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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B6302 it is the complementary color #A49CFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B6302. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B6302 shade: #606300, #717510, #828723, #939936 and #A4AB49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B6302. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B6302 shade: #5B6302, #4A5100, #393F00, #282D00 and #171B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B6302 shade: #5B6302, #635102, #633702, #631C02 and #630202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B6302 shade: #5B6302, #416302, #276302, #0C6302 and #026311

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B6302 shade matches the following richer shades: #5B6302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B6302 shade: #5B6302, #545B0A, #4E5312, #474B1A and #404223

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B6302 shade: #633602, #635002, #5D6302, #436302 and #296302

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B6302 shade: #111300, #363B01, #5B6302, #818C02 and #A6B403

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B6302 shade: #5B6302, #02631C and #430263

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B6302 shade: #5B6302, #025D63 and #63025D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B6302 shade: #5B6302, #02631C, #080263 and #630249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B6302 shade: #5B6302, #026339, #080263 and #63022C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 98 / 61

HEX #5B6302

RGB 91 99 2

HSL 64.95, 0.96%, 0.2%

LAB 39.84, -14.58, 45.83

 

Complementary color

CMYK 35 / 38 / 0 / 1

HEX #A49CFD

RGB 164 156 253

HSL 244.95, 0.96%, 0.8%

LAB 68.58, 24.93, -47.3

 

CMYK 3 / 0 / 100 / 61

HEX #606300

RGB 96 99 0

HSL 61.82, 1%, 0.19%

LAB 40.26, -12.23, 46.89

 

CMYK 3 / 0 / 86 / 54

HEX #717510

RGB 113 117 16

HSL 62.38, 0.76%, 0.26%

LAB 47.33, -13.61, 49.24

 

CMYK 4 / 0 / 74 / 47

HEX #828723

RGB 130 135 35

HSL 63, 0.59%, 0.33%

LAB 54.23, -14.68, 49.87

 

CMYK 4 / 0 / 65 / 40

HEX #939936

RGB 147 153 54

HSL 63.64, 0.48%, 0.41%

LAB 61, -15.49, 49.47

 

CMYK 4 / 0 / 57 / 33

HEX #A4AB49

RGB 164 171 73

HSL 64.29, 0.4%, 0.48%

LAB 67.65, -16.11, 48.59

 

CMYK 8 / 0 / 98 / 61

HEX #5B6302

RGB 91 99 2

HSL 64.95, 0.96%, 0.2%

LAB 39.84, -14.58, 45.83

 

CMYK 9 / 0 / 100 / 68

HEX #4A5100

RGB 74 81 0

HSL 65.19, 1%, 0.16%

LAB 32.57, -12.89, 40.34

 

CMYK 10 / 0 / 100 / 75

HEX #393F00

RGB 57 63 0

HSL 65.71, 1%, 0.12%

LAB 25.03, -11.06, 33.55

 

CMYK 11 / 0 / 100 / 82

HEX #282D00

RGB 40 45 0

HSL 66.67, 1%, 0.09%

LAB 17.12, -9.16, 24.46

 

CMYK 15 / 0 / 100 / 89

HEX #171B00

RGB 23 27 0

HSL 68.89, 1%, 0.05%

LAB 8.71, -6.99, 12.9

 

CMYK 8 / 0 / 98 / 61

HEX #5B6302

RGB 91 99 2

HSL 64.95, 0.96%, 0.2%

LAB 39.84, -14.58, 45.83

 

CMYK 0 / 18 / 98 / 61

HEX #635102

RGB 99 81 2

HSL 48.87, 0.96%, 0.2%

LAB 35.09, -0.18, 42.61

 

CMYK 0 / 44 / 98 / 61

HEX #633702

RGB 99 55 2

HSL 32.78, 0.96%, 0.2%

LAB 27.82, 15.84, 37.18

 

CMYK 0 / 72 / 98 / 61

HEX #631C02

RGB 99 28 2

HSL 16.08, 0.96%, 0.2%

LAB 21.9, 30.87, 31.51

 

CMYK 0 / 98 / 98 / 61

HEX #630202

RGB 99 2 2

HSL 0, 0.96%, 0.2%

LAB 18.8, 39.54, 28.04

 

CMYK 8 / 0 / 98 / 61

HEX #5B6302

RGB 91 99 2

HSL 64.95, 0.96%, 0.2%

LAB 39.84, -14.58, 45.83

 

CMYK 34 / 0 / 98 / 61

HEX #416302

RGB 65 99 2

HSL 81.03, 0.96%, 0.2%

LAB 37.94, -26.42, 43.53

 

CMYK 61 / 0 / 98 / 61

HEX #276302

RGB 39 99 2

HSL 97.11, 0.96%, 0.2%

LAB 36.67, -35.88, 41.98

 

CMYK 88 / 0 / 98 / 61

HEX #0C6302

RGB 12 99 2

HSL 113.81, 0.96%, 0.2%

LAB 36, -41.59, 41.16

 

CMYK 98 / 0 / 83 / 61

HEX #026311

RGB 2 99 17

HSL 129.28, 0.96%, 0.2%

LAB 35.94, -41.83, 36.6

 

CMYK 8 / 0 / 98 / 61

HEX #5B6302

RGB 91 99 2

HSL 64.95, 0.96%, 0.2%

LAB 39.84, -14.58, 45.83

 

CMYK 8 / 0 / 98 / 61

HEX #5B6302

RGB 91 99 2

HSL 64.95, 0.96%, 0.2%

LAB 39.84, -14.58, 45.83

 

