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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BD358 it is the complementary color #A42CA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BD358. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BD358 shade: #60D353, #71E566, #82F779, #93FF8C and #A4FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BD358. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BD358 shade: #5BD358, #4AC145, #39AF32, #289D1F and #178B0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BD358 shade: #5CD359, #7DD359, #9ED359, #BED359 and #D3C659

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BD358 shade: #5CD359, #59D377, #59D398, #59D3B8 and #59CCD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BD358 shade matches the following richer shades: #5CD359, #4CE448 and #3CF437

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BD358 shade: #5CD359, #6CC26A, #7CB17B, #8DA08C and #9D8F9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BD358 shade: #9ED359, #7ED359, #5DD359, #59D376 and #59D396

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BD358 shade: #30AC2D, #3CCA39, #5CD359, #7CDB7A and #9CE49B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BD358 shade: #5BD358, #59BED3 and #D3598E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BD358 shade: #5BD358, #595DD3 and #D3595D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BD358 shade: #5BD358, #59BED3, #CF59D3 and #D36E59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BD358 shade: #5BD358, #599AD3, #CF59D3 and #D39259

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 58 / 17

HEX #5BD358

RGB 91 211 88

HSL 118.54, 0.58%, 0.59%

LAB 75.77, -57.54, 50.02

 

Complementary color

CMYK 2 / 74 / 0 / 35

HEX #A42CA7

RGB 164 44 167

HSL 298.54, 0.58%, 0.41%

LAB 41.98, 62.52, -40.54

 

CMYK 55 / 0 / 61 / 17

HEX #60D353

RGB 96 211 83

HSL 113.91, 0.59%, 0.58%

LAB 75.88, -56.84, 52.42

 

CMYK 51 / 0 / 55 / 10

HEX #71E566

RGB 113 229 102

HSL 114.8, 0.71%, 0.65%

LAB 82.11, -57.07, 51.29

 

CMYK 47 / 0 / 51 / 3

HEX #82F779

RGB 130 247 121

HSL 115.71, 0.89%, 0.72%

LAB 88.28, -57.15, 50.1

 

CMYK 42 / 0 / 45 / 0

HEX #93FF8C

RGB 147 255 140

HSL 116.35, 1%, 0.77%

LAB 91.51, -53.1, 45.29

 

CMYK 36 / 0 / 38 / 0

HEX #A4FF9F

RGB 164 255 159

HSL 116.88, 1%, 0.81%

LAB 92.54, -45.38, 37.51

 

CMYK 57 / 0 / 58 / 17

HEX #5BD358

RGB 91 211 88

HSL 118.54, 0.58%, 0.59%

LAB 75.77, -57.54, 50.02

 

CMYK 62 / 0 / 64 / 24

HEX #4AC145

RGB 74 193 69

HSL 117.58, 0.5%, 0.51%

LAB 69.49, -57.05, 51.12

 

CMYK 67 / 0 / 71 / 31

HEX #39AF32

RGB 57 175 50

HSL 116.64, 0.56%, 0.44%

LAB 63.14, -56.19, 51.93

 

CMYK 75 / 0 / 80 / 38

HEX #289D1F

RGB 40 157 31

HSL 115.71, 0.67%, 0.37%

LAB 56.75, -54.77, 52.12

 

CMYK 83 / 0 / 91 / 45

HEX #178B0C

RGB 23 139 12

HSL 114.8, 0.84%, 0.3%

LAB 50.3, -52.52, 51.07

 

CMYK 56 / 0 / 58 / 17

HEX #5CD359

RGB 92 211 89

HSL 118.52, 0.58%, 0.59%

LAB 75.81, -57.18, 49.63

 

CMYK 41 / 0 / 58 / 17

HEX #7DD359

RGB 125 211 89

HSL 102.3, 0.58%, 0.59%

LAB 77.08, -47.84, 51.43

 

