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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BAAF9 it is the complementary color #A45506. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BAAF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BAAF9 shade: #60AAF4, #71BCFF, #82CEFF, #93E0FF and #A4F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BAAF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BAAF9 shade: #5BAAF9, #4A98E6, #3986D3, #2874C0 and #1762AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BAAF9 shade: #5CAAF9, #5C80F9, #625CF9, #8C5CF9 and #B75CF9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BAAF9 shade: #5CAAF9, #5C80F9 and #5C5CF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BAAF9 shade matches the following richer shades: #5CAAF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BAAF9 shade: #5CAAF9, #6AAAEB, #77AADD, #85AAD0 and #93AAC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BAAF9 shade: #5CF9F3, #5CD4F9, #5CAAF9, #5C81F9 and #615CF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BAAF9 shade: #0C81F6, #3496F7, #5CAAF9, #84BFFA and #ACD4FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BAAF9 shade: #5BAAF9, #CA5CF9 and #E9F95C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BAAF9 shade: #5BAAF9, #F95CAA and #AAF95C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BAAF9 shade: #5BAAF9, #CA5CF9, #F9AA5C and #8BF95C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BAAF9 shade: #5BAAF9, #F95CF9, #F9AA5C and #5CF95C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 32 / 0 / 2

HEX #5BAAF9

RGB 91 170 249

HSL 210, 0.93%, 0.67%

LAB 67.88, -0.51, -46.51

 

Complementary color

CMYK 0 / 48 / 96 / 36

HEX #A45506

RGB 164 85 6

HSL 30, 0.93%, 0.33%

LAB 44.8, 28.15, 52.31

 

CMYK 61 / 30 / 0 / 4

HEX #60AAF4

RGB 96 170 244

HSL 210, 0.87%, 0.67%

LAB 67.85, -1.24, -43.83

 

CMYK 56 / 26 / 0 / 0

HEX #71BCFF

RGB 113 188 255

HSL 208.31, 1%, 0.72%

LAB 74, -4.54, -40.12

 

CMYK 49 / 19 / 0 / 0

HEX #82CEFF

RGB 130 206 255

HSL 203.52, 1%, 0.75%

LAB 79.68, -10.59, -31.27

 

CMYK 42 / 12 / 0 / 0

HEX #93E0FF

RGB 147 224 255

HSL 197.22, 1%, 0.79%

LAB 85.37, -15.94, -22.5

 

CMYK 36 / 5 / 0 / 0

HEX #A4F2FF

RGB 164 242 255

HSL 188.57, 1%, 0.82%

LAB 91.06, -20.7, -13.85

 

CMYK 63 / 32 / 0 / 2

HEX #5BAAF9

RGB 91 170 249

HSL 210, 0.93%, 0.67%

LAB 67.88, -0.51, -46.51

 

CMYK 68 / 34 / 0 / 10

HEX #4A98E6

RGB 74 152 230

HSL 210, 0.76%, 0.6%

LAB 61.33, 0.7, -46.45

 

CMYK 73 / 36 / 0 / 17

HEX #3986D3

RGB 57 134 211

HSL 210, 0.64%, 0.53%

LAB 54.68, 2.19, -46.4

 

CMYK 79 / 40 / 0 / 25

HEX #2874C0

RGB 40 116 192

HSL 210, 0.66%, 0.45%

LAB 47.94, 4.08, -46.31

 

CMYK 87 / 43 / 0 / 32

HEX #1762AD

RGB 23 98 173

HSL 210, 0.77%, 0.38%

LAB 41.11, 6.49, -46.18

 

CMYK 63 / 32 / 0 / 2

HEX #5CAAF9

RGB 92 170 249

HSL 210.19, 0.93%, 0.67%

LAB 67.92, -0.34, -46.45

 

CMYK 63 / 49 / 0 / 2

HEX #5C80F9

RGB 92 128 249

HSL 226.24, 0.93%, 0.67%

LAB 56.64, 24.41, -64.4

 

CMYK 61 / 63 / 0 / 2

HEX #625CF9

RGB 98 92 249

HSL 242.29, 0.93%, 0.67%

LAB 48.37, 46.95, -77.78

 

CMYK 44 / 63 / 0 / 2

HEX #8C5CF9

RGB 140 92 249

HSL 258.34, 0.93%, 0.67%

LAB 51.92, 54.16, -71.86

 

CMYK 27 / 63 / 0 / 2

HEX #B75CF9

RGB 183 92 249

HSL 274.78, 0.93%, 0.67%

LAB 56.65, 62.98, -63.98

 

CMYK 63 / 32 / 0 / 2

HEX #5CAAF9

RGB 92 170 249

HSL 210.19, 0.93%, 0.67%

LAB 67.92, -0.34, -46.45

 

CMYK 63 / 49 / 0 / 2

HEX #5C80F9

RGB 92 128 249

HSL 226.24, 0.93%, 0.67%

LAB 56.64, 24.41, -64.4

 

CMYK 63 / 63 / 0 / 2

HEX #5C5CF9

RGB 92 92 249

HSL 240, 0.93%, 0.67%

LAB 47.97, 46.08, -78.46

 

CMYK 63 / 32 / 0 / 2

HEX #5CAAF9

RGB 92 170 249

HSL 210.19, 0.93%, 0.67%

LAB 67.92, -0.34, -46.45

 

CMYK 63 / 32 / 0 / 2

HEX #5CAAF9

RGB 92 170 249

HSL 210.19, 0.93%, 0.67%

LAB 67.92, -0.34, -46.45

 

