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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BD3E1 it is the complementary color #A42C1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BD3E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BD3E1 shade: #60D3DC, #71E5EF, #82F7FF, #93FFFF and #A4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BD3E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BD3E1 shade: #5BD3E1, #4AC1CE, #39AFBB, #289DA8 and #178B95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BD3E1 shade: #5BD2E0, #5BAEE0, #5B8AE0, #5B66E0 and #735BE0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BD3E1 shade: #5BD2E0, #5BAEE0, #5B8AE0, #5B66E0 and #5B5BE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BD3E1 shade matches the following richer shades: #5BD2E0 and #4BDFF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BD3E1 shade: #5BD2E0, #6AC6D1, #7ABAC1, #8AADB1 and #99A1A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BD3E1 shade: #5BE0A7, #5BE0CA, #5BD3E0, #5BAFE0 and #5B8CE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BD3E1 shade: #24B4C5, #38C9DA, #5BD2E0, #7EDCE7 and #A0E5ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BD3E1 shade: #5BD3E1, #835BE0 and #E0B85B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BD3E1 shade: #5BD3E1, #E05BD3 and #D3E05B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BD3E1 shade: #5BD3E1, #835BE0, #E0685B and #B8E05B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BD3E1 shade: #5BD3E1, #AB5BE0, #E0685B and #90E05B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 6 / 0 / 12

HEX #5BD3E1

RGB 91 211 225

HSL 186.27, 0.69%, 0.62%

LAB 78.61, -29.39, -17

 

Complementary color

CMYK 0 / 73 / 82 / 36

HEX #A42C1E

RGB 164 44 30

HSL 6.27, 0.69%, 0.38%

LAB 37.46, 48.19, 37.28

 

CMYK 56 / 4 / 0 / 14

HEX #60D3DC

RGB 96 211 220

HSL 184.35, 0.64%, 0.62%

LAB 78.6, -29.87, -14.32

 

CMYK 53 / 4 / 0 / 6

HEX #71E5EF

RGB 113 229 239

HSL 184.76, 0.8%, 0.69%

LAB 84.88, -30.12, -14.93

 

CMYK 49 / 3 / 0 / 0

HEX #82F7FF

RGB 130 247 255

HSL 183.84, 1%, 0.75%

LAB 91, -31.07, -14.09

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 60 / 6 / 0 / 12

HEX #5BD3E1

RGB 91 211 225

HSL 186.27, 0.69%, 0.62%

LAB 78.61, -29.39, -17

 

CMYK 64 / 6 / 0 / 19

HEX #4AC1CE

RGB 74 193 206

HSL 185.91, 0.57%, 0.55%

LAB 72.26, -28.9, -16.36

 

CMYK 70 / 6 / 0 / 27

HEX #39AFBB

RGB 57 175 187

HSL 185.54, 0.53%, 0.48%

LAB 65.84, -28.24, -15.65

 

CMYK 76 / 7 / 0 / 34

HEX #289DA8

RGB 40 157 168

HSL 185.16, 0.62%, 0.41%

LAB 59.34, -27.33, -14.86

 

CMYK 85 / 7 / 0 / 42

HEX #178B95

RGB 23 139 149

HSL 184.76, 0.73%, 0.34%

LAB 52.75, -26.07, -13.97

 

CMYK 59 / 6 / 0 / 12

HEX #5BD2E0

RGB 91 210 224

HSL 186.32, 0.68%, 0.62%

LAB 78.29, -29.18, -16.95

 

CMYK 59 / 22 / 0 / 12

HEX #5BAEE0

RGB 91 174 224

HSL 202.56, 0.68%, 0.62%

LAB 67.93, -10.69, -32.78

 

CMYK 59 / 38 / 0 / 12

HEX #5B8AE0

RGB 91 138 224

HSL 218.8, 0.68%, 0.62%

LAB 57.83, 9.87, -48.61

 

CMYK 59 / 54 / 0 / 12

HEX #5B66E0

RGB 91 102 224

HSL 235.04, 0.68%, 0.62%

LAB 48.4, 31.82, -63.73

 

CMYK 49 / 59 / 0 / 12

HEX #735BE0

RGB 115 91 224

HSL 250.83, 0.68%, 0.62%

LAB 47.64, 42.9, -64.87

 

CMYK 59 / 6 / 0 / 12

HEX #5BD2E0

RGB 91 210 224

HSL 186.32, 0.68%, 0.62%

LAB 78.29, -29.18, -16.95

 

CMYK 59 / 22 / 0 / 12

HEX #5BAEE0

RGB 91 174 224

HSL 202.56, 0.68%, 0.62%

LAB 67.93, -10.69, -32.78

 

CMYK 59 / 38 / 0 / 12

HEX #5B8AE0

RGB 91 138 224

HSL 218.8, 0.68%, 0.62%

LAB 57.83, 9.87, -48.61

 

CMYK 59 / 54 / 0 / 12

HEX #5B66E0

RGB 91 102 224

HSL 235.04, 0.68%, 0.62%

LAB 48.4, 31.82, -63.73

 

CMYK 59 / 59 / 0 / 12

HEX #5B5BE0

RGB 91 91 224

HSL 240, 0.68%, 0.62%

LAB 45.75, 38.51, -68.01

 

CMYK 59 / 6 / 0 / 12

HEX #5BD2E0

RGB 91 210 224

HSL 186.32, 0.68%, 0.62%

LAB 78.29, -29.18, -16.95

 

CMYK 69 / 7 / 0 / 6

HEX #4BDFF0

RGB 75 223 240

HSL 186.18, 0.85%, 0.62%

LAB 82.14, -33.28, -19.7

 

CMYK 59 / 6 / 0 / 12

HEX #5BD2E0

RGB 91 210 224

HSL 186.32, 0.68%, 0.62%

LAB 78.29, -29.18, -16.95

 

