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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B6085 it is the complementary color #A49F7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B6085. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B6085 shade: #606080, #717293, #8284A6, #9396B9 and #A4A8CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B6085. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B6085 shade: #5B6085, #4A4E72, #393C5F, #282A4C and #171839

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B6085 shade: #5A5F85, #615A85, #6C5A85, #785A85 and #835A85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B6085 shade: #5A5F85 and #5A5A85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B6085 shade matches the following richer shades: #5A5F85, #485297, #3644A9, #2436BB and #1228CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B6085 shade: #5A5F85, #6D6D73, #7F7B61, #91894F and #A3973C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B6085 shade: #5A7785, #5A6B85, #5A6085, #605A85 and #6B5A85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B6085 shade: #393C54, #4A4E6C, #5A5F85, #6D739C and #868AAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B6085 shade: #5B6085, #855A82 and #71855A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B6085 shade: #5B6085, #855A60 and #60855A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B6085 shade: #5B6085, #855A82, #857F5A and #5A855D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B6085 shade: #5B6085, #855A75, #857F5A and #5A856A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 28 / 0 / 48

HEX #5B6085

RGB 91 96 133

HSL 232.86, 0.19%, 0.44%

LAB 41.66, 7.28, -21.21

 

Complementary color

CMYK 0 / 3 / 26 / 36

HEX #A49F7A

RGB 164 159 122

HSL 52.86, 0.19%, 0.56%

LAB 65.04, -4.31, 20.01

 

CMYK 25 / 25 / 0 / 50

HEX #606080

RGB 96 96 128

HSL 240, 0.14%, 0.44%

LAB 41.86, 7.57, -17.84

 

CMYK 23 / 22 / 0 / 42

HEX #717293

RGB 113 114 147

HSL 238.24, 0.14%, 0.51%

LAB 49.07, 7.15, -18.03

 

CMYK 22 / 20 / 0 / 35

HEX #8284A6

RGB 130 132 166

HSL 236.67, 0.17%, 0.58%

LAB 56.09, 6.79, -18.26

 

CMYK 21 / 19 / 0 / 27

HEX #9396B9

RGB 147 150 185

HSL 235.26, 0.21%, 0.65%

LAB 62.94, 6.46, -18.51

 

CMYK 20 / 18 / 0 / 20

HEX #A4A8CC

RGB 164 168 204

HSL 234, 0.28%, 0.72%

LAB 69.65, 6.16, -18.78

 

CMYK 32 / 28 / 0 / 48

HEX #5B6085

RGB 91 96 133

HSL 232.86, 0.19%, 0.44%

LAB 41.66, 7.28, -21.21

 

CMYK 35 / 32 / 0 / 55

HEX #4A4E72

RGB 74 78 114

HSL 234, 0.21%, 0.37%

LAB 34.23, 7.83, -21.16

 

CMYK 40 / 37 / 0 / 63

HEX #393C5F

RGB 57 60 95

HSL 235.26, 0.25%, 0.3%

LAB 26.53, 8.53, -21.2

 

CMYK 47 / 45 / 0 / 70

HEX #282A4C

RGB 40 42 76

HSL 236.67, 0.31%, 0.23%

LAB 18.49, 9.48, -21.36

 

CMYK 60 / 58 / 0 / 78

HEX #171839

RGB 23 24 57

HSL 238.24, 0.43%, 0.16%

LAB 10.04, 10.87, -21.67

 

CMYK 32 / 29 / 0 / 48

HEX #5A5F85

RGB 90 95 133

HSL 233.02, 0.19%, 0.44%

LAB 41.3, 7.58, -21.78

 

CMYK 27 / 32 / 0 / 48

HEX #615A85

RGB 97 90 133

HSL 249.77, 0.19%, 0.44%

LAB 40.49, 12.94, -22.99

 

CMYK 19 / 32 / 0 / 48

HEX #6C5A85

RGB 108 90 133

HSL 265.12, 0.19%, 0.44%

LAB 41.52, 16.58, -21.3

 

CMYK 10 / 32 / 0 / 48

HEX #785A85

RGB 120 90 133

HSL 281.86, 0.19%, 0.44%

LAB 42.76, 20.68, -19.29

 

CMYK 2 / 32 / 0 / 48

HEX #835A85

RGB 131 90 133

HSL 297.21, 0.19%, 0.44%

LAB 43.99, 24.51, -17.3

 

CMYK 32 / 29 / 0 / 48

HEX #5A5F85

RGB 90 95 133

HSL 233.02, 0.19%, 0.44%

LAB 41.3, 7.58, -21.78

 

CMYK 32 / 32 / 0 / 48

HEX #5A5A85

RGB 90 90 133

HSL 240, 0.19%, 0.44%

LAB 39.88, 10.7, -23.98

 

CMYK 32 / 29 / 0 / 48

HEX #5A5F85

RGB 90 95 133

HSL 233.02, 0.19%, 0.44%

LAB 41.3, 7.58, -21.78

 

CMYK 52 / 46 / 0 / 41

HEX #485297

RGB 72 82 151

HSL 232.41, 0.35%, 0.44%

LAB 37.2, 16.37, -39.2

 

CMYK 68 / 60 / 0 / 34

HEX #3644A9

RGB 54 68 169

HSL 232.7, 0.52%, 0.44%

LAB 33.53, 28.32, -56

 

CMYK 81 / 71 / 0 / 27

HEX #2436BB

RGB 36 54 187

HSL 232.85, 0.68%, 0.44%

LAB 30.88, 41.71, -71.07

 

CMYK 91 / 81 / 0 / 19

HEX #1228CE

RGB 18 40 206

HSL 232.98, 0.84%, 0.44%

LAB 29.67, 55.01, -84.25

 

