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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BB3AD it is the complementary color #A44C52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BB3AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BB3AD shade: #60B3A8, #71C5BB, #82D7CE, #93E9E1 and #A4FBF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BB3AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BB3AD shade: #5BB3AD, #4AA19A, #398F87, #287D74 and #176B61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BB3AD shade: #5AB3AD, #5AB395, #5AB37D, #5AB365 and #67B35A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BB3AD shade: #5AB3AD, #5AA1B3, #5A89B3, #5A71B3 and #5A5AB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BB3AD shade matches the following richer shades: #5AB3AD, #47C6BE, #34DACE and #20EDDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BB3AD shade: #5AB3AD, #6EA09C, #818C8B, #94797B and #A8656A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BB3AD shade: #5AB37C, #5AB394, #5AB3AC, #5AA3B3 and #5A8BB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BB3AD shade: #3B807B, #489C97, #5AB3AD, #77C0BB and #93CDC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BB3AD shade: #5BB3AD, #655AB3 and #B3885A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BB3AD shade: #5BB3AD, #AC5AB3 and #B3AC5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BB3AD shade: #5BB3AD, #655AB3, #B35A62 and #A9B35A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BB3AD shade: #5BB3AD, #7F5AB3, #B35A62 and #8EB35A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 3 / 30

HEX #5BB3AD

RGB 91 179 173

HSL 175.91, 0.37%, 0.53%

LAB 67.64, -27.9, -5.1

 

Complementary color

CMYK 0 / 54 / 50 / 36

HEX #A44C52

RGB 164 76 82

HSL 355.91, 0.37%, 0.47%

LAB 43.76, 36.91, 14.02

 

CMYK 46 / 0 / 6 / 30

HEX #60B3A8

RGB 96 179 168

HSL 172.05, 0.35%, 0.54%

LAB 67.69, -28, -2.23

 

CMYK 43 / 0 / 5 / 23

HEX #71C5BB

RGB 113 197 187

HSL 172.86, 0.42%, 0.61%

LAB 74.21, -27.92, -2.98

 

CMYK 40 / 0 / 4 / 16

HEX #82D7CE

RGB 130 215 206

HSL 173.65, 0.52%, 0.68%

LAB 80.63, -27.83, -3.68

 

CMYK 37 / 0 / 3 / 9

HEX #93E9E1

RGB 147 233 225

HSL 174.42, 0.66%, 0.75%

LAB 86.96, -27.72, -4.34

 

CMYK 35 / 0 / 3 / 2

HEX #A4FBF4

RGB 164 251 244

HSL 175.17, 0.92%, 0.81%

LAB 93.2, -27.61, -4.96

 

CMYK 49 / 0 / 3 / 30

HEX #5BB3AD

RGB 91 179 173

HSL 175.91, 0.37%, 0.53%

LAB 67.64, -27.9, -5.1

 

CMYK 54 / 0 / 4 / 37

HEX #4AA19A

RGB 74 161 154

HSL 175.17, 0.37%, 0.46%

LAB 61.03, -27.83, -4.32

 

CMYK 60 / 0 / 6 / 44

HEX #398F87

RGB 57 143 135

HSL 174.42, 0.43%, 0.39%

LAB 54.31, -27.64, -3.47

 

CMYK 68 / 0 / 7 / 51

HEX #287D74

RGB 40 125 116

HSL 173.65, 0.52%, 0.32%

LAB 47.47, -27.27, -2.5

 

CMYK 79 / 0 / 9 / 58

HEX #176B61

RGB 23 107 97

HSL 172.86, 0.65%, 0.25%

LAB 40.51, -26.58, -1.38

 

CMYK 50 / 0 / 3 / 30

HEX #5AB3AD

RGB 90 179 173

HSL 175.96, 0.37%, 0.53%

LAB 67.6, -28.13, -5.16

 

CMYK 50 / 0 / 17 / 30

HEX #5AB395

RGB 90 179 149

HSL 159.78, 0.37%, 0.53%

LAB 66.96, -34.02, 7.17

 

