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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BB851 it is the complementary color #A447AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BB851. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BB851 shade: #60B84C, #71CA5F, #82DC72, #93EE85 and #A4FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BB851. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BB851 shade: #5BB851, #4AA63E, #39942B, #288218 and #177005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BB851 shade: #5BB851, #76B851, #92B851, #AEB851 and #B8A551

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BB851 shade: #5BB851, #51B862, #51B87E, #51B89A and #51B8B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BB851 shade matches the following richer shades: #5BB851, #4BCB3D, #3BDF29 and #2BF315

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BB851 shade: #5BB851, #6BA464, #7B9078, #8B7C8C and #9B68A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BB851 shade: #92B851, #76B851, #5BB851, #51B862 and #51B87D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BB851 shade: #3C8134, #4A9E40, #5BB851, #76C36E and #92CF8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BB851 shade: #5BB851, #51ADB8 and #B85184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BB851 shade: #5BB851, #515BB8 and #B8515B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BB851 shade: #5BB851, #51ADB8, #AD51B8 and #B85B51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BB851 shade: #5BB851, #518EB8, #AD51B8 and #B87A51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 56 / 28

HEX #5BB851

RGB 91 184 81

HSL 114.17, 0.42%, 0.52%

LAB 67.35, -47.97, 43.4

 

Complementary color

CMYK 6 / 59 / 0 / 32

HEX #A447AE

RGB 164 71 174

HSL 294.17, 0.42%, 0.48%

LAB 46.25, 52.9, -37.91

 

CMYK 48 / 0 / 59 / 28

HEX #60B84C

RGB 96 184 76

HSL 108.89, 0.43%, 0.51%

LAB 67.49, -47.1, 45.96

 

CMYK 44 / 0 / 53 / 21

HEX #71CA5F

RGB 113 202 95

HSL 109.91, 0.5%, 0.58%

LAB 73.92, -47.16, 44.79

 

CMYK 41 / 0 / 48 / 14

HEX #82DC72

RGB 130 220 114

HSL 110.94, 0.6%, 0.65%

LAB 80.26, -47.11, 43.57

 

CMYK 38 / 0 / 44 / 7

HEX #93EE85

RGB 147 238 133

HSL 112, 0.76%, 0.73%

LAB 86.53, -46.98, 42.36

 

CMYK 36 / 0 / 40 / 0

HEX #A4FF98

RGB 164 255 152

HSL 113.01, 1%, 0.8%

LAB 92.43, -46.39, 40.81

 

CMYK 51 / 0 / 56 / 28

HEX #5BB851

RGB 91 184 81

HSL 114.17, 0.42%, 0.52%

LAB 67.35, -47.97, 43.4

 

CMYK 55 / 0 / 63 / 35

HEX #4AA63E

RGB 74 166 62

HSL 113.08, 0.46%, 0.45%

LAB 60.85, -47.72, 44.56

 

CMYK 61 / 0 / 71 / 42

HEX #39942B

RGB 57 148 43

HSL 112, 0.55%, 0.37%

LAB 54.26, -47.15, 45.44

 

CMYK 69 / 0 / 82 / 49

HEX #288218

RGB 40 130 24

HSL 110.94, 0.69%, 0.3%

LAB 47.6, -46.06, 45.64

 

CMYK 79 / 0 / 96 / 56

HEX #177005

RGB 23 112 5

HSL 109.91, 0.91%, 0.23%

LAB 40.87, -44.11, 44.48

 

CMYK 51 / 0 / 56 / 28

HEX #5BB851

RGB 91 184 81

HSL 114.17, 0.42%, 0.52%

LAB 67.35, -47.97, 43.4

 

CMYK 36 / 0 / 56 / 28

HEX #76B851

RGB 118 184 81

HSL 98.45, 0.42%, 0.52%

LAB 68.55, -39.47, 45.11

 

CMYK 21 / 0 / 56 / 28

HEX #92B851

RGB 146 184 81

HSL 82.14, 0.42%, 0.52%

LAB 70.17, -29.17, 47.4

 