CMYK 25 / 0 / 58 / 17

HEX #9ED359

RGB 158 211 89

HSL 86.07, 0.58%, 0.59%

LAB 78.8, -36.44, 53.84

 

CMYK 10 / 0 / 58 / 17

HEX #BED359

RGB 190 211 89

HSL 70.33, 0.58%, 0.59%

LAB 80.88, -24.09, 56.76

 

CMYK 0 / 6 / 58 / 17

HEX #D3C659

RGB 211 198 89

HSL 53.61, 0.58%, 0.59%

LAB 79.02, -9.02, 55.12

 

CMYK 56 / 0 / 58 / 17

HEX #5CD359

RGB 92 211 89

HSL 118.52, 0.58%, 0.59%

LAB 75.81, -57.18, 49.63

 

CMYK 58 / 0 / 44 / 17

HEX #59D377

RGB 89 211 119

HSL 134.75, 0.58%, 0.59%

LAB 76.1, -53.74, 35.52

 

CMYK 58 / 0 / 28 / 17

HEX #59D398

RGB 89 211 152

HSL 150.98, 0.58%, 0.59%

LAB 76.67, -47.71, 19.2

 

CMYK 58 / 0 / 13 / 17

HEX #59D3B8

RGB 89 211 184

HSL 166.72, 0.58%, 0.59%

LAB 77.38, -40.53, 3.17

 

CMYK 58 / 3 / 0 / 17

HEX #59CCD3

RGB 89 204 211

HSL 183.44, 0.58%, 0.59%

LAB 76.08, -30.26, -13.29

 

CMYK 56 / 0 / 58 / 17

HEX #5CD359

RGB 92 211 89

HSL 118.52, 0.58%, 0.59%

LAB 75.81, -57.18, 49.63

 

CMYK 67 / 0 / 68 / 11

HEX #4CE448

RGB 76 228 72

HSL 118.46, 0.74%, 0.59%

LAB 80.46, -68.31, 61.77

 

CMYK 75 / 0 / 77 / 4

HEX #3CF437

RGB 60 244 55

HSL 118.41, 0.9%, 0.59%

LAB 84.96, -77.14, 71.94

 

CMYK 56 / 0 / 58 / 17

HEX #5CD359

RGB 92 211 89

HSL 118.52, 0.58%, 0.59%

LAB 75.81, -57.18, 49.63

 

CMYK 44 / 0 / 45 / 24

HEX #6CC26A

RGB 108 194 106

HSL 118.64, 0.42%, 0.59%

LAB 71.43, -43.84, 36.26

 

CMYK 30 / 0 / 31 / 31

HEX #7CB17B

RGB 124 177 123

HSL 118.89, 0.26%, 0.59%

LAB 67.4, -28.33, 22.21

 

CMYK 12 / 0 / 13 / 37

HEX #8DA08C

RGB 141 160 140

HSL 117, 0.1%, 0.59%

LAB 63.92, -10.63, 8.18

 

CMYK 0 / 9 / 0 / 38

HEX #9D8F9D

RGB 157 143 157

HSL 300, 0.07%, 0.59%

LAB 61, 7.83, -5.5

 

CMYK 25 / 0 / 58 / 17

HEX #9ED359

RGB 158 211 89

HSL 86.07, 0.58%, 0.59%

LAB 78.8, -36.44, 53.84

 

CMYK 40 / 0 / 58 / 17

HEX #7ED359

RGB 126 211 89

HSL 101.8, 0.58%, 0.59%

LAB 77.13, -47.52, 51.49

 

CMYK 56 / 0 / 58 / 17

HEX #5DD359

RGB 93 211 89

HSL 118.03, 0.58%, 0.59%

LAB 75.85, -56.93, 49.67

 

CMYK 58 / 0 / 44 / 17

HEX #59D376

RGB 89 211 118

HSL 134.26, 0.58%, 0.59%

LAB 76.08, -53.9, 36

 

CMYK 58 / 0 / 29 / 17

HEX #59D396

RGB 89 211 150

HSL 150, 0.58%, 0.59%

LAB 76.63, -48.12, 20.2

 

