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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B62BC it is the complementary color #A49D43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B62BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B62BC shade: #6062B7, #7174CA, #8286DD, #9398F0 and #A4AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B62BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B62BC shade: #5B62BC, #4A50A9, #393E96, #282C83 and #171A70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B62BC shade: #5C63BC, #6F5CBC, #895CBC, #A35CBC and #BC5CBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B62BC shade: #5C63BC and #5C5CBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B62BC shade matches the following richer shades: #5C63BC, #4953CF, #3643E1 and #2433F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B62BC shade: #5C63BC, #6E72A9, #818297, #939284 and #A6A272

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B62BC shade: #5C97BC, #5C7DBC, #5C64BC, #6D5CBC and #875CBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B62BC shade: #393F8C, #454CA9, #5C63BC, #797FC8 and #969BD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B62BC shade: #5B62BC, #BC5CB1 and #8ABC5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B62BC shade: #5B62BC, #BC5C64 and #64BC5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B62BC shade: #5B62BC, #BC5CB1, #BCB45C and #5CBC67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B62BC shade: #5B62BC, #BC5C94, #BCB45C and #5CBC84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 48 / 0 / 26

HEX #5B62BC

RGB 91 98 188

HSL 235.67, 0.42%, 0.55%

LAB 45.07, 22.62, -48.45

 

Complementary color

CMYK 0 / 4 / 59 / 36

HEX #A49D43

RGB 164 157 67

HSL 55.67, 0.42%, 0.45%

LAB 63.68, -9.26, 46.94

 

CMYK 48 / 46 / 0 / 28

HEX #6062B7

RGB 96 98 183

HSL 238.62, 0.38%, 0.55%

LAB 45.14, 22.21, -45.41

 

CMYK 44 / 43 / 0 / 21

HEX #7174CA

RGB 113 116 202

HSL 237.98, 0.46%, 0.62%

LAB 52.14, 21.09, -45.15

 

CMYK 41 / 39 / 0 / 13

HEX #8286DD

RGB 130 134 221

HSL 237.36, 0.57%, 0.69%

LAB 58.99, 20.13, -44.95

 

CMYK 39 / 37 / 0 / 6

HEX #9398F0

RGB 147 152 240

HSL 236.77, 0.76%, 0.76%

LAB 65.71, 19.31, -44.8

 

CMYK 36 / 33 / 0 / 0

HEX #A4AAFF

RGB 164 170 255

HSL 236.04, 1%, 0.82%

LAB 72.14, 17.54, -42.81

 

CMYK 52 / 48 / 0 / 26

HEX #5B62BC

RGB 91 98 188

HSL 235.67, 0.42%, 0.55%

LAB 45.07, 22.62, -48.45

 

CMYK 56 / 53 / 0 / 34

HEX #4A50A9

RGB 74 80 169

HSL 236.21, 0.39%, 0.48%

LAB 37.95, 24.12, -48.78

 

CMYK 62 / 59 / 0 / 41

HEX #393E96

RGB 57 62 150

HSL 236.77, 0.45%, 0.41%

LAB 30.68, 25.96, -49.14

 

CMYK 69 / 66 / 0 / 49

HEX #282C83

RGB 40 44 131

HSL 237.36, 0.53%, 0.34%

LAB 23.31, 28.23, -49.43

 

CMYK 79 / 77 / 0 / 56

HEX #171A70

RGB 23 26 112

HSL 237.98, 0.66%, 0.26%

LAB 15.96, 30.9, -49.42

 

CMYK 51 / 47 / 0 / 26

HEX #5C63BC

RGB 92 99 188

HSL 235.63, 0.42%, 0.55%

LAB 45.4, 22.22, -47.91

 

CMYK 41 / 51 / 0 / 26

HEX #6F5CBC

RGB 111 92 188

HSL 251.88, 0.42%, 0.55%

LAB 45.17, 31.02, -48.19

 

CMYK 27 / 51 / 0 / 26

HEX #895CBC

RGB 137 92 188

HSL 268.13, 0.42%, 0.55%

LAB 47.76, 37.76, -43.92

 

CMYK 13 / 51 / 0 / 26

HEX #A35CBC

RGB 163 92 188

HSL 284.38, 0.42%, 0.55%

LAB 50.77, 44.92, -38.95

 

CMYK 0 / 51 / 1 / 26

HEX #BC5CBB

RGB 188 92 187

HSL 300.63, 0.42%, 0.55%

LAB 53.96, 51.78, -33.15

 

CMYK 51 / 47 / 0 / 26

HEX #5C63BC

RGB 92 99 188

HSL 235.63, 0.42%, 0.55%

LAB 45.4, 22.22, -47.91

 

CMYK 51 / 51 / 0 / 26

HEX #5C5CBC

RGB 92 92 188

HSL 240, 0.42%, 0.55%

LAB 43.6, 26.58, -50.81

 

CMYK 51 / 47 / 0 / 26

HEX #5C63BC

RGB 92 99 188

HSL 235.63, 0.42%, 0.55%

LAB 45.4, 22.22, -47.91

 

CMYK 65 / 60 / 0 / 19

HEX #4953CF

RGB 73 83 207

HSL 235.52, 0.58%, 0.55%

LAB 41.39, 34.92, -65.45

 

CMYK 76 / 70 / 0 / 12

HEX #3643E1

RGB 54 67 225

HSL 235.44, 0.74%, 0.55%

LAB 38.26, 48.49, -80.94

 

CMYK 85 / 79 / 0 / 4

HEX #2433F4

RGB 36 51 244

HSL 235.67, 0.9%, 0.55%

LAB 36.51, 62.08, -94.64

 

