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Color name
HEX #5B900D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B900D it is the complementary color #A46FF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B900D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B900D shade: #609008, #71A21B, #82B42E, #93C641 and #A4D854

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B900D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B900D shade: #5B900D, #4A7E00, #396C00, #285A00 and #174800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B900D shade: #5B900D, #7E900D, #907E0D, #905B0D and #90380D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B900D shade: #5B900D, #38900D, #14900D, #0D9029 and #0D904C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B900D shade matches the following richer shades: #5B900D and #5E9D00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B900D shade: #5B900D, #59831A, #567727, #546A33 and #515D40

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B900D shade: #907F0D, #7F900D, #5C900D, #39900D and #16900D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B900D shade: #2B4506, #436A09, #5B900D, #73B610 and #8BDC14

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B900D shade: #5B900D, #0D905C and #900D90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B900D shade: #5B900D, #0D5C90 and #900D5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B900D shade: #5B900D, #0D905C, #410D90 and #900D41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B900D shade: #5B900D, #0D9083, #410D90 and #900D1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 91 / 44

HEX #5B900D

RGB 91 144 13

HSL 84.27, 0.83%, 0.31%

LAB 54.24, -36.45, 55.12

 

Complementary color

CMYK 32 / 54 / 0 / 5

HEX #A46FF2

RGB 164 111 242

HSL 264.27, 0.83%, 0.69%

LAB 57.72, 47.37, -58.48

 

CMYK 33 / 0 / 94 / 44

HEX #609008

RGB 96 144 8

HSL 81.18, 0.89%, 0.3%

LAB 54.5, -34.65, 56.31

 

CMYK 30 / 0 / 83 / 36

HEX #71A21B

RGB 113 162 27

HSL 81.78, 0.71%, 0.37%

LAB 61.16, -35.55, 58.36

 

CMYK 28 / 0 / 74 / 29

HEX #82B42E

RGB 130 180 46

HSL 82.39, 0.59%, 0.44%

LAB 67.71, -36.18, 58.96

 

CMYK 26 / 0 / 67 / 22

HEX #93C641

RGB 147 198 65

HSL 83.01, 0.54%, 0.52%

LAB 74.17, -36.61, 58.74

 

CMYK 24 / 0 / 61 / 15

HEX #A4D854

RGB 164 216 84

HSL 83.64, 0.63%, 0.59%

LAB 80.54, -36.91, 58.07

 

CMYK 37 / 0 / 91 / 44

HEX #5B900D

RGB 91 144 13

HSL 84.27, 0.83%, 0.31%

LAB 54.24, -36.45, 55.12

 

CMYK 41 / 0 / 100 / 51

HEX #4A7E00

RGB 74 126 0

HSL 84.76, 1%, 0.25%

LAB 47.47, -35.3, 51.69

 

CMYK 47 / 0 / 100 / 58

HEX #396C00

RGB 57 108 0

HSL 88.33, 1%, 0.21%

LAB 40.57, -33.73, 45.96

 

CMYK 56 / 0 / 100 / 65

HEX #285A00

RGB 40 90 0

HSL 93.33, 1%, 0.18%

LAB 33.49, -32, 40.09

 

CMYK 68 / 0 / 100 / 72

HEX #174800

RGB 23 72 0

HSL 100.83, 1%, 0.14%

LAB 26.21, -29.92, 33.9

 

CMYK 37 / 0 / 91 / 44

HEX #5B900D

RGB 91 144 13

HSL 84.27, 0.83%, 0.31%

LAB 54.24, -36.45, 55.12

 

CMYK 13 / 0 / 91 / 44

HEX #7E900D

RGB 126 144 13

HSL 68.24, 0.83%, 0.31%

LAB 56.5, -21.94, 57.91

 

CMYK 0 / 13 / 91 / 44

HEX #907E0D

RGB 144 126 13

HSL 51.76, 0.83%, 0.31%

LAB 52.82, -4.1, 55.62

 

CMYK 0 / 37 / 91 / 44

HEX #905B0D

RGB 144 91 13

HSL 35.73, 0.83%, 0.31%

LAB 43.42, 15.96, 48.24

 

CMYK 0 / 61 / 91 / 44

HEX #90380D

RGB 144 56 13

HSL 19.69, 0.83%, 0.31%

LAB 35.57, 35.25, 42.15

 

CMYK 37 / 0 / 91 / 44

HEX #5B900D

RGB 91 144 13

HSL 84.27, 0.83%, 0.31%

LAB 54.24, -36.45, 55.12

 

CMYK 61 / 0 / 91 / 44

HEX #38900D

RGB 56 144 13

HSL 100.31, 0.83%, 0.31%

LAB 52.75, -47.77, 53.27

 

CMYK 86 / 0 / 91 / 44

HEX #14900D

RGB 20 144 13

HSL 116.79, 0.83%, 0.31%

LAB 51.98, -54.36, 52.3

 

CMYK 91 / 0 / 72 / 44

HEX #0D9029

RGB 13 144 41

HSL 132.82, 0.83%, 0.31%

LAB 52.05, -53.12, 43.67

 

CMYK 91 / 0 / 47 / 44

HEX #0D904C

RGB 13 144 76

HSL 148.85, 0.83%, 0.31%

LAB 52.46, -48.18, 27.19

 

CMYK 37 / 0 / 91 / 44

HEX #5B900D

RGB 91 144 13

HSL 84.27, 0.83%, 0.31%

LAB 54.24, -36.45, 55.12

 

CMYK 40 / 0 / 100 / 38

HEX #5E9D00

RGB 94 157 0

HSL 84.08, 1%, 0.31%

LAB 58.5, -41.24, 60.69

 

