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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C1861 it is the complementary color #A3E79E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C1861. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C1861 shade: #61185C, #722A6F, #833C82, #944E95 and #A560A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C1861. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C1861 shade: #5C1861, #4B064E, #3A003B, #290028 and #180015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C1861 shade: #5C1861, #611853, #61183F, #61182B and #611818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C1861 shade: #5C1861, #491861, #351861, #211861 and #181861

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C1861 shade matches the following richer shades: #5C1861, #650E6B and #6D0475

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C1861 shade: #5C1861, #542258, #4B2C4E, #433644 and #3A403A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C1861 shade: #341861, #481861, #5B1861, #611854 and #611840

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C1861 shade: #1E071F, #3D1040, #5C1861, #7C2082 and #9B28A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C1861 shade: #5C1861, #612118 and #18613E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C1861 shade: #5C1861, #615B18 and #18615B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C1861 shade: #5C1861, #612118, #1E6118 and #185961

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C1861 shade: #5C1861, #613718, #1E6118 and #184361

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 75 / 0 / 62

HEX #5C1861

RGB 92 24 97

HSL 295.89, 0.6%, 0.24%

LAB 22.97, 40.58, -27.83

 

Complementary color

CMYK 29 / 0 / 32 / 9

HEX #A3E79E

RGB 163 231 158

HSL 115.89, 0.6%, 0.76%

LAB 85.71, -35.17, 28.93

 

CMYK 0 / 75 / 5 / 62

HEX #61185C

RGB 97 24 92

HSL 304.11, 0.6%, 0.24%

LAB 23.56, 40.91, -23.54

 

CMYK 0 / 63 / 3 / 55

HEX #722A6F

RGB 114 42 111

HSL 302.5, 0.46%, 0.31%

LAB 30.35, 41.15, -24.98

 

CMYK 0 / 54 / 1 / 49

HEX #833C82

RGB 131 60 130

HSL 300.85, 0.37%, 0.37%

LAB 37.24, 40.74, -25.91

 

CMYK 1 / 48 / 0 / 42

HEX #944E95

RGB 148 78 149

HSL 299.15, 0.31%, 0.45%

LAB 44.11, 40.08, -26.57

 

CMYK 2 / 43 / 0 / 34

HEX #A560A8

RGB 165 96 168

HSL 297.5, 0.29%, 0.52%

LAB 50.91, 39.33, -27.08

 

CMYK 5 / 75 / 0 / 62

HEX #5C1861

RGB 92 24 97

HSL 295.89, 0.6%, 0.24%

LAB 22.97, 40.58, -27.83

 

CMYK 4 / 92 / 0 / 69

HEX #4B064E

RGB 75 6 78

HSL 297.5, 0.86%, 0.16%

LAB 16.39, 39.14, -25.78

 

CMYK 2 / 100 / 0 / 77

HEX #3A003B

RGB 58 0 59

HSL 298.98, 1%, 0.12%

LAB 10.67, 34.42, -21.8

 

CMYK 0 / 100 / 2 / 84

HEX #290028

RGB 41 0 40

HSL 301.46, 1%, 0.08%

LAB 5.64, 26.21, -15.98

 

CMYK 0 / 100 / 13 / 91

HEX #180015

RGB 24 0 21

HSL 307.5, 1%, 0.05%

LAB 2.24, 11.31, -6.58

 

CMYK 5 / 75 / 0 / 62

HEX #5C1861

RGB 92 24 97

HSL 295.89, 0.6%, 0.24%

LAB 22.97, 40.58, -27.83

 

CMYK 0 / 75 / 14 / 62

HEX #611853

RGB 97 24 83

HSL 311.51, 0.6%, 0.24%

LAB 23.06, 39.37, -18.33

 

CMYK 0 / 75 / 35 / 62

HEX #61183F

RGB 97 24 63

HSL 327.95, 0.6%, 0.24%

LAB 22.14, 36.39, -6.17

 

