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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B8B50 it is the complementary color #A474AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B8B50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B8B50 shade: #608B4B, #719D5E, #82AF71, #93C184 and #A4D397

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B8B50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B8B50 shade: #5B8B50, #4A793D, #39672A, #285517 and #174304

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B8B50 shade: #5B8B50, #6B8B50, #7B8B50, #8A8B50 and #8B7B50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B8B50 shade: #5B8B50, #508B54, #508B64, #508B74 and #508B84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B8B50 shade matches the following richer shades: #5B8B50, #4F9C3E, #44AE2C, #39C01A and #2ED209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B8B50 shade: #5B8B50, #667961, #716773, #7C5685 and #874497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B8B50 shade: #7B8B50, #6B8B50, #5B8B50, #508B53 and #508B63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B8B50 shade: #385631, #497140, #5B8B50, #6DA360 and #85B37A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B8B50 shade: #5B8B50, #508B8B and #8B5073

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B8B50 shade: #5B8B50, #505B8B and #8B505B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B8B50 shade: #5B8B50, #508B8B, #7F508B and #8B5050

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B8B50 shade: #5B8B50, #50798B, #7F508B and #8B6150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 42 / 45

HEX #5B8B50

RGB 91 139 80

HSL 108.81, 0.27%, 0.43%

LAB 53.24, -28.29, 26.51

 

Complementary color

CMYK 6 / 34 / 0 / 31

HEX #A474AF

RGB 164 116 175

HSL 288.81, 0.27%, 0.57%

LAB 55.56, 29.28, -23.97

 

CMYK 31 / 0 / 46 / 45

HEX #608B4B

RGB 96 139 75

HSL 100.31, 0.3%, 0.42%

LAB 53.45, -27.2, 29.53

 

CMYK 28 / 0 / 40 / 38

HEX #719D5E

RGB 113 157 94

HSL 101.9, 0.25%, 0.49%

LAB 60.28, -27.05, 28.27

 

CMYK 26 / 0 / 35 / 31

HEX #82AF71

RGB 130 175 113

HSL 103.55, 0.28%, 0.56%

LAB 66.97, -26.88, 27.07

 

CMYK 24 / 0 / 32 / 24

HEX #93C184

RGB 147 193 132

HSL 105.25, 0.33%, 0.64%

LAB 73.55, -26.7, 25.94

 

CMYK 22 / 0 / 28 / 17

HEX #A4D397

RGB 164 211 151

HSL 107, 0.41%, 0.71%

LAB 80.02, -26.53, 24.87

 

CMYK 35 / 0 / 42 / 45

HEX #5B8B50

RGB 91 139 80

HSL 108.81, 0.27%, 0.43%

LAB 53.24, -28.29, 26.51

 

CMYK 39 / 0 / 50 / 53

HEX #4A793D

RGB 74 121 61

HSL 107, 0.33%, 0.36%

LAB 46.27, -28.46, 27.83

 

CMYK 45 / 0 / 59 / 60

HEX #39672A

RGB 57 103 42

HSL 105.25, 0.42%, 0.28%

LAB 39.13, -28.51, 29.15

 

CMYK 53 / 0 / 73 / 67

HEX #285517

RGB 40 85 23

HSL 103.55, 0.57%, 0.21%

LAB 31.83, -28.3, 30.24

 

CMYK 66 / 0 / 94 / 74

HEX #174304

RGB 23 67 4

HSL 101.9, 0.89%, 0.14%

LAB 24.34, -27.54, 30.51

 

CMYK 35 / 0 / 42 / 45

HEX #5B8B50

RGB 91 139 80

HSL 108.81, 0.27%, 0.43%

LAB 53.24, -28.29, 26.51

 

CMYK 23 / 0 / 42 / 45

HEX #6B8B50

RGB 107 139 80

HSL 92.54, 0.27%, 0.43%

LAB 54.21, -22.33, 27.94

 

CMYK 12 / 0 / 42 / 45

HEX #7B8B50

RGB 123 139 80

HSL 76.27, 0.27%, 0.43%

LAB 55.33, -15.9, 29.6

 