CMYK 37 / 0 / 91 / 44

HEX #5B900D

RGB 91 144 13

HSL 84.27, 0.83%, 0.31%

LAB 54.24, -36.45, 55.12

 

CMYK 32 / 0 / 80 / 49

HEX #59831A

RGB 89 131 26

HSL 84, 0.67%, 0.31%

LAB 50.01, -30.8, 48

 

CMYK 28 / 0 / 67 / 53

HEX #567727

RGB 86 119 39

HSL 84.75, 0.51%, 0.31%

LAB 46.07, -25.35, 38.87

 

CMYK 21 / 0 / 52 / 58

HEX #546A33

RGB 84 106 51

HSL 84, 0.35%, 0.31%

LAB 41.89, -18.26, 28.03

 

CMYK 13 / 0 / 31 / 64

HEX #515D40

RGB 81 93 64

HSL 84.83, 0.18%, 0.31%

LAB 37.75, -10.45, 15.17

 

CMYK 0 / 12 / 91 / 44

HEX #907F0D

RGB 144 127 13

HSL 52.21, 0.83%, 0.31%

LAB 53.1, -4.65, 55.85

 

CMYK 12 / 0 / 91 / 44

HEX #7F900D

RGB 127 144 13

HSL 67.79, 0.83%, 0.31%

LAB 56.57, -21.5, 58

 

CMYK 36 / 0 / 91 / 44

HEX #5C900D

RGB 92 144 13

HSL 83.82, 0.83%, 0.31%

LAB 54.29, -36.07, 55.19

 

CMYK 60 / 0 / 91 / 44

HEX #39900D

RGB 57 144 13

HSL 99.85, 0.83%, 0.31%

LAB 52.78, -47.5, 53.31

 

CMYK 85 / 0 / 91 / 44

HEX #16900D

RGB 22 144 13

HSL 115.88, 0.83%, 0.31%

LAB 52, -54.14, 52.33

 

CMYK 38 / 0 / 91 / 73

HEX #2B4506

RGB 43 69 6

HSL 84.76, 0.84%, 0.15%

LAB 26.11, -20.77, 31.72

 

CMYK 37 / 0 / 92 / 58

HEX #436A09

RGB 67 106 9

HSL 84.12, 0.84%, 0.23%

LAB 40.44, -28.66, 43.8

 

CMYK 37 / 0 / 91 / 44

HEX #5B900D

RGB 91 144 13

HSL 84.27, 0.83%, 0.31%

LAB 54.24, -36.45, 55.12

 

CMYK 37 / 0 / 91 / 29

HEX #73B610

RGB 115 182 16

HSL 84.22, 0.84%, 0.39%

LAB 67.38, -43.85, 66

 

CMYK 37 / 0 / 91 / 14

HEX #8BDC14

RGB 139 220 20

HSL 84.3, 0.83%, 0.47%

LAB 80.03, -50.91, 76.25

 

CMYK 37 / 0 / 91 / 44

HEX #5B900D

RGB 91 144 13

HSL 84.27, 0.83%, 0.31%

LAB 54.24, -36.45, 55.12

 

CMYK 91 / 0 / 36 / 44

HEX #0D905C

RGB 13 144 92

HSL 156.18, 0.83%, 0.31%

LAB 52.74, -44.95, 18.77

 

CMYK 0 / 91 / 0 / 44

HEX #900D90

RGB 144 13 144

HSL 300, 0.83%, 0.31%

LAB 34.46, 62.44, -38.8

 

CMYK 37 / 0 / 91 / 44

HEX #5B900D

RGB 91 144 13

HSL 84.27, 0.83%, 0.31%

LAB 54.24, -36.45, 55.12

 

CMYK 91 / 36 / 0 / 44

HEX #0D5C90

RGB 13 92 144

HSL 203.82, 0.83%, 0.31%

LAB 37.4, -2.03, -34.81

 

CMYK 0 / 91 / 36 / 44

HEX #900D5C

RGB 144 13 92

HSL 323.82, 0.83%, 0.31%

LAB 31.78, 55.41, -10.08

 

CMYK 37 / 0 / 91 / 44

HEX #5B900D

RGB 91 144 13

HSL 84.27, 0.83%, 0.31%

LAB 54.24, -36.45, 55.12

 

CMYK 91 / 0 / 36 / 44

HEX #0D905C

RGB 13 144 92

HSL 156.18, 0.83%, 0.31%

LAB 52.74, -44.95, 18.77

 

CMYK 55 / 91 / 0 / 44

HEX #410D90

RGB 65 13 144

HSL 263.82, 0.83%, 0.31%

LAB 21.67, 50.72, -60.17

 

CMYK 0 / 91 / 55 / 44

HEX #900D41

RGB 144 13 65

HSL 336.18, 0.83%, 0.31%

LAB 30.88, 52.89, 6.4

 

CMYK 37 / 0 / 91 / 44

HEX #5B900D

RGB 91 144 13

HSL 84.27, 0.83%, 0.31%

LAB 54.24, -36.45, 55.12

 

CMYK 91 / 0 / 9 / 44

HEX #0D9083

RGB 13 144 131

HSL 174.05, 0.83%, 0.31%

LAB 53.68, -34.79, -2.18

 

CMYK 55 / 91 / 0 / 44

HEX #410D90

RGB 65 13 144

HSL 263.82, 0.83%, 0.31%

LAB 21.67, 50.72, -60.17

 

CMYK 0 / 91 / 82 / 44

HEX #900D1A

RGB 144 13 26

HSL 354.05, 0.83%, 0.31%

LAB 30.14, 50.79, 30.89

 

Description

Color code: HEX #5B900D | qconv.com Color code: HEX #5B900D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 144 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 144 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 91 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 91% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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