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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B777F it is the complementary color #A48880. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B777F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B777F shade: #60777A, #71898D, #829BA0, #93ADB3 and #A4BFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B777F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B777F shade: #5B777F, #4A656C, #395359, #284146 and #172F33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B777F shade: #5B7880, #5B6D80, #5B6380, #5C5B80 and #665B80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B777F shade: #5B7880, #5B6D80, #5B6380 and #5B5B80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B777F shade matches the following richer shades: #5B7880, #498192, #378BA3, #2595B5 and #149FC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B777F shade: #5B7880, #6C6E6E, #7E645C, #905A4B and #A15039

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B777F shade: #5B8074, #5B807E, #5B7880, #5B6E80 and #5B6480

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B777F shade: #384A50, #496168, #5B7880, #6D8E97 and #85A0A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B777F shade: #5B777F, #6A5B80 and #80795B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B777F shade: #5B777F, #805B78 and #78805B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B777F shade: #5B777F, #6A5B80, #80635B and #70805B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B777F shade: #5B777F, #755B80, #80635B and #65805B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 6 / 0 / 50

HEX #5B777F

RGB 91 119 127

HSL 193.33, 0.17%, 0.43%

LAB 48.2, -8.07, -7.69

 

Complementary color

CMYK 0 / 17 / 22 / 36

HEX #A48880

RGB 164 136 128

HSL 13.33, 0.17%, 0.57%

LAB 59.03, 9.33, 8.27

 

CMYK 21 / 2 / 0 / 52

HEX #60777A

RGB 96 119 122

HSL 186.92, 0.12%, 0.43%

LAB 48.37, -7.65, -4.43

 

CMYK 20 / 3 / 0 / 45

HEX #71898D

RGB 113 137 141

HSL 188.57, 0.11%, 0.5%

LAB 55.41, -7.62, -5

 

CMYK 19 / 3 / 0 / 37

HEX #829BA0

RGB 130 155 160

HSL 190, 0.14%, 0.57%

LAB 62.28, -7.61, -5.54

 

CMYK 18 / 3 / 0 / 30

HEX #93ADB3

RGB 147 173 179

HSL 191.25, 0.17%, 0.64%

LAB 69, -7.61, -6.08

 

CMYK 17 / 4 / 0 / 22

HEX #A4BFC6

RGB 164 191 198

HSL 192.35, 0.23%, 0.71%

LAB 75.6, -7.63, -6.59

 

CMYK 28 / 6 / 0 / 50

HEX #5B777F

RGB 91 119 127

HSL 193.33, 0.17%, 0.43%

LAB 48.2, -8.07, -7.69

 

CMYK 31 / 6 / 0 / 58

HEX #4A656C

RGB 74 101 108

HSL 192.35, 0.19%, 0.36%

LAB 40.97, -8.08, -7.18

 

CMYK 36 / 7 / 0 / 65

HEX #395359

RGB 57 83 89

HSL 191.25, 0.22%, 0.29%

LAB 33.52, -8.08, -6.65

 

CMYK 43 / 7 / 0 / 73

HEX #284146

RGB 40 65 70

HSL 190, 0.27%, 0.22%

LAB 25.78, -8.08, -6.09

 

CMYK 55 / 8 / 0 / 80

HEX #172F33

RGB 23 47 51

HSL 188.57, 0.38%, 0.15%

LAB 17.71, -8.02, -5.48

 

CMYK 29 / 6 / 0 / 50

HEX #5B7880

RGB 91 120 128

HSL 192.97, 0.17%, 0.43%

LAB 48.53, -8.39, -7.78

 

CMYK 29 / 15 / 0 / 50

HEX #5B6D80

RGB 91 109 128

HSL 210.81, 0.17%, 0.43%

LAB 45.25, -1.97, -12.72

 

CMYK 29 / 23 / 0 / 50

HEX #5B6380

RGB 91 99 128

HSL 227.03, 0.17%, 0.43%

LAB 42.32, 4.07, -17.18

 

