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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BE04E it is the complementary color #A41FB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BE04E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BE04E shade: #60E049, #71F25C, #82FF6F, #93FF82 and #A4FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BE04E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BE04E shade: #5BE04E, #4ACE3B, #39BC28, #28AA15 and #179802

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BE04E shade: #5ADF4D, #81DF4D, #A9DF4D, #D0DF4D and #DFC74D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BE04E shade: #5ADF4D, #4DDF67, #4DDF8F, #4DDFB6 and #4DDFDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BE04E shade matches the following richer shades: #5ADF4D and #4CF03C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BE04E shade: #5ADF4D, #68CE5E, #76BD6F, #84AC80 and #919B90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BE04E shade: #A9DF4D, #82DF4D, #5BDF4D, #4DDF65 and #4DDF8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BE04E shade: #2EB920, #39D92A, #5ADF4D, #7AE570 and #9BEC93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BE04E shade: #5BE04E, #4DD0DF and #DF4D96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BE04E shade: #5BE04E, #4D5BDF and #DF4D5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BE04E shade: #5BE04E, #4DD0DF, #D04DDF and #DF5B4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BE04E shade: #5BE04E, #4DA5DF, #D04DDF and #DF874D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 65 / 12

HEX #5BE04E

RGB 91 224 78

HSL 114.66, 0.7%, 0.59%

LAB 79.66, -63.26, 58.68

 

Complementary color

CMYK 7 / 82 / 0 / 31

HEX #A41FB1

RGB 164 31 177

HSL 294.66, 0.7%, 0.41%

LAB 41.29, 67.92, -47.58

 

CMYK 57 / 0 / 67 / 12

HEX #60E049

RGB 96 224 73

HSL 110.86, 0.71%, 0.58%

LAB 79.77, -62.52, 60.82

 

CMYK 53 / 0 / 62 / 5

HEX #71F25C

RGB 113 242 92

HSL 111.6, 0.85%, 0.65%

LAB 85.9, -62.99, 60

 

CMYK 49 / 0 / 56 / 0

HEX #82FF6F

RGB 130 255 111

HSL 112.08, 1%, 0.72%

LAB 90.51, -61.39, 57.28

 

CMYK 42 / 0 / 49 / 0

HEX #93FF82

RGB 147 255 130

HSL 111.84, 1%, 0.75%

LAB 91.39, -54.4, 49.86

 

CMYK 36 / 0 / 42 / 0

HEX #A4FF95

RGB 164 255 149

HSL 111.51, 1%, 0.79%

LAB 92.39, -46.8, 42.22

 

CMYK 59 / 0 / 65 / 12

HEX #5BE04E

RGB 91 224 78

HSL 114.66, 0.7%, 0.59%

LAB 79.66, -63.26, 58.68

 

CMYK 64 / 0 / 71 / 19

HEX #4ACE3B

RGB 74 206 59

HSL 113.88, 0.6%, 0.52%

LAB 73.49, -62.47, 59.36

 

CMYK 70 / 0 / 79 / 26

HEX #39BC28

RGB 57 188 40

HSL 113.11, 0.65%, 0.45%

LAB 67.27, -61.26, 59.49

 

CMYK 76 / 0 / 88 / 33

HEX #28AA15

RGB 40 170 21

HSL 112.35, 0.78%, 0.37%

LAB 61.01, -59.43, 58.63

 

CMYK 85 / 0 / 99 / 40

HEX #179802

RGB 23 152 2

HSL 111.6, 0.97%, 0.3%

LAB 54.7, -56.79, 56.45

 

CMYK 60 / 0 / 65 / 13

HEX #5ADF4D

RGB 90 223 77

HSL 114.66, 0.7%, 0.59%

LAB 79.32, -63.23, 58.7

 

CMYK 42 / 0 / 65 / 13

HEX #81DF4D

RGB 129 223 77

HSL 98.63, 0.7%, 0.59%

LAB 80.73, -52.57, 60.63

 

