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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B7976 it is the complementary color #A48689. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B7976. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B7976 shade: #607971, #718B84, #829D97, #93AFAA and #A4C1BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B7976. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B7976 shade: #5B7976, #4A6763, #395550, #28433D and #17312A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B7976 shade: #5C7A77, #5C7A6F, #5C7A66, #5C7A5E and #617A5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B7976 shade: #5C7A77, #5C757A, #5C6C7A, #5C647A and #5C5C7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B7976 shade matches the following richer shades: #5C7A77, #4A8B84, #399C92, #28AEA0 and #16BFAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B7976 shade: #5C7A77, #6D6869, #7E575B, #90464D and #A1343F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B7976 shade: #5C7A67, #5C7A6F, #5C7A77, #5C757A and #5C6D7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B7976 shade: #384B49, #4A6260, #5C7A77, #6D918D and #85A3A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B7976 shade: #5B7976, #5F5C7A and #7A6B5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B7976 shade: #5B7976, #775C7A and #7A775C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B7976 shade: #5B7976, #5F5C7A, #7A5C5F and #777A5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B7976 shade: #5B7976, #685C7A, #7A5C5F and #6E7A5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 2 / 53

HEX #5B7976

RGB 91 121 118

HSL 174, 0.14%, 0.42%

LAB 48.52, -11.42, -1.88

 

Complementary color

CMYK 0 / 18 / 16 / 36

HEX #A48689

RGB 164 134 137

HSL 354, 0.14%, 0.58%

LAB 58.74, 11.91, 2.69

 

CMYK 21 / 0 / 7 / 53

HEX #607971

RGB 96 121 113

HSL 160.8, 0.12%, 0.43%

LAB 48.7, -10.86, 1.38

 

CMYK 19 / 0 / 5 / 45

HEX #718B84

RGB 113 139 132

HSL 163.85, 0.1%, 0.49%

LAB 55.73, -10.75, 0.67

 

CMYK 17 / 0 / 4 / 38

HEX #829D97

RGB 130 157 151

HSL 166.67, 0.12%, 0.56%

LAB 62.59, -10.67, -0.01

 

CMYK 16 / 0 / 3 / 31

HEX #93AFAA

RGB 147 175 170

HSL 169.29, 0.15%, 0.63%

LAB 69.3, -10.61, -0.66

 

CMYK 15 / 0 / 2 / 24

HEX #A4C1BD

RGB 164 193 189

HSL 171.72, 0.19%, 0.7%

LAB 75.89, -10.56, -1.28

 

CMYK 25 / 0 / 2 / 53

HEX #5B7976

RGB 91 121 118

HSL 174, 0.14%, 0.42%

LAB 48.52, -11.42, -1.88

 

CMYK 28 / 0 / 4 / 60

HEX #4A6763

RGB 74 103 99

HSL 171.72, 0.16%, 0.35%

LAB 41.31, -11.55, -1.19

 

CMYK 33 / 0 / 6 / 67

HEX #395550

RGB 57 85 80

HSL 169.29, 0.2%, 0.28%

LAB 33.87, -11.71, -0.44

 

CMYK 40 / 0 / 9 / 74

HEX #28433D

RGB 40 67 61

HSL 166.67, 0.25%, 0.21%

LAB 26.16, -11.91, 0.39

 

CMYK 53 / 0 / 14 / 81

HEX #17312A

RGB 23 49 42

HSL 163.85, 0.36%, 0.14%

LAB 18.13, -12.12, 1.37

 

CMYK 25 / 0 / 2 / 52

HEX #5C7A77

RGB 92 122 119

HSL 174, 0.14%, 0.42%

LAB 48.92, -11.41, -1.88

 

CMYK 25 / 0 / 9 / 52

HEX #5C7A6F

RGB 92 122 111

HSL 158, 0.14%, 0.42%

LAB 48.69, -13.25, 2.51

 

CMYK 25 / 0 / 16 / 52

HEX #5C7A66

RGB 92 122 102

HSL 140, 0.14%, 0.42%

LAB 48.45, -15.2, 7.48

 