CMYK 0 / 75 / 56 / 62

HEX #61182B

RGB 97 24 43

HSL 344.38, 0.6%, 0.24%

LAB 21.47, 34.14, 6.74

 

CMYK 0 / 75 / 75 / 62

HEX #611818

RGB 97 24 24

HSL 0, 0.6%, 0.24%

LAB 21.06, 32.73, 19.29

 

CMYK 5 / 75 / 0 / 62

HEX #5C1861

RGB 92 24 97

HSL 295.89, 0.6%, 0.24%

LAB 22.97, 40.58, -27.83

 

CMYK 25 / 75 / 0 / 62

HEX #491861

RGB 73 24 97

HSL 280.27, 0.6%, 0.24%

LAB 19.77, 36.01, -33.13

 

CMYK 45 / 75 / 0 / 62

HEX #351861

RGB 53 24 97

HSL 263.84, 0.6%, 0.24%

LAB 16.86, 31.59, -37.99

 

CMYK 66 / 75 / 0 / 62

HEX #211861

RGB 33 24 97

HSL 247.4, 0.6%, 0.24%

LAB 14.62, 27.96, -41.74

 

CMYK 75 / 75 / 0 / 62

HEX #181861

RGB 24 24 97

HSL 240, 0.6%, 0.24%

LAB 13.89, 26.71, -42.98

 

CMYK 5 / 75 / 0 / 62

HEX #5C1861

RGB 92 24 97

HSL 295.89, 0.6%, 0.24%

LAB 22.97, 40.58, -27.83

 

CMYK 6 / 87 / 0 / 58

HEX #650E6B

RGB 101 14 107

HSL 296.13, 0.77%, 0.24%

LAB 24.14, 47.73, -32.41

 

CMYK 7 / 97 / 0 / 54

HEX #6D0475

RGB 109 4 117

HSL 295.75, 0.93%, 0.24%

LAB 25.63, 53.09, -36.38

 

CMYK 5 / 75 / 0 / 62

HEX #5C1861

RGB 92 24 97

HSL 295.89, 0.6%, 0.24%

LAB 22.97, 40.58, -27.83

 

CMYK 5 / 61 / 0 / 65

HEX #542258

RGB 84 34 88

HSL 295.56, 0.44%, 0.24%

LAB 22.77, 31.86, -22.29

 

CMYK 4 / 44 / 0 / 69

HEX #4B2C4E

RGB 75 44 78

HSL 294.71, 0.28%, 0.24%

LAB 23.16, 20.75, -15.11

 

CMYK 1 / 21 / 0 / 73

HEX #433644

RGB 67 54 68

HSL 295.71, 0.11%, 0.24%

LAB 24.48, 8.75, -6.5

 

CMYK 9 / 0 / 9 / 75

HEX #3A403A

RGB 58 64 58

HSL 120, 0.05%, 0.24%

LAB 26.37, -3.87, 2.82

 

CMYK 46 / 75 / 0 / 62

HEX #341861

RGB 52 24 97

HSL 263.01, 0.6%, 0.24%

LAB 16.73, 31.38, -38.21

 

CMYK 26 / 75 / 0 / 62

HEX #481861

RGB 72 24 97

HSL 279.45, 0.6%, 0.24%

LAB 19.61, 35.77, -33.4

 

CMYK 6 / 75 / 0 / 62

HEX #5B1861

RGB 91 24 97

HSL 295.07, 0.6%, 0.24%

LAB 22.79, 40.34, -28.12

 

CMYK 0 / 75 / 13 / 62

HEX #611854

RGB 97 24 84

HSL 310.68, 0.6%, 0.24%

LAB 23.12, 39.53, -18.92

 

CMYK 0 / 75 / 34 / 62

HEX #611840

RGB 97 24 64

HSL 327.12, 0.6%, 0.24%

LAB 22.18, 36.52, -6.8

 

