A8

RGB 91 103 168

HSL 230.65, 0.31%, 0.51%

LAB 45.29, 13.22, -36.41

 

CMYK 62 / 53 / 0 / 26

HEX #4759BD

RGB 71 89 189

HSL 230.85, 0.47%, 0.51%

LAB 41.47, 24.62, -54.89

 

CMYK 76 / 64 / 0 / 18

HEX #324BD1

RGB 50 75 209

HSL 230.57, 0.63%, 0.51%

LAB 38.4, 37.75, -71.53

 

CMYK 87 / 73 / 0 / 10

HEX #1E3DE5

RGB 30 61 229

HSL 230.65, 0.79%, 0.51%

LAB 36.5, 51.76, -86.16

 

CMYK 96 / 81 / 0 / 2

HEX #0A2FF9

RGB 10 47 249

HSL 230.71, 0.95%, 0.51%

LAB 35.86, 64.86, -98.55

 

CMYK 46 / 39 / 0 / 34

HEX #5B67A8

RGB 91 103 168

HSL 230.65, 0.31%, 0.51%

LAB 45.29, 13.22, -36.41

 

CMYK 25 / 21 / 0 / 42

HEX #6F7594

RGB 111 117 148

HSL 230.27, 0.15%, 0.51%

LAB 49.79, 4.96, -17.54

 

CMYK 0 / 0 / 2 / 49

HEX #838380

RGB 131 131 128

HSL 60, 0.01%, 0.51%

LAB 54.68, -0.58, 1.61

 

CMYK 0 / 4 / 28 / 41

HEX #97916C

RGB 151 145 108

HSL 51.63, 0.17%, 0.51%

LAB 59.81, -3.89, 20.48

 

CMYK 0 / 8 / 49 / 33

HEX #AC9F57

RGB 172 159 87

HSL 50.82, 0.34%, 0.51%

LAB 65.16, -5.19, 39.02

 

CMYK 46 / 14 / 0 / 34

HEX #5B91A8

RGB 91 145 168

HSL 197.92, 0.31%, 0.51%

LAB 57.37, -11.56, -17.69

 

CMYK 46 / 26 / 0 / 34

HEX #5B7CA8

RGB 91 124 168

HSL 214.29, 0.31%, 0.51%

LAB 51.23, 0.46, -27.12

 

CMYK 46 / 38 / 0 / 34

HEX #5B68A8

RGB 91 104 168

HSL 229.87, 0.31%, 0.51%

LAB 45.57, 12.6, -35.97

 

CMYK 41 / 46 / 0 / 34

HEX #635BA8

RGB 99 91 168

HSL 246.23, 0.31%, 0.51%

LAB 42.71, 22.77, -40.46

 

CMYK 29 / 46 / 0 / 34

HEX #775BA8

RGB 119 91 168

HSL 261.82, 0.31%, 0.51%

LAB 44.56, 28.28, -37.4

 

CMYK 47 / 41 / 0 / 55

HEX #3D4574

RGB 61 69 116

HSL 231.27, 0.31%, 0.35%

LAB 30.66, 10.48, -28.08

 

CMYK 48 / 41 / 0 / 44

HEX #4B558F

RGB 75 85 143

HSL 231.18, 0.31%, 0.43%

LAB 37.8, 12.56, -33.4

 

CMYK 46 / 39 / 0 / 34

HEX #5B67A8

RGB 91 103 168

HSL 230.65, 0.31%, 0.51%

LAB 45.29, 13.22, -36.41

 

CMYK 36 / 30 / 0 / 28

HEX #7680B7

RGB 118 128 183

HSL 230.77, 0.31%, 0.59%

LAB 54.77, 9.83, -30.12

 

CMYK 26 / 22 / 0 / 23

HEX #9199C5

RGB 145 153 197

HSL 230.77, 0.31%, 0.67%

LAB 64.03, 7, -23.6

 

CMYK 46 / 39 / 0 / 34

HEX #5B67A9

RGB 91 103 169

HSL 230.77, 0.31%, 0.51%

LAB 45.34, 13.53, -36.91

 

CMYK 0 / 46 / 1 / 34

HEX #A85BA6

RGB 168 91 166

HSL 301.56, 0.31%, 0.51%

LAB 50.17, 42.55, -27.03

 

CMYK 20 / 0 / 46 / 34

HEX #87A85B

RGB 135 168 91

HSL 85.71, 0.31%, 0.51%

LAB 64.89, -24.59, 35.99

 

CMYK 46 / 39 / 0 / 34

HEX #5B67A9

RGB 91 103 169

HSL 230.77, 0.31%, 0.51%

LAB 45.34, 13.53, -36.91

 

CMYK 0 / 46 / 38 / 34

HEX #A85B68

RGB 168 91 104

HSL 349.87, 0.31%, 0.51%

LAB 48.02, 32.86, 6.71

 

CMYK 38 / 0 / 46 / 34

HEX #68A85B

RGB 104 168 91

HSL 109.87, 0.31%, 0.51%

LAB 63.1, -35.81, 33.36

 

CMYK 46 / 39 / 0 / 34

HEX #5B67A9

RGB 91 103 169

HSL 230.77, 0.31%, 0.51%

LAB 45.34, 13.53, -36.91

 

CMYK 0 / 46 / 1 / 34

HEX #A85BA6

RGB 168 91 166

HSL 301.56, 0.31%, 0.51%

LAB 50.17, 42.55, -27.03

 

CMYK 0 / 8 / 46 / 34

HEX #A89B5B

RGB 168 155 91

HSL 49.87, 0.31%, 0.51%

LAB 63.77, -4.33, 35.16

 

CMYK 46 / 0 / 45 / 34

HEX #5BA85D

RGB 91 168 93

HSL 121.56, 0.31%, 0.51%

LAB 62.52, -39.63, 31.47

 

CMYK 46 / 39 / 0 / 34

HEX #5B67A9

RGB 91 103 169

HSL 230.77, 0.31%, 0.51%

LAB 45.34, 13.53, -36.91

 

CMYK 0 / 46 / 15 / 34

HEX #A85B8E

RGB 168 91 142

HSL 320.26, 0.31%, 0.51%

LAB 49.2, 38.33, -14.33

 

CMYK 0 / 8 / 46 / 34

HEX #A89B5B

RGB 168 155 91

HSL 49.87, 0.31%, 0.51%

LAB 63.77, -4.33, 35.16

 

CMYK 46 / 0 / 30 / 34

HEX #5BA875

RGB 91 168 117

HSL 140.26, 0.31%, 0.51%

LAB 62.94, -35.47, 19.14

 

Description

Color code: HEX #5B67A9 | qconv.com Color code: HEX #5B67A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 103 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 103 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 39 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 39% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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