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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B94EF it is the complementary color #A46B10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B94EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B94EF shade: #6094EA, #71A6FD, #82B8FF, #93CAFF and #A4DCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B94EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B94EF shade: #5B94EF, #4A82DC, #3970C9, #285EB6 and #174CA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B94EF shade: #5C94EE, #5C6DEE, #735CEE, #9A5CEE and #C25CEE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B94EF shade: #5C94EE, #5C6DEE and #5C5CEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B94EF shade matches the following richer shades: #5C94EE and #4E91FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B94EF shade: #5C94EE, #6B98E0, #799BD2, #879EC3 and #96A2B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B94EF shade: #5CE5EE, #5CBEEE, #5C97EE, #5C70EE and #705CEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B94EF shade: #1665E2, #377CEB, #5C94EE, #82ADF2 and #A7C5F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B94EF shade: #5B94EF, #D15CEE and #D1EE5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B94EF shade: #5B94EF, #EE5C97 and #97EE5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B94EF shade: #5B94EF, #D15CEE, #EEB45C and #79EE5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B94EF shade: #5B94EF, #EE5CE0, #EEB45C and #5CEE6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 38 / 0 / 6

HEX #5B94EF

RGB 91 148 239

HSL 216.89, 0.82%, 0.65%

LAB 61.34, 8.9, -51.37

 

Complementary color

CMYK 0 / 35 / 90 / 36

HEX #A46B10

RGB 164 107 16

HSL 36.89, 0.82%, 0.35%

LAB 50.03, 16.02, 53.7

 

CMYK 59 / 37 / 0 / 8

HEX #6094EA

RGB 96 148 234

HSL 217.39, 0.77%, 0.65%

LAB 61.31, 8.18, -48.63

 

CMYK 55 / 34 / 0 / 1

HEX #71A6FD

RGB 113 166 253

HSL 217.29, 0.97%, 0.72%

LAB 67.93, 7.15, -48.55

 

CMYK 49 / 28 / 0 / 0

HEX #82B8FF

RGB 130 184 255

HSL 214.08, 1%, 0.75%

LAB 73.71, 1.29, -40.51

 

CMYK 42 / 21 / 0 / 0

HEX #93CAFF

RGB 147 202 255

HSL 209.44, 1%, 0.79%

LAB 79.42, -4.46, -31.59

 

CMYK 36 / 14 / 0 / 0

HEX #A4DCFF

RGB 164 220 255

HSL 203.08, 1%, 0.82%

LAB 85.15, -9.58, -22.76

 

CMYK 62 / 38 / 0 / 6

HEX #5B94EF

RGB 91 148 239

HSL 216.89, 0.82%, 0.65%

LAB 61.34, 8.9, -51.37

 

CMYK 66 / 41 / 0 / 14

HEX #4A82DC

RGB 74 130 220

HSL 216.99, 0.68%, 0.58%

LAB 54.65, 10.31, -51.48

 

CMYK 72 / 44 / 0 / 21

HEX #3970C9

RGB 57 112 201

HSL 217.08, 0.57%, 0.51%

LAB 47.85, 12.05, -51.6

 

CMYK 78 / 48 / 0 / 29

HEX #285EB6

RGB 40 94 182

HSL 217.18, 0.64%, 0.44%

LAB 40.95, 14.24, -51.7

 

CMYK 86 / 53 / 0 / 36

HEX #174CA3

RGB 23 76 163

HSL 217.29, 0.75%, 0.36%

LAB 33.97, 17.03, -51.74

 

CMYK 61 / 38 / 0 / 7

HEX #5C94EE

RGB 92 148 238

HSL 216.99, 0.81%, 0.65%

LAB 61.33, 8.75, -50.83

 

CMYK 61 / 54 / 0 / 7

HEX #5C6DEE

RGB 92 109 238

HSL 233.01, 0.81%, 0.65%

LAB 51.14, 32.32, -67.17

 

CMYK 52 / 61 / 0 / 7

HEX #735CEE

RGB 115 92 238

HSL 249.45, 0.81%, 0.65%

LAB 48.85, 46.42, -70.8

 

CMYK 35 / 61 / 0 / 7

HEX #9A5CEE

RGB 154 92 238

HSL 265.48, 0.81%, 0.65%

LAB 52.62, 54.19, -64.52

 

CMYK 18 / 61 / 0 / 7

HEX #C25CEE

RGB 194 92 238

HSL 281.92, 0.81%, 0.65%

LAB 57.36, 63.12, -56.64

 

CMYK 61 / 38 / 0 / 7

HEX #5C94EE

RGB 92 148 238

HSL 216.99, 0.81%, 0.65%

LAB 61.33, 8.75, -50.83

 

CMYK 61 / 54 / 0 / 7

HEX #5C6DEE

RGB 92 109 238

HSL 233.01, 0.81%, 0.65%

LAB 51.14, 32.32, -67.17

 

CMYK 61 / 61 / 0 / 7

HEX #5C5CEE

RGB 92 92 238

HSL 240, 0.81%, 0.65%

LAB 47.11, 42.57, -73.71

 

CMYK 61 / 38 / 0 / 7

HEX #5C94EE

RGB 92 148 238

HSL 216.99, 0.81%, 0.65%

LAB 61.33, 8.75, -50.83

 

CMYK 69 / 43 / 0 / 1

HEX #4E91FD

RGB 78 145 253

HSL 217.03, 0.98%, 0.65%

LAB 60.75, 13.35, -60.04

 

CMYK 61 / 38 / 0 / 7

HEX #5C94EE

RGB 92 148 238

HSL 216.99, 0.81%, 0.65%

LAB 61.33, 8.75, -50.83

 

