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Color name
HEX #5B6BA7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B6BA7 it is the complementary color #A49458. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B6BA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B6BA7 shade: #606BA2, #717DB5, #828FC8, #93A1DB and #A4B3EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B6BA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B6BA7 shade: #5B6BA7, #4A5994, #394781, #28356E and #17235B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B6BA7 shade: #5C6CA7, #615CA7, #755CA7, #895CA7 and #9D5CA7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B6BA7 shade: #5C6CA7 and #5C5CA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B6BA7 shade matches the following richer shades: #5C6CA7, #4860BB, #3454CF, #1F49E4 and #0B3DF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B6BA7 shade: #5C6CA7, #707893, #84837F, #998F6A and #AD9B56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B6BA7 shade: #5C94A7, #5C80A7, #5C6CA7, #605CA7 and #745CA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B6BA7 shade: #3E4973, #4C5A8E, #5C6CA7, #7784B5 and #929CC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B6BA7 shade: #5B6BA7, #A65CA7 and #8AA75C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B6BA7 shade: #5B6BA7, #A75C6C and #6CA75C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B6BA7 shade: #5B6BA7, #A65CA7, #A7975C and #5DA75C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B6BA7 shade: #5B6BA7, #A75C92, #A7975C and #5CA771

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 36 / 0 / 35

HEX #5B6BA7

RGB 91 107 167

HSL 227.37, 0.3%, 0.51%

LAB 46.35, 10.43, -34.15

 

Complementary color

CMYK 0 / 10 / 46 / 36

HEX #A49458

RGB 164 148 88

HSL 47.37, 0.3%, 0.49%

LAB 61.46, -2.54, 33.77

 

CMYK 41 / 34 / 0 / 36

HEX #606BA2

RGB 96 107 162

HSL 230, 0.26%, 0.51%

LAB 46.46, 10.28, -31.02

 

CMYK 38 / 31 / 0 / 29

HEX #717DB5

RGB 113 125 181

HSL 229.41, 0.31%, 0.58%

LAB 53.51, 9.63, -30.97

 

CMYK 35 / 29 / 0 / 22

HEX #828FC8

RGB 130 143 200

HSL 228.86, 0.39%, 0.65%

LAB 60.39, 9.08, -30.98

 

CMYK 33 / 26 / 0 / 14

HEX #93A1DB

RGB 147 161 219

HSL 228.33, 0.5%, 0.72%

LAB 67.13, 8.6, -31.03

 

CMYK 31 / 25 / 0 / 7

HEX #A4B3EE

RGB 164 179 238

HSL 227.84, 0.69%, 0.79%

LAB 73.74, 8.18, -31.11

 

CMYK 46 / 36 / 0 / 35

HEX #5B6BA7

RGB 91 107 167

HSL 227.37, 0.3%, 0.51%

LAB 46.35, 10.43, -34.15

 

CMYK 50 / 40 / 0 / 42

HEX #4A5994

RGB 74 89 148

HSL 227.84, 0.33%, 0.44%

LAB 39.14, 11.36, -34.31

 

CMYK 56 / 45 / 0 / 49

HEX #394781

RGB 57 71 129

HSL 228.33, 0.39%, 0.36%

LAB 31.72, 12.55, -34.54

 

CMYK 64 / 52 / 0 / 57

HEX #28356E

RGB 40 53 110

HSL 228.86, 0.47%, 0.29%

LAB 24.07, 14.15, -34.85

 

CMYK 75 / 62 / 0 / 64

HEX #17235B

RGB 23 35 91

HSL 229.41, 0.6%, 0.22%

LAB 16.2, 16.4, -35.19

 

CMYK 45 / 35 / 0 / 35

HEX #5C6CA7

RGB 92 108 167

HSL 227.2, 0.3%, 0.51%

LAB 46.7, 10.08, -33.6

 

CMYK 42 / 45 / 0 / 35

HEX #615CA7

RGB 97 92 167

HSL 244, 0.3%, 0.51%

LAB 42.74, 21.33, -39.82

 