CMYK 25 / 0 / 23 / 52

HEX #5C7A5E

RGB 92 122 94

HSL 124, 0.14%, 0.42%

LAB 48.26, -16.81, 11.9

 

CMYK 20 / 0 / 25 / 52

HEX #617A5C

RGB 97 122 92

HSL 110, 0.14%, 0.42%

LAB 48.55, -15.31, 13.52

 

CMYK 25 / 0 / 2 / 52

HEX #5C7A77

RGB 92 122 119

HSL 174, 0.14%, 0.42%

LAB 48.92, -11.41, -1.88

 

CMYK 25 / 4 / 0 / 52

HEX #5C757A

RGB 92 117 122

HSL 190, 0.14%, 0.42%

LAB 47.5, -7.85, -5.75

 

CMYK 25 / 11 / 0 / 52

HEX #5C6C7A

RGB 92 108 122

HSL 208, 0.14%, 0.42%

LAB 44.81, -2.6, -9.77

 

CMYK 25 / 18 / 0 / 52

HEX #5C647A

RGB 92 100 122

HSL 224, 0.14%, 0.42%

LAB 42.45, 2.21, -13.33

 

CMYK 25 / 25 / 0 / 52

HEX #5C5C7A

RGB 92 92 122

HSL 240, 0.14%, 0.42%

LAB 40.14, 7.13, -16.86

 

CMYK 25 / 0 / 2 / 52

HEX #5C7A77

RGB 92 122 119

HSL 174, 0.14%, 0.42%

LAB 48.92, -11.41, -1.88

 

CMYK 47 / 0 / 5 / 45

HEX #4A8B84

RGB 74 139 132

HSL 173.54, 0.31%, 0.42%

LAB 53.59, -22.59, -2.72

 

CMYK 63 / 0 / 6 / 39

HEX #399C92

RGB 57 156 146

HSL 173.94, 0.46%, 0.42%

LAB 58.72, -30.91, -3.26

 

CMYK 77 / 0 / 8 / 32

HEX #28AEA0

RGB 40 174 160

HSL 173.73, 0.63%, 0.42%

LAB 64.37, -37.79, -2.85

 

CMYK 88 / 0 / 9 / 25

HEX #16BFAE

RGB 22 191 174

HSL 173.96, 0.79%, 0.42%

LAB 69.82, -42.84, -2.61

 

CMYK 25 / 0 / 2 / 52

HEX #5C7A77

RGB 92 122 119

HSL 174, 0.14%, 0.42%

LAB 48.92, -11.41, -1.88

 

CMYK 0 / 5 / 4 / 57

HEX #6D6869

RGB 109 104 105

HSL 348, 0.02%, 0.42%

LAB 44.48, 2.16, 0.13

 

CMYK 0 / 31 / 28 / 51

HEX #7E575B

RGB 126 87 91

HSL 353.85, 0.18%, 0.42%

LAB 41.23, 16.76, 4.18

 

CMYK 0 / 51 / 47 / 44

HEX #90464D

RGB 144 70 77

HSL 354.32, 0.35%, 0.42%

LAB 39.32, 31.95, 10.5

 

CMYK 0 / 68 / 61 / 37

HEX #A1343F

RGB 161 52 63

HSL 353.94, 0.51%, 0.42%

LAB 38.54, 45.66, 18.68

 

CMYK 25 / 0 / 16 / 52

HEX #5C7A67

RGB 92 122 103

HSL 142, 0.14%, 0.42%

LAB 48.48, -14.99, 6.92

 

CMYK 25 / 0 / 9 / 52

HEX #5C7A6F

RGB 92 122 111

HSL 158, 0.14%, 0.42%

LAB 48.69, -13.25, 2.51

 

CMYK 25 / 0 / 2 / 52

HEX #5C7A77

RGB 92 122 119

HSL 174, 0.14%, 0.42%

LAB 48.92, -11.41, -1.88

 

CMYK 25 / 4 / 0 / 52

HEX #5C757A

RGB 92 117 122

HSL 190, 0.14%, 0.42%

LAB 47.5, -7.85, -5.75

 

