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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BAC66 it is the complementary color #A45399. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BAC66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BAC66 shade: #60AC61, #71BE74, #82D087, #93E29A and #A4F4AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BAC66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BAC66 shade: #5BAC66, #4A9A53, #398840, #28762D and #17641A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BAC66 shade: #5CAC67, #67AC5C, #7CAC5C, #92AC5C and #A8AC5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BAC66 shade: #5CAC67, #5CAC7C, #5CAC92, #5CACA8 and #5C9BAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BAC66 shade matches the following richer shades: #5CAC67, #48C058, #34D44A, #20E83B and #0CFC2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BAC66 shade: #5CAC67, #709975, #838584, #977192 and #AB5DA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BAC66 shade: #7CAC5C, #66AC5C, #5CAC66, #5CAC7C and #5CAC92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BAC66 shade: #3D7945, #4B9455, #5CAC67, #77BA80 and #93C89A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BAC66 shade: #5BAC66, #5C92AC and #AC5C71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BAC66 shade: #5BAC66, #665CAC and #AC665C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BAC66 shade: #5BAC66, #5C92AC, #AC5CA2 and #AC775C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BAC66 shade: #5BAC66, #5C79AC, #AC5CA2 and #AC8F5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 41 / 33

HEX #5BAC66

RGB 91 172 102

HSL 128.15, 0.33%, 0.52%

LAB 63.91, -39.94, 28.52

 

Complementary color

CMYK 0 / 49 / 7 / 36

HEX #A45399

RGB 164 83 153

HSL 308.15, 0.33%, 0.48%

LAB 47.47, 43.13, -23.58

 

CMYK 44 / 0 / 44 / 33

HEX #60AC61

RGB 96 172 97

HSL 120.79, 0.31%, 0.53%

LAB 64.04, -39.26, 31.37

 

CMYK 41 / 0 / 39 / 25

HEX #71BE74

RGB 113 190 116

HSL 122.34, 0.37%, 0.59%

LAB 70.59, -39.07, 30.09

 

CMYK 38 / 0 / 35 / 18

HEX #82D087

RGB 130 208 135

HSL 123.85, 0.45%, 0.66%

LAB 77.05, -38.84, 28.88

 

CMYK 35 / 0 / 32 / 11

HEX #93E29A

RGB 147 226 154

HSL 125.32, 0.58%, 0.73%

LAB 83.4, -38.59, 27.74

 

CMYK 33 / 0 / 29 / 4

HEX #A4F4AD

RGB 164 244 173

HSL 126.75, 0.78%, 0.8%

LAB 89.68, -38.34, 26.66

 

CMYK 47 / 0 / 41 / 33

HEX #5BAC66

RGB 91 172 102

HSL 128.15, 0.33%, 0.52%

LAB 63.91, -39.94, 28.52

 

CMYK 52 / 0 / 46 / 40

HEX #4A9A53

RGB 74 154 83

HSL 126.75, 0.35%, 0.45%

LAB 57.26, -40.05, 29.88

 

CMYK 58 / 0 / 53 / 47

HEX #398840

RGB 57 136 64

HSL 125.32, 0.41%, 0.38%

LAB 50.51, -39.98, 31.3

 

CMYK 66 / 0 / 62 / 54

HEX #28762D

RGB 40 118 45

HSL 123.85, 0.49%, 0.31%

LAB 43.65, -39.58, 32.71

 

CMYK 77 / 0 / 74 / 61

HEX #17641A

RGB 23 100 26

HSL 122.34, 0.63%, 0.24%

LAB 36.69, -38.56, 33.87

 

CMYK 47 / 0 / 40 / 33

HEX #5CAC67

RGB 92 172 103

HSL 128.25, 0.33%, 0.52%

LAB 63.97, -39.49, 28.07

 

CMYK 40 / 0 / 47 / 33

HEX #67AC5C

RGB 103 172 92

HSL 111.75, 0.33%, 0.52%

LAB 64.29, -37.8, 34.34

 

CMYK 28 / 0 / 47 / 33

HEX #7CAC5C

RGB 124 172 92

HSL 96, 0.33%, 0.52%

LAB 65.41, -30.55, 35.97

 