CMYK 72 / 0 / 74 / 33

HEX #30AC2D

RGB 48 172 45

HSL 118.58, 0.59%, 0.43%

LAB 61.93, -57.3, 52.49

 

CMYK 70 / 0 / 72 / 21

HEX #3CCA39

RGB 60 202 57

HSL 118.76, 0.58%, 0.51%

LAB 71.89, -64.03, 58.34

 

CMYK 56 / 0 / 58 / 17

HEX #5CD359

RGB 92 211 89

HSL 118.52, 0.58%, 0.59%

LAB 75.81, -57.18, 49.63

 

CMYK 43 / 0 / 44 / 14

HEX #7CDB7A

RGB 124 219 122

HSL 118.76, 0.57%, 0.67%

LAB 79.81, -47.4, 39.03

 

CMYK 32 / 0 / 32 / 11

HEX #9CE49B

RGB 156 228 155

HSL 119.18, 0.57%, 0.75%

LAB 84.44, -36.52, 28.7

 

CMYK 57 / 0 / 58 / 17

HEX #5BD358

RGB 91 211 88

HSL 118.54, 0.58%, 0.59%

LAB 75.77, -57.54, 50.02

 

CMYK 58 / 10 / 0 / 17

HEX #59BED3

RGB 89 190 211

HSL 190.33, 0.58%, 0.59%

LAB 72, -23.35, -19.44

 

CMYK 0 / 58 / 33 / 17

HEX #D3598E

RGB 211 89 142

HSL 333.93, 0.58%, 0.59%

LAB 55.02, 53.36, -4.98

 

CMYK 57 / 0 / 58 / 17

HEX #5BD358

RGB 91 211 88

HSL 118.54, 0.58%, 0.59%

LAB 75.77, -57.54, 50.02

 

CMYK 58 / 56 / 0 / 17

HEX #595DD3

RGB 89 93 211

HSL 238.03, 0.58%, 0.59%

LAB 45.16, 32.74, -61.57

 

CMYK 0 / 58 / 56 / 17

HEX #D3595D

RGB 211 89 93

HSL 358.03, 0.58%, 0.59%

LAB 53.8, 48.47, 22.23

 

CMYK 57 / 0 / 58 / 17

HEX #5BD358

RGB 91 211 88

HSL 118.54, 0.58%, 0.59%

LAB 75.77, -57.54, 50.02

 

CMYK 58 / 10 / 0 / 17

HEX #59BED3

RGB 89 190 211

HSL 190.33, 0.58%, 0.59%

LAB 72, -23.35, -19.44

 

CMYK 2 / 58 / 0 / 17

HEX #CF59D3

RGB 207 89 211

HSL 298.03, 0.58%, 0.59%

LAB 57.19, 62.53, -41.62

 

CMYK 0 / 48 / 58 / 17

HEX #D36E59

RGB 211 110 89

HSL 10.33, 0.58%, 0.59%

LAB 57.77, 37.8, 29.7

 

CMYK 57 / 0 / 58 / 17

HEX #5BD358

RGB 91 211 88

HSL 118.54, 0.58%, 0.59%

LAB 75.77, -57.54, 50.02

 

CMYK 58 / 27 / 0 / 17

HEX #599AD3

RGB 89 154 211

HSL 208.03, 0.58%, 0.59%

LAB 61.6, -4.05, -35.43

 

CMYK 2 / 58 / 0 / 17

HEX #CF59D3

RGB 207 89 211

HSL 298.03, 0.58%, 0.59%

LAB 57.19, 62.53, -41.62

 

CMYK 0 / 31 / 58 / 17

HEX #D39259

RGB 211 146 89

HSL 28.03, 0.58%, 0.59%

LAB 65.85, 18.58, 39.74

 

Description

Color code: HEX #5BD358 | qconv.com Color code: HEX #5BD358 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 211 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 211 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 58 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 58% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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