CMYK 24 / 0 / 65 / 13

HEX #A9DF4D

RGB 169 223 77

HSL 82.19, 0.7%, 0.59%

LAB 82.78, -38.72, 63.43

 

CMYK 7 / 0 / 65 / 13

HEX #D0DF4D

RGB 208 223 77

HSL 66.16, 0.7%, 0.59%

LAB 85.36, -23.46, 66.93

 

CMYK 0 / 11 / 65 / 13

HEX #DFC74D

RGB 223 199 77

HSL 50.14, 0.7%, 0.59%

LAB 80.22, -5.29, 61.95

 

CMYK 60 / 0 / 65 / 13

HEX #5ADF4D

RGB 90 223 77

HSL 114.66, 0.7%, 0.59%

LAB 79.32, -63.23, 58.7

 

CMYK 65 / 0 / 54 / 13

HEX #4DDF67

RGB 77 223 103

HSL 130.68, 0.7%, 0.59%

LAB 79.23, -63.02, 47.14

 

CMYK 65 / 0 / 36 / 13

HEX #4DDF8F

RGB 77 223 143

HSL 147.12, 0.7%, 0.59%

LAB 79.8, -56.61, 28.12

 

CMYK 65 / 0 / 18 / 13

HEX #4DDFB6

RGB 77 223 182

HSL 163.15, 0.7%, 0.59%

LAB 80.59, -48.34, 8.81

 

CMYK 65 / 0 / 0 / 13

HEX #4DDFDE

RGB 77 223 222

HSL 179.59, 0.7%, 0.59%

LAB 81.64, -38.1, -10.9

 

CMYK 60 / 0 / 65 / 13

HEX #5ADF4D

RGB 90 223 77

HSL 114.66, 0.7%, 0.59%

LAB 79.32, -63.23, 58.7

 

CMYK 68 / 0 / 75 / 6

HEX #4CF03C

RGB 76 240 60

HSL 114.67, 0.86%, 0.59%

LAB 84.06, -73.06, 69.64

 

CMYK 60 / 0 / 65 / 13

HEX #5ADF4D

RGB 90 223 77

HSL 114.66, 0.7%, 0.59%

LAB 79.32, -63.23, 58.7

 

CMYK 50 / 0 / 54 / 19

HEX #68CE5E

RGB 104 206 94

HSL 114.64, 0.53%, 0.59%

LAB 74.76, -51.52, 46.18

 

CMYK 38 / 0 / 41 / 26

HEX #76BD6F

RGB 118 189 111

HSL 114.62, 0.37%, 0.59%

LAB 70.45, -37.83, 32.55

 

CMYK 23 / 0 / 26 / 33

HEX #84AC80

RGB 132 172 128

HSL 114.55, 0.21%, 0.59%

LAB 66.5, -22.24, 18.35

 

CMYK 6 / 0 / 7 / 39

HEX #919B90

RGB 145 155 144

HSL 114.55, 0.05%, 0.59%

LAB 62.91, -5.72, 4.53

 

CMYK 24 / 0 / 65 / 13

HEX #A9DF4D

RGB 169 223 77

HSL 82.19, 0.7%, 0.59%

LAB 82.78, -38.72, 63.43

 

CMYK 42 / 0 / 65 / 13

HEX #82DF4D

RGB 130 223 77

HSL 98.22, 0.7%, 0.59%

LAB 80.77, -52.25, 60.69

 

CMYK 59 / 0 / 65 / 13

HEX #5BDF4D

RGB 91 223 77

HSL 114.25, 0.7%, 0.59%

LAB 79.35, -63, 58.74

 

CMYK 65 / 0 / 55 / 13

HEX #4DDF65

RGB 77 223 101

HSL 129.86, 0.7%, 0.59%

LAB 79.21, -63.29, 48.04

 

CMYK 65 / 0 / 37 / 13

HEX #4DDF8C

RGB 77 223 140

HSL 145.89, 0.7%, 0.59%

LAB 79.75, -57.16, 29.59

 