CMYK 5 / 0 / 56 / 28

HEX #AEB851

RGB 174 184 81

HSL 65.83, 0.42%, 0.52%

LAB 72.14, -17.9, 50.19

 

CMYK 0 / 10 / 56 / 28

HEX #B8A551

RGB 184 165 81

HSL 48.93, 0.42%, 0.52%

LAB 67.79, -3.8, 45.41

 

CMYK 51 / 0 / 56 / 28

HEX #5BB851

RGB 91 184 81

HSL 114.17, 0.42%, 0.52%

LAB 67.35, -47.97, 43.4

 

CMYK 56 / 0 / 47 / 28

HEX #51B862

RGB 81 184 98

HSL 129.9, 0.42%, 0.52%

LAB 67.21, -48.28, 34.77

 

CMYK 56 / 0 / 32 / 28

HEX #51B87E

RGB 81 184 126

HSL 146.21, 0.42%, 0.52%

LAB 67.68, -43.34, 20.67

 

CMYK 56 / 0 / 16 / 28

HEX #51B89A

RGB 81 184 154

HSL 162.52, 0.42%, 0.52%

LAB 68.29, -37.22, 6.28

 

CMYK 56 / 0 / 1 / 28

HEX #51B8B6

RGB 81 184 182

HSL 178.83, 0.42%, 0.52%

LAB 69.05, -30.06, -8.01

 

CMYK 51 / 0 / 56 / 28

HEX #5BB851

RGB 91 184 81

HSL 114.17, 0.42%, 0.52%

LAB 67.35, -47.97, 43.4

 

CMYK 63 / 0 / 70 / 20

HEX #4BCB3D

RGB 75 203 61

HSL 114.08, 0.58%, 0.52%

LAB 72.59, -61.07, 57.69

 

CMYK 74 / 0 / 82 / 13

HEX #3BDF29

RGB 59 223 41

HSL 114.07, 0.74%, 0.52%

LAB 78.38, -71.8, 69.62

 

CMYK 82 / 0 / 91 / 5

HEX #2BF315

RGB 43 243 21

HSL 114.05, 0.9%, 0.52%

LAB 84.31, -80.32, 78.57

 

CMYK 51 / 0 / 56 / 28

HEX #5BB851

RGB 91 184 81

HSL 114.17, 0.42%, 0.52%

LAB 67.35, -47.97, 43.4

 

CMYK 35 / 0 / 39 / 36

HEX #6BA464

RGB 107 164 100

HSL 113.44, 0.26%, 0.52%

LAB 62.17, -31.61, 27.45

 

CMYK 15 / 0 / 17 / 44

HEX #7B9078

RGB 123 144 120

HSL 112.5, 0.1%, 0.52%

LAB 57.57, -12.32, 10.28

 

CMYK 1 / 11 / 0 / 45

HEX #8B7C8C

RGB 139 124 140

HSL 296.25, 0.07%, 0.52%

LAB 53.81, 8.8, -6.56

 

CMYK 3 / 35 / 0 / 37

HEX #9B68A0

RGB 155 104 160

HSL 294.64, 0.23%, 0.52%

LAB 51.16, 30.07, -22.11

 

CMYK 21 / 0 / 56 / 28

HEX #92B851

RGB 146 184 81

HSL 82.14, 0.42%, 0.52%

LAB 70.17, -29.17, 47.4

 

CMYK 36 / 0 / 56 / 28

HEX #76B851

RGB 118 184 81

HSL 98.45, 0.42%, 0.52%

LAB 68.55, -39.47, 45.11

 

CMYK 51 / 0 / 56 / 28

HEX #5BB851

RGB 91 184 81

HSL 114.17, 0.42%, 0.52%

LAB 67.35, -47.97, 43.4

 

CMYK 56 / 0 / 47 / 28

HEX #51B862

RGB 81 184 98

HSL 129.9, 0.42%, 0.52%

LAB 67.21, -48.28, 34.77

 

