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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BE5D7 it is the complementary color #A41A28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BE5D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BE5D7 shade: #60E5D2, #71F7E5, #82FFF8, #93FFFF and #A4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BE5D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BE5D7 shade: #5BE5D7, #4AD3C4, #39C1B1, #28AF9E and #179D8B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BE5D7 shade: #5BE5D7, #5BE5B2, #5BE58D, #5BE568 and #74E55B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BE5D7 shade: #5BE5D7, #5BCEE5, #5BA9E5, #5B84E5 and #5B5EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BE5D7 shade matches the following richer shades: #5BE5D7 and #4CF4E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BE5D7 shade: #5BE5D7, #6BD6CB, #7AC6BF, #89B7B3 and #98A8A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BE5D7 shade: #5BE58B, #5BE5B0, #5BE5D5, #5BD0E5 and #5BACE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BE5D7 shade: #20CEBC, #38DFCE, #5BE5D7, #7FEBE0 and #A3F0E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BE5D7 shade: #5BE5D7, #675BE5 and #E59E5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BE5D7 shade: #5BE5D7, #D55BE5 and #E5D55B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BE5D7 shade: #5BE5D7, #675BE5, #E55B6B and #DAE55B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BE5D7 shade: #5BE5D7, #905BE5, #E55B6B and #B0E55B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 6 / 10

HEX #5BE5D7

RGB 91 229 215

HSL 173.91, 0.73%, 0.63%

LAB 83.53, -40.48, -4.34

 

Complementary color

CMYK 0 / 84 / 76 / 36

HEX #A41A28

RGB 164 26 40

HSL 353.91, 0.73%, 0.37%

LAB 35.57, 54.17, 29.48

 

CMYK 58 / 0 / 8 / 10

HEX #60E5D2

RGB 96 229 210

HSL 171.43, 0.72%, 0.64%

LAB 83.54, -40.86, -1.67

 

CMYK 54 / 0 / 7 / 3

HEX #71F7E5

RGB 113 247 229

HSL 171.94, 0.89%, 0.71%

LAB 89.71, -41.01, -2.52

 

CMYK 49 / 0 / 3 / 0

HEX #82FFF8

RGB 130 255 248

HSL 176.64, 1%, 0.75%

LAB 93.03, -36.55, -7.43

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 60 / 0 / 6 / 10

HEX #5BE5D7

RGB 91 229 215

HSL 173.91, 0.73%, 0.63%

LAB 83.53, -40.48, -4.34

 

CMYK 65 / 0 / 7 / 17

HEX #4AD3C4

RGB 74 211 196

HSL 173.43, 0.61%, 0.56%

LAB 77.3, -40.11, -3.44

 

CMYK 70 / 0 / 8 / 24

HEX #39C1B1

RGB 57 193 177

HSL 172.94, 0.54%, 0.49%

LAB 71, -39.57, -2.46

 

CMYK 77 / 0 / 10 / 31

HEX #28AF9E

RGB 40 175 158

HSL 172.44, 0.63%, 0.42%

LAB 64.63, -38.8, -1.36

 

CMYK 85 / 0 / 11 / 38

HEX #179D8B

RGB 23 157 139

HSL 171.94, 0.74%, 0.35%

LAB 58.19, -37.68, -0.14

 

CMYK 60 / 0 / 6 / 10

HEX #5BE5D7

RGB 91 229 215

HSL 173.91, 0.73%, 0.63%

LAB 83.53, -40.48, -4.34

 

CMYK 60 / 0 / 22 / 10

HEX #5BE5B2

RGB 91 229 178

HSL 157.83, 0.73%, 0.63%

LAB 82.63, -49.3, 13.87

 

CMYK 60 / 0 / 38 / 10

HEX #5BE58D

RGB 91 229 141

HSL 141.74, 0.73%, 0.63%

LAB 81.94, -56.6, 32.04

 

CMYK 60 / 0 / 55 / 10

HEX #5BE568

RGB 91 229 104

HSL 125.65, 0.73%, 0.63%

LAB 81.44, -62.17, 49.4

 

CMYK 49 / 0 / 60 / 10

HEX #74E55B

RGB 116 229 91

HSL 109.13, 0.73%, 0.63%

LAB 82.11, -57.46, 56.19

 

CMYK 60 / 0 / 6 / 10

HEX #5BE5D7

RGB 91 229 215

HSL 173.91, 0.73%, 0.63%

LAB 83.53, -40.48, -4.34

 

CMYK 60 / 10 / 0 / 10

HEX #5BCEE5

RGB 91 206 229

HSL 190, 0.73%, 0.63%

LAB 77.3, -25.8, -21.13

 

CMYK 60 / 26 / 0 / 10

HEX #5BA9E5

RGB 91 169 229

HSL 206.09, 0.73%, 0.63%

LAB 66.72, -6.38, -37.41

 

CMYK 60 / 42 / 0 / 10

HEX #5B84E5

RGB 91 132 229

HSL 222.17, 0.73%, 0.63%

LAB 56.47, 15.13, -53.57

 

CMYK 60 / 59 / 0 / 10

HEX #5B5EE5

RGB 91 94 229

HSL 238.7, 0.73%, 0.63%

LAB 46.83, 38.32, -69.1

 

CMYK 60 / 0 / 6 / 10

HEX #5BE5D7

RGB 91 229 215

HSL 173.91, 0.73%, 0.63%

LAB 83.53, -40.48, -4.34

 

CMYK 69 / 0 / 7 / 4

HEX #4CF4E3

RGB 76 244 227

HSL 173.93, 0.88%, 0.63%

LAB 87.86, -46.24, -4.31

 

CMYK 60 / 0 / 6 / 10

HEX #5BE5D7

RGB 91 229 215

HSL 173.91, 0.73%, 0.63%

LAB 83.53, -40.48, -4.34

 

