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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BE085 it is the complementary color #A41F7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BE085. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BE085 shade: #60E080, #71F293, #82FFA6, #93FFB9 and #A4FFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BE085. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BE085 shade: #5BE085, #4ACE72, #39BC5F, #28AA4C and #179839

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BE085 shade: #5CDF85, #5CDF62, #79DF5C, #9DDF5C and #C0DF5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BE085 shade: #5CDF85, #5CDFA9, #5CDFCC, #5CCFDF and #5CACDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BE085 shade matches the following richer shades: #5CDF85 and #4CEF80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BE085 shade: #5CDF85, #6BD08B, #7BC091, #8BB097 and #9AA19C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BE085 shade: #7ADF5C, #5CDF60, #5CDF83, #5CDFA6 and #5CDFCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BE085 shade: #25C457, #39D96C, #5CDF85, #7EE69F and #A1EDB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BE085 shade: #5BE085, #5C9EDF and #DF5C69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BE085 shade: #5BE085, #835CDF and #DF835C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BE085 shade: #5BE085, #5C9EDF, #DF5CB8 and #DF9E5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BE085 shade: #5BE085, #5C76DF, #DF5CB8 and #DFC55C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 41 / 12

HEX #5BE085

RGB 91 224 133

HSL 138.95, 0.68%, 0.62%

LAB 80.31, -56.05, 33.94

 

Complementary color

CMYK 0 / 81 / 26 / 36

HEX #A41F7A

RGB 164 31 122

HSL 318.95, 0.68%, 0.38%

LAB 38.34, 59.74, -18.82

 

CMYK 57 / 0 / 43 / 12

HEX #60E080

RGB 96 224 128

HSL 135, 0.67%, 0.63%

LAB 80.38, -55.77, 36.57

 

CMYK 53 / 0 / 39 / 5

HEX #71F293

RGB 113 242 147

HSL 135.81, 0.83%, 0.7%

LAB 86.56, -55.8, 35.24

 

CMYK 49 / 0 / 35 / 0

HEX #82FFA6

RGB 130 255 166

HSL 137.28, 1%, 0.75%

LAB 91.24, -53.71, 32.06

 

CMYK 42 / 0 / 27 / 0

HEX #93FFB9

RGB 147 255 185

HSL 141.11, 1%, 0.79%

LAB 92.23, -45.98, 23.93

 

CMYK 36 / 0 / 20 / 0

HEX #A4FFCC

RGB 164 255 204

HSL 146.37, 1%, 0.82%

LAB 93.35, -37.78, 15.9

 

CMYK 59 / 0 / 41 / 12

HEX #5BE085

RGB 91 224 133

HSL 138.95, 0.68%, 0.62%

LAB 80.31, -56.05, 33.94

 

CMYK 64 / 0 / 45 / 19

HEX #4ACE72

RGB 74 206 114

HSL 138.18, 0.57%, 0.55%

LAB 74.07, -55.81, 35.35

 

CMYK 70 / 0 / 49 / 26

HEX #39BC5F

RGB 57 188 95

HSL 137.4, 0.53%, 0.48%

LAB 67.77, -55.32, 36.84

 

CMYK 76 / 0 / 55 / 33

HEX #28AA4C

RGB 40 170 76

HSL 136.62, 0.62%, 0.41%

LAB 61.41, -54.45, 38.38

 

CMYK 85 / 0 / 63 / 40

HEX #179839

RGB 23 152 57

HSL 135.81, 0.74%, 0.34%

LAB 55, -53.01, 39.9

 

CMYK 59 / 0 / 40 / 13

HEX #5CDF85

RGB 92 223 133

HSL 138.78, 0.67%, 0.62%

LAB 80.04, -55.44, 33.59

 

CMYK 59 / 0 / 56 / 13

HEX #5CDF62

RGB 92 223 98

HSL 122.75, 0.67%, 0.62%

LAB 79.58, -60.52, 49.95

 