CMYK 50 / 0 / 30 / 30

HEX #5AB37D

RGB 90 179 125

HSL 143.6, 0.37%, 0.53%

LAB 66.44, -39.14, 19.56

 

CMYK 50 / 0 / 44 / 30

HEX #5AB365

RGB 90 179 101

HSL 127.42, 0.37%, 0.53%

LAB 66.02, -43.4, 31.77

 

CMYK 42 / 0 / 50 / 30

HEX #67B35A

RGB 103 179 90

HSL 111.24, 0.37%, 0.53%

LAB 66.41, -41.15, 38

 

CMYK 50 / 0 / 3 / 30

HEX #5AB3AD

RGB 90 179 173

HSL 175.96, 0.37%, 0.53%

LAB 67.6, -28.13, -5.16

 

CMYK 50 / 10 / 0 / 30

HEX #5AA1B3

RGB 90 161 179

HSL 192.13, 0.37%, 0.53%

LAB 62.44, -17.32, -16.22

 

CMYK 50 / 23 / 0 / 30

HEX #5A89B3

RGB 90 137 179

HSL 208.31, 0.37%, 0.53%

LAB 55.4, -4.06, -27

 

CMYK 50 / 37 / 0 / 30

HEX #5A71B3

RGB 90 113 179

HSL 224.49, 0.37%, 0.53%

LAB 48.56, 10.23, -37.68

 

CMYK 50 / 50 / 0 / 30

HEX #5A5AB3

RGB 90 90 179

HSL 240, 0.37%, 0.53%

LAB 42.37, 24.54, -47.52

 

CMYK 50 / 0 / 3 / 30

HEX #5AB3AD

RGB 90 179 173

HSL 175.96, 0.37%, 0.53%

LAB 67.6, -28.13, -5.16

 

CMYK 64 / 0 / 4 / 22

HEX #47C6BE

RGB 71 198 190

HSL 176.22, 0.53%, 0.53%

LAB 73.18, -36.26, -6.28

 

CMYK 76 / 0 / 6 / 15

HEX #34DACE

RGB 52 218 206

HSL 175.66, 0.69%, 0.53%

LAB 79.23, -43.34, -6

 

CMYK 86 / 0 / 6 / 7

HEX #20EDDF

RGB 32 237 223

HSL 175.9, 0.85%, 0.53%

LAB 85.1, -48.4, -6.36

 

CMYK 50 / 0 / 3 / 30

HEX #5AB3AD

RGB 90 179 173

HSL 175.96, 0.37%, 0.53%

LAB 67.6, -28.13, -5.16

 

CMYK 31 / 0 / 2 / 37

HEX #6EA09C

RGB 110 160 156

HSL 175.2, 0.21%, 0.53%

LAB 62.39, -17.51, -3.26

 

CMYK 8 / 0 / 1 / 45

HEX #818C8B

RGB 129 140 139

HSL 174.55, 0.05%, 0.53%

LAB 57.35, -4.19, -0.85

 

CMYK 0 / 18 / 17 / 42

HEX #94797B

RGB 148 121 123

HSL 355.56, 0.11%, 0.53%

LAB 53.39, 10.8, 2.85

 

CMYK 0 / 40 / 37 / 34

HEX #A8656A

RGB 168 101 106

HSL 355.52, 0.28%, 0.53%

LAB 50.3, 27.6, 8.76

 

CMYK 50 / 0 / 31 / 30

HEX #5AB37C

RGB 90 179 124

HSL 142.92, 0.37%, 0.53%

LAB 66.42, -39.34, 20.08

 

CMYK 50 / 0 / 17 / 30

HEX #5AB394

RGB 90 179 148

HSL 159.1, 0.37%, 0.53%

LAB 66.94, -34.25, 7.69

 

CMYK 50 / 0 / 4 / 30

HEX #5AB3AC

RGB 90 179 172

HSL 175.28, 0.37%, 0.53%

LAB 67.57, -28.39, -4.65

 

CMYK 50 / 9 / 0 / 30

HEX #5AA3B3

RGB 90 163 179

HSL 190.79, 0.37%, 0.53%

LAB 63.03, -18.37, -15.33

 