CMYK 50 / 0 / 5 / 16

HEX #6BD6CB

RGB 107 214 203

HSL 173.83, 0.57%, 0.63%

LAB 79.35, -33.52, -4.07

 

CMYK 38 / 0 / 4 / 22

HEX #7AC6BF

RGB 122 198 191

HSL 174.47, 0.4%, 0.63%

LAB 75.01, -25.14, -3.93

 

CMYK 25 / 0 / 2 / 28

HEX #89B7B3

RGB 137 183 179

HSL 174.78, 0.24%, 0.63%

LAB 71.17, -16.05, -2.94

 

CMYK 10 / 0 / 1 / 34

HEX #98A8A6

RGB 152 168 166

HSL 172.5, 0.08%, 0.63%

LAB 67.6, -5.99, -0.89

 

CMYK 60 / 0 / 39 / 10

HEX #5BE58B

RGB 91 229 139

HSL 140.87, 0.73%, 0.63%

LAB 81.91, -56.95, 33.01

 

CMYK 60 / 0 / 23 / 10

HEX #5BE5B0

RGB 91 229 176

HSL 156.96, 0.73%, 0.63%

LAB 82.59, -49.74, 14.86

 

CMYK 60 / 0 / 7 / 10

HEX #5BE5D5

RGB 91 229 213

HSL 173.04, 0.73%, 0.63%

LAB 83.48, -40.99, -3.36

 

CMYK 60 / 9 / 0 / 10

HEX #5BD0E5

RGB 91 208 229

HSL 189.13, 0.73%, 0.63%

LAB 77.87, -26.78, -20.26

 

CMYK 60 / 25 / 0 / 10

HEX #5BACE5

RGB 91 172 229

HSL 204.78, 0.73%, 0.63%

LAB 67.57, -8.03, -36.09

 

CMYK 84 / 0 / 9 / 19

HEX #20CEBC

RGB 32 206 188

HSL 173.79, 0.73%, 0.47%

LAB 74.88, -44.8, -2.78

 

CMYK 75 / 0 / 8 / 13

HEX #38DFCE

RGB 56 223 206

HSL 173.89, 0.72%, 0.55%

LAB 80.78, -45.1, -3.71

 

CMYK 60 / 0 / 6 / 10

HEX #5BE5D7

RGB 91 229 215

HSL 173.91, 0.73%, 0.63%

LAB 83.53, -40.48, -4.34

 

CMYK 46 / 0 / 5 / 8

HEX #7FEBE0

RGB 127 235 224

HSL 173.89, 0.73%, 0.71%

LAB 86.66, -33.77, -4.35

 

CMYK 32 / 0 / 3 / 6

HEX #A3F0E8

RGB 163 240 232

HSL 173.77, 0.72%, 0.79%

LAB 89.83, -25.27, -3.69

 

CMYK 60 / 0 / 6 / 10

HEX #5BE5D7

RGB 91 229 215

HSL 173.91, 0.73%, 0.63%

LAB 83.53, -40.48, -4.34

 

CMYK 55 / 60 / 0 / 10

HEX #675BE5

RGB 103 91 229

HSL 245.22, 0.73%, 0.63%

LAB 47, 42.15, -68.77

 

CMYK 0 / 31 / 60 / 10

HEX #E59E5B

RGB 229 158 91

HSL 29.13, 0.73%, 0.63%

LAB 70.78, 19.73, 45.12

 

CMYK 60 / 0 / 6 / 10

HEX #5BE5D7

RGB 91 229 215

HSL 173.91, 0.73%, 0.63%

LAB 83.53, -40.48, -4.34

 

CMYK 7 / 60 / 0 / 10

HEX #D55BE5

RGB 213 91 229

HSL 293.04, 0.73%, 0.63%

LAB 59.24, 66.33, -48.47

 

CMYK 0 / 7 / 60 / 10

HEX #E5D55B

RGB 229 213 91

HSL 53.04, 0.73%, 0.63%

LAB 84.48, -9.04, 60.73

 

CMYK 60 / 0 / 6 / 10

HEX #5BE5D7

RGB 91 229 215

HSL 173.91, 0.73%, 0.63%

LAB 83.53, -40.48, -4.34

 

CMYK 55 / 60 / 0 / 10

HEX #675BE5

RGB 103 91 229

HSL 245.22, 0.73%, 0.63%

LAB 47, 42.15, -68.77

 

CMYK 0 / 60 / 53 / 10

HEX #E55B6B

RGB 229 91 107

HSL 353.04, 0.73%, 0.63%

LAB 57.27, 54.79, 19.2

 

CMYK 5 / 0 / 60 / 10

HEX #DAE55B

RGB 218 229 91

HSL 64.78, 0.73%, 0.63%

LAB 87.82, -21.43, 64.12

 

CMYK 60 / 0 / 6 / 10

HEX #5BE5D7

RGB 91 229 215

HSL 173.91, 0.73%, 0.63%

LAB 83.53, -40.48, -4.34

 

CMYK 37 / 60 / 0 / 10

HEX #905BE5

RGB 144 91 229

HSL 263.04, 0.73%, 0.63%

LAB 50.77, 50.3, -62.5

 

CMYK 0 / 60 / 53 / 10

HEX #E55B6B

RGB 229 91 107

HSL 353.04, 0.73%, 0.63%

LAB 57.27, 54.79, 19.2

 

CMYK 23 / 0 / 60 / 10

HEX #B0E55B

RGB 176 229 91

HSL 83.04, 0.73%, 0.63%

LAB 85.01, -37.73, 60.23

 

Description

Color code: HEX #5BE5D7 | qconv.com Color code: HEX #5BE5D7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 229 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 229 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 6 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 6% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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