CMYK 28 / 29 / 0 / 50

HEX #5C5B80

RGB 92 91 128

HSL 241.62, 0.17%, 0.43%

LAB 40.11, 9.34, -20.57

 

CMYK 20 / 29 / 0 / 50

HEX #665B80

RGB 102 91 128

HSL 257.84, 0.17%, 0.43%

LAB 41, 12.69, -19.12

 

CMYK 29 / 6 / 0 / 50

HEX #5B7880

RGB 91 120 128

HSL 192.97, 0.17%, 0.43%

LAB 48.53, -8.39, -7.78

 

CMYK 29 / 15 / 0 / 50

HEX #5B6D80

RGB 91 109 128

HSL 210.81, 0.17%, 0.43%

LAB 45.25, -1.97, -12.72

 

CMYK 29 / 23 / 0 / 50

HEX #5B6380

RGB 91 99 128

HSL 227.03, 0.17%, 0.43%

LAB 42.32, 4.07, -17.18

 

CMYK 29 / 29 / 0 / 50

HEX #5B5B80

RGB 91 91 128

HSL 240, 0.17%, 0.43%

LAB 40.02, 9.02, -20.71

 

CMYK 29 / 6 / 0 / 50

HEX #5B7880

RGB 91 120 128

HSL 192.97, 0.17%, 0.43%

LAB 48.53, -8.39, -7.78

 

CMYK 50 / 12 / 0 / 43

HEX #498192

RGB 73 129 146

HSL 193.97, 0.33%, 0.43%

LAB 50.91, -13.57, -14.87

 

CMYK 66 / 15 / 0 / 36

HEX #378BA3

RGB 55 139 163

HSL 193.33, 0.5%, 0.43%

LAB 53.94, -17.47, -20.17

 

CMYK 80 / 18 / 0 / 29

HEX #2595B5

RGB 37 149 181

HSL 193.33, 0.66%, 0.43%

LAB 57.29, -19.27, -25.36

 

CMYK 90 / 20 / 0 / 22

HEX #149FC7

RGB 20 159 199

HSL 193.41, 0.82%, 0.43%

LAB 60.84, -19.66, -30.04

 

CMYK 29 / 6 / 0 / 50

HEX #5B7880

RGB 91 120 128

HSL 192.97, 0.17%, 0.43%

LAB 48.53, -8.39, -7.78

 

CMYK 2 / 0 / 0 / 57

HEX #6C6E6E

RGB 108 110 110

HSL 180, 0.01%, 0.43%

LAB 46.27, -0.76, -0.27

 

CMYK 0 / 21 / 27 / 51

HEX #7E645C

RGB 126 100 92

HSL 14.12, 0.16%, 0.43%

LAB 44.69, 9.16, 8.5

 

CMYK 0 / 38 / 48 / 44

HEX #905A4B

RGB 144 90 75

HSL 13.04, 0.32%, 0.43%

LAB 43.87, 20.45, 17.94

 

CMYK 0 / 50 / 65 / 37

HEX #A15039

RGB 161 80 57

HSL 13.27, 0.48%, 0.43%

LAB 43.67, 31.56, 28.8

 

CMYK 29 / 0 / 9 / 50

HEX #5B8074

RGB 91 128 116

HSL 160.54, 0.17%, 0.43%

LAB 50.6, -15.74, 2.33

 

CMYK 29 / 0 / 2 / 50

HEX #5B807E

RGB 91 128 126

HSL 176.76, 0.17%, 0.43%

LAB 50.88, -13.37, -3.11

 

CMYK 29 / 6 / 0 / 50

HEX #5B7880

RGB 91 120 128

HSL 192.97, 0.17%, 0.43%

LAB 48.53, -8.39, -7.78

 

CMYK 29 / 14 / 0 / 50

HEX #5B6E80

RGB 91 110 128

HSL 209.19, 0.17%, 0.43%

LAB 45.54, -2.57, -12.27

 

