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Color name
HEX #5BD7AA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BD7AA it is the complementary color #A42855. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BD7AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BD7AA shade: #60D7A5, #71E9B8, #82FBCB, #93FFDE and #A4FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BD7AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BD7AA shade: #5BD7AA, #4AC597, #39B384, #28A171 and #178F5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BD7AA shade: #5AD7AA, #5AD788, #5AD766, #70D75A and #91D75A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BD7AA shade: #5AD7AA, #5AD7CB, #5AC1D7, #5A9FD7 and #5A7ED7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BD7AA shade matches the following richer shades: #5AD7AA, #4AE7AE and #39F8B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BD7AA shade: #5AD7AA, #6BC6A5, #7BB6A1, #8CA59C and #9C9597

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BD7AA shade: #5AD767, #5AD788, #5AD7A9, #5AD7CA and #5AC2D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BD7AA shade: #2BB382, #39CF98, #5AD7AA, #7BDFBB and #9DE7CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BD7AA shade: #5BD7AA, #5A6FD7 and #D7775A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BD7AA shade: #5BD7AA, #A95AD7 and #D7A95A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BD7AA shade: #5BD7AA, #5A6FD7, #D75A88 and #D7C25A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BD7AA shade: #5BD7AA, #6B5AD7, #D75A88 and #C6D75A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 21 / 16

HEX #5BD7AA

RGB 91 215 170

HSL 158.23, 0.61%, 0.6%

LAB 78.3, -45.15, 11.97

 

Complementary color

CMYK 0 / 76 / 48 / 36

HEX #A42855

RGB 164 40 85

HSL 338.23, 0.61%, 0.4%

LAB 37.96, 52.98, 4.01

 

CMYK 55 / 0 / 23 / 16

HEX #60D7A5

RGB 96 215 165

HSL 154.79, 0.6%, 0.61%

LAB 78.35, -45.19, 14.7

 

CMYK 52 / 0 / 21 / 9

HEX #71E9B8

RGB 113 233 184

HSL 155.5, 0.73%, 0.68%

LAB 84.61, -45.13, 13.62

 

CMYK 48 / 0 / 19 / 2

HEX #82FBCB

RGB 130 251 203

HSL 156.2, 0.94%, 0.75%

LAB 90.8, -45.01, 12.61

 

CMYK 42 / 0 / 13 / 0

HEX #93FFDE

RGB 147 255 222

HSL 161.67, 1%, 0.79%

LAB 93.01, -38.65, 6.06

 

CMYK 36 / 0 / 5 / 0

HEX #A4FFF1

RGB 164 255 241

HSL 170.77, 1%, 0.82%

LAB 94.21, -30.18, -1.92

 

CMYK 58 / 0 / 21 / 16

HEX #5BD7AA

RGB 91 215 170

HSL 158.23, 0.61%, 0.6%

LAB 78.3, -45.15, 11.97

 

CMYK 62 / 0 / 23 / 23

HEX #4AC597

RGB 74 197 151

HSL 157.56, 0.51%, 0.53%

LAB 71.98, -45.03, 13.13

 

CMYK 68 / 0 / 26 / 30

HEX #39B384

RGB 57 179 132

HSL 156.89, 0.52%, 0.46%

LAB 65.57, -44.75, 14.4

 

CMYK 75 / 0 / 30 / 37

HEX #28A171

RGB 40 161 113

HSL 156.2, 0.6%, 0.39%

LAB 59.1, -44.21, 15.82

 

CMYK 84 / 0 / 34 / 44

HEX #178F5E

RGB 23 143 94

HSL 155.5, 0.72%, 0.33%

LAB 52.55, -43.27, 17.41

 

CMYK 58 / 0 / 21 / 16

HEX #5AD7AA

RGB 90 215 170

HSL 158.4, 0.61%, 0.6%

LAB 78.27, -45.35, 11.92

 

CMYK 58 / 0 / 37 / 16

HEX #5AD788

RGB 90 215 136

HSL 142.08, 0.61%, 0.6%

LAB 77.61, -52.21, 28.84

 

