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Color name
HEX #5B6AB4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B6AB4 it is the complementary color #A4954B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B6AB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B6AB4 shade: #606AAF, #717CC2, #828ED5, #93A0E8 and #A4B2FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B6AB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B6AB4 shade: #5B6AB4, #4A58A1, #39468E, #28347B and #172268

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B6AB4 shade: #5A69B3, #635AB3, #7B5AB3, #935AB3 and #AB5AB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B6AB4 shade: #5A69B3 and #5A5AB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B6AB4 shade matches the following richer shades: #5A69B3, #475CC6, #3450DA and #2043ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B6AB4 shade: #5A69B3, #6E76A0, #81838C, #949079 and #A89D65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B6AB4 shade: #5A9AB3, #5A82B3, #5A6BB3, #625AB3 and #795AB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B6AB4 shade: #3B4680, #48569C, #5A69B3, #7783C0 and #939DCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B6AB4 shade: #5B6AB4, #B35AB2 and #8EB35A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B6AB4 shade: #5B6AB4, #B35A6B and #6BB35A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B6AB4 shade: #5B6AB4, #B35AB2, #B3A35A and #5AB35C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B6AB4 shade: #5B6AB4, #B35A97, #B3A35A and #5AB376

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 41 / 0 / 29

HEX #5B6AB4

RGB 91 106 180

HSL 229.89, 0.37%, 0.53%

LAB 46.75, 15.1, -41.12

 

Complementary color

CMYK 0 / 9 / 54 / 36

HEX #A4954B

RGB 164 149 75

HSL 49.89, 0.37%, 0.47%

LAB 61.56, -4.32, 40.62

 

CMYK 45 / 39 / 0 / 31

HEX #606AAF

RGB 96 106 175

HSL 232.41, 0.33%, 0.53%

LAB 46.83, 14.79, -38.05

 

CMYK 42 / 36 / 0 / 24

HEX #717CC2

RGB 113 124 194

HSL 231.85, 0.4%, 0.6%

LAB 53.84, 13.93, -37.9

 

CMYK 39 / 33 / 0 / 16

HEX #828ED5

RGB 130 142 213

HSL 231.33, 0.5%, 0.67%

LAB 60.69, 13.2, -37.8

 

CMYK 37 / 31 / 0 / 9

HEX #93A0E8

RGB 147 160 232

HSL 230.82, 0.65%, 0.74%

LAB 67.41, 12.58, -37.76

 

CMYK 35 / 29 / 0 / 2

HEX #A4B2FB

RGB 164 178 251

HSL 230.34, 0.92%, 0.81%

LAB 74, 12.03, -37.75

 

CMYK 49 / 41 / 0 / 29

HEX #5B6AB4

RGB 91 106 180

HSL 229.89, 0.37%, 0.53%

LAB 46.75, 15.1, -41.12

 

CMYK 54 / 45 / 0 / 37

HEX #4A58A1

RGB 74 88 161

HSL 230.34, 0.37%, 0.46%

LAB 39.59, 16.3, -41.37

 

CMYK 60 / 51 / 0 / 44

HEX #39468E

RGB 57 70 142

HSL 230.82, 0.43%, 0.39%

LAB 32.27, 17.81, -41.69

 

CMYK 67 / 58 / 0 / 52

HEX #28347B

RGB 40 52 123

HSL 231.33, 0.51%, 0.32%

LAB 24.76, 19.79, -42.03

 

CMYK 78 / 67 / 0 / 59

HEX #172268

RGB 23 34 104

HSL 231.85, 0.64%, 0.25%

LAB 17.11, 22.41, -42.31

 

CMYK 50 / 41 / 0 / 30

HEX #5A69B3

RGB 90 105 179

HSL 229.89, 0.37%, 0.53%

LAB 46.35, 15.16, -41.17

 