CMYK 49 / 5 / 0 / 18

HEX #6AC6D1

RGB 106 198 209

HSL 186.41, 0.53%, 0.62%

LAB 74.86, -24.44, -13.97

 

CMYK 37 / 4 / 0 / 24

HEX #7ABAC1

RGB 122 186 193

HSL 185.92, 0.36%, 0.62%

LAB 71.63, -18.6, -10.03

 

CMYK 22 / 2 / 0 / 31

HEX #8AADB1

RGB 138 173 177

HSL 186.15, 0.2%, 0.62%

LAB 68.36, -10.93, -5.98

 

CMYK 6 / 1 / 0 / 36

HEX #99A1A2

RGB 153 161 162

HSL 186.67, 0.05%, 0.62%

LAB 65.65, -2.64, -1.51

 

CMYK 59 / 0 / 25 / 12

HEX #5BE0A7

RGB 91 224 167

HSL 154.29, 0.68%, 0.62%

LAB 80.92, -49.59, 17.23

 

CMYK 59 / 0 / 10 / 12

HEX #5BE0CA

RGB 91 224 202

HSL 170.08, 0.68%, 0.62%

LAB 81.73, -41.53, -0.1

 

CMYK 59 / 6 / 0 / 12

HEX #5BD3E0

RGB 91 211 224

HSL 185.86, 0.68%, 0.62%

LAB 78.58, -29.67, -16.52

 

CMYK 59 / 22 / 0 / 12

HEX #5BAFE0

RGB 91 175 224

HSL 202.11, 0.68%, 0.62%

LAB 68.22, -11.23, -32.34

 

CMYK 59 / 38 / 0 / 12

HEX #5B8CE0

RGB 91 140 224

HSL 217.89, 0.68%, 0.62%

LAB 58.38, 8.68, -47.74

 

CMYK 82 / 9 / 0 / 23

HEX #24B4C5

RGB 36 180 197

HSL 186.34, 0.69%, 0.46%

LAB 67.31, -29.91, -18.99

 

CMYK 74 / 8 / 0 / 15

HEX #38C9DA

RGB 56 201 218

HSL 186.3, 0.69%, 0.54%

LAB 74.62, -31.63, -19.34

 

CMYK 59 / 6 / 0 / 12

HEX #5BD2E0

RGB 91 210 224

HSL 186.32, 0.68%, 0.62%

LAB 78.29, -29.18, -16.95

 

CMYK 45 / 5 / 0 / 9

HEX #7EDCE7

RGB 126 220 231

HSL 186.29, 0.69%, 0.7%

LAB 82.59, -25.07, -14.09

 

CMYK 32 / 3 / 0 / 7

HEX #A0E5ED

RGB 160 229 237

HSL 186.23, 0.68%, 0.78%

LAB 86.81, -19.54, -10.79

 

CMYK 60 / 6 / 0 / 12

HEX #5BD3E1

RGB 91 211 225

HSL 186.27, 0.69%, 0.62%

LAB 78.61, -29.39, -17

 

CMYK 42 / 59 / 0 / 12

HEX #835BE0

RGB 131 91 224

HSL 258.05, 0.68%, 0.62%

LAB 49.12, 46.19, -62.4

 

CMYK 0 / 18 / 59 / 12

HEX #E0B85B

RGB 224 184 91

HSL 41.95, 0.68%, 0.62%

LAB 76.61, 3.83, 51.77

 

CMYK 60 / 6 / 0 / 12

HEX #5BD3E1

RGB 91 211 225

HSL 186.27, 0.69%, 0.62%

LAB 78.61, -29.39, -17

 

CMYK 0 / 59 / 6 / 12

HEX #E05BD3

RGB 224 91 211

HSL 305.86, 0.68%, 0.62%

LAB 59.92, 66.01, -37.16

 

CMYK 6 / 0 / 59 / 12

HEX #D3E05B

RGB 211 224 91

HSL 65.86, 0.68%, 0.62%

LAB 85.96, -21.82, 61.95

 

CMYK 60 / 6 / 0 / 12

HEX #5BD3E1

RGB 91 211 225

HSL 186.27, 0.69%, 0.62%

LAB 78.61, -29.39, -17

 

CMYK 42 / 59 / 0 / 12

HEX #835BE0

RGB 131 91 224

HSL 258.05, 0.68%, 0.62%

LAB 49.12, 46.19, -62.4

 

CMYK 0 / 54 / 59 / 12

HEX #E0685B

RGB 224 104 91

HSL 5.86, 0.68%, 0.62%

LAB 58.51, 45.81, 29.9

 

CMYK 18 / 0 / 59 / 12

HEX #B8E05B

RGB 184 224 91

HSL 78.05, 0.68%, 0.62%

LAB 84.1, -32.43, 59.36

 

CMYK 60 / 6 / 0 / 12

HEX #5BD3E1

RGB 91 211 225

HSL 186.27, 0.69%, 0.62%

LAB 78.61, -29.39, -17

 

CMYK 24 / 59 / 0 / 12

HEX #AB5BE0

RGB 171 91 224

HSL 276.09, 0.68%, 0.62%

LAB 53.52, 55.26, -55.1

 

CMYK 0 / 54 / 59 / 12

HEX #E0685B

RGB 224 104 91

HSL 5.86, 0.68%, 0.62%

LAB 58.51, 45.81, 29.9

 

CMYK 36 / 0 / 59 / 12

HEX #90E05B

RGB 144 224 91

HSL 96.09, 0.68%, 0.62%

LAB 81.84, -46.87, 56.21

 

Description

Color code: HEX #5BD3E1 | qconv.com Color code: HEX #5BD3E1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 211 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 211 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 6 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 6% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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