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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5C19AC it is the complementary color #A3E653. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5C19AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5C19AC shade: #6119A7, #722BBA, #833DCD, #944FE0 and #A561F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5C19AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5C19AC shade: #5C19AC, #4B0799, #3A0086, #290073 and #180060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5C19AC shade: #5C18AE, #8518AE, #AD18AE, #AE1886 and #AE185E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5C19AC shade: #5C18AE, #3418AE and #1818AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5C19AC shade matches the following richer shades: #5C18AE and #5B08BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5C19AC shade: #5C18AE, #5E289D, #5F398D, #61497D and #62596D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5C19AC shade: #1825AE, #3418AE, #5B18AE, #8318AE and #AB18AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5C19AC shade: #360E65, #491389, #5C18AE, #701ED2 and #8536E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5C19AC shade: #5C19AC, #AE184D and #18AE20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5C19AC shade: #5C19AC, #AE5B18 and #18AE5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5C19AC shade: #5C19AC, #AE184D, #6AAE18 and #18AE79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5C19AC shade: #5C19AC, #AE1820, #6AAE18 and #18AEA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 85 / 0 / 33

HEX #5C19AC

RGB 92 25 172

HSL 267.35, 0.75%, 0.39%

LAB 29.28, 57.08, -64.61

 

Complementary color

CMYK 29 / 0 / 64 / 10

HEX #A3E653

RGB 163 230 83

HSL 87.35, 0.75%, 0.61%

LAB 84.49, -43.54, 62.76

 

CMYK 42 / 85 / 0 / 35

HEX #6119A7

RGB 97 25 167

HSL 270.42, 0.74%, 0.38%

LAB 29.48, 56.55, -61.25

 

CMYK 39 / 77 / 0 / 27

HEX #722BBA

RGB 114 43 186

HSL 269.79, 0.62%, 0.45%

LAB 35.69, 57.04, -62.33

 

CMYK 36 / 70 / 0 / 20

HEX #833DCD

RGB 131 61 205

HSL 269.17, 0.59%, 0.52%

LAB 42.11, 56.75, -62.88

 

CMYK 34 / 65 / 0 / 12

HEX #944FE0

RGB 148 79 224

HSL 268.55, 0.7%, 0.59%

LAB 48.6, 56.08, -63.15

 

CMYK 32 / 60 / 0 / 5

HEX #A561F3

RGB 165 97 243

HSL 267.95, 0.86%, 0.67%

LAB 55.09, 55.23, -63.26

 

CMYK 47 / 85 / 0 / 33

HEX #5C19AC

RGB 92 25 172

HSL 267.35, 0.75%, 0.39%

LAB 29.28, 57.08, -64.61

 

CMYK 51 / 95 / 0 / 40

HEX #4B0799

RGB 75 7 153

HSL 267.95, 0.91%, 0.31%

LAB 23.5, 55.32, -62.67

 

CMYK 57 / 100 / 0 / 47

HEX #3A0086

RGB 58 0 134

HSL 265.97, 1%, 0.26%

LAB 18.46, 51.1, -59.26

 

CMYK 64 / 100 / 0 / 55

HEX #290073

RGB 41 0 115

HSL 261.39, 1%, 0.23%

LAB 13.88, 45.25, -54.76

 

CMYK 75 / 100 / 0 / 62

HEX #180060

RGB 24 0 96

HSL 255, 1%, 0.19%

LAB 9.31, 39.37, -49.89

 

CMYK 47 / 86 / 0 / 32

HEX #5C18AE

RGB 92 24 174

HSL 267.2, 0.76%, 0.39%

LAB 29.37, 57.88, -65.66

 

CMYK 24 / 86 / 0 / 32

HEX #8518AE

RGB 133 24 174

HSL 283.6, 0.76%, 0.39%

LAB 35.39, 63.69, -55.57

 

CMYK 1 / 86 / 0 / 32

HEX #AD18AE

RGB 173 24 174

HSL 299.6, 0.76%, 0.39%

LAB 42.14, 70.59, -44.35

 

CMYK 0 / 86 / 23 / 32

HEX #AE1886

RGB 174 24 134

HSL 316, 0.76%, 0.39%

LAB 40.2, 65.14, -23.21

 

CMYK 0 / 86 / 46 / 32

HEX #AE185E

RGB 174 24 94

HSL 332, 0.76%, 0.39%

LAB 38.66, 60.83, -0.48

 

CMYK 47 / 86 / 0 / 32

HEX #5C18AE

RGB 92 24 174

HSL 267.2, 0.76%, 0.39%

LAB 29.37, 57.88, -65.66

 

CMYK 70 / 86 / 0 / 32

HEX #3418AE

RGB 52 24 174

HSL 251.2, 0.76%, 0.39%

LAB 25.07, 54.04, -72.91

 

CMYK 86 / 86 / 0 / 32

HEX #1818AE

RGB 24 24 174

HSL 240, 0.76%, 0.39%

LAB 23.35, 52.6, -75.82

 

CMYK 47 / 86 / 0 / 32

HEX #5C18AE

RGB 92 24 174

HSL 267.2, 0.76%, 0.39%

LAB 29.37, 57.88, -65.66

 

CMYK 52 / 96 / 0 / 25

HEX #5B08BE

RGB 91 8 190

HSL 267.36, 0.92%, 0.39%

LAB 29.7, 65.14, -74.65

 

CMYK 47 / 86 / 0 / 32

HEX #5C18AE

RGB 92 24 174

HSL 267.2, 0.76%, 0.39%

LAB 29.37, 57.88, -65.66

 