CMYK 46 / 0 / 59 / 13

HEX #79DF5C

RGB 121 223 92

HSL 106.72, 0.67%, 0.62%

LAB 80.52, -53.6, 54

 

CMYK 30 / 0 / 59 / 13

HEX #9DDF5C

RGB 157 223 92

HSL 90.23, 0.67%, 0.62%

LAB 82.23, -41.87, 56.39

 

CMYK 14 / 0 / 59 / 13

HEX #C0DF5C

RGB 192 223 92

HSL 74.2, 0.67%, 0.62%

LAB 84.36, -28.79, 59.37

 

CMYK 59 / 0 / 40 / 13

HEX #5CDF85

RGB 92 223 133

HSL 138.78, 0.67%, 0.62%

LAB 80.04, -55.44, 33.59

 

CMYK 59 / 0 / 24 / 13

HEX #5CDFA9

RGB 92 223 169

HSL 155.27, 0.67%, 0.62%

LAB 80.69, -48.55, 15.87

 

CMYK 59 / 0 / 9 / 13

HEX #5CDFCC

RGB 92 223 204

HSL 171.3, 0.67%, 0.62%

LAB 81.52, -40.4, -1.47

 

CMYK 59 / 7 / 0 / 13

HEX #5CCFDF

RGB 92 207 223

HSL 187.33, 0.67%, 0.62%

LAB 77.42, -27.82, -17.72

 

CMYK 59 / 23 / 0 / 13

HEX #5CACDF

RGB 92 172 223

HSL 203.36, 0.67%, 0.62%

LAB 67.36, -9.72, -33.11

 

CMYK 59 / 0 / 40 / 13

HEX #5CDF85

RGB 92 223 133

HSL 138.78, 0.67%, 0.62%

LAB 80.04, -55.44, 33.59

 

CMYK 68 / 0 / 46 / 6

HEX #4CEF80

RGB 76 239 128

HSL 139.14, 0.84%, 0.62%

LAB 84.4, -65.23, 41.6

 

CMYK 59 / 0 / 40 / 13

HEX #5CDF85

RGB 92 223 133

HSL 138.78, 0.67%, 0.62%

LAB 80.04, -55.44, 33.59

 

CMYK 49 / 0 / 33 / 18

HEX #6BD08B

RGB 107 208 139

HSL 139.01, 0.52%, 0.62%

LAB 76.13, -44.71, 25.4

 

CMYK 36 / 0 / 24 / 25

HEX #7BC091

RGB 123 192 145

HSL 139.13, 0.35%, 0.62%

LAB 72.2, -31.86, 16.94

 

CMYK 21 / 0 / 14 / 31

HEX #8BB097

RGB 139 176 151

HSL 139.46, 0.19%, 0.62%

LAB 68.59, -17.64, 8.72

 

CMYK 4 / 0 / 3 / 37

HEX #9AA19C

RGB 154 161 156

HSL 137.14, 0.04%, 0.62%

LAB 65.56, -3.46, 1.73

 

CMYK 45 / 0 / 59 / 13

HEX #7ADF5C

RGB 122 223 92

HSL 106.26, 0.67%, 0.62%

LAB 80.56, -53.31, 54.06

 

CMYK 59 / 0 / 57 / 13

HEX #5CDF60

RGB 92 223 96

HSL 121.83, 0.67%, 0.62%

LAB 79.55, -60.76, 50.83

 

CMYK 59 / 0 / 41 / 13

HEX #5CDF83

RGB 92 223 131

HSL 137.86, 0.67%, 0.62%

LAB 80, -55.78, 34.56

 

CMYK 59 / 0 / 26 / 13

HEX #5CDFA6

RGB 92 223 166

HSL 153.89, 0.67%, 0.62%

LAB 80.63, -49.19, 17.35

 

CMYK 59 / 0 / 9 / 13

HEX #5CDFCA

RGB 92 223 202

HSL 170.38, 0.67%, 0.62%

LAB 81.46, -40.9, -0.48

 