CMYK 51 / 47 / 0 / 26

HEX #5C63BC

RGB 92 99 188

HSL 235.63, 0.42%, 0.55%

LAB 45.4, 22.22, -47.91

 

CMYK 35 / 33 / 0 / 34

HEX #6E72A9

RGB 110 114 169

HSL 235.93, 0.26%, 0.55%

LAB 49.75, 12.02, -29.89

 

CMYK 15 / 14 / 0 / 41

HEX #818297

RGB 129 130 151

HSL 237.27, 0.1%, 0.55%

LAB 54.93, 4.11, -11.36

 

CMYK 0 / 1 / 10 / 42

HEX #939284

RGB 147 146 132

HSL 56, 0.06%, 0.55%

LAB 60.27, -2.21, 7.55

 

CMYK 0 / 2 / 31 / 35

HEX #A6A272

RGB 166 162 114

HSL 55.38, 0.23%, 0.55%

LAB 65.88, -6.22, 25.54

 

CMYK 51 / 20 / 0 / 26

HEX #5C97BC

RGB 92 151 188

HSL 203.13, 0.42%, 0.55%

LAB 59.92, -8.8, -25.12

 

CMYK 51 / 34 / 0 / 26

HEX #5C7DBC

RGB 92 125 188

HSL 219.38, 0.42%, 0.55%

LAB 52.48, 6.26, -36.69

 

CMYK 51 / 47 / 0 / 26

HEX #5C64BC

RGB 92 100 188

HSL 235, 0.42%, 0.55%

LAB 45.66, 21.6, -47.5

 

CMYK 42 / 51 / 0 / 26

HEX #6D5CBC

RGB 109 92 188

HSL 250.63, 0.42%, 0.55%

LAB 44.99, 30.53, -48.49

 

CMYK 28 / 51 / 0 / 26

HEX #875CBC

RGB 135 92 188

HSL 266.88, 0.42%, 0.55%

LAB 47.54, 37.22, -44.27

 

CMYK 59 / 55 / 0 / 45

HEX #393F8C

RGB 57 63 140

HSL 235.66, 0.42%, 0.39%

LAB 30.2, 21.77, -43.78

 

CMYK 59 / 55 / 0 / 34

HEX #454CA9

RGB 69 76 169

HSL 235.8, 0.42%, 0.47%

LAB 36.55, 25.7, -51.05

 

CMYK 51 / 47 / 0 / 26

HEX #5C63BC

RGB 92 99 188

HSL 235.63, 0.42%, 0.55%

LAB 45.4, 22.22, -47.91

 

CMYK 40 / 37 / 0 / 22

HEX #797FC8

RGB 121 127 200

HSL 235.44, 0.42%, 0.63%

LAB 55.5, 15.99, -38.67

 

CMYK 29 / 27 / 0 / 17

HEX #969BD4

RGB 150 155 212

HSL 235.16, 0.42%, 0.71%

LAB 65.5, 11.09, -29.66

 

CMYK 52 / 48 / 0 / 26

HEX #5B62BC

RGB 91 98 188

HSL 235.67, 0.42%, 0.55%

LAB 45.07, 22.62, -48.45

 

CMYK 0 / 51 / 6 / 26

HEX #BC5CB1

RGB 188 92 177

HSL 306.88, 0.42%, 0.55%

LAB 53.51, 50.02, -28.05

 

CMYK 27 / 0 / 51 / 26

HEX #8ABC5C

RGB 138 188 92

HSL 91.25, 0.42%, 0.55%

LAB 70.97, -32.94, 42.98

 

CMYK 52 / 48 / 0 / 26

HEX #5B62BC

RGB 91 98 188

HSL 235.67, 0.42%, 0.55%

LAB 45.07, 22.62, -48.45

 

CMYK 0 / 51 / 47 / 26

HEX #BC5C64

RGB 188 92 100

HSL 355, 0.42%, 0.55%

LAB 51, 39.36, 13.71

 

CMYK 47 / 0 / 51 / 26

HEX #64BC5C

RGB 100 188 92

HSL 115, 0.42%, 0.55%

LAB 69.07, -45.62, 40.24

 

CMYK 52 / 48 / 0 / 26

HEX #5B62BC

RGB 91 98 188

HSL 235.67, 0.42%, 0.55%

LAB 45.07, 22.62, -48.45

 

CMYK 0 / 51 / 6 / 26

HEX #BC5CB1

RGB 188 92 177

HSL 306.88, 0.42%, 0.55%

LAB 53.51, 50.02, -28.05

 

CMYK 0 / 4 / 51 / 26

HEX #BCB45C

RGB 188 180 92

HSL 55, 0.42%, 0.55%

LAB 72.3, -9.08, 45.43

 

CMYK 51 / 0 / 45 / 26

HEX #5CBC67

RGB 92 188 103

HSL 126.88, 0.42%, 0.55%

LAB 68.91, -46.3, 34.45

 

CMYK 52 / 48 / 0 / 26

HEX #5B62BC

RGB 91 98 188

HSL 235.67, 0.42%, 0.55%

LAB 45.07, 22.62, -48.45

 

CMYK 0 / 51 / 21 / 26

HEX #BC5C94

RGB 188 92 148

HSL 325, 0.42%, 0.55%

LAB 52.38, 45.36, -12.81

 

CMYK 0 / 4 / 51 / 26

HEX #BCB45C

RGB 188 180 92

HSL 55, 0.42%, 0.55%

LAB 72.3, -9.08, 45.43

 

CMYK 51 / 0 / 30 / 26

HEX #5CBC84

RGB 92 188 132

HSL 145, 0.42%, 0.55%

LAB 69.4, -41.22, 19.86

 

Description

Color code: HEX #5B62BC | qconv.com Color code: HEX #5B62BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 98 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 98 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 48 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 48% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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