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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B8429 it is the complementary color #A47BD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B8429. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B8429 shade: #608424, #719637, #82A84A, #93BA5D and #A4CC70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B8429. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B8429 shade: #5B8429, #4A7216, #396003, #284E00 and #173C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B8429 shade: #5B8428, #748428, #847C28, #846328 and #844A28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B8429 shade: #5B8428, #428428, #298428, #288440 and #288459

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B8429 shade matches the following richer shades: #5B8428, #5C921A and #5EA00C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B8429 shade: #5B8428, #597636, #586844, #575A52 and #554C60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B8429 shade: #847C28, #738428, #5B8428, #428428 and #2A8428

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B8429 shade: #2F4515, #45651F, #5B8428, #70A432 and #86C33C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B8429 shade: #5B8429, #288464 and #842880

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B8429 shade: #5B8429, #285B84 and #84285B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B8429 shade: #5B8429, #288464, #522884 and #842848

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B8429 shade: #5B8429, #288480, #522884 and #84282D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 69 / 48

HEX #5B8429

RGB 91 132 41

HSL 87.03, 0.53%, 0.34%

LAB 50.55, -29.48, 42.84

 

Complementary color

CMYK 23 / 43 / 0 / 16

HEX #A47BD6

RGB 164 123 214

HSL 267.03, 0.53%, 0.66%

LAB 58.89, 33.95, -40.98

 

CMYK 27 / 0 / 73 / 48

HEX #608424

RGB 96 132 36

HSL 82.5, 0.57%, 0.33%

LAB 50.82, -27.84, 45.29

 

CMYK 25 / 0 / 63 / 41

HEX #719637

RGB 113 150 55

HSL 83.37, 0.46%, 0.4%

LAB 57.65, -28.2, 44.7

 

CMYK 23 / 0 / 56 / 34

HEX #82A84A

RGB 130 168 74

HSL 84.26, 0.39%, 0.47%

LAB 64.36, -28.41, 43.72

 

CMYK 21 / 0 / 50 / 27

HEX #93BA5D

RGB 147 186 93

HSL 85.16, 0.4%, 0.55%

LAB 70.95, -28.51, 42.6

 

CMYK 20 / 0 / 45 / 20

HEX #A4CC70

RGB 164 204 112

HSL 86.09, 0.47%, 0.62%

LAB 77.43, -28.56, 41.43

 

CMYK 31 / 0 / 69 / 48

HEX #5B8429

RGB 91 132 41

HSL 87.03, 0.53%, 0.34%

LAB 50.55, -29.48, 42.84

 

CMYK 35 / 0 / 81 / 55

HEX #4A7216

RGB 74 114 22

HSL 86.09, 0.68%, 0.27%

LAB 43.58, -29.02, 42.99

 

CMYK 41 / 0 / 97 / 62

HEX #396003

RGB 57 96 3

HSL 85.16, 0.94%, 0.19%

LAB 36.45, -28.24, 41.85

 

CMYK 49 / 0 / 100 / 69

HEX #284E00

RGB 40 78 0

HSL 89.23, 1%, 0.15%

LAB 29.16, -26.74, 36.7

 

CMYK 62 / 0 / 100 / 76

HEX #173C00

RGB 23 60 0

HSL 97, 1%, 0.12%

LAB 21.63, -24.87, 29.35

 

CMYK 31 / 0 / 70 / 48

HEX #5B8428

RGB 91 132 40

HSL 86.74, 0.53%, 0.34%

LAB 50.55, -29.56, 43.26

 

CMYK 12 / 0 / 70 / 48

HEX #748428

RGB 116 132 40

HSL 70.43, 0.53%, 0.34%

LAB 52.25, -19.05, 45.56

 

CMYK 0 / 6 / 70 / 48

HEX #847C28

RGB 132 124 40

HSL 54.78, 0.53%, 0.34%

LAB 51.24, -7.52, 44.96

 

CMYK 0 / 25 / 70 / 48

HEX #846328

RGB 132 99 40

HSL 38.48, 0.53%, 0.34%

LAB 44.21, 6.79, 37.6

 

CMYK 0 / 44 / 70 / 48

HEX #844A28

RGB 132 74 40

HSL 22.17, 0.53%, 0.34%

LAB 37.76, 21.49, 30.48

 

CMYK 31 / 0 / 70 / 48

HEX #5B8428

RGB 91 132 40

HSL 86.74, 0.53%, 0.34%

LAB 50.55, -29.56, 43.26

 

CMYK 50 / 0 / 70 / 48

HEX #428428

RGB 66 132 40

HSL 103.04, 0.53%, 0.34%

LAB 49.27, -38.55, 41.53

 

CMYK 69 / 0 / 70 / 48

HEX #298428

RGB 41 132 40

HSL 119.35, 0.53%, 0.34%

LAB 48.42, -45.23, 40.37

 

CMYK 70 / 0 / 52 / 48

HEX #288440

RGB 40 132 64

HSL 135.65, 0.53%, 0.34%

LAB 48.67, -42.28, 28.91

 

CMYK 70 / 0 / 33 / 48

HEX #288459

RGB 40 132 89

HSL 151.96, 0.53%, 0.34%

LAB 49.1, -37.46, 15.59

 

CMYK 31 / 0 / 70 / 48

HEX #5B8428

RGB 91 132 40

HSL 86.74, 0.53%, 0.34%

LAB 50.55, -29.56, 43.26

 

CMYK 37 / 0 / 82 / 43

HEX #5C921A

RGB 92 146 26

HSL 87, 0.7%, 0.34%

LAB 54.98, -36.46, 52.64

 

CMYK 41 / 0 / 93 / 37

HEX #5EA00C

RGB 94 160 12

HSL 86.76, 0.86%, 0.34%

LAB 59.48, -42.23, 59.7

 