CMYK 81 / 0 / 56 / 23

HEX #25C457

RGB 37 196 87

HSL 138.87, 0.68%, 0.46%

LAB 69.87, -62.09, 43.23

 

CMYK 74 / 0 / 50 / 15

HEX #39D96C

RGB 57 217 108

HSL 139.13, 0.68%, 0.54%

LAB 77.03, -63.58, 41.97

 

CMYK 59 / 0 / 40 / 13

HEX #5CDF85

RGB 92 223 133

HSL 138.78, 0.67%, 0.62%

LAB 80.04, -55.44, 33.59

 

CMYK 45 / 0 / 31 / 10

HEX #7EE69F

RGB 126 230 159

HSL 139.04, 0.68%, 0.7%

LAB 83.72, -45.53, 25.44

 

CMYK 32 / 0 / 22 / 7

HEX #A1EDB9

RGB 161 237 185

HSL 138.95, 0.68%, 0.78%

LAB 87.8, -33.96, 17.87

 

CMYK 59 / 0 / 41 / 12

HEX #5BE085

RGB 91 224 133

HSL 138.95, 0.68%, 0.62%

LAB 80.31, -56.05, 33.94

 

CMYK 59 / 29 / 0 / 13

HEX #5C9EDF

RGB 92 158 223

HSL 209.77, 0.67%, 0.62%

LAB 63.39, -1.92, -39.29

 

CMYK 0 / 59 / 53 / 13

HEX #DF5C69

RGB 223 92 105

HSL 354.05, 0.67%, 0.62%

LAB 56.45, 52.17, 19.09

 

CMYK 59 / 0 / 41 / 12

HEX #5BE085

RGB 91 224 133

HSL 138.95, 0.68%, 0.62%

LAB 80.31, -56.05, 33.94

 

CMYK 41 / 59 / 0 / 13

HEX #835CDF

RGB 131 92 223

HSL 257.86, 0.67%, 0.62%

LAB 49.26, 45.37, -61.6

 

CMYK 0 / 41 / 59 / 13

HEX #DF835C

RGB 223 131 92

HSL 17.86, 0.67%, 0.62%

LAB 63.91, 31.74, 36.11

 

CMYK 59 / 0 / 41 / 12

HEX #5BE085

RGB 91 224 133

HSL 138.95, 0.68%, 0.62%

LAB 80.31, -56.05, 33.94

 

CMYK 59 / 29 / 0 / 13

HEX #5C9EDF

RGB 92 158 223

HSL 209.77, 0.67%, 0.62%

LAB 63.39, -1.92, -39.29

 

CMYK 0 / 59 / 17 / 13

HEX #DF5CB8

RGB 223 92 184

HSL 317.86, 0.67%, 0.62%

LAB 58.79, 61.19, -23.54

 

CMYK 0 / 29 / 59 / 13

HEX #DF9E5C

RGB 223 158 92

HSL 30.23, 0.67%, 0.62%

LAB 70.12, 17.32, 43.66

 

CMYK 59 / 0 / 41 / 12

HEX #5BE085

RGB 91 224 133

HSL 138.95, 0.68%, 0.62%

LAB 80.31, -56.05, 33.94

 

CMYK 59 / 47 / 0 / 13

HEX #5C76DF

RGB 92 118 223

HSL 228.09, 0.67%, 0.62%

LAB 52.46, 21.85, -56.61

 

CMYK 0 / 59 / 17 / 13

HEX #DF5CB8

RGB 223 92 184

HSL 317.86, 0.67%, 0.62%

LAB 58.79, 61.19, -23.54

 

CMYK 0 / 12 / 59 / 13

HEX #DFC55C

RGB 223 197 92

HSL 48.09, 0.67%, 0.62%

LAB 79.84, -3.29, 54.96

 

Description

Color code: HEX #5BE085 | qconv.com Color code: HEX #5BE085 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 224 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 224 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 41 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 41% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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