CMYK 50 / 22 / 0 / 30

HEX #5A8BB3

RGB 90 139 179

HSL 206.97, 0.37%, 0.53%

LAB 55.98, -5.21, -26.1

 

CMYK 54 / 0 / 4 / 50

HEX #3B807B

RGB 59 128 123

HSL 175.65, 0.37%, 0.37%

LAB 49.25, -22.99, -3.93

 

CMYK 54 / 0 / 3 / 39

HEX #489C97

RGB 72 156 151

HSL 176.43, 0.37%, 0.45%

LAB 59.33, -26.59, -5.14

 

CMYK 50 / 0 / 3 / 30

HEX #5AB3AD

RGB 90 179 173

HSL 175.96, 0.37%, 0.53%

LAB 67.6, -28.13, -5.16

 

CMYK 38 / 0 / 3 / 25

HEX #77C0BB

RGB 119 192 187

HSL 175.89, 0.37%, 0.61%

LAB 73.03, -23.91, -4.69

 

CMYK 28 / 0 / 2 / 20

HEX #93CDC9

RGB 147 205 201

HSL 175.86, 0.37%, 0.69%

LAB 78.51, -19.39, -4.02

 

CMYK 49 / 0 / 3 / 30

HEX #5BB3AD

RGB 91 179 173

HSL 175.91, 0.37%, 0.53%

LAB 67.64, -27.9, -5.1

 

CMYK 44 / 50 / 0 / 30

HEX #655AB3

RGB 101 90 179

HSL 247.42, 0.37%, 0.53%

LAB 43.26, 27.15, -46.04

 

CMYK 0 / 24 / 50 / 30

HEX #B3885A

RGB 179 136 90

HSL 31.01, 0.37%, 0.53%

LAB 59.83, 10.7, 30.95

 

CMYK 49 / 0 / 3 / 30

HEX #5BB3AD

RGB 91 179 173

HSL 175.91, 0.37%, 0.53%

LAB 67.64, -27.9, -5.1

 

CMYK 4 / 50 / 0 / 30

HEX #AC5AB3

RGB 172 90 179

HSL 295.28, 0.37%, 0.53%

LAB 51.08, 46.72, -33.17

 

CMYK 0 / 4 / 50 / 30

HEX #B3AC5A

RGB 179 172 90

HSL 55.28, 0.37%, 0.53%

LAB 69.35, -8.85, 42.71

 

CMYK 49 / 0 / 3 / 30

HEX #5BB3AD

RGB 91 179 173

HSL 175.91, 0.37%, 0.53%

LAB 67.64, -27.9, -5.1

 

CMYK 44 / 50 / 0 / 30

HEX #655AB3

RGB 101 90 179

HSL 247.42, 0.37%, 0.53%

LAB 43.26, 27.15, -46.04

 

CMYK 0 / 50 / 45 / 30

HEX #B35A62

RGB 179 90 98

HSL 354.61, 0.37%, 0.53%

LAB 49.23, 36.85, 12.24

 

CMYK 6 / 0 / 50 / 30

HEX #A9B35A

RGB 169 179 90

HSL 66.74, 0.37%, 0.53%

LAB 70.46, -16.62, 43.85

 

CMYK 49 / 0 / 3 / 30

HEX #5BB3AD

RGB 91 179 173

HSL 175.91, 0.37%, 0.53%

LAB 67.64, -27.9, -5.1

 

CMYK 29 / 50 / 0 / 30

HEX #7F5AB3

RGB 127 90 179

HSL 264.94, 0.37%, 0.53%

LAB 45.74, 33.94, -41.94

 

CMYK 0 / 50 / 45 / 30

HEX #B35A62

RGB 179 90 98

HSL 354.61, 0.37%, 0.53%

LAB 49.23, 36.85, 12.24

 

CMYK 21 / 0 / 50 / 30

HEX #8EB35A

RGB 142 179 90

HSL 84.94, 0.37%, 0.53%

LAB 68.55, -27.39, 41.1

 

Description

Color code: HEX #5BB3AD | qconv.com Color code: HEX #5BB3AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 179 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 179 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 3 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 3% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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