CMYK 40 / 75 / 0 / 38

HEX #5E289D

RGB 94 40 157

HSL 267.69, 0.59%, 0.39%

LAB 30.23, 47.73, -53.97

 

CMYK 33 / 60 / 0 / 45

HEX #5F398D

RGB 95 57 141

HSL 267.14, 0.42%, 0.39%

LAB 32.44, 34.79, -40.6

 

CMYK 22 / 42 / 0 / 51

HEX #61497D

RGB 97 73 125

HSL 267.69, 0.26%, 0.39%

LAB 35.57, 21.48, -25.75

 

CMYK 10 / 18 / 0 / 57

HEX #62596D

RGB 98 89 109

HSL 267, 0.1%, 0.39%

LAB 39.32, 7.92, -10.08

 

CMYK 86 / 79 / 0 / 32

HEX #1825AE

RGB 24 37 174

HSL 234.8, 0.76%, 0.39%

LAB 25.48, 46.34, -72.28

 

CMYK 70 / 86 / 0 / 32

HEX #3418AE

RGB 52 24 174

HSL 251.2, 0.76%, 0.39%

LAB 25.07, 54.04, -72.91

 

CMYK 48 / 86 / 0 / 32

HEX #5B18AE

RGB 91 24 174

HSL 266.8, 0.76%, 0.39%

LAB 29.24, 57.76, -65.88

 

CMYK 25 / 86 / 0 / 32

HEX #8318AE

RGB 131 24 174

HSL 282.8, 0.76%, 0.39%

LAB 35.07, 63.37, -56.11

 

CMYK 2 / 86 / 0 / 32

HEX #AB18AE

RGB 171 24 174

HSL 298.8, 0.76%, 0.39%

LAB 41.79, 70.22, -44.93

 

CMYK 47 / 86 / 0 / 60

HEX #360E65

RGB 54 14 101

HSL 267.59, 0.76%, 0.23%

LAB 15.69, 37.74, -42.56

 

CMYK 47 / 86 / 0 / 46

HEX #491389

RGB 73 19 137

HSL 267.46, 0.76%, 0.31%

LAB 22.61, 47.98, -54.21

 

CMYK 47 / 86 / 0 / 32

HEX #5C18AE

RGB 92 24 174

HSL 267.2, 0.76%, 0.39%

LAB 29.37, 57.88, -65.66

 

CMYK 47 / 86 / 0 / 18

HEX #701ED2

RGB 112 30 210

HSL 267.33, 0.75%, 0.47%

LAB 36.04, 66.93, -75.81

 

CMYK 41 / 76 / 0 / 11

HEX #8536E2

RGB 133 54 226

HSL 267.56, 0.75%, 0.55%

LAB 42.94, 65.12, -73.57

 

CMYK 47 / 85 / 0 / 33

HEX #5C19AC

RGB 92 25 172

HSL 267.35, 0.75%, 0.39%

LAB 29.28, 57.08, -64.61

 

CMYK 0 / 86 / 56 / 32

HEX #AE184D

RGB 174 24 77

HSL 338.8, 0.76%, 0.39%

LAB 38.18, 59.45, 9.71

 

CMYK 86 / 0 / 82 / 32

HEX #18AE20

RGB 24 174 32

HSL 123.2, 0.76%, 0.39%

LAB 62.14, -62.06, 56.82

 

CMYK 47 / 85 / 0 / 33

HEX #5C19AC

RGB 92 25 172

HSL 267.35, 0.75%, 0.39%

LAB 29.28, 57.08, -64.61

 

CMYK 0 / 48 / 86 / 32

HEX #AE5B18

RGB 174 91 24

HSL 26.8, 0.76%, 0.39%

LAB 47.68, 29.5, 49.85

 

CMYK 86 / 0 / 48 / 32

HEX #18AE5B

RGB 24 174 91

HSL 146.8, 0.76%, 0.39%

LAB 62.69, -55.29, 32.37

 

CMYK 47 / 85 / 0 / 33

HEX #5C19AC

RGB 92 25 172

HSL 267.35, 0.75%, 0.39%

LAB 29.28, 57.08, -64.61

 

CMYK 0 / 86 / 56 / 32

HEX #AE184D

RGB 174 24 77

HSL 338.8, 0.76%, 0.39%

LAB 38.18, 59.45, 9.71

 

CMYK 39 / 0 / 86 / 32

HEX #6AAE18

RGB 106 174 24

HSL 87.2, 0.76%, 0.39%

LAB 64.49, -43.48, 61.86

 

CMYK 86 / 0 / 30 / 32

HEX #18AE79

RGB 24 174 121

HSL 158.8, 0.76%, 0.39%

LAB 63.22, -49.28, 17.06

 

CMYK 47 / 85 / 0 / 33

HEX #5C19AC

RGB 92 25 172

HSL 267.35, 0.75%, 0.39%

LAB 29.28, 57.08, -64.61

 

CMYK 0 / 86 / 82 / 32

HEX #AE1820

RGB 174 24 32

HSL 356.8, 0.76%, 0.39%

LAB 37.4, 57.18, 36.8

 

CMYK 39 / 0 / 86 / 32

HEX #6AAE18

RGB 106 174 24

HSL 87.2, 0.76%, 0.39%

LAB 64.49, -43.48, 61.86

 

CMYK 86 / 0 / 5 / 32

HEX #18AEA6

RGB 24 174 166

HSL 176.8, 0.76%, 0.39%

LAB 64.34, -37.46, -6.27

 

Description

Color code: HEX #5C19AC | qconv.com Color code: HEX #5C19AC | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 25 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 25 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 85 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 85% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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