CMYK 30 / 45 / 0 / 35

HEX #755CA7

RGB 117 92 167

HSL 260, 0.3%, 0.51%

LAB 44.56, 26.85, -36.84

 

CMYK 18 / 45 / 0 / 35

HEX #895CA7

RGB 137 92 167

HSL 276, 0.3%, 0.51%

LAB 46.66, 32.75, -33.38

 

CMYK 6 / 45 / 0 / 35

HEX #9D5CA7

RGB 157 92 167

HSL 292, 0.3%, 0.51%

LAB 49.02, 38.83, -29.51

 

CMYK 45 / 35 / 0 / 35

HEX #5C6CA7

RGB 92 108 167

HSL 227.2, 0.3%, 0.51%

LAB 46.7, 10.08, -33.6

 

CMYK 45 / 45 / 0 / 35

HEX #5C5CA7

RGB 92 92 167

HSL 240, 0.3%, 0.51%

LAB 42.34, 20.04, -40.49

 

CMYK 45 / 35 / 0 / 35

HEX #5C6CA7

RGB 92 108 167

HSL 227.2, 0.3%, 0.51%

LAB 46.7, 10.08, -33.6

 

CMYK 61 / 49 / 0 / 27

HEX #4860BB

RGB 72 96 187

HSL 227.48, 0.46%, 0.51%

LAB 43.26, 19.64, -50.84

 

CMYK 75 / 59 / 0 / 19

HEX #3454CF

RGB 52 84 207

HSL 227.61, 0.62%, 0.51%

LAB 40.53, 31.53, -66.89

 

CMYK 86 / 68 / 0 / 11

HEX #1F49E4

RGB 31 73 228

HSL 227.21, 0.78%, 0.51%

LAB 39, 44.38, -81.46

 

CMYK 96 / 75 / 0 / 3

HEX #0B3DF8

RGB 11 61 248

HSL 227.34, 0.94%, 0.51%

LAB 38.17, 57.56, -94.14

 

CMYK 45 / 35 / 0 / 35

HEX #5C6CA7

RGB 92 108 167

HSL 227.2, 0.3%, 0.51%

LAB 46.7, 10.08, -33.6

 

CMYK 24 / 18 / 0 / 42

HEX #707893

RGB 112 120 147

HSL 226.29, 0.14%, 0.51%

LAB 50.67, 3.26, -15.61

 

CMYK 0 / 1 / 4 / 48

HEX #84837F

RGB 132 131 127

HSL 48, 0.02%, 0.51%

LAB 54.73, -0.4, 2.28

 

CMYK 0 / 7 / 31 / 40

HEX #998F6A

RGB 153 143 106

HSL 47.23, 0.19%, 0.51%

LAB 59.4, -2.24, 21.07

 

CMYK 0 / 10 / 50 / 32

HEX #AD9B56

RGB 173 155 86

HSL 47.59, 0.35%, 0.51%

LAB 64.16, -2.7, 38.33

 

CMYK 45 / 11 / 0 / 35

HEX #5C94A7

RGB 92 148 167

HSL 195.2, 0.3%, 0.51%

LAB 58.27, -13.23, -15.74

 

CMYK 45 / 23 / 0 / 35

HEX #5C80A7

RGB 92 128 167

HSL 211.2, 0.3%, 0.51%

LAB 52.4, -1.93, -24.72

 

CMYK 45 / 35 / 0 / 35

HEX #5C6CA7

RGB 92 108 167

HSL 227.2, 0.3%, 0.51%

LAB 46.7, 10.08, -33.6

 

CMYK 43 / 45 / 0 / 35

HEX #605CA7

RGB 96 92 167

HSL 243.2, 0.3%, 0.51%

LAB 42.66, 21.07, -39.96

 

CMYK 31 / 45 / 0 / 35

HEX #745CA7

RGB 116 92 167

HSL 259.2, 0.3%, 0.51%

LAB 44.46, 26.56, -37

 