CMYK 1 / 0 / 42 / 45

HEX #8A8B50

RGB 138 139 80

HSL 61.02, 0.27%, 0.43%

LAB 56.53, -9.6, 31.37

 

CMYK 0 / 12 / 42 / 45

HEX #8B7B50

RGB 139 123 80

HSL 43.73, 0.27%, 0.43%

LAB 52.1, -0.27, 25.75

 

CMYK 35 / 0 / 42 / 45

HEX #5B8B50

RGB 91 139 80

HSL 108.81, 0.27%, 0.43%

LAB 53.24, -28.29, 26.51

 

CMYK 42 / 0 / 40 / 45

HEX #508B54

RGB 80 139 84

HSL 124.07, 0.27%, 0.43%

LAB 52.74, -31.36, 23.55

 

CMYK 42 / 0 / 28 / 45

HEX #508B64

RGB 80 139 100

HSL 140.34, 0.27%, 0.43%

LAB 53.05, -28.38, 14.97

 

CMYK 42 / 0 / 17 / 45

HEX #508B74

RGB 80 139 116

HSL 156.61, 0.27%, 0.43%

LAB 53.42, -24.92, 6.32

 

CMYK 42 / 0 / 5 / 45

HEX #508B84

RGB 80 139 132

HSL 172.88, 0.27%, 0.43%

LAB 53.85, -21.01, -2.3

 

CMYK 35 / 0 / 42 / 45

HEX #5B8B50

RGB 91 139 80

HSL 108.81, 0.27%, 0.43%

LAB 53.24, -28.29, 26.51

 

CMYK 49 / 0 / 60 / 39

HEX #4F9C3E

RGB 79 156 62

HSL 109.15, 0.43%, 0.43%

LAB 57.83, -42.28, 41.18

 

CMYK 61 / 0 / 75 / 32

HEX #44AE2C

RGB 68 174 44

HSL 108.92, 0.6%, 0.43%

LAB 63.08, -53.87, 54.18

 

CMYK 70 / 0 / 86 / 25

HEX #39C01A

RGB 57 192 26

HSL 108.8, 0.76%, 0.43%

LAB 68.49, -63.25, 64.26

 

CMYK 78 / 0 / 96 / 18

HEX #2ED209

RGB 46 210 9

HSL 108.96, 0.92%, 0.43%

LAB 73.99, -70.9, 71.41

 

CMYK 35 / 0 / 42 / 45

HEX #5B8B50

RGB 91 139 80

HSL 108.81, 0.27%, 0.43%

LAB 53.24, -28.29, 26.51

 

CMYK 16 / 0 / 20 / 53

HEX #667961

RGB 102 121 97

HSL 107.5, 0.11%, 0.43%

LAB 48.71, -11.93, 10.88

 

CMYK 2 / 10 / 0 / 55

HEX #716773

RGB 113 103 115

HSL 290, 0.06%, 0.43%

LAB 44.87, 6.35, -5.28

 

CMYK 7 / 35 / 0 / 48

HEX #7C5685

RGB 124 86 133

HSL 288.51, 0.21%, 0.43%

LAB 42.21, 24.46, -20.11

 

CMYK 11 / 55 / 0 / 41

HEX #874497

RGB 135 68 151

HSL 288.43, 0.38%, 0.43%

LAB 40.44, 41.95, -33.65

 

CMYK 12 / 0 / 42 / 45

HEX #7B8B50

RGB 123 139 80

HSL 76.27, 0.27%, 0.43%

LAB 55.33, -15.9, 29.6

 

CMYK 23 / 0 / 42 / 45

HEX #6B8B50

RGB 107 139 80

HSL 92.54, 0.27%, 0.43%

LAB 54.21, -22.33, 27.94

 

CMYK 35 / 0 / 42 / 45

HEX #5B8B50

RGB 91 139 80

HSL 108.81, 0.27%, 0.43%

LAB 53.24, -28.29, 26.51

 

CMYK 42 / 0 / 40 / 45

HEX #508B53

RGB 80 139 83

HSL 123.05, 0.27%, 0.43%

LAB 52.72, -31.53, 24.08

 