CMYK 15 / 0 / 47 / 33

HEX #92AC5C

RGB 146 172 92

HSL 79.5, 0.33%, 0.52%

LAB 66.82, -22.15, 38.03

 

CMYK 2 / 0 / 47 / 33

HEX #A8AC5C

RGB 168 172 92

HSL 63, 0.33%, 0.52%

LAB 68.46, -13.24, 40.43

 

CMYK 47 / 0 / 40 / 33

HEX #5CAC67

RGB 92 172 103

HSL 128.25, 0.33%, 0.52%

LAB 63.97, -39.49, 28.07

 

CMYK 47 / 0 / 28 / 33

HEX #5CAC7C

RGB 92 172 124

HSL 144, 0.33%, 0.52%

LAB 64.35, -35.65, 17.25

 

CMYK 47 / 0 / 15 / 33

HEX #5CAC92

RGB 92 172 146

HSL 160.5, 0.33%, 0.52%

LAB 64.85, -30.9, 5.81

 

CMYK 47 / 0 / 2 / 33

HEX #5CACA8

RGB 92 172 168

HSL 177, 0.33%, 0.52%

LAB 65.44, -25.5, -5.57

 

CMYK 47 / 10 / 0 / 33

HEX #5C9BAC

RGB 92 155 172

HSL 192.75, 0.33%, 0.52%

LAB 60.51, -15.62, -15.19

 

CMYK 47 / 0 / 40 / 33

HEX #5CAC67

RGB 92 172 103

HSL 128.25, 0.33%, 0.52%

LAB 63.97, -39.49, 28.07

 

CMYK 63 / 0 / 54 / 25

HEX #48C058

RGB 72 192 88

HSL 128, 0.49%, 0.52%

LAB 69.31, -54.88, 42.25

 

CMYK 75 / 0 / 65 / 17

HEX #34D44A

RGB 52 212 74

HSL 128.25, 0.65%, 0.52%

LAB 75.02, -66.94, 54.98

 

CMYK 86 / 0 / 75 / 9

HEX #20E83B

RGB 32 232 59

HSL 128.1, 0.81%, 0.52%

LAB 80.93, -76.44, 66.64

 

CMYK 95 / 0 / 82 / 1

HEX #0CFC2D

RGB 12 252 45

HSL 128.25, 0.98%, 0.52%

LAB 86.94, -83.85, 76.29

 

CMYK 47 / 0 / 40 / 33

HEX #5CAC67

RGB 92 172 103

HSL 128.25, 0.33%, 0.52%

LAB 63.97, -39.49, 28.07

 

CMYK 27 / 0 / 24 / 40

HEX #709975

RGB 112 153 117

HSL 127.32, 0.17%, 0.52%

LAB 59.44, -21.56, 14.49

 

CMYK 2 / 0 / 1 / 48

HEX #838584

RGB 131 133 132

HSL 150, 0.01%, 0.52%

LAB 55.35, -0.94, 0.27

 

CMYK 0 / 25 / 3 / 41

HEX #977192

RGB 151 113 146

HSL 307.89, 0.15%, 0.52%

LAB 52.36, 20.75, -12.12

 

CMYK 0 / 46 / 6 / 33

HEX #AB5DA0

RGB 171 93 160

HSL 308.46, 0.32%, 0.52%

LAB 50.72, 41.33, -22.63

 

CMYK 28 / 0 / 47 / 33

HEX #7CAC5C

RGB 124 172 92

HSL 96, 0.33%, 0.52%

LAB 65.41, -30.55, 35.97

 

CMYK 41 / 0 / 47 / 33

HEX #66AC5C

RGB 102 172 92

HSL 112.5, 0.33%, 0.52%

LAB 64.24, -38.12, 34.27

 

CMYK 47 / 0 / 41 / 33

HEX #5CAC66

RGB 92 172 102

HSL 127.5, 0.33%, 0.52%

LAB 63.95, -39.65, 28.58

 

CMYK 47 / 0 / 28 / 33

HEX #5CAC7C

RGB 92 172 124

HSL 144, 0.33%, 0.52%

LAB 64.35, -35.65, 17.25

 