CMYK 75 / 0 / 83 / 27

HEX #2EB920

RGB 46 185 32

HSL 114.51, 0.71%, 0.43%

LAB 66.05, -62.65, 60.55

 

CMYK 74 / 0 / 81 / 15

HEX #39D92A

RGB 57 217 42

HSL 114.86, 0.7%, 0.51%

LAB 76.47, -70.24, 67.58

 

CMYK 60 / 0 / 65 / 13

HEX #5ADF4D

RGB 90 223 77

HSL 114.66, 0.7%, 0.59%

LAB 79.32, -63.23, 58.7

 

CMYK 47 / 0 / 51 / 10

HEX #7AE570

RGB 122 229 112

HSL 114.87, 0.69%, 0.67%

LAB 82.56, -53.4, 47.28

 

CMYK 34 / 0 / 38 / 7

HEX #9BEC93

RGB 155 236 147

HSL 114.61, 0.7%, 0.75%

LAB 86.54, -41.65, 35.53

 

CMYK 59 / 0 / 65 / 12

HEX #5BE04E

RGB 91 224 78

HSL 114.66, 0.7%, 0.59%

LAB 79.66, -63.26, 58.68

 

CMYK 65 / 7 / 0 / 13

HEX #4DD0DF

RGB 77 208 223

HSL 186.16, 0.7%, 0.59%

LAB 77.29, -30.78, -17.95

 

CMYK 0 / 65 / 33 / 13

HEX #DF4D96

RGB 223 77 150

HSL 330, 0.7%, 0.59%

LAB 55.28, 63.02, -9.1

 

CMYK 59 / 0 / 65 / 12

HEX #5BE04E

RGB 91 224 78

HSL 114.66, 0.7%, 0.59%

LAB 79.66, -63.26, 58.68

 

CMYK 65 / 59 / 0 / 13

HEX #4D5BDF

RGB 77 91 223

HSL 234.25, 0.7%, 0.59%

LAB 44.78, 35.99, -69.06

 

CMYK 0 / 65 / 59 / 13

HEX #DF4D5B

RGB 223 77 91

HSL 354.25, 0.7%, 0.59%

LAB 53.76, 57.59, 23.72

 

CMYK 59 / 0 / 65 / 12

HEX #5BE04E

RGB 91 224 78

HSL 114.66, 0.7%, 0.59%

LAB 79.66, -63.26, 58.68

 

CMYK 65 / 7 / 0 / 13

HEX #4DD0DF

RGB 77 208 223

HSL 186.16, 0.7%, 0.59%

LAB 77.29, -30.78, -17.95

 

CMYK 7 / 65 / 0 / 13

HEX #D04DDF

RGB 208 77 223

HSL 293.84, 0.7%, 0.59%

LAB 56.13, 69.88, -50.07

 

CMYK 0 / 59 / 65 / 13

HEX #DF5B4D

RGB 223 91 77

HSL 5.75, 0.7%, 0.59%

LAB 55.79, 50.67, 34.38

 

CMYK 59 / 0 / 65 / 12

HEX #5BE04E

RGB 91 224 78

HSL 114.66, 0.7%, 0.59%

LAB 79.66, -63.26, 58.68

 

CMYK 65 / 26 / 0 / 13

HEX #4DA5DF

RGB 77 165 223

HSL 203.84, 0.7%, 0.59%

LAB 64.82, -8.54, -37.11

 

CMYK 7 / 65 / 0 / 13

HEX #D04DDF

RGB 208 77 223

HSL 293.84, 0.7%, 0.59%

LAB 56.13, 69.88, -50.07

 

CMYK 0 / 39 / 65 / 13

HEX #DF874D

RGB 223 135 77

HSL 23.84, 0.7%, 0.59%

LAB 64.61, 28.61, 44.8

 

Description

Color code: HEX #5BE04E | qconv.com Color code: HEX #5BE04E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 224 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 224 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 65 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 65% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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