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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5BF5CB it is the complementary color #A40A34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5BF5CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5BF5CB shade: #60F5C6, #71FFD9, #82FFEC, #93FFFF and #A4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5BF5CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5BF5CB shade: #5BF5CB, #4AE3B8, #39D1A5, #28BF92 and #17AD7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5BF5CB shade: #5BF5CB, #5BF5A1, #5BF578, #67F55B and #91F55B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5BF5CB shade: #5BF5CB, #5BF5F5, #5BCCF5, #5BA2F5 and #5B79F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5BF5CB shade matches the following richer shades: #5BF5CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5BF5CB shade: #5BF5CB, #69E7C5, #77D9BE, #85CBB8 and #93BDB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5BF5CB shade: #5BF577, #5BF5A0, #5BF5C9, #5BF5F2 and #5BCEF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5BF5CB shade: #0DF0B2, #34F3BF, #5BF5CB, #82F7D7 and #A9FAE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5BF5CB shade: #5BF5CB, #5B67F5 and #F58C5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5BF5CB shade: #5BF5CB, #C95BF5 and #F5C95B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5BF5CB shade: #5BF5CB, #5B67F5, #F55B86 and #F5E85B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5BF5CB shade: #5BF5CB, #7C5BF5, #F55B86 and #D4F55B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 17 / 4

HEX #5BF5CB

RGB 91 245 203

HSL 163.64, 0.89%, 0.66%

LAB 87.89, -50.34, 8.3

 

Complementary color

CMYK 0 / 94 / 68 / 36

HEX #A40A34

RGB 164 10 52

HSL 343.64, 0.89%, 0.34%

LAB 34.72, 57.69, 20.86

 

CMYK 61 / 0 / 19 / 4

HEX #60F5C6

RGB 96 245 198

HSL 161.07, 0.88%, 0.67%

LAB 87.91, -50.61, 10.93

 

CMYK 56 / 0 / 15 / 0

HEX #71FFD9

RGB 113 255 217

HSL 163.94, 1%, 0.72%

LAB 91.7, -47.34, 6.59

 

CMYK 49 / 0 / 7 / 0

HEX #82FFEC

RGB 130 255 236

HSL 170.88, 1%, 0.75%

LAB 92.72, -39.44, -1.69

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 63 / 0 / 17 / 4

HEX #5BF5CB

RGB 91 245 203

HSL 163.64, 0.89%, 0.66%

LAB 87.89, -50.34, 8.3

 

CMYK 67 / 0 / 19 / 11

HEX #4AE3B8

RGB 74 227 184

HSL 163.14, 0.73%, 0.59%

LAB 81.76, -50.01, 9.42

 

CMYK 73 / 0 / 21 / 18

HEX #39D1A5

RGB 57 209 165

HSL 162.63, 0.62%, 0.52%

LAB 75.57, -49.48, 10.64

 

CMYK 79 / 0 / 24 / 25

HEX #28BF92

RGB 40 191 146

HSL 162.12, 0.65%, 0.45%

LAB 69.32, -48.7, 11.99

 

CMYK 87 / 0 / 27 / 32

HEX #17AD7F

RGB 23 173 127

HSL 161.6, 0.77%, 0.38%

LAB 63.01, -47.56, 13.48

 

CMYK 63 / 0 / 17 / 4

HEX #5BF5CB

RGB 91 245 203

HSL 163.64, 0.89%, 0.66%

LAB 87.89, -50.34, 8.3

 

CMYK 63 / 0 / 34 / 4

HEX #5BF5A1

RGB 91 245 161

HSL 147.27, 0.89%, 0.66%

LAB 87.05, -59.15, 28.73

 

CMYK 63 / 0 / 51 / 4

HEX #5BF578

RGB 91 245 120

HSL 131.3, 0.89%, 0.66%

LAB 86.45, -65.78, 48.04

 

CMYK 58 / 0 / 63 / 4

HEX #67F55B

RGB 103 245 91

HSL 115.32, 0.89%, 0.66%

LAB 86.48, -66.59, 60.97

 

CMYK 41 / 0 / 63 / 4

HEX #91F55B

RGB 145 245 91

HSL 98.96, 0.89%, 0.66%

LAB 88.01, -55.12, 63.09

 

CMYK 63 / 0 / 17 / 4

HEX #5BF5CB

RGB 91 245 203

HSL 163.64, 0.89%, 0.66%

LAB 87.89, -50.34, 8.3

 

CMYK 63 / 0 / 0 / 4

HEX #5BF5F5

RGB 91 245 245

HSL 180, 0.89%, 0.66%

LAB 88.98, -39.8, -12.02

 

CMYK 63 / 17 / 0 / 4

HEX #5BCCF5

RGB 91 204 245

HSL 195.97, 0.89%, 0.66%

LAB 77.28, -20.07, -29.73

 

CMYK 63 / 34 / 0 / 4

HEX #5BA2F5

RGB 91 162 245

HSL 212.34, 0.89%, 0.66%

LAB 65.48, 2.73, -48.11

 

CMYK 63 / 51 / 0 / 4

HEX #5B79F5

RGB 91 121 245

HSL 228.31, 0.89%, 0.66%

LAB 54.54, 27.16, -65.56

 

CMYK 63 / 0 / 17 / 4

HEX #5BF5CB

RGB 91 245 203

HSL 163.64, 0.89%, 0.66%

LAB 87.89, -50.34, 8.3

 

CMYK 63 / 0 / 17 / 4

HEX #5BF5CB

RGB 91 245 203

HSL 163.64, 0.89%, 0.66%

LAB 87.89, -50.34, 8.3

 