CMYK 29 / 22 / 0 / 50

HEX #5B6480

RGB 91 100 128

HSL 225.41, 0.17%, 0.43%

LAB 42.61, 3.45, -16.73

 

CMYK 30 / 7 / 0 / 69

HEX #384A50

RGB 56 74 80

HSL 195, 0.18%, 0.27%

LAB 30.2, -5.42, -5.88

 

CMYK 30 / 7 / 0 / 59

HEX #496168

RGB 73 97 104

HSL 193.55, 0.18%, 0.35%

LAB 39.52, -7.11, -6.9

 

CMYK 29 / 6 / 0 / 50

HEX #5B7880

RGB 91 120 128

HSL 192.97, 0.17%, 0.43%

LAB 48.53, -8.39, -7.78

 

CMYK 28 / 6 / 0 / 41

HEX #6D8E97

RGB 109 142 151

HSL 192.86, 0.17%, 0.51%

LAB 56.91, -9.31, -8.55

 

CMYK 21 / 5 / 0 / 34

HEX #85A0A8

RGB 133 160 168

HSL 193.71, 0.17%, 0.59%

LAB 64.12, -7.56, -7.28

 

CMYK 28 / 6 / 0 / 50

HEX #5B777F

RGB 91 119 127

HSL 193.33, 0.17%, 0.43%

LAB 48.2, -8.07, -7.69

 

CMYK 17 / 29 / 0 / 50

HEX #6A5B80

RGB 106 91 128

HSL 264.32, 0.17%, 0.43%

LAB 41.38, 14.06, -18.5

 

CMYK 0 / 5 / 29 / 50

HEX #80795B

RGB 128 121 91

HSL 48.65, 0.17%, 0.43%

LAB 50.71, -2.4, 17.45

 

CMYK 28 / 6 / 0 / 50

HEX #5B777F

RGB 91 119 127

HSL 193.33, 0.17%, 0.43%

LAB 48.2, -8.07, -7.69

 

CMYK 0 / 29 / 6 / 50

HEX #805B78

RGB 128 91 120

HSL 312.97, 0.17%, 0.43%

LAB 43.4, 20.23, -10.35

 

CMYK 6 / 0 / 29 / 50

HEX #78805B

RGB 120 128 91

HSL 72.97, 0.17%, 0.43%

LAB 52.05, -9.66, 19.15

 

CMYK 28 / 6 / 0 / 50

HEX #5B777F

RGB 91 119 127

HSL 193.33, 0.17%, 0.43%

LAB 48.2, -8.07, -7.69

 

CMYK 17 / 29 / 0 / 50

HEX #6A5B80

RGB 106 91 128

HSL 264.32, 0.17%, 0.43%

LAB 41.38, 14.06, -18.5

 

CMYK 0 / 23 / 29 / 50

HEX #80635B

RGB 128 99 91

HSL 12.97, 0.17%, 0.43%

LAB 44.62, 10.44, 9.03

 

CMYK 13 / 0 / 29 / 50

HEX #70805B

RGB 112 128 91

HSL 85.95, 0.17%, 0.43%

LAB 51.43, -12.9, 18.2

 

CMYK 28 / 6 / 0 / 50

HEX #5B777F

RGB 91 119 127

HSL 193.33, 0.17%, 0.43%

LAB 48.2, -8.07, -7.69

 

CMYK 9 / 29 / 0 / 50

HEX #755B80

RGB 117 91 128

HSL 282.16, 0.17%, 0.43%

LAB 42.49, 17.91, -16.7

 

CMYK 0 / 23 / 29 / 50

HEX #80635B

RGB 128 99 91

HSL 12.97, 0.17%, 0.43%

LAB 44.62, 10.44, 9.03

 

CMYK 21 / 0 / 29 / 50

HEX #65805B

RGB 101 128 91

HSL 103.78, 0.17%, 0.43%

LAB 50.64, -17.2, 17.01

 

Description

Color code: HEX #5B777F | qconv.com Color code: HEX #5B777F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 119 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 119 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 6 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 6% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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