CMYK 3 / 77 / 0 / 88

HEX #1E071F

RGB 30 7 31

HSL 297.5, 0.63%, 0.07%

LAB 4.76, 14.66, -10.53

 

CMYK 5 / 75 / 0 / 75

HEX #3D1040

RGB 61 16 64

HSL 296.25, 0.6%, 0.16%

LAB 14.02, 29.24, -19.98

 

CMYK 5 / 75 / 0 / 62

HEX #5C1861

RGB 92 24 97

HSL 295.89, 0.6%, 0.24%

LAB 22.97, 40.58, -27.83

 

CMYK 5 / 75 / 0 / 49

HEX #7C2082

RGB 124 32 130

HSL 296.33, 0.6%, 0.32%

LAB 31.65, 51.3, -34.82

 

CMYK 5 / 75 / 0 / 36

HEX #9B28A3

RGB 155 40 163

HSL 296.1, 0.61%, 0.4%

LAB 39.8, 61.21, -41.7

 

CMYK 5 / 75 / 0 / 62

HEX #5C1861

RGB 92 24 97

HSL 295.89, 0.6%, 0.24%

LAB 22.97, 40.58, -27.83

 

CMYK 0 / 66 / 75 / 62

HEX #612118

RGB 97 33 24

HSL 7.4, 0.6%, 0.24%

LAB 22.64, 28.47, 21.14

 

CMYK 75 / 0 / 36 / 62

HEX #18613E

RGB 24 97 62

HSL 151.23, 0.6%, 0.24%

LAB 36.16, -31.19, 13.73

 

CMYK 5 / 75 / 0 / 62

HEX #5C1861

RGB 92 24 97

HSL 295.89, 0.6%, 0.24%

LAB 22.97, 40.58, -27.83

 

CMYK 0 / 6 / 75 / 62

HEX #615B18

RGB 97 91 24

HSL 55.07, 0.6%, 0.24%

LAB 38, -6.27, 37.46

 

CMYK 75 / 0 / 6 / 62

HEX #18615B

RGB 24 97 91

HSL 175.07, 0.6%, 0.24%

LAB 36.93, -23.25, -2.97

 

CMYK 5 / 75 / 0 / 62

HEX #5C1861

RGB 92 24 97

HSL 295.89, 0.6%, 0.24%

LAB 22.97, 40.58, -27.83

 

CMYK 0 / 66 / 75 / 62

HEX #612118

RGB 97 33 24

HSL 7.4, 0.6%, 0.24%

LAB 22.64, 28.47, 21.14

 

CMYK 69 / 0 / 75 / 62

HEX #1E6118

RGB 30 97 24

HSL 115.07, 0.6%, 0.24%

LAB 35.77, -36.13, 33.83

 

CMYK 75 / 8 / 0 / 62

HEX #185961

RGB 24 89 97

HSL 186.58, 0.6%, 0.24%

LAB 34.4, -16.98, -10.49

 

CMYK 5 / 75 / 0 / 62

HEX #5C1861

RGB 92 24 97

HSL 295.89, 0.6%, 0.24%

LAB 22.97, 40.58, -27.83

 

CMYK 0 / 43 / 75 / 62

HEX #613718

RGB 97 55 24

HSL 25.48, 0.6%, 0.24%

LAB 27.68, 15.78, 26.8

 

CMYK 69 / 0 / 75 / 62

HEX #1E6118

RGB 30 97 24

HSL 115.07, 0.6%, 0.24%

LAB 35.77, -36.13, 33.83

 

CMYK 75 / 31 / 0 / 62

HEX #184361

RGB 24 67 97

HSL 204.66, 0.6%, 0.24%

LAB 26.94, -3.64, -21.99

 

Description

Color code: HEX #5C1861 | qconv.com Color code: HEX #5C1861 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 24 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 24 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 75 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 75% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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