CMYK 55 / 28 / 0 / 8

HEX #6AAAEB

RGB 106 170 235

HSL 210.23, 0.76%, 0.67%

LAB 67.88, -2.11, -38.83

 

CMYK 46 / 23 / 0 / 13

HEX #77AADD

RGB 119 170 221

HSL 210, 0.6%, 0.67%

LAB 67.94, -3.32, -31.02

 

CMYK 36 / 18 / 0 / 18

HEX #85AAD0

RGB 133 170 208

HSL 210.4, 0.44%, 0.67%

LAB 68.23, -3.22, -23.34

 

CMYK 24 / 12 / 0 / 24

HEX #93AAC2

RGB 147 170 194

HSL 210.64, 0.28%, 0.67%

LAB 68.64, -2.58, -14.91

 

CMYK 63 / 0 / 2 / 2

HEX #5CF9F3

RGB 92 249 243

HSL 177.71, 0.93%, 0.67%

LAB 90.09, -41.98, -9.32

 

CMYK 63 / 15 / 0 / 2

HEX #5CD4F9

RGB 92 212 249

HSL 194.14, 0.93%, 0.67%

LAB 79.73, -22.76, -28.12

 

CMYK 63 / 32 / 0 / 2

HEX #5CAAF9

RGB 92 170 249

HSL 210.19, 0.93%, 0.67%

LAB 67.92, -0.34, -46.45

 

CMYK 63 / 48 / 0 / 2

HEX #5C81F9

RGB 92 129 249

HSL 225.86, 0.93%, 0.67%

LAB 56.9, 23.8, -63.99

 

CMYK 61 / 63 / 0 / 2

HEX #615CF9

RGB 97 92 249

HSL 241.91, 0.93%, 0.67%

LAB 48.3, 46.8, -77.9

 

CMYK 95 / 48 / 0 / 4

HEX #0C81F6

RGB 12 129 246

HSL 210, 0.93%, 0.51%

LAB 54.48, 14.99, -66.33

 

CMYK 79 / 39 / 0 / 3

HEX #3496F7

RGB 52 150 247

HSL 209.85, 0.92%, 0.59%

LAB 61.01, 5.1, -56.38

 

CMYK 63 / 32 / 0 / 2

HEX #5CAAF9

RGB 92 170 249

HSL 210.19, 0.93%, 0.67%

LAB 67.92, -0.34, -46.45

 

CMYK 47 / 24 / 0 / 2

HEX #84BFFA

RGB 132 191 250

HSL 210, 0.92%, 0.75%

LAB 75.49, -3.52, -35.04

 

CMYK 31 / 16 / 0 / 2

HEX #ACD4FB

RGB 172 212 251

HSL 209.62, 0.91%, 0.83%

LAB 83.35, -4.2, -23.33

 

CMYK 63 / 32 / 0 / 2

HEX #5BAAF9

RGB 91 170 249

HSL 210, 0.93%, 0.67%

LAB 67.88, -0.51, -46.51

 

CMYK 19 / 63 / 0 / 2

HEX #CA5CF9

RGB 202 92 249

HSL 282.04, 0.93%, 0.67%

LAB 59.02, 67.15, -60.04

 

CMYK 6 / 0 / 63 / 2

HEX #E9F95C

RGB 233 249 92

HSL 66.11, 0.93%, 0.67%

LAB 94.25, -24.94, 70.91

 

CMYK 63 / 32 / 0 / 2

HEX #5BAAF9

RGB 91 170 249

HSL 210, 0.93%, 0.67%

LAB 67.88, -0.51, -46.51

 

CMYK 0 / 63 / 32 / 2

HEX #F95CAA

RGB 249 92 170

HSL 330.19, 0.93%, 0.67%

LAB 62.25, 66.74, -9.87

 

CMYK 32 / 0 / 63 / 2

HEX #AAF95C

RGB 170 249 92

HSL 90.19, 0.93%, 0.67%

LAB 90.35, -48.48, 65.58

 

CMYK 63 / 32 / 0 / 2

HEX #5BAAF9

RGB 91 170 249

HSL 210, 0.93%, 0.67%

LAB 67.88, -0.51, -46.51

 

CMYK 19 / 63 / 0 / 2

HEX #CA5CF9

RGB 202 92 249

HSL 282.04, 0.93%, 0.67%

LAB 59.02, 67.15, -60.04

 

CMYK 0 / 32 / 63 / 2

HEX #F9AA5C

RGB 249 170 92

HSL 29.81, 0.93%, 0.67%

LAB 75.86, 21.64, 51.13

 

CMYK 44 / 0 / 63 / 2

HEX #8BF95C

RGB 139 249 92

HSL 102.04, 0.93%, 0.67%

LAB 88.93, -58.43, 63.62

 

CMYK 63 / 32 / 0 / 2

HEX #5BAAF9

RGB 91 170 249

HSL 210, 0.93%, 0.67%

LAB 67.88, -0.51, -46.51

 

CMYK 0 / 63 / 0 / 2

HEX #F95CF9

RGB 249 92 249

HSL 300, 0.93%, 0.67%

LAB 65.46, 77.77, -49.41

 

CMYK 0 / 32 / 63 / 2

HEX #F9AA5C

RGB 249 170 92

HSL 29.81, 0.93%, 0.67%

LAB 75.86, 21.64, 51.13

 

CMYK 63 / 0 / 63 / 2

HEX #5CF95C

RGB 92 249 92

HSL 120, 0.93%, 0.67%

LAB 87.39, -70.25, 61.48

 

Description

Color code: HEX #5BAAF9 | qconv.com Color code: HEX #5BAAF9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 170 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 170 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 32 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 32% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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