CMYK 58 / 0 / 53 / 16

HEX #5AD766

RGB 90 215 102

HSL 125.76, 0.61%, 0.6%

LAB 77.12, -57.53, 45.14

 

CMYK 48 / 0 / 58 / 16

HEX #70D75A

RGB 112 215 90

HSL 109.44, 0.61%, 0.6%

LAB 77.75, -53.27, 51.6

 

CMYK 33 / 0 / 58 / 16

HEX #91D75A

RGB 145 215 90

HSL 93.6, 0.61%, 0.6%

LAB 79.25, -42.78, 53.72

 

CMYK 58 / 0 / 21 / 16

HEX #5AD7AA

RGB 90 215 170

HSL 158.4, 0.61%, 0.6%

LAB 78.27, -45.35, 11.92

 

CMYK 58 / 0 / 6 / 16

HEX #5AD7CB

RGB 90 215 203

HSL 174.24, 0.61%, 0.6%

LAB 79.09, -37.39, -4.51

 

CMYK 58 / 10 / 0 / 16

HEX #5AC1D7

RGB 90 193 215

HSL 190.56, 0.61%, 0.6%

LAB 73.04, -23.52, -20.04

 

CMYK 58 / 26 / 0 / 16

HEX #5A9FD7

RGB 90 159 215

HSL 206.88, 0.61%, 0.6%

LAB 63.24, -5.41, -35.1

 

CMYK 58 / 41 / 0 / 16

HEX #5A7ED7

RGB 90 126 215

HSL 222.72, 0.61%, 0.6%

LAB 54.03, 13.93, -49.6

 

CMYK 58 / 0 / 21 / 16

HEX #5AD7AA

RGB 90 215 170

HSL 158.4, 0.61%, 0.6%

LAB 78.27, -45.35, 11.92

 

CMYK 68 / 0 / 25 / 9

HEX #4AE7AE

RGB 74 231 174

HSL 158.22, 0.77%, 0.6%

LAB 82.73, -53.91, 16.05

 

CMYK 77 / 0 / 28 / 3

HEX #39F8B3

RGB 57 248 179

HSL 158.32, 0.93%, 0.6%

LAB 87.61, -61.6, 20.22

 

CMYK 58 / 0 / 21 / 16

HEX #5AD7AA

RGB 90 215 170

HSL 158.4, 0.61%, 0.6%

LAB 78.27, -45.35, 11.92

 

CMYK 46 / 0 / 17 / 22

HEX #6BC6A5

RGB 107 198 165

HSL 158.24, 0.44%, 0.6%

LAB 73.69, -35.02, 8.16

 

CMYK 32 / 0 / 12 / 29

HEX #7BB6A1

RGB 123 182 161

HSL 158.64, 0.29%, 0.6%

LAB 69.64, -23.75, 4.61

 

CMYK 15 / 0 / 5 / 35

HEX #8CA59C

RGB 140 165 156

HSL 158.4, 0.12%, 0.6%

LAB 65.66, -10.53, 1.74

 

CMYK 0 / 4 / 3 / 39

HEX #9C9597

RGB 156 149 151

HSL 342.86, 0.03%, 0.6%

LAB 62.34, 2.94, -0.14

 

CMYK 58 / 0 / 52 / 16

HEX #5AD767

RGB 90 215 103

HSL 126.24, 0.61%, 0.6%

LAB 77.13, -57.39, 44.67

 

CMYK 58 / 0 / 37 / 16

HEX #5AD788

RGB 90 215 136

HSL 142.08, 0.61%, 0.6%

LAB 77.61, -52.21, 28.84

 

CMYK 58 / 0 / 21 / 16

HEX #5AD7A9

RGB 90 215 169

HSL 157.92, 0.61%, 0.6%

LAB 78.25, -45.57, 12.42

 

CMYK 58 / 0 / 6 / 16

HEX #5AD7CA

RGB 90 215 202

HSL 173.76, 0.61%, 0.6%

LAB 79.06, -37.65, -4.01

 

CMYK 58 / 10 / 0 / 16

HEX #5AC2D7

RGB 90 194 215

HSL 190.08, 0.61%, 0.6%

LAB 73.33, -24.02, -19.6

 