CMYK 45 / 50 / 0 / 30

HEX #635AB3

RGB 99 90 179

HSL 246.07, 0.37%, 0.53%

LAB 43.09, 26.66, -46.32

 

CMYK 31 / 50 / 0 / 30

HEX #7B5AB3

RGB 123 90 179

HSL 262.25, 0.37%, 0.53%

LAB 45.33, 32.86, -42.62

 

CMYK 18 / 50 / 0 / 30

HEX #935AB3

RGB 147 90 179

HSL 278.43, 0.37%, 0.53%

LAB 47.97, 39.53, -38.27

 

CMYK 4 / 50 / 0 / 30

HEX #AB5AB3

RGB 171 90 179

HSL 294.61, 0.37%, 0.53%

LAB 50.95, 46.43, -33.38

 

CMYK 50 / 41 / 0 / 30

HEX #5A69B3

RGB 90 105 179

HSL 229.89, 0.37%, 0.53%

LAB 46.35, 15.16, -41.17

 

CMYK 50 / 50 / 0 / 30

HEX #5A5AB3

RGB 90 90 179

HSL 240, 0.37%, 0.53%

LAB 42.37, 24.54, -47.52

 

CMYK 50 / 41 / 0 / 30

HEX #5A69B3

RGB 90 105 179

HSL 229.89, 0.37%, 0.53%

LAB 46.35, 15.16, -41.17

 

CMYK 64 / 54 / 0 / 22

HEX #475CC6

RGB 71 92 198

HSL 230.08, 0.53%, 0.53%

LAB 42.87, 25.84, -57.85

 

CMYK 76 / 63 / 0 / 15

HEX #3450DA

RGB 52 80 218

HSL 229.88, 0.69%, 0.53%

LAB 40.46, 38.03, -73.33

 

CMYK 86 / 72 / 0 / 7

HEX #2043ED

RGB 32 67 237

HSL 229.76, 0.85%, 0.53%

LAB 38.61, 51.14, -87.2

 

CMYK 50 / 41 / 0 / 30

HEX #5A69B3

RGB 90 105 179

HSL 229.89, 0.37%, 0.53%

LAB 46.35, 15.16, -41.17

 

CMYK 31 / 26 / 0 / 37

HEX #6E76A0

RGB 110 118 160

HSL 230.4, 0.21%, 0.53%

LAB 50.46, 7.17, -23.54

 

CMYK 8 / 6 / 0 / 45

HEX #81838C

RGB 129 131 140

HSL 229.09, 0.05%, 0.53%

LAB 54.86, 1.12, -5.1

 

CMYK 0 / 3 / 18 / 42

HEX #949079

RGB 148 144 121

HSL 51.11, 0.11%, 0.53%

LAB 59.55, -2.57, 12.77

 

CMYK 0 / 7 / 40 / 34

HEX #A89D65

RGB 168 157 101

HSL 50.15, 0.28%, 0.53%

LAB 64.47, -4.32, 30.74

 

CMYK 50 / 14 / 0 / 30

HEX #5A9AB3

RGB 90 154 179

HSL 196.85, 0.37%, 0.53%

LAB 60.37, -13.57, -19.36

 

CMYK 50 / 27 / 0 / 30

HEX #5A82B3

RGB 90 130 179

HSL 213.03, 0.37%, 0.53%

LAB 53.38, 0.01, -30.13

 

CMYK 50 / 40 / 0 / 30

HEX #5A6BB3

RGB 90 107 179

HSL 228.54, 0.37%, 0.53%

LAB 46.9, 13.92, -40.3

 

CMYK 45 / 50 / 0 / 30

HEX #625AB3

RGB 98 90 179

HSL 245.39, 0.37%, 0.53%

LAB 43.01, 26.42, -46.46

 

CMYK 32 / 50 / 0 / 30

HEX #795AB3

RGB 121 90 179

HSL 260.9, 0.37%, 0.53%

LAB 45.13, 32.32, -42.96

 