CMYK 55 / 0 / 15 / 9

HEX #69E7C5

RGB 105 231 197

HSL 163.81, 0.72%, 0.66%

LAB 84.06, -43.11, 5.98

 

CMYK 45 / 0 / 12 / 15

HEX #77D9BE

RGB 119 217 190

HSL 163.47, 0.56%, 0.66%

LAB 80.33, -35.24, 4.36

 

CMYK 34 / 0 / 9 / 20

HEX #85CBB8

RGB 133 203 184

HSL 163.71, 0.4%, 0.66%

LAB 76.78, -26.2, 2.5

 

CMYK 22 / 0 / 6 / 26

HEX #93BDB1

RGB 147 189 177

HSL 162.86, 0.24%, 0.66%

LAB 73.4, -16.46, 1.48

 

CMYK 63 / 0 / 51 / 4

HEX #5BF577

RGB 91 245 119

HSL 130.91, 0.89%, 0.66%

LAB 86.44, -65.91, 48.5

 

CMYK 63 / 0 / 35 / 4

HEX #5BF5A0

RGB 91 245 160

HSL 146.88, 0.89%, 0.66%

LAB 87.03, -59.33, 29.22

 

CMYK 63 / 0 / 18 / 4

HEX #5BF5C9

RGB 91 245 201

HSL 162.86, 0.89%, 0.66%

LAB 87.85, -50.8, 9.27

 

CMYK 63 / 0 / 1 / 4

HEX #5BF5F2

RGB 91 245 242

HSL 178.83, 0.89%, 0.66%

LAB 88.89, -40.6, -10.58

 

CMYK 63 / 16 / 0 / 4

HEX #5BCEF5

RGB 91 206 245

HSL 195.19, 0.89%, 0.66%

LAB 77.85, -21.09, -28.86

 

CMYK 95 / 0 / 26 / 6

HEX #0DF0B2

RGB 13 240 178

HSL 163.61, 0.9%, 0.5%

LAB 84.8, -61.8, 16.76

 

CMYK 79 / 0 / 21 / 5

HEX #34F3BF

RGB 52 243 191

HSL 163.66, 0.89%, 0.58%

LAB 86.3, -57.51, 12.17

 

CMYK 63 / 0 / 17 / 4

HEX #5BF5CB

RGB 91 245 203

HSL 163.64, 0.89%, 0.66%

LAB 87.89, -50.34, 8.3

 

CMYK 47 / 0 / 13 / 3

HEX #82F7D7

RGB 130 247 215

HSL 163.59, 0.88%, 0.74%

LAB 89.94, -40.66, 5.16

 

CMYK 32 / 0 / 9 / 2

HEX #A9FAE3

RGB 169 250 227

HSL 162.96, 0.89%, 0.82%

LAB 92.73, -29.48, 3.19

 

CMYK 63 / 0 / 17 / 4

HEX #5BF5CB

RGB 91 245 203

HSL 163.64, 0.89%, 0.66%

LAB 87.89, -50.34, 8.3

 

CMYK 63 / 58 / 0 / 4

HEX #5B67F5

RGB 91 103 245

HSL 235.32, 0.89%, 0.66%

LAB 50.12, 38.11, -72.73

 

CMYK 0 / 43 / 63 / 4

HEX #F58C5B

RGB 245 140 91

HSL 19.09, 0.89%, 0.66%

LAB 68.7, 35.64, 43.12

 

CMYK 63 / 0 / 17 / 4

HEX #5BF5CB

RGB 91 245 203

HSL 163.64, 0.89%, 0.66%

LAB 87.89, -50.34, 8.3

 

CMYK 18 / 63 / 0 / 4

HEX #C95BF5

RGB 201 91 245

HSL 282.86, 0.89%, 0.66%

LAB 58.5, 66.57, -58.66

 

CMYK 0 / 18 / 63 / 4

HEX #F5C95B

RGB 245 201 91

HSL 42.86, 0.89%, 0.66%

LAB 82.88, 3.73, 59.38

 

CMYK 63 / 0 / 17 / 4

HEX #5BF5CB

RGB 91 245 203

HSL 163.64, 0.89%, 0.66%

LAB 87.89, -50.34, 8.3

 

CMYK 63 / 58 / 0 / 4

HEX #5B67F5

RGB 91 103 245

HSL 235.32, 0.89%, 0.66%

LAB 50.12, 38.11, -72.73

 

CMYK 0 / 63 / 45 / 4

HEX #F55B86

RGB 245 91 134

HSL 343.25, 0.89%, 0.66%

LAB 60.44, 62.22, 8.24

 

CMYK 0 / 5 / 63 / 4

HEX #F5E85B

RGB 245 232 91

HSL 54.94, 0.89%, 0.66%

LAB 90.73, -11.96, 67.86

 

CMYK 63 / 0 / 17 / 4

HEX #5BF5CB

RGB 91 245 203

HSL 163.64, 0.89%, 0.66%

LAB 87.89, -50.34, 8.3

 

CMYK 49 / 63 / 0 / 4

HEX #7C5BF5

RGB 124 91 245

HSL 252.86, 0.89%, 0.66%

LAB 49.93, 50.62, -72.92

 

CMYK 0 / 63 / 45 / 4

HEX #F55B86

RGB 245 91 134

HSL 343.25, 0.89%, 0.66%

LAB 60.44, 62.22, 8.24

 

CMYK 13 / 0 / 63 / 4

HEX #D4F55B

RGB 212 245 91

HSL 72.86, 0.89%, 0.66%

LAB 91.71, -31.36, 68.17

 

Description

Color code: HEX #5BF5CB | qconv.com Color code: HEX #5BF5CB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 245 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 245 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 17 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 17% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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