CMYK 56 / 0 / 32 / 28

HEX #51B87D

RGB 81 184 125

HSL 145.63, 0.42%, 0.52%

LAB 67.66, -43.54, 21.18

 

CMYK 53 / 0 / 60 / 49

HEX #3C8134

RGB 60 129 52

HSL 113.77, 0.43%, 0.35%

LAB 48.15, -37.85, 34.62

 

CMYK 53 / 0 / 59 / 38

HEX #4A9E40

RGB 74 158 64

HSL 113.62, 0.42%, 0.44%

LAB 58.3, -44.32, 40.72

 

CMYK 51 / 0 / 56 / 28

HEX #5BB851

RGB 91 184 81

HSL 114.17, 0.42%, 0.52%

LAB 67.35, -47.97, 43.4

 

CMYK 39 / 0 / 44 / 24

HEX #76C36E

RGB 118 195 110

HSL 114.35, 0.41%, 0.6%

LAB 72.23, -40.64, 35.35

 

CMYK 29 / 0 / 33 / 19

HEX #92CF8B

RGB 146 207 139

HSL 113.82, 0.41%, 0.68%

LAB 77.64, -32.62, 27.74

 

CMYK 51 / 0 / 56 / 28

HEX #5BB851

RGB 91 184 81

HSL 114.17, 0.42%, 0.52%

LAB 67.35, -47.97, 43.4

 

CMYK 56 / 6 / 0 / 28

HEX #51ADB8

RGB 81 173 184

HSL 186.41, 0.42%, 0.52%

LAB 65.82, -24.05, -13.94

 

CMYK 0 / 56 / 28 / 28

HEX #B85184

RGB 184 81 132

HSL 330.29, 0.42%, 0.52%

LAB 49.18, 47.22, -8.16

 

CMYK 51 / 0 / 56 / 28

HEX #5BB851

RGB 91 184 81

HSL 114.17, 0.42%, 0.52%

LAB 67.35, -47.97, 43.4

 

CMYK 56 / 51 / 0 / 28

HEX #515BB8

RGB 81 91 184

HSL 234.17, 0.42%, 0.52%

LAB 42.3, 23.57, -50.6

 

CMYK 0 / 56 / 51 / 28

HEX #B8515B

RGB 184 81 91

HSL 354.17, 0.42%, 0.52%

LAB 48.05, 42.57, 14.94

 

CMYK 51 / 0 / 56 / 28

HEX #5BB851

RGB 91 184 81

HSL 114.17, 0.42%, 0.52%

LAB 67.35, -47.97, 43.4

 

CMYK 56 / 6 / 0 / 28

HEX #51ADB8

RGB 81 173 184

HSL 186.41, 0.42%, 0.52%

LAB 65.82, -24.05, -13.94

 

CMYK 6 / 56 / 0 / 28

HEX #AD51B8

RGB 173 81 184

HSL 293.59, 0.42%, 0.52%

LAB 49.77, 52.43, -38.12

 

CMYK 0 / 51 / 56 / 28

HEX #B85B51

RGB 184 91 81

HSL 5.83, 0.42%, 0.52%

LAB 49.82, 36.63, 23.26

 

CMYK 51 / 0 / 56 / 28

HEX #5BB851

RGB 91 184 81

HSL 114.17, 0.42%, 0.52%

LAB 67.35, -47.97, 43.4

 

CMYK 56 / 23 / 0 / 28

HEX #518EB8

RGB 81 142 184

HSL 204.47, 0.42%, 0.52%

LAB 56.64, -7.43, -27.96

 

CMYK 6 / 56 / 0 / 28

HEX #AD51B8

RGB 173 81 184

HSL 293.59, 0.42%, 0.52%

LAB 49.77, 52.43, -38.12

 

CMYK 0 / 34 / 56 / 28

HEX #B87A51

RGB 184 122 81

HSL 23.88, 0.42%, 0.52%

LAB 56.79, 19.8, 32.16

 

Description

Color code: HEX #5BB851 | qconv.com Color code: HEX #5BB851 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 184 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 184 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 56 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 56% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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