CMYK 54 / 45 / 0 / 50

HEX #3B4680

RGB 59 70 128

HSL 230.43, 0.37%, 0.37%

LAB 31.51, 13.35, -34.25

 

CMYK 54 / 45 / 0 / 39

HEX #48569C

RGB 72 86 156

HSL 230, 0.37%, 0.45%

LAB 38.61, 15.45, -39.96

 

CMYK 50 / 41 / 0 / 30

HEX #5A69B3

RGB 90 105 179

HSL 229.89, 0.37%, 0.53%

LAB 46.35, 15.16, -41.17

 

CMYK 38 / 32 / 0 / 25

HEX #7783C0

RGB 119 131 192

HSL 230.14, 0.37%, 0.61%

LAB 56.05, 10.82, -33.27

 

CMYK 28 / 23 / 0 / 20

HEX #939DCD

RGB 147 157 205

HSL 229.66, 0.37%, 0.69%

LAB 65.53, 7.32, -25.74

 

CMYK 49 / 41 / 0 / 29

HEX #5B6AB4

RGB 91 106 180

HSL 229.89, 0.37%, 0.53%

LAB 46.75, 15.1, -41.12

 

CMYK 0 / 50 / 1 / 30

HEX #B35AB2

RGB 179 90 178

HSL 300.67, 0.37%, 0.53%

LAB 51.96, 48.56, -31.14

 

CMYK 21 / 0 / 50 / 30

HEX #8EB35A

RGB 142 179 90

HSL 84.94, 0.37%, 0.53%

LAB 68.55, -27.39, 41.1

 

CMYK 49 / 41 / 0 / 29

HEX #5B6AB4

RGB 91 106 180

HSL 229.89, 0.37%, 0.53%

LAB 46.75, 15.1, -41.12

 

CMYK 0 / 50 / 40 / 30

HEX #B35A6B

RGB 179 90 107

HSL 348.54, 0.37%, 0.53%

LAB 49.44, 37.84, 7.16

 

CMYK 40 / 0 / 50 / 30

HEX #6BB35A

RGB 107 179 90

HSL 108.54, 0.37%, 0.53%

LAB 66.6, -39.88, 38.27

 

CMYK 49 / 41 / 0 / 29

HEX #5B6AB4

RGB 91 106 180

HSL 229.89, 0.37%, 0.53%

LAB 46.75, 15.1, -41.12

 

CMYK 0 / 50 / 1 / 30

HEX #B35AB2

RGB 179 90 178

HSL 300.67, 0.37%, 0.53%

LAB 51.96, 48.56, -31.14

 

CMYK 0 / 9 / 50 / 30

HEX #B3A35A

RGB 179 163 90

HSL 49.21, 0.37%, 0.53%

LAB 66.91, -4.08, 39.77

 

CMYK 50 / 0 / 49 / 30

HEX #5AB35C

RGB 90 179 92

HSL 121.35, 0.37%, 0.53%

LAB 65.89, -44.75, 36.22

 

CMYK 49 / 41 / 0 / 29

HEX #5B6AB4

RGB 91 106 180

HSL 229.89, 0.37%, 0.53%

LAB 46.75, 15.1, -41.12

 

CMYK 0 / 50 / 16 / 30

HEX #B35A97

RGB 179 90 151

HSL 318.88, 0.37%, 0.53%

LAB 50.84, 43.93, -17.04

 

CMYK 0 / 9 / 50 / 30

HEX #B3A35A

RGB 179 163 90

HSL 49.21, 0.37%, 0.53%

LAB 66.91, -4.08, 39.77

 

CMYK 50 / 0 / 34 / 30

HEX #5AB376

RGB 90 179 118

HSL 138.88, 0.37%, 0.53%

LAB 66.31, -40.48, 23.16

 

Description

Color code: HEX #5B6AB4 | qconv.com Color code: HEX #5B6AB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 106 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 106 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 41 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 41% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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