CMYK 76 / 0 / 27 / 30

HEX #2BB382

RGB 43 179 130

HSL 158.38, 0.61%, 0.44%

LAB 65.25, -47.25, 15

 

CMYK 72 / 0 / 27 / 19

HEX #39CF98

RGB 57 207 152

HSL 158, 0.61%, 0.52%

LAB 74.67, -51.67, 16.32

 

CMYK 58 / 0 / 21 / 16

HEX #5AD7AA

RGB 90 215 170

HSL 158.4, 0.61%, 0.6%

LAB 78.27, -45.35, 11.92

 

CMYK 45 / 0 / 16 / 13

HEX #7BDFBB

RGB 123 223 187

HSL 158.4, 0.61%, 0.68%

LAB 82.15, -37.66, 8.59

 

CMYK 32 / 0 / 12 / 9

HEX #9DE7CC

RGB 157 231 204

HSL 158.11, 0.61%, 0.76%

LAB 86.35, -28.62, 5.86

 

CMYK 58 / 0 / 21 / 16

HEX #5BD7AA

RGB 91 215 170

HSL 158.23, 0.61%, 0.6%

LAB 78.3, -45.15, 11.97

 

CMYK 58 / 48 / 0 / 16

HEX #5A6FD7

RGB 90 111 215

HSL 229.92, 0.61%, 0.6%

LAB 50.04, 23.13, -55.99

 

CMYK 0 / 45 / 58 / 16

HEX #D7775A

RGB 215 119 90

HSL 13.92, 0.61%, 0.6%

LAB 60.23, 34.74, 32.37

 

CMYK 58 / 0 / 21 / 16

HEX #5BD7AA

RGB 91 215 170

HSL 158.23, 0.61%, 0.6%

LAB 78.3, -45.15, 11.97

 

CMYK 21 / 58 / 0 / 16

HEX #A95AD7

RGB 169 90 215

HSL 277.92, 0.61%, 0.6%

LAB 52.57, 53.31, -51.53

 

CMYK 0 / 21 / 58 / 16

HEX #D7A95A

RGB 215 169 90

HSL 37.92, 0.61%, 0.6%

LAB 71.93, 7.93, 46.6

 

CMYK 58 / 0 / 21 / 16

HEX #5BD7AA

RGB 91 215 170

HSL 158.23, 0.61%, 0.6%

LAB 78.3, -45.15, 11.97

 

CMYK 58 / 48 / 0 / 16

HEX #5A6FD7

RGB 90 111 215

HSL 229.92, 0.61%, 0.6%

LAB 50.04, 23.13, -55.99

 

CMYK 0 / 58 / 37 / 16

HEX #D75A88

RGB 215 90 136

HSL 337.92, 0.61%, 0.6%

LAB 55.62, 53.47, -0.49

 

CMYK 0 / 10 / 58 / 16

HEX #D7C25A

RGB 215 194 90

HSL 49.92, 0.61%, 0.6%

LAB 78.33, -5.22, 53.97

 

CMYK 58 / 0 / 21 / 16

HEX #5BD7AA

RGB 91 215 170

HSL 158.23, 0.61%, 0.6%

LAB 78.3, -45.15, 11.97

 

CMYK 50 / 58 / 0 / 16

HEX #6B5AD7

RGB 107 90 215

HSL 248.16, 0.61%, 0.6%

LAB 46.1, 39.24, -62.27

 

CMYK 0 / 58 / 37 / 16

HEX #D75A88

RGB 215 90 136

HSL 337.92, 0.61%, 0.6%

LAB 55.62, 53.47, -0.49

 

CMYK 8 / 0 / 58 / 16

HEX #C6D75A

RGB 198 215 90

HSL 68.16, 0.61%, 0.6%

LAB 82.56, -22.74, 58.36

 

Description

Color code: HEX #5BD7AA | qconv.com Color code: HEX #5BD7AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 215 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 215 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 21 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 21% 16% C M Y K

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Provide designers and agencies with accurate color values.

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