CMYK 52 / 32 / 0 / 12

HEX #6B98E0

RGB 107 152 224

HSL 216.92, 0.65%, 0.65%

LAB 62.48, 4.97, -41.23

 

CMYK 42 / 26 / 0 / 18

HEX #799BD2

RGB 121 155 210

HSL 217.08, 0.5%, 0.65%

LAB 63.48, 2.49, -31.84

 

CMYK 31 / 19 / 0 / 24

HEX #879EC3

RGB 135 158 195

HSL 217, 0.33%, 0.65%

LAB 64.6, 0.67, -21.67

 

CMYK 17 / 10 / 0 / 29

HEX #96A2B5

RGB 150 162 181

HSL 216.77, 0.17%, 0.65%

LAB 66.26, -0.2, -11.24

 

CMYK 61 / 4 / 0 / 7

HEX #5CE5EE

RGB 92 229 238

HSL 183.7, 0.81%, 0.65%

LAB 84.22, -34.18, -15.47

 

CMYK 61 / 20 / 0 / 7

HEX #5CBEEE

RGB 92 190 238

HSL 199.73, 0.81%, 0.65%

LAB 73.07, -14.75, -32.45

 

CMYK 61 / 37 / 0 / 7

HEX #5C97EE

RGB 92 151 238

HSL 215.75, 0.81%, 0.65%

LAB 62.15, 6.99, -49.53

 

CMYK 61 / 53 / 0 / 7

HEX #5C70EE

RGB 92 112 238

HSL 231.78, 0.81%, 0.65%

LAB 51.88, 30.49, -65.96

 

CMYK 53 / 61 / 0 / 7

HEX #705CEE

RGB 112 92 238

HSL 248.22, 0.81%, 0.65%

LAB 48.6, 45.88, -71.21

 

CMYK 90 / 55 / 0 / 11

HEX #1665E2

RGB 22 101 226

HSL 216.76, 0.82%, 0.49%

LAB 45.59, 25.39, -69.53

 

CMYK 77 / 47 / 0 / 8

HEX #377CEB

RGB 55 124 235

HSL 217, 0.82%, 0.57%

LAB 53.2, 16.8, -62.24

 

CMYK 61 / 38 / 0 / 7

HEX #5C94EE

RGB 92 148 238

HSL 216.99, 0.81%, 0.65%

LAB 61.33, 8.75, -50.83

 

CMYK 46 / 29 / 0 / 5

HEX #82ADF2

RGB 130 173 242

HSL 216.96, 0.81%, 0.73%

LAB 70.21, 3.66, -38.93

 

CMYK 32 / 20 / 0 / 4

HEX #A7C5F6

RGB 167 197 246

HSL 217.22, 0.81%, 0.81%

LAB 78.93, 1.17, -27.44

 

CMYK 62 / 38 / 0 / 6

HEX #5B94EF

RGB 91 148 239

HSL 216.89, 0.82%, 0.65%

LAB 61.34, 8.9, -51.37

 

CMYK 12 / 61 / 0 / 7

HEX #D15CEE

RGB 209 92 238

HSL 288.08, 0.81%, 0.65%

LAB 59.33, 66.61, -53.39

 

CMYK 12 / 0 / 61 / 7

HEX #D1EE5C

RGB 209 238 92

HSL 71.92, 0.81%, 0.65%

LAB 89.62, -29.2, 65.46

 

CMYK 62 / 38 / 0 / 6

HEX #5B94EF

RGB 91 148 239

HSL 216.89, 0.82%, 0.65%

LAB 61.34, 8.9, -51.37

 

CMYK 0 / 61 / 37 / 7

HEX #EE5C97

RGB 238 92 151

HSL 335.75, 0.81%, 0.65%

LAB 59.95, 61.39, -2.5

 

CMYK 37 / 0 / 61 / 7

HEX #97EE5C

RGB 151 238 92

HSL 95.75, 0.81%, 0.65%

LAB 86.26, -50.29, 60.82

 

CMYK 62 / 38 / 0 / 6

HEX #5B94EF

RGB 91 148 239

HSL 216.89, 0.82%, 0.65%

LAB 61.34, 8.9, -51.37

 

CMYK 12 / 61 / 0 / 7

HEX #D15CEE

RGB 209 92 238

HSL 288.08, 0.81%, 0.65%

LAB 59.33, 66.61, -53.39

 

CMYK 0 / 24 / 61 / 7

HEX #EEB45C

RGB 238 180 92

HSL 36.16, 0.81%, 0.65%

LAB 77.04, 11.85, 52.16

 

CMYK 49 / 0 / 61 / 7

HEX #79EE5C

RGB 121 238 92

HSL 108.08, 0.81%, 0.65%

LAB 84.99, -59.39, 59.06

 

CMYK 62 / 38 / 0 / 6

HEX #5B94EF

RGB 91 148 239

HSL 216.89, 0.82%, 0.65%

LAB 61.34, 8.9, -51.37

 

CMYK 0 / 61 / 6 / 7

HEX #EE5CE0

RGB 238 92 224

HSL 305.75, 0.81%, 0.65%

LAB 62.69, 71.18, -40

 

CMYK 0 / 24 / 61 / 7

HEX #EEB45C

RGB 238 180 92

HSL 36.16, 0.81%, 0.65%

LAB 77.04, 11.85, 52.16

 

CMYK 61 / 0 / 55 / 7

HEX #5CEE6B

RGB 92 238 107

HSL 126.16, 0.81%, 0.65%

LAB 84.22, -64.79, 51.35

 

Description

Color code: HEX #5B94EF | qconv.com Color code: HEX #5B94EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 148 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 148 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 38 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 38% 0% 6% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

51% - 丸亀城(日本の百名城・現存十二天守) -...
Link: http://www.marugame-castle.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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