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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B60E5 it is the complementary color #A49F1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B60E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B60E5 shade: #6060E0, #7172F3, #8284FF, #9396FF and #A4A8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B60E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B60E5 shade: #5B60E5, #4A4ED2, #393CBF, #282AAC and #171899

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B60E5 shade: #5B60E5, #7B5BE5, #A15BE5, #C65BE5 and #E55BDF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B60E5 shade: #5B60E5 and #5B5BE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B60E5 shade matches the following richer shades: #5B60E5 and #4C52F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B60E5 shade: #5B60E5, #6B6ED6, #7A7DC6, #898BB7 and #9899A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B60E5 shade: #5BACE5, #5B87E5, #5B62E5, #795BE5 and #9E5BE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B60E5 shade: #2026CE, #383EDF, #5B60E5, #7F83EB and #A3A5F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B60E5 shade: #5B60E5, #E55BD0 and #99E55B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B60E5 shade: #5B60E5, #E55B62 and #62E55B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B60E5 shade: #5B60E5, #E55BD0, #E5DE5B and #5BE570

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B60E5 shade: #5B60E5, #E55BA7, #E5DE5B and #5BE599

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 58 / 0 / 10

HEX #5B60E5

RGB 91 96 229

HSL 237.83, 0.73%, 0.63%

LAB 47.3, 37.11, -68.33

 

Complementary color

CMYK 0 / 3 / 84 / 36

HEX #A49F1A

RGB 164 159 26

HSL 57.83, 0.73%, 0.37%

LAB 63.97, -12.42, 62.49

 

CMYK 57 / 57 / 0 / 12

HEX #6060E0

RGB 96 96 224

HSL 240, 0.67%, 0.63%

LAB 47.28, 36.37, -65.52

 

CMYK 53 / 53 / 0 / 5

HEX #7172F3

RGB 113 114 243

HSL 239.54, 0.84%, 0.7%

LAB 54.04, 34.71, -65.19

 

CMYK 49 / 48 / 0 / 0

HEX #8284FF

RGB 130 132 255

HSL 239.04, 1%, 0.75%

LAB 60.31, 31.18, -61.68

 

CMYK 42 / 41 / 0 / 0

HEX #9396FF

RGB 147 150 255

HSL 238.33, 1%, 0.79%

LAB 65.93, 24.6, -52.66

 

CMYK 36 / 34 / 0 / 0

HEX #A4A8FF

RGB 164 168 255

HSL 237.36, 1%, 0.82%

LAB 71.63, 18.67, -43.59

 

CMYK 60 / 58 / 0 / 10

HEX #5B60E5

RGB 91 96 229

HSL 237.83, 0.73%, 0.63%

LAB 47.3, 37.11, -68.33

 

CMYK 65 / 63 / 0 / 18

HEX #4A4ED2

RGB 74 78 210

HSL 238.24, 0.6%, 0.56%

LAB 40.5, 39.16, -68.61

 

CMYK 70 / 69 / 0 / 25

HEX #393CBF

RGB 57 60 191

HSL 238.66, 0.54%, 0.49%

LAB 33.7, 41.46, -68.76

 

CMYK 77 / 76 / 0 / 33

HEX #282AAC

RGB 40 42 172

HSL 239.09, 0.62%, 0.42%

LAB 26.98, 43.9, -68.58

 

CMYK 85 / 84 / 0 / 40

HEX #171899

RGB 23 24 153

HSL 239.54, 0.74%, 0.35%

LAB 20.58, 46.07, -67.66

 

CMYK 60 / 58 / 0 / 10

HEX #5B60E5

RGB 91 96 229

HSL 237.83, 0.73%, 0.63%

LAB 47.3, 37.11, -68.33

 

CMYK 46 / 60 / 0 / 10

HEX #7B5BE5

RGB 123 91 229

HSL 253.91, 0.73%, 0.63%

LAB 48.7, 45.92, -65.94

 

CMYK 30 / 60 / 0 / 10

HEX #A15BE5

RGB 161 91 229

HSL 270.43, 0.73%, 0.63%

LAB 52.64, 54.08, -59.39

 

CMYK 14 / 60 / 0 / 10

HEX #C65BE5

RGB 198 91 229

HSL 286.52, 0.73%, 0.63%

LAB 57.22, 62.73, -51.81

 

CMYK 0 / 60 / 3 / 10

HEX #E55BDF

RGB 229 91 223

HSL 302.61, 0.73%, 0.63%

LAB 61.19, 69.21, -41.87

 

CMYK 60 / 58 / 0 / 10

HEX #5B60E5

RGB 91 96 229

HSL 237.83, 0.73%, 0.63%

LAB 47.3, 37.11, -68.33

 

CMYK 60 / 60 / 0 / 10

HEX #5B5BE5

RGB 91 91 229

HSL 240, 0.73%, 0.63%

LAB 46.13, 40.12, -70.23

 

CMYK 60 / 58 / 0 / 10

HEX #5B60E5

RGB 91 96 229

HSL 237.83, 0.73%, 0.63%

LAB 47.3, 37.11, -68.33

 

CMYK 69 / 66 / 0 / 4

HEX #4C52F4

RGB 76 82 244

HSL 237.86, 0.88%, 0.63%

LAB 44.38, 48.25, -81.58

 

CMYK 60 / 58 / 0 / 10

HEX #5B60E5

RGB 91 96 229

HSL 237.83, 0.73%, 0.63%

LAB 47.3, 37.11, -68.33

 