CMYK 31 / 0 / 70 / 48

HEX #5B8428

RGB 91 132 40

HSL 86.74, 0.53%, 0.34%

LAB 50.55, -29.56, 43.26

 

CMYK 25 / 0 / 54 / 54

HEX #597636

RGB 89 118 54

HSL 87.19, 0.37%, 0.34%

LAB 46.11, -22.1, 31.57

 

CMYK 15 / 0 / 35 / 59

HEX #586844

RGB 88 104 68

HSL 86.67, 0.21%, 0.34%

LAB 41.83, -13.1, 18.34

 

CMYK 3 / 0 / 9 / 65

HEX #575A52

RGB 87 90 82

HSL 82.5, 0.05%, 0.34%

LAB 37.75, -2.86, 4.21

 

CMYK 11 / 21 / 0 / 62

HEX #554C60

RGB 85 76 96

HSL 267, 0.12%, 0.34%

LAB 33.87, 8.14, -10.32

 

CMYK 0 / 6 / 70 / 48

HEX #847C28

RGB 132 124 40

HSL 54.78, 0.53%, 0.34%

LAB 51.24, -7.52, 44.96

 

CMYK 13 / 0 / 70 / 48

HEX #738428

RGB 115 132 40

HSL 71.09, 0.53%, 0.34%

LAB 52.18, -19.49, 45.46

 

CMYK 31 / 0 / 70 / 48

HEX #5B8428

RGB 91 132 40

HSL 86.74, 0.53%, 0.34%

LAB 50.55, -29.56, 43.26

 

CMYK 50 / 0 / 70 / 48

HEX #428428

RGB 66 132 40

HSL 103.04, 0.53%, 0.34%

LAB 49.27, -38.55, 41.53

 

CMYK 68 / 0 / 70 / 48

HEX #2A8428

RGB 42 132 40

HSL 118.7, 0.53%, 0.34%

LAB 48.45, -45.02, 40.4

 

CMYK 32 / 0 / 70 / 73

HEX #2F4515

RGB 47 69 21

HSL 87.5, 0.53%, 0.18%

LAB 26.49, -17.83, 25.56

 

CMYK 32 / 0 / 69 / 60

HEX #45651F

RGB 69 101 31

HSL 87.43, 0.53%, 0.26%

LAB 39.02, -24.09, 34.67

 

CMYK 31 / 0 / 70 / 48

HEX #5B8428

RGB 91 132 40

HSL 86.74, 0.53%, 0.34%

LAB 50.55, -29.56, 43.26

 

CMYK 32 / 0 / 70 / 36

HEX #70A432

RGB 112 164 50

HSL 87.37, 0.53%, 0.42%

LAB 61.85, -35.54, 51.27

 

CMYK 31 / 0 / 69 / 24

HEX #86C33C

RGB 134 195 60

HSL 87.11, 0.53%, 0.5%

LAB 72.51, -40.47, 58.73

 

CMYK 31 / 0 / 69 / 48

HEX #5B8429

RGB 91 132 41

HSL 87.03, 0.53%, 0.34%

LAB 50.55, -29.48, 42.84

 

CMYK 70 / 0 / 24 / 48

HEX #288464

RGB 40 132 100

HSL 159.13, 0.53%, 0.34%

LAB 49.34, -34.88, 9.59

 

CMYK 0 / 70 / 3 / 48

HEX #842880

RGB 132 40 128

HSL 302.61, 0.53%, 0.34%

LAB 33.94, 49.85, -29.84

 

CMYK 31 / 0 / 69 / 48

HEX #5B8429

RGB 91 132 41

HSL 87.03, 0.53%, 0.34%

LAB 50.55, -29.48, 42.84

 

CMYK 70 / 31 / 0 / 48

HEX #285B84

RGB 40 91 132

HSL 206.74, 0.53%, 0.34%

LAB 37.11, -2.9, -27.91

 

CMYK 0 / 70 / 31 / 48

HEX #84285B

RGB 132 40 91

HSL 326.74, 0.53%, 0.34%

LAB 32.21, 44.16, -9.01

 

CMYK 31 / 0 / 69 / 48

HEX #5B8429

RGB 91 132 41

HSL 87.03, 0.53%, 0.34%

LAB 50.55, -29.48, 42.84

 

CMYK 70 / 0 / 24 / 48

HEX #288464

RGB 40 132 100

HSL 159.13, 0.53%, 0.34%

LAB 49.34, -34.88, 9.59

 

CMYK 38 / 70 / 0 / 48

HEX #522884

RGB 82 40 132

HSL 267.39, 0.53%, 0.34%

LAB 26.67, 38.82, -44.4

 

CMYK 0 / 70 / 45 / 48

HEX #842848

RGB 132 40 72

HSL 339.13, 0.53%, 0.34%

LAB 31.56, 41.91, 2.42

 

CMYK 31 / 0 / 69 / 48

HEX #5B8429

RGB 91 132 41

HSL 87.03, 0.53%, 0.34%

LAB 50.55, -29.48, 42.84

 

CMYK 70 / 0 / 3 / 48

HEX #288480

RGB 40 132 128

HSL 177.39, 0.53%, 0.34%

LAB 50.11, -27.2, -5.66

 

CMYK 38 / 70 / 0 / 48

HEX #522884

RGB 82 40 132

HSL 267.39, 0.53%, 0.34%

LAB 26.67, 38.82, -44.4

 

CMYK 0 / 70 / 66 / 48

HEX #84282D

RGB 132 40 45

HSL 356.74, 0.53%, 0.34%

LAB 30.91, 39.6, 19.2

 

Description

Color code: HEX #5B8429 | qconv.com Color code: HEX #5B8429 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 132 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 132 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 69 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 69% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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