CMYK 46 / 37 / 0 / 55

HEX #3E4973

RGB 62 73 115

HSL 227.55, 0.3%, 0.35%

LAB 31.87, 7.78, -25.55

 

CMYK 46 / 37 / 0 / 44

HEX #4C5A8E

RGB 76 90 142

HSL 227.27, 0.3%, 0.43%

LAB 39.24, 9.31, -30.51

 

CMYK 45 / 35 / 0 / 35

HEX #5C6CA7

RGB 92 108 167

HSL 227.2, 0.3%, 0.51%

LAB 46.7, 10.08, -33.6

 

CMYK 34 / 27 / 0 / 29

HEX #7784B5

RGB 119 132 181

HSL 227.42, 0.3%, 0.59%

LAB 55.85, 7.22, -27.3

 

CMYK 26 / 20 / 0 / 23

HEX #929CC4

RGB 146 156 196

HSL 228, 0.3%, 0.67%

LAB 64.86, 5.37, -21.76

 

CMYK 46 / 36 / 0 / 35

HEX #5B6BA7

RGB 91 107 167

HSL 227.37, 0.3%, 0.51%

LAB 46.35, 10.43, -34.15

 

CMYK 1 / 45 / 0 / 35

HEX #A65CA7

RGB 166 92 167

HSL 299.2, 0.3%, 0.51%

LAB 50.16, 41.59, -27.66

 

CMYK 17 / 0 / 45 / 35

HEX #8AA75C

RGB 138 167 92

HSL 83.2, 0.3%, 0.51%

LAB 64.81, -22.8, 35.43

 

CMYK 46 / 36 / 0 / 35

HEX #5B6BA7

RGB 91 107 167

HSL 227.37, 0.3%, 0.51%

LAB 46.35, 10.43, -34.15

 

CMYK 0 / 45 / 35 / 35

HEX #A75C6C

RGB 167 92 108

HSL 347.2, 0.3%, 0.51%

LAB 48.2, 32.44, 4.55

 

CMYK 35 / 0 / 45 / 35

HEX #6CA75C

RGB 108 167 92

HSL 107.2, 0.3%, 0.51%

LAB 63.01, -33.87, 32.77

 

CMYK 46 / 36 / 0 / 35

HEX #5B6BA7

RGB 91 107 167

HSL 227.37, 0.3%, 0.51%

LAB 46.35, 10.43, -34.15

 

CMYK 1 / 45 / 0 / 35

HEX #A65CA7

RGB 166 92 167

HSL 299.2, 0.3%, 0.51%

LAB 50.16, 41.59, -27.66

 

CMYK 0 / 10 / 45 / 35

HEX #A7975C

RGB 167 151 92

HSL 47.2, 0.3%, 0.51%

LAB 62.61, -2.48, 33.15

 

CMYK 44 / 0 / 45 / 35

HEX #5DA75C

RGB 93 167 92

HSL 119.2, 0.3%, 0.51%

LAB 62.29, -38.74, 31.7

 

CMYK 46 / 36 / 0 / 35

HEX #5B6BA7

RGB 91 107 167

HSL 227.37, 0.3%, 0.51%

LAB 46.35, 10.43, -34.15

 

CMYK 0 / 45 / 13 / 35

HEX #A75C92

RGB 167 92 146

HSL 316.8, 0.3%, 0.51%

LAB 49.43, 38.13, -16.38

 

CMYK 0 / 10 / 45 / 35

HEX #A7975C

RGB 167 151 92

HSL 47.2, 0.3%, 0.51%

LAB 62.61, -2.48, 33.15

 

CMYK 45 / 0 / 32 / 35

HEX #5CA771

RGB 92 167 113

HSL 136.8, 0.3%, 0.51%

LAB 62.6, -35.49, 20.87

 

Description

Color code: HEX #5B6BA7 | qconv.com Color code: HEX #5B6BA7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 107 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 107 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 36 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 36% 0% 35% C M Y K

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Provide designers and agencies with accurate color values.

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