CMYK 32 / 29 / 0 / 48

HEX #5A5F85

RGB 90 95 133

HSL 233.02, 0.19%, 0.44%

LAB 41.3, 7.58, -21.78

 

CMYK 5 / 5 / 0 / 55

HEX #6D6D73

RGB 109 109 115

HSL 240, 0.03%, 0.44%

LAB 46.21, 1.26, -3.34

 

CMYK 0 / 3 / 24 / 50

HEX #7F7B61

RGB 127 123 97

HSL 52, 0.13%, 0.44%

LAB 51.31, -3.05, 14.8

 

CMYK 0 / 6 / 46 / 43

HEX #91894F

RGB 145 137 79

HSL 52.73, 0.29%, 0.44%

LAB 56.56, -5.61, 32.07

 

CMYK 0 / 7 / 63 / 36

HEX #A3973C

RGB 163 151 60

HSL 53.01, 0.46%, 0.44%

LAB 61.87, -7, 48.14

 

CMYK 32 / 11 / 0 / 48

HEX #5A7785

RGB 90 119 133

HSL 199.53, 0.19%, 0.44%

LAB 48.34, -6.83, -11.04

 

CMYK 32 / 20 / 0 / 48

HEX #5A6B85

RGB 90 107 133

HSL 216.28, 0.19%, 0.44%

LAB 44.78, 0.24, -16.43

 

CMYK 32 / 28 / 0 / 48

HEX #5A6085

RGB 90 96 133

HSL 231.63, 0.19%, 0.44%

LAB 41.58, 6.96, -21.34

 

CMYK 28 / 32 / 0 / 48

HEX #605A85

RGB 96 90 133

HSL 248.37, 0.19%, 0.44%

LAB 40.4, 12.61, -23.13

 

CMYK 20 / 32 / 0 / 48

HEX #6B5A85

RGB 107 90 133

HSL 263.72, 0.19%, 0.44%

LAB 41.42, 16.24, -21.46

 

CMYK 32 / 29 / 0 / 67

HEX #393C54

RGB 57 60 84

HSL 233.33, 0.19%, 0.28%

LAB 25.99, 5.16, -14.87

 

CMYK 31 / 28 / 0 / 58

HEX #4A4E6C

RGB 74 78 108

HSL 232.94, 0.19%, 0.36%

LAB 33.96, 6.1, -17.83

 

CMYK 32 / 29 / 0 / 48

HEX #5A5F85

RGB 90 95 133

HSL 233.02, 0.19%, 0.44%

LAB 41.3, 7.58, -21.78

 

CMYK 30 / 26 / 0 / 39

HEX #6D739C

RGB 109 115 156

HSL 232.34, 0.19%, 0.52%

LAB 49.39, 7.59, -22.86

 

CMYK 22 / 20 / 0 / 33

HEX #868AAC

RGB 134 138 172

HSL 233.68, 0.19%, 0.6%

LAB 58.25, 6.05, -18.38

 

CMYK 32 / 28 / 0 / 48

HEX #5B6085

RGB 91 96 133

HSL 232.86, 0.19%, 0.44%

LAB 41.66, 7.28, -21.21

 

CMYK 0 / 32 / 2 / 48

HEX #855A82

RGB 133 90 130

HSL 304.19, 0.19%, 0.44%

LAB 44.1, 24.61, -15.29

 

CMYK 15 / 0 / 32 / 48

HEX #71855A

RGB 113 133 90

HSL 87.91, 0.19%, 0.44%

LAB 52.98, -15.36, 20.87

 

CMYK 32 / 28 / 0 / 48

HEX #5B6085

RGB 91 96 133

HSL 232.86, 0.19%, 0.44%

LAB 41.66, 7.28, -21.21

 

CMYK 0 / 32 / 28 / 48

HEX #855A60

RGB 133 90 96

HSL 351.63, 0.19%, 0.44%

LAB 42.98, 18.6, 3.74

 

CMYK 28 / 0 / 32 / 48

HEX #60855A

RGB 96 133 90

HSL 111.63, 0.19%, 0.44%

LAB 51.84, -21.86, 19.14

 

CMYK 32 / 28 / 0 / 48

HEX #5B6085

RGB 91 96 133

HSL 232.86, 0.19%, 0.44%

LAB 41.66, 7.28, -21.21

 

CMYK 0 / 32 / 2 / 48

HEX #855A82

RGB 133 90 130

HSL 304.19, 0.19%, 0.44%

LAB 44.1, 24.61, -15.29

 

CMYK 0 / 5 / 32 / 48

HEX #857F5A

RGB 133 127 90

HSL 51.63, 0.19%, 0.44%

LAB 52.84, -3.84, 20.98

 

CMYK 32 / 0 / 30 / 48

HEX #5A855D

RGB 90 133 93

HSL 124.19, 0.19%, 0.44%

LAB 51.54, -23.47, 16.97

 

CMYK 32 / 28 / 0 / 48

HEX #5B6085

RGB 91 96 133

HSL 232.86, 0.19%, 0.44%

LAB 41.66, 7.28, -21.21

 

CMYK 0 / 32 / 12 / 48

HEX #855A75

RGB 133 90 117

HSL 322.33, 0.19%, 0.44%

LAB 43.63, 22.13, -8.12

 

CMYK 0 / 5 / 32 / 48

HEX #857F5A

RGB 133 127 90

HSL 51.63, 0.19%, 0.44%

LAB 52.84, -3.84, 20.98

 

CMYK 32 / 0 / 20 / 48

HEX #5A856A

RGB 90 133 106

HSL 142.33, 0.19%, 0.44%

LAB 51.83, -20.92, 9.9

 

Description

Color code: HEX #5B6085 | qconv.com Color code: HEX #5B6085 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 96 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 96 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 28 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 28% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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