CMYK 42 / 0 / 29 / 45

HEX #508B63

RGB 80 139 99

HSL 139.32, 0.27%, 0.43%

LAB 53.03, -28.58, 15.51

 

CMYK 35 / 0 / 43 / 66

HEX #385631

RGB 56 86 49

HSL 108.65, 0.27%, 0.26%

LAB 33.39, -19.33, 18.09

 

CMYK 35 / 0 / 43 / 56

HEX #497140

RGB 73 113 64

HSL 108.98, 0.28%, 0.35%

LAB 43.65, -24.43, 22.84

 

CMYK 35 / 0 / 42 / 45

HEX #5B8B50

RGB 91 139 80

HSL 108.81, 0.27%, 0.43%

LAB 53.24, -28.29, 26.51

 

CMYK 33 / 0 / 41 / 36

HEX #6DA360

RGB 109 163 96

HSL 108.36, 0.27%, 0.51%

LAB 61.9, -31.07, 29.27

 

CMYK 26 / 0 / 32 / 30

HEX #85B37A

RGB 133 179 122

HSL 108.42, 0.27%, 0.59%

LAB 68.48, -26.37, 24.31

 

CMYK 35 / 0 / 42 / 45

HEX #5B8B50

RGB 91 139 80

HSL 108.81, 0.27%, 0.43%

LAB 53.24, -28.29, 26.51

 

CMYK 42 / 0 / 0 / 45

HEX #508B8B

RGB 80 139 139

HSL 180, 0.27%, 0.43%

LAB 54.06, -19.18, -6.04

 

CMYK 0 / 42 / 17 / 45

HEX #8B5073

RGB 139 80 115

HSL 324.41, 0.27%, 0.43%

LAB 41.94, 29.79, -9.35

 

CMYK 35 / 0 / 42 / 45

HEX #5B8B50

RGB 91 139 80

HSL 108.81, 0.27%, 0.43%

LAB 53.24, -28.29, 26.51

 

CMYK 42 / 35 / 0 / 45

HEX #505B8B

RGB 80 91 139

HSL 228.81, 0.27%, 0.43%

LAB 39.67, 8.85, -28.01

 

CMYK 0 / 42 / 35 / 45

HEX #8B505B

RGB 139 80 91

HSL 348.81, 0.27%, 0.43%

LAB 41.19, 26.11, 4.34

 

CMYK 35 / 0 / 42 / 45

HEX #5B8B50

RGB 91 139 80

HSL 108.81, 0.27%, 0.43%

LAB 53.24, -28.29, 26.51

 

CMYK 42 / 0 / 0 / 45

HEX #508B8B

RGB 80 139 139

HSL 180, 0.27%, 0.43%

LAB 54.06, -19.18, -6.04

 

CMYK 9 / 42 / 0 / 45

HEX #7F508B

RGB 127 80 139

HSL 287.8, 0.27%, 0.43%

LAB 41.4, 30.29, -24.97

 

CMYK 0 / 42 / 42 / 45

HEX #8B5050

RGB 139 80 80

HSL 0, 0.27%, 0.43%

LAB 40.91, 24.7, 10.74

 

CMYK 35 / 0 / 42 / 45

HEX #5B8B50

RGB 91 139 80

HSL 108.81, 0.27%, 0.43%

LAB 53.24, -28.29, 26.51

 

CMYK 42 / 13 / 0 / 45

HEX #50798B

RGB 80 121 139

HSL 198.31, 0.27%, 0.43%

LAB 48.57, -9.27, -14.29

 

CMYK 9 / 42 / 0 / 45

HEX #7F508B

RGB 127 80 139

HSL 287.8, 0.27%, 0.43%

LAB 41.4, 30.29, -24.97

 

CMYK 0 / 30 / 42 / 45

HEX #8B6150

RGB 139 97 80

HSL 17.29, 0.27%, 0.43%

LAB 45.11, 14.8, 16.5

 

Description

Color code: HEX #5B8B50 | qconv.com Color code: HEX #5B8B50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 139 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 139 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 42 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 42% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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