CMYK 8 / 0 / 89 / 64

HEX #545B0A

RGB 84 91 10

HSL 65.19, 0.8%, 0.2%

LAB 36.72, -13.25, 40.85

 

CMYK 6 / 0 / 78 / 67

HEX #4E5312

RGB 78 83 18

HSL 64.62, 0.64%, 0.2%

LAB 33.67, -11.26, 35.13

 

CMYK 5 / 0 / 65 / 71

HEX #474B1A

RGB 71 75 26

HSL 64.9, 0.49%, 0.2%

LAB 30.51, -9.45, 27.94

 

CMYK 3 / 0 / 47 / 74

HEX #404223

RGB 64 66 35

HSL 63.87, 0.31%, 0.2%

LAB 27.04, -6.45, 18.55

 

CMYK 0 / 45 / 98 / 61

HEX #633602

RGB 99 54 2

HSL 32.16, 0.96%, 0.2%

LAB 27.56, 16.45, 36.96

 

CMYK 0 / 19 / 98 / 61

HEX #635002

RGB 99 80 2

HSL 48.25, 0.96%, 0.2%

LAB 34.79, 0.43, 42.4

 

CMYK 6 / 0 / 98 / 61

HEX #5D6302

RGB 93 99 2

HSL 63.71, 0.96%, 0.2%

LAB 40.01, -13.62, 46.03

 

CMYK 32 / 0 / 98 / 61

HEX #436302

RGB 67 99 2

HSL 79.79, 0.96%, 0.2%

LAB 38.06, -25.57, 43.68

 

CMYK 59 / 0 / 98 / 61

HEX #296302

RGB 41 99 2

HSL 95.88, 0.96%, 0.2%

LAB 36.74, -35.27, 42.07

 

CMYK 11 / 0 / 100 / 93

HEX #111300

RGB 17 19 0

HSL 66.32, 1%, 0.04%

LAB 5.28, -3.76, 7.84

 

CMYK 8 / 0 / 98 / 77

HEX #363B01

RGB 54 59 1

HSL 65.17, 0.97%, 0.12%

LAB 23.39, -10.18, 31.43

 

CMYK 8 / 0 / 98 / 61

HEX #5B6302

RGB 91 99 2

HSL 64.95, 0.96%, 0.2%

LAB 39.84, -14.58, 45.83

 

CMYK 8 / 0 / 99 / 45

HEX #818C02

RGB 129 140 2

HSL 64.78, 0.97%, 0.28%

LAB 55.51, -18.77, 59.06

 

CMYK 8 / 0 / 98 / 29

HEX #A6B403

RGB 166 180 3

HSL 64.75, 0.97%, 0.36%

LAB 70, -22.64, 71.08

 

CMYK 8 / 0 / 98 / 61

HEX #5B6302

RGB 91 99 2

HSL 64.95, 0.96%, 0.2%

LAB 39.84, -14.58, 45.83

 

CMYK 98 / 0 / 72 / 61

HEX #02631C

RGB 2 99 28

HSL 136.08, 0.96%, 0.2%

LAB 36.02, -40.76, 32.16

 

CMYK 32 / 98 / 0 / 61

HEX #430263

RGB 67 2 99

HSL 280.21, 0.96%, 0.2%

LAB 16.19, 43.3, -40.32

 

CMYK 8 / 0 / 98 / 61

HEX #5B6302

RGB 91 99 2

HSL 64.95, 0.96%, 0.2%

LAB 39.84, -14.58, 45.83

 

CMYK 98 / 6 / 0 / 61

HEX #025D63

RGB 2 93 99

HSL 183.71, 0.96%, 0.2%

LAB 35.48, -20.73, -10.13

 

CMYK 0 / 98 / 6 / 61

HEX #63025D

RGB 99 2 93

HSL 303.71, 0.96%, 0.2%

LAB 21.9, 47.66, -26.82

 

CMYK 8 / 0 / 98 / 61

HEX #5B6302

RGB 91 99 2

HSL 64.95, 0.96%, 0.2%

LAB 39.84, -14.58, 45.83

 

CMYK 98 / 0 / 72 / 61

HEX #02631C

RGB 2 99 28

HSL 136.08, 0.96%, 0.2%

LAB 36.02, -40.76, 32.16

 

CMYK 92 / 98 / 0 / 61

HEX #080263

RGB 8 2 99

HSL 243.71, 0.96%, 0.2%

LAB 8.96, 38.58, -52.52

 

CMYK 0 / 98 / 26 / 61

HEX #630249

RGB 99 2 73

HSL 316.08, 0.96%, 0.2%

LAB 20.74, 44.74, -15.14

 

CMYK 8 / 0 / 98 / 61

HEX #5B6302

RGB 91 99 2

HSL 64.95, 0.96%, 0.2%

LAB 39.84, -14.58, 45.83

 

CMYK 98 / 0 / 42 / 61

HEX #026339

RGB 2 99 57

HSL 154.02, 0.96%, 0.2%

LAB 36.43, -35.86, 17.01

 

CMYK 92 / 98 / 0 / 61

HEX #080263

RGB 8 2 99

HSL 243.71, 0.96%, 0.2%

LAB 8.96, 38.58, -52.52

 

CMYK 0 / 98 / 56 / 61

HEX #63022C

RGB 99 2 44

HSL 334.02, 0.96%, 0.2%

LAB 19.55, 41.59, 3.39

 

Description

Color code: HEX #5B6302 | qconv.com Color code: HEX #5B6302 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 99 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 99 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 98 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 98% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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