CMYK 50 / 49 / 0 / 16

HEX #6B6ED6

RGB 107 110 214

HSL 238.32, 0.57%, 0.63%

LAB 50.84, 26.93, -54.07

 

CMYK 38 / 37 / 0 / 22

HEX #7A7DC6

RGB 122 125 198

HSL 237.63, 0.4%, 0.63%

LAB 54.95, 16.88, -38.38

 

CMYK 25 / 24 / 0 / 28

HEX #898BB7

RGB 137 139 183

HSL 237.39, 0.24%, 0.63%

LAB 59.16, 9.1, -23.23

 

CMYK 10 / 9 / 0 / 34

HEX #9899A8

RGB 152 153 168

HSL 236.25, 0.08%, 0.63%

LAB 63.58, 2.67, -7.95

 

CMYK 60 / 25 / 0 / 10

HEX #5BACE5

RGB 91 172 229

HSL 204.78, 0.73%, 0.63%

LAB 67.57, -8.03, -36.09

 

CMYK 60 / 41 / 0 / 10

HEX #5B87E5

RGB 91 135 229

HSL 220.87, 0.73%, 0.63%

LAB 57.28, 13.32, -52.28

 

CMYK 60 / 57 / 0 / 10

HEX #5B62E5

RGB 91 98 229

HSL 236.96, 0.73%, 0.63%

LAB 47.77, 35.9, -67.56

 

CMYK 47 / 60 / 0 / 10

HEX #795BE5

RGB 121 91 229

HSL 253.04, 0.73%, 0.63%

LAB 48.52, 45.52, -66.25

 

CMYK 31 / 60 / 0 / 10

HEX #9E5BE5

RGB 158 91 229

HSL 269.13, 0.73%, 0.63%

LAB 52.3, 53.4, -59.96

 

CMYK 84 / 82 / 0 / 19

HEX #2026CE

RGB 32 38 206

HSL 237.93, 0.73%, 0.47%

LAB 29.79, 56.43, -84.04

 

CMYK 75 / 72 / 0 / 13

HEX #383EDF

RGB 56 62 223

HSL 237.84, 0.72%, 0.55%

LAB 37.14, 50.84, -81.64

 

CMYK 60 / 58 / 0 / 10

HEX #5B60E5

RGB 91 96 229

HSL 237.83, 0.73%, 0.63%

LAB 47.3, 37.11, -68.33

 

CMYK 46 / 44 / 0 / 8

HEX #7F83EB

RGB 127 131 235

HSL 237.78, 0.73%, 0.71%

LAB 58.74, 25.21, -53.17

 

CMYK 32 / 31 / 0 / 6

HEX #A3A5F0

RGB 163 165 240

HSL 238.44, 0.72%, 0.79%

LAB 70.17, 16.22, -37.74

 

CMYK 60 / 58 / 0 / 10

HEX #5B60E5

RGB 91 96 229

HSL 237.83, 0.73%, 0.63%

LAB 47.3, 37.11, -68.33

 

CMYK 0 / 60 / 9 / 10

HEX #E55BD0

RGB 229 91 208

HSL 309.13, 0.73%, 0.63%

LAB 60.51, 66.83, -34.49

 

CMYK 33 / 0 / 60 / 10

HEX #99E55B

RGB 153 229 91

HSL 93.04, 0.73%, 0.63%

LAB 83.74, -45.94, 58.47

 

CMYK 60 / 58 / 0 / 10

HEX #5B60E5

RGB 91 96 229

HSL 237.83, 0.73%, 0.63%

LAB 47.3, 37.11, -68.33

 

CMYK 0 / 60 / 57 / 10

HEX #E55B62

RGB 229 91 98

HSL 356.96, 0.73%, 0.63%

LAB 57.1, 54.1, 24.21

 

CMYK 57 / 0 / 60 / 10

HEX #62E55B

RGB 98 229 91

HSL 116.96, 0.73%, 0.63%

LAB 81.51, -62.09, 55.34

 

CMYK 60 / 58 / 0 / 10

HEX #5B60E5

RGB 91 96 229

HSL 237.83, 0.73%, 0.63%

LAB 47.3, 37.11, -68.33

 

CMYK 0 / 60 / 9 / 10

HEX #E55BD0

RGB 229 91 208

HSL 309.13, 0.73%, 0.63%

LAB 60.51, 66.83, -34.49

 

CMYK 0 / 3 / 60 / 10

HEX #E5DE5B

RGB 229 222 91

HSL 56.96, 0.73%, 0.63%

LAB 86.83, -13.54, 63.29

 

CMYK 60 / 0 / 51 / 10

HEX #5BE570

RGB 91 229 112

HSL 129.13, 0.73%, 0.63%

LAB 81.53, -61.12, 45.78

 

CMYK 60 / 58 / 0 / 10

HEX #5B60E5

RGB 91 96 229

HSL 237.83, 0.73%, 0.63%

LAB 47.3, 37.11, -68.33

 

CMYK 0 / 60 / 27 / 10

HEX #E55BA7

RGB 229 91 167

HSL 326.96, 0.73%, 0.63%

LAB 58.91, 61.04, -13.47

 

CMYK 0 / 3 / 60 / 10

HEX #E5DE5B

RGB 229 222 91

HSL 56.96, 0.73%, 0.63%

LAB 86.83, -13.54, 63.29

 

CMYK 60 / 0 / 33 / 10

HEX #5BE599

RGB 91 229 153

HSL 146.96, 0.73%, 0.63%

LAB 82.14, -54.42, 26.19

 

Description

Color code: HEX #5B60E5 | qconv.com Color code: HEX #5B60E5 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 96 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 96 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 58 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 58% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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