CMYK 25 / 11 / 0 / 52

HEX #5C6D7A

RGB 92 109 122

HSL 206, 0.14%, 0.42%

LAB 45.11, -3.19, -9.33

 

CMYK 25 / 0 / 3 / 71

HEX #384B49

RGB 56 75 73

HSL 173.68, 0.15%, 0.26%

LAB 30.29, -7.9, -1.25

 

CMYK 24 / 0 / 2 / 62

HEX #4A6260

RGB 74 98 96

HSL 175, 0.14%, 0.34%

LAB 39.64, -9.4, -1.8

 

CMYK 25 / 0 / 2 / 52

HEX #5C7A77

RGB 92 122 119

HSL 174, 0.14%, 0.42%

LAB 48.92, -11.41, -1.88

 

CMYK 25 / 0 / 3 / 43

HEX #6D918D

RGB 109 145 141

HSL 173.33, 0.14%, 0.5%

LAB 57.49, -13.34, -1.96

 

CMYK 18 / 0 / 2 / 36

HEX #85A3A0

RGB 133 163 160

HSL 174, 0.14%, 0.58%

LAB 64.74, -10.96, -1.89

 

CMYK 25 / 0 / 2 / 53

HEX #5B7976

RGB 91 121 118

HSL 174, 0.14%, 0.42%

LAB 48.52, -11.42, -1.88

 

CMYK 22 / 25 / 0 / 52

HEX #5F5C7A

RGB 95 92 122

HSL 246, 0.14%, 0.42%

LAB 40.4, 8.15, -16.44

 

CMYK 0 / 12 / 25 / 52

HEX #7A6B5C

RGB 122 107 92

HSL 30, 0.14%, 0.42%

LAB 46.21, 3.33, 10.58

 

CMYK 25 / 0 / 2 / 53

HEX #5B7976

RGB 91 121 118

HSL 174, 0.14%, 0.42%

LAB 48.52, -11.42, -1.88

 

CMYK 2 / 25 / 0 / 52

HEX #775C7A

RGB 119 92 122

HSL 294, 0.14%, 0.42%

LAB 42.74, 16.72, -12.67

 

CMYK 0 / 2 / 25 / 52

HEX #7A775C

RGB 122 119 92

HSL 54, 0.14%, 0.42%

LAB 49.62, -3.62, 15.3

 

CMYK 25 / 0 / 2 / 53

HEX #5B7976

RGB 91 121 118

HSL 174, 0.14%, 0.42%

LAB 48.52, -11.42, -1.88

 

CMYK 22 / 25 / 0 / 52

HEX #5F5C7A

RGB 95 92 122

HSL 246, 0.14%, 0.42%

LAB 40.4, 8.15, -16.44

 

CMYK 0 / 25 / 22 / 52

HEX #7A5C5F

RGB 122 92 95

HSL 354, 0.14%, 0.42%

LAB 42.18, 12.76, 3.04

 

CMYK 2 / 0 / 25 / 52

HEX #777A5C

RGB 119 122 92

HSL 66, 0.14%, 0.42%

LAB 50.23, -6.57, 16.1

 

CMYK 25 / 0 / 2 / 53

HEX #5B7976

RGB 91 121 118

HSL 174, 0.14%, 0.42%

LAB 48.52, -11.42, -1.88

 

CMYK 15 / 25 / 0 / 52

HEX #685C7A

RGB 104 92 122

HSL 264, 0.14%, 0.42%

LAB 41.22, 11.3, -15.11

 

CMYK 0 / 25 / 22 / 52

HEX #7A5C5F

RGB 122 92 95

HSL 354, 0.14%, 0.42%

LAB 42.18, 12.76, 3.04

 

CMYK 10 / 0 / 25 / 52

HEX #6E7A5C

RGB 110 122 92

HSL 84, 0.14%, 0.42%

LAB 49.5, -10.23, 14.98

 

Description

Color code: HEX #5B7976 | qconv.com Color code: HEX #5B7976 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 121 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 121 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 2 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 2% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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