CMYK 47 / 0 / 15 / 33

HEX #5CAC92

RGB 92 172 146

HSL 160.5, 0.33%, 0.52%

LAB 64.85, -30.9, 5.81

 

CMYK 50 / 0 / 43 / 53

HEX #3D7945

RGB 61 121 69

HSL 128, 0.33%, 0.36%

LAB 45.77, -31.49, 22.64

 

CMYK 49 / 0 / 43 / 42

HEX #4B9455

RGB 75 148 85

HSL 128.22, 0.33%, 0.44%

LAB 55.41, -36.82, 26.44

 

CMYK 47 / 0 / 40 / 33

HEX #5CAC67

RGB 92 172 103

HSL 128.25, 0.33%, 0.52%

LAB 63.97, -39.49, 28.07

 

CMYK 36 / 0 / 31 / 27

HEX #77BA80

RGB 119 186 128

HSL 128.06, 0.33%, 0.6%

LAB 69.89, -33.38, 22.87

 

CMYK 27 / 0 / 23 / 22

HEX #93C89A

RGB 147 200 154

HSL 127.92, 0.33%, 0.68%

LAB 75.97, -26.43, 17.56

 

CMYK 47 / 0 / 41 / 33

HEX #5BAC66

RGB 91 172 102

HSL 128.15, 0.33%, 0.52%

LAB 63.91, -39.94, 28.52

 

CMYK 47 / 15 / 0 / 33

HEX #5C92AC

RGB 92 146 172

HSL 199.5, 0.33%, 0.52%

LAB 57.86, -10.71, -19.22

 

CMYK 0 / 47 / 34 / 33

HEX #AC5C71

RGB 172 92 113

HSL 344.25, 0.33%, 0.52%

LAB 49.03, 34.95, 2.83

 

CMYK 47 / 0 / 41 / 33

HEX #5BAC66

RGB 91 172 102

HSL 128.15, 0.33%, 0.52%

LAB 63.91, -39.94, 28.52

 

CMYK 41 / 47 / 0 / 33

HEX #665CAC

RGB 102 92 172

HSL 247.5, 0.33%, 0.52%

LAB 43.44, 24.11, -41.63

 

CMYK 0 / 41 / 47 / 33

HEX #AC665C

RGB 172 102 92

HSL 7.5, 0.33%, 0.52%

LAB 50.74, 27.01, 17.73

 

CMYK 47 / 0 / 41 / 33

HEX #5BAC66

RGB 91 172 102

HSL 128.15, 0.33%, 0.52%

LAB 63.91, -39.94, 28.52

 

CMYK 47 / 15 / 0 / 33

HEX #5C92AC

RGB 92 146 172

HSL 199.5, 0.33%, 0.52%

LAB 57.86, -10.71, -19.22

 

CMYK 0 / 47 / 6 / 33

HEX #AC5CA2

RGB 172 92 162

HSL 307.5, 0.33%, 0.52%

LAB 50.73, 42.53, -23.78

 

CMYK 0 / 31 / 47 / 33

HEX #AC775C

RGB 172 119 92

HSL 20.25, 0.33%, 0.52%

LAB 54.8, 17.48, 23.17

 

CMYK 47 / 0 / 41 / 33

HEX #5BAC66

RGB 91 172 102

HSL 128.15, 0.33%, 0.52%

LAB 63.91, -39.94, 28.52

 

CMYK 47 / 30 / 0 / 33

HEX #5C79AC

RGB 92 121 172

HSL 218.25, 0.33%, 0.52%

LAB 50.6, 3.71, -30.4

 

CMYK 0 / 47 / 6 / 33

HEX #AC5CA2

RGB 172 92 162

HSL 307.5, 0.33%, 0.52%

LAB 50.73, 42.53, -23.78

 

CMYK 0 / 17 / 47 / 33

HEX #AC8F5C

RGB 172 143 92

HSL 38.25, 0.33%, 0.52%

LAB 60.95, 4.04, 31.14

 

Description

Color code: HEX #5BAC66 | qconv.com Color code: HEX #5BAC66 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 172 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 172 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 41 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 41% 33% C M Y K



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